Welcome to Your Feet Again: Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Welcome to Your Feet Again | |f_tune_title=Welcome to Your Feet Again | ||
|f_aka=Bonny Lass wi' the Tocher, Lady's Fancy (8), Mr. Foote's Favourite, Stay a Wee Bit Bonny Lad, Stay and take your breeches wi' ye (2), Stay and take the breiks with thee, Welcome to your foot again (1), Your welcome to your feet again, You're Welcome to Your Feet Again, | |f_aka=Bonny Lass wi' the Tocher, Lady's Fancy (8), Mr. Foote's Favourite, Soldier Lad or Anybody (A), Stay a Wee Bit Bonny Lad, Stay and take your breeches wi' ye (2), Stay and take the breiks with thee, Welcome to your foot again (1), Your welcome to your feet again, You're Welcome to Your Feet Again, | ||
|f_composer=John Riddle (?) | |f_composer=John Riddle (?) | ||
|f_country=Scotland, Canada | |f_country=Scotland, Canada | ||
Line 50: | Line 50: | ||
|:a|gc e/f/g/e/ fdde|gC e/f/g/e/ gcTge|f/e/f/g/ a/g/f/e/ fdde|cGAB cAG:|] | |:a|gc e/f/g/e/ fdde|gC e/f/g/e/ gcTge|f/e/f/g/ a/g/f/e/ fdde|cGAB cAG:|] | ||
<section end=X1 /> | <section end=X1 /> | ||
<section begin=X2 /> | |||
X:1 | |||
T:Soger Lad or any Bodie, A | |||
M:C| | |||
L:1/8 | |||
B:David Young – “A Collection of Scotch Airs with the latest Variations” (AKA - The | |||
B:McFarlane Manuscript (c. 1741, No. 192, p. 237) | |||
F: https://rmacd.com/music/macfarlane-manuscript/collection/pdfs/a_soger_lad_or_any_bodie.pdf | |||
N:The Society of Antiquaries of Scotland | |||
K:C | |||
C>E G>A c>E D>E|C/D/E/F/ G>A c/B/A/G/ c>E|F>G Ec d>E D>E|C>E G>A c/B/A/G/ Ac:| | |||
|:gcga g>e de|gcga gcge|f/e/f/g/ a/g/f/e/ dcde|c/B/A/G/ E/F/G/E/ cGAc:|] | |||
<section end=X2 /> | |||
<section begin=abc /> | <section begin=abc /> | ||
X:1 | X:1 | ||
T:Your welcome to your feet again | T:Your welcome to your feet again [1] | ||
M:C| | M:C| | ||
L:1/8 | L:1/8 | ||
Line 62: | Line 75: | ||
|:gcga gede|gcga gage|fage dcde|cGAG cGAc:|] | |:gcga gede|gcga gage|fage dcde|cGAG cGAc:|] | ||
<section end=abc /> | <section end=abc /> | ||
<section begin= | <section begin=X5 /> | ||
X:1 | X:1 | ||
T:Your welcome to your foot | T:Your welcome to your foot | ||
Line 79: | Line 92: | ||
gc3e3g agfe d2ef|gc3g3a g3age3|f3ge3f Td3cde3|cG3A3G cG3Aa3| | gc3e3g agfe d2ef|gc3g3a g3age3|f3ge3f Td3cde3|cG3A3G cG3Aa3| | ||
gc3e3g (agfe) d3e|gc3g3a g3age3|fefg agfe d3cde3|{B}c3GA3G cG3Ac3|| | gc3e3g (agfe) d3e|gc3g3a g3age3|fefg agfe d3cde3|{B}c3GA3G cG3Ac3|| | ||
<section end= | <section end=X5 /> | ||
<section begin= | <section begin=X8 /> | ||
X:1 | X:1 | ||
T:Welcome to Your Feet Again | T:Welcome to Your Feet Again [1] | ||
M:C | M:C | ||
L:1/8 | L:1/8 | ||
Line 91: | Line 104: | ||
F>Acd f>A G2|F>Acd f>c df|B>g A>f g>A G>A|F>Ac>d f>cd<f:| | F>Acd f>A G2|F>Acd f>c df|B>g A>f g>A G>A|F>Ac>d f>cd<f:| | ||
|:c'>f c'>d' c'>a g>a|c'>f c'>d' c'>d' c'>a|b>c' d'/c'/b/a/ g>f ga|f>c d>c f>c d<f:| | |:c'>f c'>d' c'>a g>a|c'>f c'>d' c'>d' c'>a|b>c' d'/c'/b/a/ g>f ga|f>c d>c f>c d<f:| | ||
<section end= | <section end=X8 /> | ||
<section begin= | <section begin=X13 /> | ||
X:1 | X:1 | ||
T:Lady’s Fancy | T:Lady’s Fancy | ||
T:Welcome to Your Feet Again | T:Welcome to Your Feet Again [1] | ||
M:C | M:C | ||
L:1/8 | L:1/8 | ||
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DFAF dF E2|DFAB dABd|GAFA dF E2|DFAB dABd:| | DFAF dF E2|DFAB dABd|GAFA dF E2|DFAB dABd:| | ||
|:adab g>fef|adab abaf|gafg edef|cBAB dABd:|] | |:adab g>fef|adab abaf|gafg edef|cBAB dABd:|] | ||
