Annotation:Rocket Hornpipe (The): Difference between revisions

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|f_annotation='''ROCKET HORNPIPE THE.''' Scottish (originally), Canadian; Hornpipe. Canada, Cape Breton. D Major (Kerr): F Major (Cranford/Holland). Standard tuning (fiddle). AABB. A 19th century hornpipe written in the ‘Newcastle’ style, according to Nigel Gatherer, with similarities to “[[Newcastle Hornpipe (1) (The)]]” composed by the principal proponent of the style, Tyneside fiddler-composer and publican James Hill. An untitled cognate version of the hornpipe was entered in the mid-19th century music manuscript (p. 47, No. 2) of William Winter[https://www.mustrad.org.uk/articles/winter.htm], a shoemaker and violin player who lived in West Bagborough in Somerset, southwest England.
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'''ROCKET HORNPIPE THE.''' Scottish, Hornpipe. D Major (Kerr): F Major (Cranford/Holland). Standard tuning (fiddle). AABB. A 19th century hornpipe written in the ‘Newcastle’ style, according to Nigel Gatherer, with similarities to “[[Newcastle Hornpipe (1) (The)]]” composed by the principal proponent of the style, Tyneside fiddler-composer and publican James Hill. Gatherer thinks the tune likely named in honor of Stephenson’s Rocket, an early steam locomotive of 1829-30. Another explanation might possibly be that in Ireland (and in Scotland?), especially in Limerick, a rocket was a little girls’ frock, adapted from the English-French ''rochet'' (P.W. Joyce). It was recorded by Shetland fiddler Arthur Scott Robertson (preceded by “[[College Hornpipe (The)]]”).
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Gatherer thinks the tune likely named in honor of Stephenson’s Rocket, an early steam locomotive of 1829-30. Another explanation might possibly be that in Ireland (and in Scotland?), especially in Limerick, a rocket was a little girls’ frock, adapted from the English-French ''rochet'' (P.W. Joyce). It was recorded by Shetland fiddler Arthur Scott Robertson (preceded by “[[College Hornpipe (The)]]”).
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|f_printed_sources=Cranford ('''Jerry Holland’s Collection'''), 1995; No. 147, p. 42. Honeyman ('''Strathspey, Reel and Hornpipe Tutor'''), 1898; p. 50. Kerr ('''Merry Melodies, vol. 1'''), c. 1880; p. 30 (appears as untitled hornpipe in D Major). Kerr ('''Collection of Merry Melodies Arranged for the Pianoforte'''), c. 1870’s; p. 27 (appears as untitled hornpipe in D Major). Laybourn ('''Köhler’s Violin Repository vol. 3'''), 1885; p. 262. Geoff Woolfe ('''William Winter’s Quantocks Tune Book'''), 2007; No. 197, p. 75 (ms. originally dated 1850).
== Additional notes ==
|f_recorded_sources=Rounder Records 7006, Theresa and Marie MacLellan - "Trip to Mabou Ridge" (1979). Rounder Records 7008, “Jerry Holland” (1976).  
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|f_see_also_listing=Alan Snyder's Cape Breton Fiddle Recordings Index [http://www.cbfiddle.com/rx/tune/t215.html]<br>
<font color=red>''Source for notated version''</font>: -
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<font color=red>''Printed sources''</font> : - Cranford ('''Jerry Holland’s Collection'''), 1995; No. 147, p. 42. Honeyman ('''Strathspey, Reel and Hornpipe Tutor'''), 1898; p. 50. Kerr ('''Merry Melodies, vol. 1'''), c. 1880; p. 30 (appears as untitled hornpipe in D Major). Kerr ('''Collection of Merry Melodies Arranged for the Pianoforte'''), c. 1870’s; p. 27 (appears as untitled hornpipe in D Major). Laybourn ('''Köhler’s Violin Repository vol. 3'''), 1885; p. 262.  
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<font color=red>''Recorded sources'': </font> <font color=teal> - Rounder Records, “Jerry Holland” (1976). </font>
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Latest revision as of 16:45, 19 July 2023




X:1 T:Rocket Hornpipe, The M:C| L:1/8 R:Hornpipe B:Köhler’s Violin Repository vol. 3 (1885, p. 262) Z:AK/Fiddler’s Companion K:F (3cde|f2F2F2 {a}g^f|g2G2G2 ga|bagf efga|ge c2c2 de| f2F2F2 {a}g^f|g2G2G2 ga|bagf efge|f2f2f2:| |:(cB)|Afcf afcA|Bfdf bfdB|Afcf afcB|A2G2G2 (cB)| Afcf afcA|Bfdf bfdB|bagf afge|[A2f2][A2f2][A2f2]:|]



ROCKET HORNPIPE THE. Scottish (originally), Canadian; Hornpipe. Canada, Cape Breton. D Major (Kerr): F Major (Cranford/Holland). Standard tuning (fiddle). AABB. A 19th century hornpipe written in the ‘Newcastle’ style, according to Nigel Gatherer, with similarities to “Newcastle Hornpipe (1) (The)” composed by the principal proponent of the style, Tyneside fiddler-composer and publican James Hill. An untitled cognate version of the hornpipe was entered in the mid-19th century music manuscript (p. 47, No. 2) of William Winter[1], a shoemaker and violin player who lived in West Bagborough in Somerset, southwest England.

Gatherer thinks the tune likely named in honor of Stephenson’s Rocket, an early steam locomotive of 1829-30. Another explanation might possibly be that in Ireland (and in Scotland?), especially in Limerick, a rocket was a little girls’ frock, adapted from the English-French rochet (P.W. Joyce). It was recorded by Shetland fiddler Arthur Scott Robertson (preceded by “College Hornpipe (The)”).


Additional notes



Printed sources : - Cranford (Jerry Holland’s Collection), 1995; No. 147, p. 42. Honeyman (Strathspey, Reel and Hornpipe Tutor), 1898; p. 50. Kerr (Merry Melodies, vol. 1), c. 1880; p. 30 (appears as untitled hornpipe in D Major). Kerr (Collection of Merry Melodies Arranged for the Pianoforte), c. 1870’s; p. 27 (appears as untitled hornpipe in D Major). Laybourn (Köhler’s Violin Repository vol. 3), 1885; p. 262. Geoff Woolfe (William Winter’s Quantocks Tune Book), 2007; No. 197, p. 75 (ms. originally dated 1850).

Recorded sources : - Rounder Records 7006, Theresa and Marie MacLellan - "Trip to Mabou Ridge" (1979). Rounder Records 7008, “Jerry Holland” (1976).

See also listing at :
Alan Snyder's Cape Breton Fiddle Recordings Index [2]



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