Hey to the Camp: Difference between revisions

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ef g2e2g2e2c2|fga2f2a4a2|ef g2e2d2B2G2|AB c2E2C6||
ef g2e2g2e2c2|fga2f2a4a2|ef g2e2d2B2G2|AB c2E2C6||
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X:1
T:Hey to the Camp
M:6/8
L:1/8
B:David Young – “A Collection of Scotch Airs with the latest Variations” (AKA - The
B:McFarlane Manuscript (c. 1741, No. 91, p. 140)
F: https://rmacd.com/music/macfarlane-manuscript/collection/pdfs/key_to_the_camp.pdf
N:The Society of Antiquaries of Scotland
K:C
G|(ce)c (dB)G|(A/B/c)E TD2C|(E/F/G)G (A/B/c)c|(e/f/g)e d2G|
(ce)c (dB)G|(A/B/c)E TD2C|(E/F/G)G (A/B/cc|e/f/g/f/e/d/ c2:|
|:g|e/f/ga (ge)c|(f/g/a)g a2c|TB>cd/e/ d(c/B/A/G/)|B/c/dd d2g|
(e/f/g)a (ge)c|(f/g/a)g a2(e/f/)|(ge)c (dB)G|(A/B/c)E TD2:|]
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Latest revision as of 00:32, 7 October 2023


Hey to the Camp  Click on the tune title to see or modify Hey to the Camp's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Hey to the Camp
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 Theme code Index    1H2H62 31H3H2H
 Also known as    Frost is All Over (1) (The), Masque (The), Praties are Dug and the Frost is all over (The), What would I do if the Kettle Boiled Over?, Hay to the Camp, Camp Jigg
 Composer/Core Source    
 Region    England, Scotland
 Genre/Style    English, Scottish
 Meter/Rhythm    Country Dance, Jig/Quadrille, March/Marche
 Key/Tonic of    C
 Accidental    NONE
 Mode    Ionian (Major)
 Time signature    6/4, 6/8
 History    
 Structure    AAB
 Editor/Compiler    Biography:John Walsh & J. Hare
 Book/Manuscript title    Book:Compleat Country Dancing Master vol. 1
 Tune and/or Page number    p. 80
 Year of publication/Date of MS    1718
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Hey to the Camp: Annotations

X: 1 T:Hey To The Camp. (p)1688.PLFD1.300 M:6/4 L:1/4 Q:3/4=90 B:Playford, Dancing Master,7th Ed,2nd.Supp,1688. O:England;London H:1688. Z:Chris Partington <www.cpartington.plus> F:http://www.cpartington.plus.com/Links/Playford/Playford1(12-4-16).abc K:C c/d/ecdBG|A/B/cED2C|E/F/GEG2G|c/d/ecd3| c/d/ecdBG|A/B/cED2C|E/F/GGA/B/cc|e/f/gec3:| |:e/f/gegec|f/g/afa2a|e/f/gegec|dGdd3| e/f/gegec|f/g/afa>gf|e/f/gedBG|A/B/cEC3:| L:1/8 Q:180 |:"From Ed 17"defefd |edcBA2|BcdcdFE4D2|FGAGAFA4A2|def2d2e4e2| def2d2edcBA2|Bcd2F2E4D2|FGA2F2A4A2|fgagfed6:| fgagfga2gfed|gab2g2b4a2|fgagfga2f2d2|e2A2e2e4e2| fgagfga2f2d2|gabfgab4b2|fga2f2edcBA2|d2FGA2D6:|


X:1 T:Hey to The Camp,aka. HA.042 T:Mask,aka. HA.042, The T:Camp Jigg M:6/4 L:1/4 Q:3/4=100 B:Henry Atkinson's original MS,Hartburn,N'umberland,1694. R:.Jigg O:England A:Hartburn,Northumberland N:cf Playford eds 7B(1688)+CGP H:1/4 Z:vmp.Chris Partington.Jan.2004 F:http://www.cpartington.plus.com/Links/AtkinsoH/ATKINSON(9-9-2015).ABC K:C (c/d/)ec dBG|(A/B/)cE D2C|(E/F/)GE G2G|(c/d/)ec d2d| (c/d/)ec dBG|(A/B/)cE D2C|(E/F/)GG (A/B/)cc|(e/f/)ge c3:| |:(e/f/)ge (ge)c|(f/g/)af a2a|(e/f/)ge (ge)c|dGd d3| (e/f/)ge "^qu's"(ge)c|(f/g/)af agf|(e/f/)ge (dB)G|(A/B/)cE C2:|


X:1 T:Hey to the Camp M:6/4 L:1/8 N:”Longways for as many as will.” B:John Walsh – Complete Country Dancing-Master, Volume the Fourth B: (London, 1740, No. 165) Z:AK/Fiddler’s Companion K:C cd e2c2 d2B2G2|AB c2E2 D4C2|EF G2E2 G4G2|cd e2c2 d4d2| cd e2c2 d2BG2|AB c2E2D4C2|EF G2E2G4G2|ef g2e2c6|| ef g2e2g2e2c2|fg a2f2 a4a2|ef g2e2g2e2c2|d2G2d2 d4d2| ef g2e2g2e2c2|fga2f2a4a2|ef g2e2d2B2G2|AB c2E2C6||


