Annotation:Duvil's Hornpipe: Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''DUVIL'S HORNPIPE.''' American(?), Hornpipe (whole time). D Major. Standard tuning (fiddle). AB. New York music publisher and flute player Edward Riley's "Duvil's Hornpipe" likely has an Irish or Scottish provenance. The first strain is cognate with "[[Drummond Lasses (The)]]" although the second strains differ. Researcher Connor Ward posits that "[[Eleventh of October]]" is a cognate tune, and, when "Duvil's" is transposed to the key of 'A' the correspondences are compelling. Although there are melodic differences, there is a relational similarity in contour, cadence and structure that strongly suggest relatedness. | |f_annotation='''DUVIL'S HORNPIPE.''' American(?), Hornpipe (whole time). D Major. Standard tuning (fiddle). AB. New York music publisher and flute player Edward Riley's "Duvil's Hornpipe" likely has an Irish or Scottish provenance. The first strain is cognate with "[[Drummond Lasses (The)]]" although the second strains differ. Researcher Connor Ward posits that R.M. Levey's "[[Eleventh of October]]" is a cognate tune, and, when "Duvil's" is transposed to the key of 'A' the correspondences are compelling. Although there are melodic differences, there is a relational similarity in contour, cadence and structure that strongly suggest relatedness. | ||
|f_printed_sources=<span>Edward Riley ('''Flute Melodies vol. 1'''), 1814, No. 8</span> | |f_printed_sources=<span>Edward Riley ('''Flute Melodies vol. 1'''), 1814, No. 8</span> | ||
}} | }} | ||
Latest revision as of 02:44, 24 August 2023
X:1 T:Duvil's Hornpipe M:C L:1/8 R:Hornpipe B:Edward Riley - Flute Melodies vol. 1 (1814, No. 8) Z:AK/Fiddler's Companion K:D d2 fd adfd|d2 fd ce e2|d2 fd adfd|gbag fd d2:| |:d'c'd'a bgaf|gefd ce e2|d'c'd'a bgaf|gbag fd d2:|]
DUVIL'S HORNPIPE. American(?), Hornpipe (whole time). D Major. Standard tuning (fiddle). AB. New York music publisher and flute player Edward Riley's "Duvil's Hornpipe" likely has an Irish or Scottish provenance. The first strain is cognate with "Drummond Lasses (The)" although the second strains differ. Researcher Connor Ward posits that R.M. Levey's "Eleventh of October" is a cognate tune, and, when "Duvil's" is transposed to the key of 'A' the correspondences are compelling. Although there are melodic differences, there is a relational similarity in contour, cadence and structure that strongly suggest relatedness.
