Coolun (The): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Coolun (The)
|f_tune_title=Coolun (The)
|f_aka=Cúilfhionn (An), Chuilfhionn (An), Cuilfion Le Atrugad (An), Cuilrionn (An), Coulin (The), Coolin (The), Cuilin, In this Calm Sheltered Villa, Had You Seen My Sweet Coolin, Oh! hush the soft sigh, Oh! the hours I have passed, Old Coolun (The), Though the Last Glimpse of Erin, Lady of the Desert (The)
|f_aka=Cúilfhionn (An), Chuilfhionn (An), Cuilfion Le Atrugad (An), Cuilrionn (An), Coulin (The), Coolin (The), Cuilin, In this Calm Sheltered Villa, Had You Seen My Sweet Coolin, Oh! hush the soft sigh, Oh! the hours I have passed, Old Coolun (The), Though the last glimpse of Erin, Lady of the Desert (The)
|f_country=Ireland
|f_country=Ireland
|f_genre=Irish
|f_genre=Irish
Line 10: Line 10:
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AABB
|f_structure=AABB
|f_book_title=Selection of Scotch English Irish and Foreign Airs vol. 5
|f_book_title=The Hibernian Muse; a Collection of Irish Airs including the Most Favourite Compositions of Carolan
|f_collector=James Aird
|f_collector=Samuel Ann & Peter Thompson
|f_year=1797
|f_year=1787
|f_page=No. 71, p. 29
|f_page=No. 54, p. 33
|f_theme_code_index=1H1H1H 1H51
|f_theme_code_index=1H1H1H 1H51
|f_player=Eugene O'Donnell
|f_pdf_score=[[File:The Coolun.pdf|200px|left|page=1| thumb|The Coolun]]
|f_album=Foggy Dew (The)
|f_score=1
|f_label=Green Linnet SIF 1084
|f_player=Leo Rowsome
|f_recording_date=1988
|f_album=Coolin', Copperplate Reel
|f_label=Winner 4259 (78 RPM)
|f_recording_date=1925
|f_media={{FeaturedTunes  |f_track= The Coolun.mp3 |f_artwork=Eugene_OCurry-Social_England_1904-p889-with-header.jpg |f_tune_name=The Coolun |f_played_by=Dulahan Ireland |f_notes=The distinguished philologist Eugene O'Curry believed that the air known as The Coolin was first given that name in the early 18th century by a Fr. Oliver O'Hanley. |f_source=[https://www.youtube.com/watch?v=ZYoJcKHcmdw Youtube] |f_pix=330  |f_picpix=150  |f_piclink=Coolun_(The) }}
}}
}}
=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
{{featured}}
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|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
|image=TUC-160x120.png
|image_alt=Traditional universal music
}}
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<div class="noprint">
<!-- SUBSTITUTE THE ABC NOTATION BELOW (BETWEEN THE <SECTION BEGIN /><SECTION END /> TAGS) WITH YOUR OWN NOTATION (IF ANY) -->
{{font|text={{#formredlink:target=Annotation:{{PAGENAMEE}}|form=TuneAnnotation|link text={{PAGENAME}}: Annotation}}|font=sans-serif|size=18px}}
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<section begin=abc />
<pre>
X:1
T:Coulin
M:3/4
L:1/8
R:Air
B:Samuel, Anne & Peter Thompson – The Hibernian Muse
B:(London, 1787, No. 54, p. 33)
