Annotation:Careless Sally: Difference between revisions
(Created page with "[[{{BASEPAGENAME}}|Tune properties and standard notation]] ---- <p><font face="garamond, serif" size="4"> '''CARELESS SALLY'''. English, Country Dance Tune (4/4 time). England, Y...") |
No edit summary |
||
| (17 intermediate revisions by 3 users not shown) | |||
| Line 1: | Line 1: | ||
------------ | |||
---- | {{TuneAnnotation | ||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Careless_Sally > | |||
'''CARELESS SALLY'''. English, Country Dance Tune (4/4 time) | |f_annotation='''CARELESS SALLY'''. AKA and see "[[Bethel Quick Step]]." English, Country Dance Tune (4/4 time). G Major. Standard tuning (fiddle). AABB. The melody first appeared in print in Samuel, Ann and Peter Thompson's '''Thompson's Compleat Collection of 200 Favourite Country Dances''' vol. 5 (London, 1788). It appears in the music manuscript collections of several amateur musicians on both sides of the Atlantic: Lawrence Leadley (Helperby, Yorkshire, mid-19th cent.), William Winter (1774-1861, Somerset, c. 1850), Campbell ms., Edward Murphy (Newport, R.I., 1790), John Treat (Durham?, late 18th cent.) and Luther Kingsley (Mansfield, Conn., 1795). Dance figures for "Careless Sally" also appear in period manuscript collections in New England and New York, and in the publications '''A Select Collection of the Newest and Most Favorite Country Dances''' (Phinney, Ostego, N.Y., 1808) and '''A Treatise on Dancing''' (Saltator, Boston, Mass., 1807). Under the title "[[Bethel Quick Step]]" the tune was printed in Exeter, New Hampshire, in 1820 in Alvan Robinson Jr.'s '''Massachusetts collection of martial musick: containing a plain, easy and concise introduction to the grounds of martial musick''' (p. 62). | ||
<br> | <br> | ||
<br> | <br> | ||
Cecil Sharp noted a version of the tune as a generic "Hornpipe" from the playing of James Higgins, then resident at Shepton Mallet Workhouse--the tune is often called "[[Shepton Hornpipe]]/Shepton Mallet Hornpipe" today (c.f. playing of Somerset harmonica player Jim Small). | |||
"Careless Sally" was also entered into the 1840 music manuscript collection of multi-instrumentalist John Rook of Waverly, near Wigton, Cumbria, and in the mid-19th century music manuscript of William Winter (1774-1861), a shoemaker and violin player who lived in West Bagborough in Somerset, southwest England. Phillip Heath-Coleman [http://www.mustrad.org.uk/articles/waifs.htm] also finds other versions of the hornpipe (most noticeable in the 2nd strain) as "[[Goathland Square Eight (The)]]" and Henry Stuch's "[[Cuckoo's Nest]]". | |||
|f_source_for_notated_version=the MS collection compiled by fiddler Lawrence Leadley, 1827-1897 (Helperby, Yorkshire) [Merryweather & Seattle]. | |||
|f_printed_sources=Merryweather & Seattle ('''The Fiddler of Helperby'''), 1994; No. 110, p. 61. Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 5'''), 1788; p. 45. Geoff Woolfe ('''William Winter’s Quantocks Tune Book'''), 2007; No. 348, p. 122 (ms. originally dated 1850). | |||
|f_recorded_sources= | |||
|f_see_also_listing= | |||
'' | }} | ||
------------- | |||
---- | |||
Latest revision as of 19:32, 11 August 2023
X:1 T:Careless Sally M:C| L:1/8 R:Country Dance B:Samuel, Ann & Peter Thompson - Compleat Collection of 200 Favourite Country Dances, vol. 5 (London, 1788, p. 45) Z:AK/Fiddler's Companion K:G G/A/B/c/ dB cedG|AB cB/A/ GFGD|G/A/B/c/ dB cedG|AB cB/A/ GF G2:| |:gg gb/g/ ee e2|aa aa/g/fd d2|geea fddg|ecAd BG G2:|]
CARELESS SALLY. AKA and see "Bethel Quick Step." English, Country Dance Tune (4/4 time). G Major. Standard tuning (fiddle). AABB. The melody first appeared in print in Samuel, Ann and Peter Thompson's Thompson's Compleat Collection of 200 Favourite Country Dances vol. 5 (London, 1788). It appears in the music manuscript collections of several amateur musicians on both sides of the Atlantic: Lawrence Leadley (Helperby, Yorkshire, mid-19th cent.), William Winter (1774-1861, Somerset, c. 1850), Campbell ms., Edward Murphy (Newport, R.I., 1790), John Treat (Durham?, late 18th cent.) and Luther Kingsley (Mansfield, Conn., 1795). Dance figures for "Careless Sally" also appear in period manuscript collections in New England and New York, and in the publications A Select Collection of the Newest and Most Favorite Country Dances (Phinney, Ostego, N.Y., 1808) and A Treatise on Dancing (Saltator, Boston, Mass., 1807). Under the title "Bethel Quick Step" the tune was printed in Exeter, New Hampshire, in 1820 in Alvan Robinson Jr.'s Massachusetts collection of martial musick: containing a plain, easy and concise introduction to the grounds of martial musick (p. 62).
Cecil Sharp noted a version of the tune as a generic "Hornpipe" from the playing of James Higgins, then resident at Shepton Mallet Workhouse--the tune is often called "Shepton Hornpipe/Shepton Mallet Hornpipe" today (c.f. playing of Somerset harmonica player Jim Small).
"Careless Sally" was also entered into the 1840 music manuscript collection of multi-instrumentalist John Rook of Waverly, near Wigton, Cumbria, and in the mid-19th century music manuscript of William Winter (1774-1861), a shoemaker and violin player who lived in West Bagborough in Somerset, southwest England. Phillip Heath-Coleman [1] also finds other versions of the hornpipe (most noticeable in the 2nd strain) as "Goathland Square Eight (The)" and Henry Stuch's "Cuckoo's Nest".
