Come then all ye social powers: Difference between revisions

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X:137
T:Social Pow'rs. THO4.137, Ye
A:England; London
O:
M:6/8
L:1/8
Z:vmp. Peter Dunk 2010/11.from a transcription by Fynn Titford-Mock 2007
B:Thompson's Compleat Coll. of 200 Favourite Country Dances Vol.IV. 1773-80
Q:3/8=120
K:D
A2 A A2 G|F2 G A3|Bcd dcB|TB3A3|A2 A A2 G|F2 G A2 A|ABG FGE|D3D3:|
|:c2 d e2 A|c2 d (efg)|f2 d d2 d|Tc2 B A2 z|
d2 d c2 B|c2 d e2 e|f2 d (cB)c|d3 d3|
A2 A A2 G|F2 G A3|(Bcd) (dcB)|TB3A3|
A2 A A2 G|F2 G A2 A|(AB)G (FG)E|D3D3:|
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d2g g2e|f2g abc'|b2g fef|g3 g3:|]
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T:Social Powers. Roose.0067
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g2g g2e | dfg a3 | b2g gag | Tf3 d3 |
g2g g2e | dfg a3 | bag agf | g3 gfe !D.C.! |]
g2g g2e | dfg a3 | bag agf | g3 gfe !D.C.! |]
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Latest revision as of 02:29, 7 August 2023


Come then all ye social powers  Click on the tune title to see or modify Come then all ye social powers's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Come then all ye social powers
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 Theme code Index    5535 61H65
 Also known as    Once a Night, Ye Social Powers
 Composer/Core Source    
 Region    England
 Genre/Style    English
 Meter/Rhythm    Country Dance
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    6/8
 History    
 Structure    AABB
 Editor/Compiler    Biography:James Aird
 Book/Manuscript title    Book:Selection of Scotch English Irish and Foreign Airs vol. 3
 Tune and/or Page number    No. 407, p. 157
 Year of publication/Date of MS    1788
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   



Come then all ye social powers: Annotations

X:1 T:Social Powers M:6/8 L:1/8 R:Jig S:William Clark of Lincoln music manuscript collection (1770, No. 5) Z:AK/Fiddler’s Companion K:G d2d d2c|B2c d3|e2d gfe|e3d3| ded d2c|B2c d3|ded cBA|G3 G3:| |:g2g f2e|dfg a3|B2g gag|f3d3| g2g f2e|dfg a3|bag agf|g3 G3:|


X:137 T:Social Pow'rs. THO4.137, Ye A:England; London O: M:6/8 L:1/8 Z:vmp. Peter Dunk 2010/11.from a transcription by Fynn Titford-Mock 2007 B:Thompson's Compleat Coll. of 200 Favourite Country Dances Vol.IV. 1773-80 Q:3/8=120 K:D A2 A A2 G|F2 G A3|Bcd dcB|TB3A3|A2 A A2 G|F2 G A2 A|ABG FGE|D3D3:| |:c2 d e2 A|c2 d (efg)|f2 d d2 d|Tc2 B A2 z| d2 d c2 B|c2 d e2 e|f2 d (cB)c|d3 d3| A2 A A2 G|F2 G A3|(Bcd) (dcB)|TB3A3| A2 A A2 G|F2 G A2 A|(AB)G (FG)E|D3D3:|


X:1 T:Come then all ye social powers M:6/8 L:1/8 B:Aird - Selection of Scotch, English, Irish and Foreign Airs, vol. 3, 1799 (No. 407, p. 157) Z:AK/Fiddler's Companion K:G d2d d2c|B2c d3|efg gfe|Te3d3| (ded) d2c|B2c d2e|dec BcA|G3G3:| |:d2g g2e|f2g a3|b2g gag|f3d3| d2g g2e|f2g abc'|b2g fef|g3 g3:|]


X:32 T:Social Powers. Roose.0067 M:6/8 L:1/8 Q:3/8=110 B:John Roose MS, Manchester, 1850 Z:Village Music Project. Steve Mansfield, 2019 K:G d2d d2c | B2c d3 | e2d gfe | {f}e3 d3 | (ded) d2c | B2c d3 | ded cBA | G3 G3 :| g2g g2e | dfg a3 | b2g gag | Tf3 d3 | g2g g2e | dfg a3 | bag agf | g3 gfe !D.C.! |]


Come then all ye social powers: Annotations

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