N:”A Collection of the most Favorite Compositions of
N:Carolan the Celebrated Irish Bard”
Z:AK/Fiddler’s Companion
K:G
(de/f/)|g2 g>b {b}a(g/e/)|g2G2 GB/d/|(g>f) (g/a/b) (ag)|T(g2f2) g>f|
e2 e>f {a}g(f/e/)|d2 B>dg>d|{f}e(d/c/) B2 TA2|G4:|
|:d>c|B>AG>AB>c|d>^cd>e (de/f/)|(g>f) (ga/b/) (ag)|Tg2f2 g>f|
e2e>f {a}g(f/e/)|d2 B>dg>d|{f}e(d/c/) BG TA2|G4:|]
<section end=abc />
<section begin=X2 />
X:1
X:1
T:Coolun
T:Coolun
Line 30: Line 63:
L:1/8
L:1/8
R:Air
R:Air
Q:"Slow"
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5
B:(Glasgow, 1797, No. 71, p. 29)
B:(Glasgow, 1797, No. 71, p. 29)
Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
K:G
K:G
“Slow”(de/f/)|g2 g>b ag/f/|g2 B2 (3GBd|g>f ga/b/ ag|(g2f2) g>f|
(de/f/)|g2 g>b ag/f/|g2 B2 (3GBd|g>f ga/b/ ag|(g2f2) g>f|
e2 (ef/g/) {a}(gf/e/)|d2 B>dg>d|{f}ed/c/ B>G A2{GA}|G4:|
e2 (ef/g/) {a}(gf/e/)|d2 B>dg>d|{f}ed/c/ B>G A2{GA}|G4:|
d>c|BAGA B>c|d^cd>e d>e/2f/4|g>f ga/b/ ag|(g2f2) g>f|
d>c|BAGA B>c|d^cd>e d>e/2f/4|g>f ga/b/ ag|(g2f2) g>f|
e2 (ef/g/) {a}gf/e/|d2 B>dg>d|{f}ed/c/ B>G TA2 {GA}|G4||
e2 (ef/g/) {a}gf/e/|d2 B>dg>d|{f}ed/c/ B>G TA2 {GA}|G4||
</pre>
<section end=X2 />
<pre>
<section begin=X4 />
X:1
X:1
T:Coolun
T:Coolun
Line 52: Line 86:
|:A>G|~F>E(D>E)(FG)|A>^G ABcA|~d>c (de/f/) ed|(d2c2) d>c|
|:A>G|~F>E(D>E)(FG)|A>^G ABcA|~d>c (de/f/) ed|(d2c2) d>c|
~B2 (B/c/d/c/) (e/d/)(c/B/)|A2 (FA)d>A|(c/B/)(A/G/) F2 E2|D4:||
~B2 (B/c/d/c/) (e/d/)(c/B/)|A2 (FA)d>A|(c/B/)(A/G/) F2 E2|D4:||
</pre>
<section end=X4 />
<pre>
<section begin=X5 />
X:1
T:Coolun
M:3/4
L:1/8
R:Air
Q:"Larghetto"
N:"A Favorite Irish Air."
B:Mulhollan - Selection of Irish and Scots Tunes (Edinburgh, 1804, p. 20)
Z:AK/Fiddler's Companion
K:D
(A>B/2c/4)|d2d2 (e>c)|d2F2 (3DFA|d>c (d>e/2f/4) Te>d|(d2c2)(d>c)|
B2 (Bc/d/) {e}(dc/B/)|A2 (FA) (dA)|{c}(BA/G/) (FD) TE2{DE}|{E}D4:|
|:A>G|F>ED>EF>G|A>^GA>Bc>A|(d>c) (d>e/2f/4) (e>d)|(d2c2) d>c|
B2 (Bc/d/) {e}(dc/B/)|A2 F(A)(dA)|{c}BA/G/ (FD) TE2{DE}|{E}D4:|]
<section end=X5 />
<section begin=X6 />
X:1
T:Coolin, The.  A Retreat.
M:3/4
L:1/8
R:Air
S:The Buttery Manuscript (c. 1784-1820, No. 530)
N:John Buttery (1784-1854) joined  the 34th Regiment in Lincoln,
N:Lincolnshire, England, in 1797 and served as a fifer until discharged in
N:1814. His large ms. contains marches, duty calls, dance tunes and airs.
N:EASMES identifies this as the Fife MS. and suggests a date of 1780, see
N:https://www.cdss.org/elibrary/Easmes/Index.htm
Z:AK/Fiddler’s Companion
K:D
AB/c/|ddfecd|F>AF/A/ d2cd|feddc2|(e/d/c/)d/ B2B2|
c/d/B e/d/c/B/A2|GFAd A2|dc B(A/G/)F|E2D2:|
|:A/(G/F/)|EDEFDA|=GABcA|dcdfed|d2 c4|
(e/d/c/d/) BBc/d/|B e/d/c/B/|BAAd d2|cBAG F2|E2D2:|]
<section end=X6 />
<section begin=X8 />
X:1
T:Coolin, or Lady of the Desert
M:3/4
L:1/16
R:Air
N:”Very ancient, author and date unknown. With
N:variations by Lyons in the year 1702.”
