Big Pat: Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Big Pat
|f_tune_title=Big Pat
|f_aka=Big Pat's Dandy Reel, Big Pat's Reel, Tie the Ribbons (1), Trim the Bonnet, Jimmy the Creelmaker, Salamanca (3), Pigeon House (The), Dandy Reel (The), Hills of Clady (The), Clady Reel (The), O'Connell's Trip to Parliament (2)
|f_aka=Big Pat's Dandy Reel, Big Pat's Reel (1), Clady Reel (The), Dandy Reel (2) (The), Dublin Reel (2) (The), Hills of Clady (The), Jimmy the Creelmaker, Murtough Molloy, O'Connell's Trip to Parliament (2), Pigeon House (The), Reel (84), Salamanca (3), Tie the Ribbons (1), Trim the Bonnet
|f_country=Ireland, United States
|f_country=Ireland, United States
|f_genre=Contra, Irish
|f_genre=Contra, Irish
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|f_accidental=2 sharps
|f_accidental=2 sharps
|f_mode=Aeolian (minor)
|f_mode=Aeolian (minor)
|f_history=<b>USA</b>/New England
|f_history=USA(New England)
|f_structure=AABB
|f_structure=AABB
|f_book_title=Nelson Music Collection
|f_book_title=Nelson Music Collection
|f_collector=Newt Tolman,  
|f_collector=Newt Tolman,
|f_year=1969
|f_year=1969
|f_page=p. 163
|f_page=p. 163
|f_theme_code_index=3H61H3H 1H3H75
|f_theme_code_index=3H61H3H 1H3H75
|f_score=1
|f_player=John McKenna
|f_album=Roscommon Reels
|f_label=New Republic 2302
|f_recording_date=1922
|f_media=[[File:Roscommon Reels.mp3|thumb|"Roscommon Reels", Fire Patrolman John McKenna, 1924 (New Republic 2302). Medley consists of  Over The Moor to Maggie & Big Pat's Reel or Tie The Ribbons.]]
}}
}}
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|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
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|image_alt=Traditional universal music
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K:Bm
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ag|fdBc d2 fd|d2 fd ce A2|fdBc d2 fa|d'2 c'd' b2 ag|fdBc d2 fd|
ag|fdBc d2 fd|d2 fd ce A2|fdBc d2 fa|d'2 c'd' b2 ag|
d2 fd ce A2|fdBc defa|bd'c'd' b2::Bc|dcde fded|ceed cA A2|
fdBc d2 fd|d2 fd ce A2|fdBc defa|bd'c'd' b2:|
BABc d2 cB |AFEG FB, B,z|BAFA BABc|d2 fd cA A2|{fg}a2 af g2 ge|fdec d2:||
|:Bc|dcde fded|ceed cA A2|BABc d2 cB |AFEG FB, B,z|
 
BAFA BABc|d2 fd cA A2|{fg}a2 af g2 ge|fdec d2:||
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'''BIG PAT'S (DANDY) REEL'''. AKA and see "Tie the Ribbons [1]," "Trim the Bonnet," "Jimmy the Creelmaker," "Salamanca [3]," "The Pigeon House," "The Dandy Reel," "The Hills of Clady," "The Clady Reel," "O'Connell's Trip to Parliament [2]." Irish, Reel; New England, Hornpipe. E Minor (O'Neill): B Minor (Tolman). Standard tuning. AB (O'Neill/1850): AABB' (O'Neill/Krassen): AABB (Tolman).
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''Source for notated version'': Francis O'Neill learned the tune from an accomplished West Clare flute player (and Chicago police patrolman) named Patrick "Big Pat" O'Mahony, a man of prodigious physique of whom he said: "1/4the 'swing' of his execution was perfect, but instead of 'beating time' with his foot on the floor like most musicians he was never so much at ease as when seated in a chair tilted back against a wall, while both feet swung rhythmically like a double pendulum" [O'Neill, '''Irish Folk Music'''].
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''Printed source:'' O'Neill (Krassen), 1976; p. 94. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1979; No. 1192, p. 225. Tolman ('''Nelson Music Collection'''), 1969; p. 16 (appears as "Big Pat," a hornpipe).
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T:Big Pat's Reel
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R:Reel
R:Reel
K:G
K:G
(dc)|BGEF G2(BG)|G2(BG) (FA)D2|BGEFG2(Bd)|g2(fg)e2(dc)|BGEFG2(BG)|
(dc)|BGEF G2(BG)|G2(BG) (FA)D2|BGEFG2(Bd)|g2(fg)e2(dc)|
G2(BG)(FA)D2|BGEF GAB^d|egfge2||(ef)|gfga bgag|(fa)ag (fd) dz|
BGEFG2(BG)|G2(BG)(FA)D2|BGEF GAB^d|egfge2||
gfga bgag|fe^dfe2(ef)|gfga bgag|(fa)ag (fd) dz|g2(ge)f2(fd)|egfge2||
(ef)|gfga bgag|(fa)ag (fd) dz|gfga bgag|fe^dfe2(ef)|
 
