Meillionen: Difference between revisions
(Created page with "{{Abctune |f_tune_title=Meillionen |f_aka=Sir Watkin's Delight |f_country=England |f_genre=Welsh |f_rhythm=Air/Lament/Listening Piece, Country Dance |f_time_signature=4/4, 2/2...") |
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{{Abctune | {{Abctune | ||
|f_tune_title=Meillionen | |f_tune_title=Meillionen | ||
|f_aka=Sir Watkin's Delight | |f_aka=Consêt Gwraig Meillionen, Delight of the Lady of Meillionen, Lady of Meillionen's Conceit, Meillionen o Feriony 'dd, Sir Watkin's Delight, Y Veillionen o Veirionydd, Yr Hen Veillionen | ||
|f_country= | |f_country=Wales | ||
|f_genre=Welsh | |f_genre=Welsh | ||
|f_rhythm=Air/Lament/Listening Piece, Country Dance | |f_rhythm=Air/Lament/Listening Piece, Country Dance | ||
Line 9: | Line 9: | ||
|f_accidental=2 sharps | |f_accidental=2 sharps | ||
|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_structure=One part | |f_structure=One part | ||
|f_book_title= | |f_book_title=Aria di Camera | ||
|f_collector= | |f_collector=Daniel Wright | ||
|f_year=c. | |f_year=c. 1727 | ||
|f_page= | |f_page=No. 48 | ||
|f_theme_code_index=1H3H74H 3H4H72H | |f_theme_code_index=1H3H74H 3H4H72H | ||
|f_score=1 | |||
}} | }} | ||
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<font face="sans-serif" size="4"> | |||
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< | <section begin=abc /> | ||
X:1 | X:1 | ||
T:Meillionen o Feriony ‘dd | |||
M:C | |||
L:1/8 | |||
Q:"Very Slow" | |||
B:Daniel Wright – Aria di Camera (London, 1727, No. 48) | |||
N:”being A Choice Collection of Scotch, Irish & Welsh Airs | |||
N:for the Violin and German Flute by the following masters | |||
N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick | |||
N:Mr. Hugh Edwards of Carmarthen” | |||
F: https://ia600808.us.archive.org/20/items/AriaDiCamera1727/Wright-AriaDiCamera-1727.pdf | |||
Z:AK/Fiddler’s Companion | |||
K:D | |||
A|d2 fe/d/ c/d/e/f/ gg|f2 g/f/e/d/ Tc>d e/f/g/e/|da fe/d/ c/d/e/f/ ga/g/|Tf2 e>d d2:| | |||
f/g/|ad cd|e3 f/g/|a2 g/f/e/d/ c/d/e/f/ g/e/d/c/|d>e fg a/g/f/e/ fe/d/| | |||
Tg>a ba g/a/g/f/ ef/g/|f2 g/e/f/d/ c/d/e/f/ ga/g/|f2 Te>d d3|| | |||
<section end=abc /> | |||
<section begin=X2 /> | |||
X:2 | |||
T:Meillionen | T:Meillionen | ||
M:C| | M:C| | ||
Line 33: | Line 67: | ||
|:f/g/|adcd e3 f/g/|a2 g/f/e/d/ c/d/e/f/ g/e/d/c/|d>e fg a/g/f/e/ fe/d/| | |:f/g/|adcd e3 f/g/|a2 g/f/e/d/ c/d/e/f/ g/e/d/c/|d>e fg a/g/f/e/ fe/d/| | ||