B:Bunting – Ancient Music of Ireland (1840, No. 119, pp. 88-89)
Z:AK/Fiddler’s Companion
K:G
.d3(e/f/)|.g2z2 [d4g4] (a2g2)|.f2 z2 (e2d2) (d3e/f/)|g2z2 [d4g4] (b/a/g3)|.f2z2 [.d4f4] {a}(g2f2)|
{^df}(e8 =d)B|{^ce}d8 B4 B3d/e/|(g2d2).c2.B2 [F4A4]|[D8G8]||(d3e/f/)|
g2z2 [d4g4] (b/a/g3)|.f2z2 (e2d2) (d/e/f3)|.g2 z2 [d4g4] (b/a/g3)|.f2z2f4 {f}(e2d2)|
e2z2 {^d}e4 {e}=d2B2|d2z2 {^c}d4 .B3(d/e/)|(g2d2).c2.B2 [F4A4]|[D8G8]||
G3(A/B/)|.d2z2{^c}d4 (e/d/B3)|.d2z2 {^c}d4 (d/e/f3)|.g2z2 g4 (a3>g/)|
.f2z2f4 (g3>f/)|{^df}e8 =d2B2|
{^ce}d8 B4 (B3d/e/)|(g2d2).c2.B2 TA3G|[D8G8] (G3A/B/)|.d2z2.e4 {e}(d3>B/)|.d2z2{c}(B/A/G3) .G4|
.g2z2 (g3a/b/) (a2g2)|.f2z2f4 {f}(e2d2)|e2z2 [c4e4].d2.B2|(d3>B/) .G4 (.B2.d2)|(e2d2).c2.B2 (A3>G/)|[D8G8]||
P:2"Var. 1st. A little quicker"
d/e/4f/4|{a}g/f/g/a/g/a/|{g}f/e/d/e/f/d/|{a}g/f/g/b/a/g/|{g}f/e/f/a/g/f/|
{f}e/d/e/g/e/g/|{e}d/B/A/B/d/e/|g/d/e/B/A/G/|.G-[B2G2]:|
|:(G/A/4B/4)|{e}(d/B/d/e/d/e/)|{e}(d/B/d/e/d/G/)|{a}(g/f/g/b/g/b/)|
{g}(f/e/f/a/g/f/)|{f}(e/d/e/g/e/g/)|{e}(d/B/A/B/d/e/)|(g/d/e/B/A/G/)|G!fermata![B2G2]:|
L:1/16
P:3 "Var. 2nd. Slow and Plaintive"
D4|G7(G F2>E/)|F7 F/ TE3>D/|G4 (G/A/B3) TA3>G/|.F2 z2 {F}TE3>D/ .B,2z2|
.E2 z2 T(D3>B,/) A,2 z2|(D3>B,/) G,4 (B,3>D/)|{^D}E2z2 (D/<B,2) T(A,3>G,/)|G,8||
(G,3A,/B,/)|(.D4.E4) {E}(D3>B,/)|[B,2D2]z2 [B,4D4] z2|
G4 (A2B2) (A2G2)|F2z2 F2{F}(E3>D/) .B,2z2|E2z2 .E2 {E}(D3>B,/) .A,2z2|
.D2z2 .D2(E/D/B,/A,/) (B,2D2)|.E2 z2 (D/<B,3) T(A,3>G,/)|G,8||
P:4 "Var. 3rd. Quick and Lively"
M:3/8
L:1/8
D/E/4F/4|G/F/G/A/G/A/|F/G/F/E/F/A/|G/A/G/F/G/E/|F/G/F/E/F/D/|
E/F/E/D/E/B,/|D/B,/A,/B,/D/E/|G/D/E/B,/A,/G,/|G,2:|
|:(G,/A,/4B,/4)|D/B,/D/E/D/E/|D/B,/D/E/D/G,/|G/F/G/B/A/G/|
F/G/F/E/D/B,/|{F}E/D/E/F/E/F/|D/B,/A,/B,/D/E/|G/D/E/B,/A,/G,/|G,2:|
P:5 "Slower"
D2|G4 z(B|A4) z(c|B4) z(B|A4) z(F|E4) {E}(D>B,)|
(D2 E)(DB,D)|(ED)(CB,) T(A,>G,)|G,4||(G,/A,/B,)|{^C}D6|{^C}D6|
