Newcastle (1): Difference between revisions
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|f_accidental=1 sharp | |f_accidental=1 sharp | ||
|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_history=ENGLAND(London and South East) | |||
|f_structure=AA'B | |f_structure=AA'B | ||
|f_book_title=The English Dancing Master | |f_book_title=The English Dancing Master | ||
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|f_page=77 | |f_page=77 | ||
|f_theme_code_index=3111 3167 | |f_theme_code_index=3111 3167 | ||
|f_score=1 | |||
|f_player=The Broadside Band | |||
|f_album=John Playford's Popular Tunes | |||
|f_label=Amon Ra CDSAR 28 | |||
|f_recording_date=1952-1961 | |||
}} | }} | ||
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T:Newcastle [1] | T:Newcastle [1] | ||
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H:the interregnum. | H:the interregnum. | ||
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Latest revision as of 15:54, 22 August 2023
X:1 T:Newcastle [1] M:4/4 L:1/4 Q:200 H:Simpson feels that the surviving tune is not the one which had some H:currency in Elizabethan days. He points out that wrenchings of accent H:are necessary to accomplish the fit of Playford's dance tune to a H:curious fragment of text found in the 18th century Percy folio MS, a H:source of dubious authenticity itself. H:Came you not from H:Newcastle? H:Came yee not there away? &c H:It is quite possible that H:this dance was inspired by William, Duke of Newcastle, a royalist who H:remained in London and bent his interests towards the theatre during H:the interregnum. K:G BdGA|G>AGD|BdGd|eg2 f/2e/2|dBAG|Ee2 d/2c/2|dBA>G|1 G4:|2 G3 e/2f/2|| L:1/8 gfed g3B|A2 g4 A2|G3A B2F2|E2 e4 f2|gfed g3B|A2A2 c3d|e2B2 A3G|G8||