g>a ba g/a/g/f/ ef/g/|f2 g/e/f/d/ c/d/e/f/ ga/g/|f2 e>d d3:|] | g>a ba g/a/g/f/ ef/g/|f2 g/e/f/d/ c/d/e/f/ ga/g/|f2 e>d d3:|] | ||
</ | <section end=X2 /> | ||
< | <section begin=X3 /> | ||
X:1 | X:1 | ||
T:Meillionen | |||
T:Sir Watkin’s Delight | |||
M:C| | |||
L:1/8 | |||
R:Air | |||
N:”There is an old mansion called Meillionen, near Reddgelert, in Caernarvonshire; | |||
N:and this Tune was formerly called Consêt Gwraig Meillionen, or the | |||
N:Delight of the lady of Meillionen. It has also been called y Feillionen o | |||
N:Feirionydd, therefore she might probably be a native of Merionethshire: | |||
N:But Meillionen literally implies, the Trefoil.” | |||
B:Jones - The Bardic Museum (1810, pp. 80-82) | |||
N:Jones's transcription contains numerous variations for the harp. | |||
Z:AK/Fiddler’s Companion | |||
K:Bb | |||
F|B2 dc/B/ A/B/c/d/ ee|d2 cB A>B c/B/c/A/|(Bf) {e}dc/B/ A/B/c/d/ ef/e/| | |||
d2 Tc>{Bc}B B4::(d/e/)|fBAB c3 (d/e/)|f2 fg (f>g) f/e/d/c/| | |||
B>{cBAB}cde f/e/d/c/ d/e/f/d/|e2 ed c/d/e/f/ gf/e/|d2 e/c/d/B/ A/B/c/d/ ef/e/|d2 Tc>{Bc}B B3:| | |||
P:1st Var: | |||
F|B/c/d/B/ e/d/c/B/ A/B/c/d/ e/d/e/c/|d/B/d/f/ e/d/c/B/ A/G/A/B/ c/B/c/A/| | |||
Bf e/d/c/B/ A/b/c/d/ e/g/f/e/|d/f/e/d/ T(c>B) B3::d/e/|f/d/c/B/ A/B/A/B/ c/F/G/A/ B/c/d/e/| | |||
f/B/d/f/ d/f/e/g/ (f/g/a/b/) f/e/d/c/|(B/c/8B/8A/4B/c/) d/c/d/e/ f/e/d/c/ f/e/d/c d/e/f/d/| | |||
e/g/f/g/ e/f/d/e/ c/d/e/f/ gf/e/|d/f/b/f/ e/c/d/B/ A/B/c/d/ e/g/f/e/|d/f/e/d/ T(c>B) B3:| | |||
<section end=X3 /> | |||
<section begin=X4 /> | |||
X:3 | |||
T:Meillionen | T:Meillionen | ||
M:4/4 | M:4/4 | ||
Line 43: | Line 102: | ||
ee d/e/f/d/ cB c::e/f/|gc Bc d3 e/f/|ge f/e/d/c/ B/c/d/e/ f/>d/c/B/|c>d ef g/f/e/d/ ed/e/| | ee d/e/f/d/ cB c::e/f/|gc Bc d3 e/f/|ge f/e/d/c/ B/c/d/e/ f/>d/c/B/|c>d ef g/f/e/d/ ed/e/| | ||
f>g ag f/g/f/e/ de/f/|ee f/e/d/c/ B/c/d/e/ fg/f/|ee d/e/f/d/ cB c:|] | f>g ag f/g/f/e/ de/f/|ee f/e/d/c/ B/c/d/e/ fg/f/|ee d/e/f/d/ cB c:|] | ||
</ | <section end=X4 /> | ||
---- | <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | ||
=[[ANNOTATION:{{PAGENAME}}| | <section begin=X1 /> | ||
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | |||
</div> | |||
</font> | |||
__NOTITLE__ |
Latest revision as of 01:11, 1 October 2023