L:1/16
.G2z2 (G/A/B3) (A2G2)|\
L:1/8
.Fz F2 {E}(D>>B,)|.Ez E2 {D}(C>>A,)|.Dz [B,2D2] (G>F)|(EDCB,) T(A,>>G,)|!fermata!G,4||
<section end=X8 />
<section begin=X9 />
X:1
X:1
T:Coolun
T:Coolun
Line 59: Line 174:
L:1/8
L:1/8
R:Air
R:Air
N:”Andante”
Q:"Andante"
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 48, p. 24)
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 48, p. 24)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
Line 65: Line 180:
K:G
K:G
d2|.g2 (g>b) {b}(a>f)|(g>d B)z (3GBd|(g>f ga/b/ a>).g|
d2|.g2 (g>b) {b}(a>f)|(g>d B)z (3GBd|(g>f ga/b/ a>).g|
(g2f)z (g>f)|e2-e(f/g/ a/g/f/e/)|(d2 B/)z/(dg).d|([f}(ed/c/) B>G T!fermata!A2 {GBA}|G4:|
(g2f)z (g>f)|e2-e(f/g/ a/g/f/e/)|(d2 B/)z/(dg).d|{f}(ed/c/) B>G T!fermata!A2 {GBA}|G4:|
|:(d>c)|(BA).G>.A.B.c|.d>.^c.d.e.f.d|.g>.f (g>a/2b/4 ag)|(g2f) z (g>f)|
|:(d>c)|(BA).G>.A.B.c|.d>.^c.d.e.f.d|.g>.f (g>a/2b/4 ag)|(g2f) z (g>f)|
e2- e(f/g/{a}gf/e/)|(d2 B/)z/(dg).d|{f}(ed/c/) (B>A) !fermata!A2 {GBA}|G4:|]
e2- e(f/g/{a}gf/e/)|(d2 B/)z/(dg).d|{f}(ed/c/) (B>A) !fermata!A2 {GBA}|G4:|]
</pre>
<section end=X9 />
<pre>
<section begin=X10 />
X:1
T:Coolun
M:3/4
L:1/8
R:Air
Q:”Andante”
B:William Forde – 300 National Melodies of the British Isles (c. 1841, p. 1, No. 1)
B: https://www.itma.ie/digital-library/text/300-national-melodies-of-the-british-isles.-vol.-3-100.-irish-airs
N:William Forde (c.1795–1850) was a musician, music collector and scholar from County Cork
Z:AK/Fiddler’s Companion
K:Eb
Bc/d/|e2 e>g g/f/e/d/|e>B G2 EG/B/|e2 ef/g/ f>e|e2d2 e>d|c3 d/e/ f/e/d/c/|
B>AG Be>B|d/c/B/A/ G2 TF2| E4||B>A|G<FEFG=A|B>=ABcd B|
e>d ef/g/ f>e|e2d2 e>d|c3 d/e/ f/e/d/c/|B>AG Be>B|d/c/B/A/ G2TF2|E4||
<section end=X10 />
<section begin=X12 />
X:1
T:Coolin, The; or, Lady of the Desert
M:3/4
L:1/16
R:Air
N:”Bunting’s arrangement.”
