Annotation:Oaken Leaves (1): Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Oaken_Leaves_(1) > | |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Oaken_Leaves_(1) > | ||
|f_annotation='''OAKEN LEAVES [1].''' AKA and see - "[[Touch and Take]]." English, Country Dance Tune (6/8 time). A Major. Standard tuning (fiddle). One part. The tune was originally printed by John Playford in his '''Dancing Master, second edition''' (1652), under the title "[[Touch and Take]] | |f_annotation='''OAKEN LEAVES [1].''' AKA and see - "[[Touch and Take]]." English, Country Dance Tune (6/8 time). A Major. Standard tuning (fiddle). One part. The tune was originally printed by John Playford in his '''Dancing Master, second edition''' (1652), under the title "[[Touch and Take]]," and retained under that title for editions 3a (1657) and 3b (1665). Later dance researchers and reconstructionists (such as Cecil Sharp) sometimes exchanged dance directions for a tune that they preferred instead of the one Playford printed with the tune. | ||
|f_source_for_notated_version= | |f_source_for_notated_version= | ||
|f_printed_sources=Karpeles & Schofield ('''A Selection of 100 English Folk Dance Airs'''), 1951; p. 16. | |f_printed_sources=Karpeles & Schofield ('''A Selection of 100 English Folk Dance Airs'''), 1951; p. 16. | ||
Latest revision as of 03:08, 12 September 2023
X: 1 T:Touch and Take T:Oaken Leaves [1] M:6/8 L:1/8 S:Sharp - Country Dance Tunes (1909) Z:AK/Fiddler's Companion K:A A>Bc d2A | d2e f>ed | e>fg ag2 | f3e3 | c2A F2B | G2E e2c | d>ef e>dc | B3A2z :|
OAKEN LEAVES [1]. AKA and see - "Touch and Take." English, Country Dance Tune (6/8 time). A Major. Standard tuning (fiddle). One part. The tune was originally printed by John Playford in his Dancing Master, second edition (1652), under the title "Touch and Take," and retained under that title for editions 3a (1657) and 3b (1665). Later dance researchers and reconstructionists (such as Cecil Sharp) sometimes exchanged dance directions for a tune that they preferred instead of the one Playford printed with the tune.
