Morfa Rhuddlan: Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Morfa Rhuddlan | |f_tune_title=Morfa Rhuddlan | ||
|f_aka=Marsh of Rhuddlan (The), Rhuddlan Marsh, Morfa Rhyddlan, March of Rhyddlan (The) | |f_aka=Marsh of Rhuddlan (The), Rhuddlan Marsh, Morfa Rhyddlan, March of Rhyddlan (The), Merva Rhuddlan | ||
|f_country= | |f_country=Wales | ||
|f_genre=Welsh | |f_genre=Welsh | ||
|f_rhythm=Air/Lament/Listening Piece | |f_rhythm=Air/Lament/Listening Piece | ||
Line 9: | Line 9: | ||
|f_accidental=NONE | |f_accidental=NONE | ||
|f_mode=Aeolian (minor) | |f_mode=Aeolian (minor) | ||
|f_history= | |f_history=North Wales | ||
|f_structure=AAB | |f_structure=AAB | ||
|f_book_title=Musical and Poetical Relicks of the Welsh Bards | |f_book_title=Musical and Poetical Relicks of the Welsh Bards | ||
|f_collector=Edward Jones | |f_collector=Edward Jones | ||
|f_year=1784 | |f_year=1784 | ||
|f_page=pp. 50-53 | |||
|f_theme_code_index=113b 443b | |f_theme_code_index=113b 443b | ||
|f_score=1 | |||
}} | }} | ||
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---- | ---- | ||
< | <section begin=X1 /> | ||
X:1 | |||
T:Aria XXIV | |||
B:John Parry – Ancient British Music (1742) | |||
M:3/4 | |||
L:1/8 | |||
Q:"Largo" | |||
N:An early version of Edward Jones's “Morfa Rhuddlan” | |||
Z:AK/Fiddler’s Companion | |||
K:Gmin | |||
G2G2 de|c4 B2|ABcBAG|^F>=E D4|G2 GA BG|Tc2c2B2| | |||
A2d2T^F2|G6::B2d2c2|Bcdefd|cedBcA|B6:||:d2 Bc dB| | |||
c2 AB cA|BAGABc|d4 D2|TG3A Bd|Tc2c2B2|A2d2 T^F2|G6:| | |||
<section end=X1 /> | |||
<section begin=abc /> | |||
X:1 | X:1 | ||
T:Morfa Rhuddlan | T:Morfa Rhuddlan | ||
Line 26: | Line 58: | ||
R:Air | R:Air | ||
N:”A Welsh Air” | N:”A Welsh Air” | ||
Q:"Slow" | |||
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5 | B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5 | ||
B:(Glasgow, 1797, No. 43, p. 17) | B:(Glasgow, 1797, No. 43, p. 17) | ||
Line 37: | Line 69: | ||
e2 (cd) (ec)|(dc)(Bc) (dB)|(cB) (Ac) (BA)|^G2 E2 z2| | e2 (cd) (ec)|(dc)(Bc) (dB)|(cB) (Ac) (BA)|^G2 E2 z2| | ||
A2 (AB) (cd)|(de)(fe) (dc)|B2 A2 (B^G)|A4 z2|| | A2 (AB) (cd)|(de)(fe) (dc)|B2 A2 (B^G)|A4 z2|| | ||
</ | <section end=abc /> | ||
< | <section begin=X2 /> | ||
X:1 | X:1 | ||
T:Marsh of Rhyddlan, The | T:Marsh of Rhyddlan, The | ||
Line 54: | Line 86: | ||
BedcBA|B4 ~c2|d2 BcdB|cBABcA|B>AGBAG| | BedcBA|B4 ~c2|d2 BcdB|cBABcA|B>AGBAG| | ||
^F2D2z2|G2 GA Bd|c>dedcB|A2G2^F2|G6|| | ^F2D2z2|G2 GA Bd|c>dedcB|A2G2^F2|G6|| | ||
<section end=X2 /> | |||
<section begin=X5 /> | |||
X:1 | |||
R: | T:Morfa Rhuddlan | ||
M:3/4 | |||
L:1/8 | |||
R:Air | |||
Q:"Mournfully" | |||
B:John Thomas – Y Caniedydd Cymreig/The Cambrian Minstrel (1845, p. 23) | |||
Z:AK/Fiddler’s Companion | |||
Z: | K:Amin | ||
A2A2 e>f|d2d2c2|B2 Bc BA|GF E2z2|A2 AB ce|de fe dc| | |||
K: | e2^G2|A4z2|A2A2 e>f|d2d2 {ed}c2|B2 Bc BA|G>F E2z2| | ||