X:1 T:Hey to the Camp M:6/8 L:1/8 B:David Young – “A Collection of Scotch Airs with the latest Variations” (AKA - The B:McFarlane Manuscript (c. 1741, No. 91, p. 140) F: https://rmacd.com/music/macfarlane-manuscript/collection/pdfs/key_to_the_camp.pdf N:The Society of Antiquaries of Scotland K:C G|(ce)c (dB)G|(A/B/c)E TD2C|(E/F/G)G (A/B/c)c|(e/f/g)e d2G| (ce)c (dB)G|(A/B/c)E TD2C|(E/F/G)G (A/B/cc|e/f/g/f/e/d/ c2:| |:g|e/f/ga (ge)c|(f/g/a)g a2c|TB>cd/e/ d(c/B/A/G/)|B/c/dd d2g| (e/f/g)a (ge)c|(f/g/a)g a2(e/f/)|(ge)c (dB)G|(A/B/c)E TD2:|]


X:1 T:Hey to the Camp M: L:1/8 Q:"Brisk" B:Oswald - Caledonian Pocket Companion Book II (1760, p. 1) Z:AK/Fiddler's Companion K:D dfd ecA|(B/c/d)F TE2D|(F/G/A)F A2B|(d/e/f)d Te2f| dfd ecA|(B/c/d)F TE2D|(F/G/A)A A2g|(f/g/a/)f d3:| |:(f/g/a)f afd|(g/a/b)b b2a|(f/g/a)f afd|eAe Te2a| (f/g/a)f afd|(g/a/b)g b2a|(f/g/a)f ecA|(B/c/d)F TE2D:| |:(d/e/f)d Te2A|(B/c/d)B AFD|DFA FAd|(f/g/a)d Te2f| d2f ecA|Bcd AFD|FAd Bgb|agf Te2d:| |:(f/g/a)a F2a|G2b bag|(f/g/a)a F2a|Ded cBA| (f/g/a)a F2a|G2b bag|fed cBA|(B/c/d)F TE2D:|]


X:2 T:Hey to the Camp M:6/4 L:1/8 N:mis-numbered as 184 in Thompson B:Thompson's Compleat Collection of 200 Favourite Country Dances, vol. 2 (London, 1765) Z:Transcribed and edited by Fynn Titford-Mock, 2007 Z:abc's:AK/Fiddler's Companion K:C cde2c2 d2B2G2|ABc2E2 D4C2|EFG2E2 G4G2|cde2c2 d4d2| cde2c2 d2B2G2|ABc2E2 D4C2|EFG2E2 G4G2|efg2e2 c6|| efg2e2 g2e2c2|fga2f2 a4a2|efg2e2 g2e2c2|d2G2d2 d4d2| efg2e2 g2e2c2|fga2f2 a4a2|efg2e2 d2B2G2|ABc2E2 C6:||


X:3 T:Hey to the Camp M:6/8 L:1/8 R:Jig S:William Vickers Northumbrian manuscript (1770) Z:AK/Fiddler's Companion K:C cec dBG|AcE D2C|EGG G2G|cec d2d| cec dBG|AcE D2C|EGG efg|e2d c3:| |:ege gec|faf afd|ege gec|B/c/dB G2G| ege gec|faf afd|edc BAB|cGE C3:||


X:4 T:Hey to the Camp M:6/8 L:1/8 R:Jig S:Gow - 2nd Repository (1802) Z:AK/Fiddler's Companion K:C G|c2e dBG|A/B/cD D2C|E/F/GG c2c|ege d3| ~c2e dBG|(A/B/)cE D2C | (E/F/)GG c2G | ECC C2 :| f|efg gec|eaa ~a2c|B>cd dBG|(B/c/d)d ~d2f| efg gec|eaa a2f|edc BAG | (A/B/c)c c2f | efg gec|eaa a2c|B>cd dBG|(B/c/d)d d2f| efg gec|efg gag|~edc ~BAG | (A/B/c)c c2 ||


X:10 T:Hey to the Camp. Roose.0456 B:J.Roose MS, Manchester, 1850 Z:Village Music Project, David Jacobs 2019 M:6/8 L:1/8 Q:3/8=100 K:C (c/d/e)c dBG|(A/B/c)!wedge!E D2C|(E/F/G)!wedge!E G2 G|(c/d/e)!wedge!c d2d| (c/d/e)!wedge!c dBG|(A/B/c)!wedge!E D2C|(E/F/G)!wedge!E G2G|(e/f/g)!wedge!e c3:| |:(e/f/g)e gec|(f/g/a)!wedge!f a2a|(e/f/g)!wedge!e gec|dGd d2d| (e/f/g)!wedge!f gec|(f/g/a)!wedge!f a2a|(e/f/g)!wedge!e dBG|(A/B/c)!wedge!E C3:|]


Hey to the Camp: Annotations

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