Annotation:Honeyman's Jig: Difference between revisions
(Created page with "[[{{BASEPAGENAME}}|Tune properties and standard notation]] ---- <p><font face="garamond, serif" size="4"> '''HONEYMAN'S JIG'''. Scottish, Jig. A Major. Standard tuning (fiddle). ...") |
No edit summary |
||
(5 intermediate revisions by 3 users not shown) | |||
Line 1: | Line 1: | ||
---------- | |||
---- | {{TuneAnnotation | ||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Honeyman's_Jig > | |||
'''HONEYMAN'S JIG'''. Scottish, Jig. A Major. Standard tuning (fiddle). AA'BB. Composed by William C. Honeyman | |f_annotation='''HONEYMAN'S JIG'''. Scottish, Jig (6/8 time). A Major. Standard tuning (fiddle). AA'BB. Composed by [[biography:William C. Honeyman]] (1845-1919), a Scottish writer, composer and fiddler/violinist, contemporary of [[wikipedia:James_Scott_Skinner]], who wrote numerous histories and tutorials, including '''The Violin: How to Master It''', '''Strathspey Players Past and Present,''' and '''The Young Violinist's Tutor and Duet Book''', among others. It was his opinion the Scottish music ‘defies all rule’, as it breaks the rules of conventional harmony in its somewhat quirky construction. | ||
|f_source_for_notated_version= | |||
|f_printed_sources=Honeyman ('''Strathspey, Reel and Hornpipe Tutor'''), 1898; p. 30. | |||
|f_recorded_sources= | |||
|f_see_also_listing= | |||
'' | }} | ||
'' | |||
Latest revision as of 05:33, 18 October 2023
X:1 T:Honeyman's Jig M:6/8 L:1/8 C:William C. Honeyman B:Strathspey, Reel & Hornpipe Tutor (1898) Z:AK/Fiddler's Companion K:A e|:{e/f/g/}a2e c2A|c2e cBA|{f/g/a/}b2f d2B|d2f dcB| c2e a2g|f2d b2a|gfe dcB|1 AGB Ace:|2 Ace a2|| |:e|acc gcc|fcc ecc|d2b c2a|B2a gfe| fcc ecc|fcc ecc|B2d cBA|GAB A2:||
HONEYMAN'S JIG. Scottish, Jig (6/8 time). A Major. Standard tuning (fiddle). AA'BB. Composed by biography:William C. Honeyman (1845-1919), a Scottish writer, composer and fiddler/violinist, contemporary of wikipedia:James_Scott_Skinner, who wrote numerous histories and tutorials, including The Violin: How to Master It, Strathspey Players Past and Present, and The Young Violinist's Tutor and Duet Book, among others. It was his opinion the Scottish music ‘defies all rule’, as it breaks the rules of conventional harmony in its somewhat quirky construction.