A2 AB ce|de fe dc|B2e2^G2|A4z2||e2 ef ge|d2 de fd|c2 cd/e/ dB| | |||
G2(GA) (Bd)| | c2c2z2|ed ef ge|dc de fd|ca gf ed|c4 z2|e2 cd e2|dc Bc dB| | ||
d2 de fd| | cB AB cd|e2E2z2|A2 AB ce|de fe dc|B2e2^G2|{FG}A4z2|| | ||
d2(de) (fe/d/)|c2(cd) (ed/c/)|(Be) (dc) (BA)|{A} | <section end=X5 /> | ||
d2(Bc) (dB)|cB AB cA| | <section begin=X8 /> | ||
X:1 | |||
</ | T:Morfa Rhuddlan | ||
---- | T:March of Rhuddlan, The | ||
=[[ANNOTATION:{{PAGENAME}}| | M:3/4 | ||
L:1/8 | |||
< | R:Air | ||
Q:”Elegiac” | |||
O:Welsh | |||
B:Edward Jones - ”A choice collection of 51 Welsh airs” (1863, p. 15) | |||
N:Edward Jones (1752-1824) advertised himself as "harper to his late Majesty | |||
N:King George the Fourth, when Prince of Wales." | |||
Z:AK/Fiddler’s Companion | |||
K:Gmin | |||
G2G2 (Bd)|c2c2B2|A2 AB AG|d2 D2^F2|G2 (GA) (Bd)| | |||
c2 ed cB|A2G2^F2|{^F}G4z2::d2 de fd|c2 cd ec| | |||
B2B2A2|A2B2 A2|d2 (de) (fe/d/)|c2 (cd) (ed/c/)| | |||
(Be) (dc) (BA)|{A}B4c2|d2 (Bc) (dB)|cB AB cA|B>A GB AG| | |||
^F2-D2z2|G2 GA Bd|(c>d) ed cB|A2G2 A^F|G6:| | |||
<section end=X8 /> | |||
<section begin=X11 /> | |||
X:1 | |||
T:Morfa Rhuddlan | |||
M:3/4 | |||
L:1/8 | |||
R:Air | |||
B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 620) | |||
B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf | |||
Z:AK/Fiddler’s Companion | |||
K:Gmin | |||
G2 G2 (Bd)|c2c2B2|A2 (AB) (AG)|d2 D2^F2|G2 (GA) (Bd)| | |||
c2 (ed) (cB)|{B}A2 G2^F2|^F2 G4::d2 (de) (fd)|c2 (cd) (ec)| | |||
B2B2A2|A2B2z2|d2 (de) (fe/d/)|c2 (cd) (ed/c/)|(Be) (dc) (BA)| | |||
{A}B3 c2|d2 (Bc) (dB)|(cB) (AB) (cA)|(BA) (GB) (AG)| | |||
^F2 D2 z2|G2 (GA) (Bc)|(cd) (ed) (cB)|{B}A2 G2 (A^F)|G6:| | |||
<section end=X11 /> | |||
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<section begin=X1 /> | |||
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | |||
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__NOTITLE__ |
Latest revision as of 04:29, 29 September 2023
X:1 T:Aria XXIV B:John Parry – Ancient British Music (1742) M:3/4 L:1/8 Q:"Largo" N:An early version of Edward Jones's “Morfa Rhuddlan” Z:AK/Fiddler’s Companion K:Gmin G2G2 de|c4 B2|ABcBAG|^F>=E D4|G2 GA BG|Tc2c2B2| A2d2T^F2|G6::B2d2c2|Bcdefd|cedBcA|B6:||:d2 Bc dB| c2 AB cA|BAGABc|d4 D2|TG3A Bd|Tc2c2B2|A2d2 T^F2|G6:|
X:1
T:Morfa Rhuddlan
M:3/4
L:1/8
R:Air
N:”A Welsh Air”
Q:"Slow"
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5
B:(Glasgow, 1797, No. 43, p. 17)
Z:AK/Fiddler’s Companion
K:Amin
A2A2 (ce)|d2d2c2|B2 (Bc) (BA)|e2 E2 ^G2|
A2 (AB) (ce)|d2 (fe) (dc)|{c}B2 A2 ^G2|^G2 A4:||
e2 (ef) (ge)|d2 (de) (fd)|c2c2B2|B2c2z2|
e2 (ef) (gf/e/)|d2 (de) (fe/d/)|(cf) (ed)(cB)|{B}c4 d2|
e2 (cd) (ec)|(dc)(Bc) (dB)|(cB) (Ac) (BA)|^G2 E2 z2|
A2 (AB) (cd)|(de)(fe) (dc)|B2 A2 (B^G)|A4 z2||
X:1
T:Marsh of Rhyddlan, The
T:Morfa Rhyddlan
M:3/4
L:1/8
R:Air
B:William Bingley - North Wales...delineated from two excursions, vol. 2 (1804).