<section end= | <section end=X13 /> | ||
<section begin= | <section begin=X16 /> | ||
X:2 | X:2 | ||
T:Welcome to Your Feet Again | T:Welcome to Your Feet Again [1] | ||
M:C| | M:C| | ||
L:1/8 | L:1/8 | ||
Line 118: | Line 131: | ||
E|:C>EG>A cE D2|C>EG>A c<G A>G|F<cE<c d<E D>E||1 C>EG>A c>G A<c:|2 c>G A<a|| | E|:C>EG>A cE D2|C>EG>A c<G A>G|F<cE<c d<E D>E||1 C>EG>A c>G A<c:|2 c>G A<a|| | ||
|:g<c g>a g<c d>e|g<c g>a g>ag>e|f>g a/g/f/e/ d>=c d<e|1 c>GA>G c>GAa:|2 c>de>d c<GA<c|] | |:g<c g>a g<c d>e|g<c g>a g>ag>e|f>g a/g/f/e/ d>=c d<e|1 c>GA>G c>GAa:|2 c>de>d c<GA<c|] | ||
<section end= | <section end=X16 /> | ||
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | ||
<section begin=X1 /> | <section begin=X1 /> |
Latest revision as of 04:12, 23 September 2023
X:1 T:Welcome to your foot again (1) M:C| L:1/8 R:Reel B:David Young - The Drummond Castle Manuscript, Part 2 (1734, No. 44) B:https://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/drummond2.pdf Z:AK/Fiddler's Companion K:C E-|CE/F/ GE cEDE|C/D/E/F/ GE cAGE|FGEc dEDE|C/D/E/F/ GE cAG:| |:a|gc e/f/g/e/ fdde|gC e/f/g/e/ gcTge|f/e/f/g/ a/g/f/e/ fdde|cGAB cAG:|]
X:1
T:Soger Lad or any Bodie, A
M:C|
L:1/8
B:David Young – “A Collection of Scotch Airs with the latest Variations” (AKA - The
B:McFarlane Manuscript (c. 1741, No. 192, p. 237)
F: https://rmacd.com/music/macfarlane-manuscript/collection/pdfs/a_soger_lad_or_any_bodie.pdf
N:The Society of Antiquaries of Scotland
K:C
C>E G>A c>E D>E|C/D/E/F/ G>A c/B/A/G/ c>E|F>G Ec d>E D>E|C>E G>A c/B/A/G/ Ac:|
|:gcga g>e de|gcga gcge|f/e/f/g/ a/g/f/e/ dcde|c/B/A/G/ E/F/G/E/ cGAc:|]
X:1
T:Your welcome to your feet again [1]
M:C|
L:1/8
R:Reel
B:Robert Bremner - Collection of Scots Reels, Country Dances (1757, p. 14)
Z:AK/Fiddler's Companion
K:C
CEGA cED2|CEGA cGAc|FdEc dEDE|CEGA cGAc:|
|:gcga gede|gcga gage|fage dcde|cGAG cGAc:|]
X:1
T:Your welcome to your foot
M:C
L:1/16
R:Strathspey
B:Robert Mackintosh – “A Fourth Collection of New Strathspey Reels, also some Famous old Reels” (1804, p. 16)
N:Dedicated to the Dutchess [sic] of Manchester
N:Robert “Red Rob” Mackintosh (c. 1745-1808) was a Scottish violinist and
N:composer active in Edinburgh at the end of the 18th century. Originally from
N:Tullymet, near Pitlochry, Perthshire. He moved to London in the last decade
N:of his life.
Z:AK/Fiddler’s Companion
K:C
E2|C3EG3A c2E2 D4|C3EG3A cG3cE3|Fd3Ec3 d3E D4|C3EG3A c3G A2[c2a2]:|
gc3e3g agfe d2ef|gc3g3a g3age3|f3ge3f Td3cde3|cG3A3G cG3Aa3|
gc3e3g (agfe) d3e|gc3g3a g3age3|fefg agfe d3cde3|{B}c3GA3G cG3Ac3||
X:1
T:Welcome to Your Feet Again [1]
M:C
L:1/8
R:Reel
B:Sutherland - Edinburgh Repository of Music, vol. 1 (1818, p. 24)
Z:AK/Fiddler's Companion
K:F
F>Acd f>A G2|F>Acd f>c df|B>g A>f g>A G>A|F>Ac>d f>cd<f:|
|:c'>f c'>d' c'>a g>a|c'>f c'>d' c'>d' c'>a|b>c' d'/c'/b/a/ g>f ga|f>c d>c f>c d<f:|
X:1
T:Lady’s Fancy
T:Welcome to Your Feet Again [1]
M:C
L:1/8
R:Reel
N:No key signature in the ms.—perhaps Dmix
S:John Rook music manuscript collection (1840, p. 13)
N:Rook was a multi-instrumentalist from Waverton, near Wigton, Cumbria
Z:AK/Fiddler’s Companion
K:Ddor
DFAF dF E2|DFAB dABd|GAFA dF E2|DFAB dABd:|
|:adab g>fef|adab abaf|gafg edef|cBAB dABd:|]
X:2
T:Welcome to Your Feet Again [1]
M:C|
L:1/8
R:Strathspey
B:Stewart-Robertson – The Athole Collection (1884)
Z:AK/Fiddler’s Companion
K:C
E|:C>EG>A cE D2|C>EG>A c<G A>G|F<cE<c d<E D>E||1 C>EG>A c>G A<c:|2 c>G A<a||
|:g<c g>a g<c d>e|g<c g>a g>ag>e|f>g a/g/f/e/ d>=c d<e|1 c>GA>G c>GAa:|2 c>de>d c<GA<c|]