gfga bgag|(fa)ag (fd) dz|g2(ge)f2(fd)|egfge2||
 
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__NORICHEDITOR__
X:1
T:Reel [84]
T:Untitled
N:Fr. John Quinn and Conor Ward find cognates in “Big Pat’s Reel,”
N:”Dandy Reel (The),” “Tie the Ribbons,” “Maids of Galway (The),” “Dublin
N:Lasses (The),” “Piper’s Chanter (The),” “Murtagh Molloy,” “Virginia Reel” etc.
M:C
L:1/8
R:Reel
B:Stephen Grier music manuscript  collection (Book 2, c. 1883, No. 243, p. 51)
B: http://grier.itma.ie/book-two#?c=0&m=0&s=0&cv=50&z=-195.5136%2C224.3791%2C3934.3469%2C1594.3287
N:Stephen Grier (c. 1824-1894) was a piper and fiddler from
N:Newpark, Bohey, Gortletteragh, south Co. Leitrim.
Z:AK/Fiddler’s Companion
K:Emin
d|BGEF G2 BG|G2 BG FAAc|BGEF G2 fa|gefd Ae e:|
f|gfga bgeg|fgag fedf|gfga bgef|gfed Beef|
gfga bgeg|fga fedf|g2 bg f2 af|gfed Be e2||
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Latest revision as of 03:19, 15 August 2023


Big Pat  Click on the tune title to see or modify Big Pat's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Big Pat
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 Theme code Index    3H61H3H 1H3H75
 Also known as    Big Pat's Dandy Reel, Big Pat's Reel (1), Clady Reel (The), Dandy Reel (2) (The), Dublin Reel (2) (The), Hills of Clady (The), Jimmy the Creelmaker, Murtough Molloy, O'Connell's Trip to Parliament (2), Pigeon House (The), Reel (84), Salamanca (3), Tie the Ribbons (1), Trim the Bonnet
 Composer/Core Source    
 Region    Ireland, United States
 Genre/Style    Contra, Irish
 Meter/Rhythm    Hornpipe/Clog, Reel (single/double)
 Key/Tonic of    B
 Accidental    2 sharps
 Mode    Aeolian (minor)
 Time signature    4/4
 History    USA(New England)
 Structure    AABB
 Editor/Compiler    Biography:Newt Tolman
 Book/Manuscript title    Book:Nelson Music Collection
 Tune and/or Page number    p. 163
 Year of publication/Date of MS    1969
 Artist    Biography:John McKenna
 Title of recording    Roscommon Reels
 Record label/Catalogue nr.    New Republic 2302
 Year recorded    1922
 Media    
"Roscommon Reels", Fire Patrolman John McKenna, 1924 (New Republic 2302). Medley consists of Over The Moor to Maggie & Big Pat's Reel or Tie The Ribbons.
 Score   (1)   



Big Pat: Annotations

X:1 T:Big Pat's M:C L:1/8 R:Hornpipe K:Bm ag|fdBc d2 fd|d2 fd ce A2|fdBc d2 fa|d'2 c'd' b2 ag| fdBc d2 fd|d2 fd ce A2|fdBc defa|bd'c'd' b2:| |:Bc|dcde fded|ceed cA A2|BABc d2 cB |AFEG FB, B,z| BAFA BABc|d2 fd cA A2|{fg}a2 af g2 ge|fdec d2:||


X:1 T:Big Pat's Reel M:C| L:1/8 R:Reel K:G (dc)|BGEF G2(BG)|G2(BG) (FA)D2|BGEFG2(Bd)|g2(fg)e2(dc)| BGEFG2(BG)|G2(BG)(FA)D2|BGEF GAB^d|egfge2|| (ef)|gfga bgag|(fa)ag (fd) dz|gfga bgag|fe^dfe2(ef)| gfga bgag|(fa)ag (fd) dz|g2(ge)f2(fd)|egfge2||


X:1 T:Reel [84] T:Untitled N:Fr. John Quinn and Conor Ward find cognates in “Big Pat’s Reel,” N:”Dandy Reel (The),” “Tie the Ribbons,” “Maids of Galway (The),” “Dublin N:Lasses (The),” “Piper’s Chanter (The),” “Murtagh Molloy,” “Virginia Reel” etc. M:C L:1/8 R:Reel B:Stephen Grier music manuscript collection (Book 2, c. 1883, No. 243, p. 51) B: http://grier.itma.ie/book-two#?c=0&m=0&s=0&cv=50&z=-195.5136%2C224.3791%2C3934.3469%2C1594.3287 N:Stephen Grier (c. 1824-1894) was a piper and fiddler from N:Newpark, Bohey, Gortletteragh, south Co. Leitrim. Z:AK/Fiddler’s Companion K:Emin d|BGEF G2 BG|G2 BG FAAc|BGEF G2 fa|gefd Ae e:| f|gfga bgeg|fgag fedf|gfga bgef|gfed Beef| gfga bgeg|fga fedf|g2 bg f2 af|gfed Be e2||


Big Pat: Annotations

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