X:1 T:Meillionen o Feriony ‘dd M:C L:1/8 Q:"Very Slow" B:Daniel Wright – Aria di Camera (London, 1727, No. 48) N:”being A Choice Collection of Scotch, Irish & Welsh Airs N:for the Violin and German Flute by the following masters N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick N:Mr. Hugh Edwards of Carmarthen” F: https://ia600808.us.archive.org/20/items/AriaDiCamera1727/Wright-AriaDiCamera-1727.pdf Z:AK/Fiddler’s Companion K:D A|d2 fe/d/ c/d/e/f/ gg|f2 g/f/e/d/ Tc>d e/f/g/e/|da fe/d/ c/d/e/f/ ga/g/|Tf2 e>d d2:| f/g/|ad cd|e3 f/g/|a2 g/f/e/d/ c/d/e/f/ g/e/d/c/|d>e fg a/g/f/e/ fe/d/| Tg>a ba g/a/g/f/ ef/g/|f2 g/e/f/d/ c/d/e/f/ ga/g/|f2 Te>d d3||
X:2
T:Meillionen
M:C|
L:1/8
R:Country Dance
B:John Walsh - Caledonian Country Dances (c. 1745, p. 38)
N:Published in several volumes and different editions, 1731-c. 1745)
Z:AK/Fiddler's Companion
K:D
A|d2 fe/d/ c/d/e/f/ gg|f2 g/f/e/d/ c>d e/f/g/e/|fa f/e/d/ c/d/e/f/ ga/g/|f2 e>d d3:|
|:f/g/|adcd e3 f/g/|a2 g/f/e/d/ c/d/e/f/ g/e/d/c/|d>e fg a/g/f/e/ fe/d/|
g>a ba g/a/g/f/ ef/g/|f2 g/e/f/d/ c/d/e/f/ ga/g/|f2 e>d d3:|]
X:1
T:Meillionen
T:Sir Watkin’s Delight
M:C|
L:1/8
R:Air
N:”There is an old mansion called Meillionen, near Reddgelert, in Caernarvonshire;
N:and this Tune was formerly called Consêt Gwraig Meillionen, or the
N:Delight of the lady of Meillionen. It has also been called y Feillionen o
N:Feirionydd, therefore she might probably be a native of Merionethshire:
N:But Meillionen literally implies, the Trefoil.”
B:Jones - The Bardic Museum (1810, pp. 80-82)
N:Jones's transcription contains numerous variations for the harp.
Z:AK/Fiddler’s Companion
K:Bb
F|B2 dc/B/ A/B/c/d/ ee|d2 cB A>B c/B/c/A/|(Bf) {e}dc/B/ A/B/c/d/ ef/e/|
d2 Tc>{Bc}B B4::(d/e/)|fBAB c3 (d/e/)|f2 fg (f>g) f/e/d/c/|
B>{cBAB}cde f/e/d/c/ d/e/f/d/|e2 ed c/d/e/f/ gf/e/|d2 e/c/d/B/ A/B/c/d/ ef/e/|d2 Tc>{Bc}B B3:|
P:1st Var:
F|B/c/d/B/ e/d/c/B/ A/B/c/d/ e/d/e/c/|d/B/d/f/ e/d/c/B/ A/G/A/B/ c/B/c/A/|
Bf e/d/c/B/ A/b/c/d/ e/g/f/e/|d/f/e/d/ T(c>B) B3::d/e/|f/d/c/B/ A/B/A/B/ c/F/G/A/ B/c/d/e/|
f/B/d/f/ d/f/e/g/ (f/g/a/b/) f/e/d/c/|(B/c/8B/8A/4B/c/) d/c/d/e/ f/e/d/c/ f/e/d/c d/e/f/d/|
e/g/f/g/ e/f/d/e/ c/d/e/f/ gf/e/|d/f/b/f/ e/c/d/B/ A/B/c/d/ e/g/f/e/|d/f/e/d/ T(c>B) B3:|
X:3
T:Meillionen
M:4/4
L:1/8
K:C
G|c2 ed/c/ B/c/d/e/ ff|ee f/e/d/c/ B/>c/d/e/ f/d/c/B/|cg ed/c/ B/c/d/e/ fg/f/|
ee d/e/f/d/ cB c::e/f/|gc Bc d3 e/f/|ge f/e/d/c/ B/c/d/e/ f/>d/c/B/|c>d ef g/f/e/d/ ed/e/|
f>g ag f/g/f/e/ de/f/|ee f/e/d/c/ B/c/d/e/ fg/f/|ee d/e/f/d/ cB c:|]