N:From a section entitled "Sixteen Admired Welsh Airs" (p. 6)
Z:AK/Fiddler's Companion
K:GminD2
G2G2Bd|c2c2B2|A2- ABAG|d2D2^F2|G2- GABd|
c2edcB|A2G2^F2|{^F}G6::d2- defd|c2- cdec|
B4 A2|{A}B4 z2|(d2 d)e fe/d/|(c2c)d ed/c/|
BedcBA|B4 ~c2|d2 BcdB|cBABcA|B>AGBAG|
^F2D2z2|G2 GA Bd|c>dedcB|A2G2^F2|G6||
X:1
T:Morfa Rhuddlan
M:3/4
L:1/8
R:Air
Q:"Mournfully"
B:John Thomas – Y Caniedydd Cymreig/The Cambrian Minstrel (1845, p. 23)
Z:AK/Fiddler’s Companion
K:Amin
A2A2 e>f|d2d2c2|B2 Bc BA|GF E2z2|A2 AB ce|de fe dc|
e2^G2|A4z2|A2A2 e>f|d2d2 {ed}c2|B2 Bc BA|G>F E2z2|
A2 AB ce|de fe dc|B2e2^G2|A4z2||e2 ef ge|d2 de fd|c2 cd/e/ dB|
c2c2z2|ed ef ge|dc de fd|ca gf ed|c4 z2|e2 cd e2|dc Bc dB|
cB AB cd|e2E2z2|A2 AB ce|de fe dc|B2e2^G2|{FG}A4z2||
X:1
T:Morfa Rhuddlan
T:March of Rhuddlan, The
M:3/4
L:1/8
R:Air
Q:”Elegiac”
O:Welsh
B:Edward Jones - ”A choice collection of 51 Welsh airs” (1863, p. 15)
N:Edward Jones (1752-1824) advertised himself as "harper to his late Majesty
N:King George the Fourth, when Prince of Wales."
Z:AK/Fiddler’s Companion
K:Gmin
G2G2 (Bd)|c2c2B2|A2 AB AG|d2 D2^F2|G2 (GA) (Bd)|
c2 ed cB|A2G2^F2|{^F}G4z2::d2 de fd|c2 cd ec|
B2B2A2|A2B2 A2|d2 (de) (fe/d/)|c2 (cd) (ed/c/)|
(Be) (dc) (BA)|{A}B4c2|d2 (Bc) (dB)|cB AB cA|B>A GB AG|
^F2-D2z2|G2 GA Bd|(c>d) ed cB|A2G2 A^F|G6:|
X:1
T:Morfa Rhuddlan
M:3/4
L:1/8
R:Air
B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 620)
B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf
Z:AK/Fiddler’s Companion
K:Gmin
G2 G2 (Bd)|c2c2B2|A2 (AB) (AG)|d2 D2^F2|G2 (GA) (Bd)|
c2 (ed) (cB)|{B}A2 G2^F2|^F2 G4::d2 (de) (fd)|c2 (cd) (ec)|
B2B2A2|A2B2z2|d2 (de) (fe/d/)|c2 (cd) (ed/c/)|(Be) (dc) (BA)|
{A}B3 c2|d2 (Bc) (dB)|(cB) (AB) (cA)|(BA) (GB) (AG)|
^F2 D2 z2|G2 (GA) (Bc)|(cd) (ed) (cB)|{B}A2 G2 (A^F)|G6:|