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1859, No. 101, p. 45)
Z:AK/Fiddler’s Companion
K:G
d3(e/f/)|g2z2g4 (a2g2)|.f2z2 (e2d2) (d3e/f/)|g2z2g4 (b/a/g3)|.f2z2 [A4f4] {a}(g2f2)|
{^df}(e8 =d2)B2|{^ce}d8 B3d/e/|(g2d2).c2.B2 [F4A4]|[B,8G8]||
(d3e/f/)|g2 z2 [d4g4] (b/a/g3)|.f2 z2 (e2d2) (d/e/f3)|.g2z2[d4g4] (b/a/g3)|f2z2f4 {f}(e2d2)|
Ez2 {^d}e4{e}=d2B2|d2 z2 {^c}d4 B3(d/e/)|(g2d2).c2.B2 [F4A4]|[B,8G8]||
G3(A/B/)|.d2z2 {^c}d4 (e/d/B3)|.d2z2 {^c}d4 (d/e/f3)|.g2z2g4 (a5g/)|.f2z2f4 (g5f/)|
{^df}e8 =d2B2|{^ce}d8 (B3d/e/)|(g2d2).c2.B2 TA3G|[B,8G8] (G3A/B/)|
.d2z2.e4 {e}(d5B/)|.d2 z2 {c}(B/A/G3) .G2|g2z2 (g3a/b/) (a2g2)|.f2z2f4 {f}(e2d2)|
e2z2 [c4e4] .d2.B2|(d5B/) .G4 (.B2.d2)|(e2d2).c2.B2 (A5G/)|[B,8G8]|]
<section end=X12 />
<section begin=X13 />
X:1
T:Coolin, The
M:3/4
L:1/8
R:Air
Q:"Andante"
N:”Robinson’s Arrangement”
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 180, p. 81)
Z:AK/Fiddler’s Companion
K:Eb
(Bc/d/)|[G2e2][B2e2] (f>d)|e2G2 (3EGB|(e>d) (ef/g/) (f>e)|e2 {fe}d2 e>d|
c2 (3cde {f}(ed/c/)|B2 (GB) (eB)|(cB/A/) (GE) T(F>E)|E4||
(B>A)|(G>FE>F) (G>=A)|(B>=AB>c) (d>B)|(e>d) ef/g/ f>e|(e2d2) (e>d)|
c2 (3cde (f/e/d/c/)|[G2B2] (GB) (eB)|(d/c/B/A/) (GE) T(F>E)|E4||
<section end=X13 />
<section begin=X15 />
X:1
T:Coulin (The Old) 
N:Similar Stanford/Petrie No. 599
M:3/4
L:1/8
R:Air
N:Obtained by Goodman from the music manuscript collection of John Edward Pigot (1822-1871).
B:James Goodman music manuscript collection, Book 2, p. 89 (mid-19th century)
B:http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=92&z=128.2454%2C2901.9144%2C8098.3776%2C3101.8519Z:AK/Fiddler’s Companion
K:Ddor
(3ABc|d2 dcde|f2A2 de|fagfed|cB A2 (3ABc|d2 dcde|
f2A2F2|G2 GABG|!fermata!A4||D/E/F/G/|A2 AG F2|c>BA/G/ F2|
GFGB AG|FE D2 D/E/F/G/|A2 fe de/c/d/e/|f2A2 d/c/A/G/|F2 DF ED|D4||
<section end=X15 />
<section begin=X18 />
X:3
X:3
T:Old Coolin, The
T:Old Coolin, The
Line 75: Line 256:
L:1/8
L:1/8
R:Air
R:Air
N:"Moderato"
Q:"Moderato"
S:Stanford/Petire (1905), No. 599
S:Stanford/Petrie (1905), No. 599
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:D
K:D
Line 85: Line 266:
d2 dcde | f2 A2 AB | AG F2 TG2 | A4 || FG | A2A2 GF |=c2 BAG>F |  
d2 dcde | f2 A2 AB | AG F2 TG2 | A4 || FG | A2A2 GF |=c2 BAG>F |  
GF GB AG | F2D2 FG | A2f2 ef | de f2 AG | F2DF E>D | D4 ||  
GF GB AG | F2D2 FG | A2f2 ef | de f2 AG | F2DF E>D | D4 ||  
</pre>
<section end=X18 />
<pre>
<section begin=X21 />
X:2
X:2
T:Coolin, The
T:Coolin, The
Line 92: Line 273:
L:1/8
L:1/8
R:Air
R:Air
N:"With great expression"
Q:"With great expression"
S:Joyce - Old Irish Folk Music and Songs  (1909)
S:Joyce - Old Irish Folk Music and Songs  (1909)
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
Line 99: Line 280:
d2 cA {A}G>F | F4 || AG | FGAcdf | c2A2 cd | f>g a2 g>f |  
d2 cA {A}G>F | F4 || AG | FGAcdf | c2A2 cd | f>g a2 g>f |  
f4 f>e | dcfdcA | c2A2 cf | d2 cA {A}G>F | F4 ||  
f4 f>e | dcfdcA | c2A2 cf | d2 cA {A}G>F | F4 ||  
</pre>
<section end=X21 />
----
<section begin=X25 />
=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
X:1
 
T:Cúilfionn, An
<!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS -->
T:Coolun, The
M:3/4
L:1/8
Q:"With Soul"
B:Batt Scanlon - "The Violin Made Easy and Attractive" (San Francisco, 1923, p. 36)
Z:AK/Fiddler's Companion
K:D
u(AB/c/)|"1"d2-d2 "2"(e>c)|(d2F2) (DF/A/)|"1"(d>"1"c) "1"(d"2"e/"3"f/) "2".e2"1".d2|"1"d2-.c2 (dc)|(B2 (3B)"3"c-d ("4"e/d/)(c/B/)|
A2 (FA) "1"(d>"0"A)|(c/B/).A/.G/ (F2 D>F)|E2-"2"{D}"2"!fermata!D2::(A>G)|(F>E) (D>E) (F>^G)|(A>^G) (A>B) (cA)|
"1"(d>"1"c) ("1"d"2"e/"3"f/) "2"e1d|"1"d2-c2 (dc)|B2- (3B(cd) ("4"e/d/)(c/B/)|A2 (FA) "1"(d>"0"A)|(c/B/).A/.G/ (F2 D>F)|E2-"2"{D}"2"!fermata!D2:|]
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Latest revision as of 19:01, 27 October 2023


Coolun (The)  Click on the tune title to see or modify Coolun (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Coolun (The)
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 Theme code Index    1H1H1H 1H51
 Also known as    Cúilfhionn (An), Chuilfhionn (An), Cuilfion Le Atrugad (An), Cuilrionn (An), Coulin (The), Coolin (The), Cuilin, In this Calm Sheltered Villa, Had You Seen My Sweet Coolin, Oh! hush the soft sigh, Oh! the hours I have passed, Old Coolun (The), Though the last glimpse of Erin, Lady of the Desert (The)
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    3/4
 History    
 Structure    AABB
 Editor/Compiler    Biography:Samuel Ann & Peter Thompson
 Book/Manuscript title    Book:The Hibernian Muse; a Collection of Irish Airs including the Most Favourite Compositions of Carolan
 Tune and/or Page number    No. 54, p. 33
 Year of publication/Date of MS    1787
 Artist    Biography:Leo Rowsome
 Title of recording    Coolin', Copperplate Reel
 Record label/Catalogue nr.    Winner 4259 (78 RPM)
 Year recorded    1925
 Media    
The Coolun

Played by: Dulahan Ireland
Source: Youtube
Image: The distinguished philologist Eugene O'Curry believed that the air known as The Coolin was first given that name in the early 18th century by a Fr. Oliver O'Hanley.
 Score   (1)   
The Coolun




Coolun (The)

X:1 T:Coulin M:3/4 L:1/8 R:Air B:Samuel, Anne & Peter Thompson – The Hibernian Muse B:(London, 1787, No. 54, p. 33) N:”A Collection of the most Favorite Compositions of N:Carolan the Celebrated Irish Bard” Z:AK/Fiddler’s Companion K:G (de/f/)|g2 g>b {b}a(g/e/)|g2G2 GB/d/|(g>f) (g/a/b) (ag)|T(g2f2) g>f| e2 e>f {a}g(f/e/)|d2 B>dg>d|{f}e(d/c/) B2 TA2|G4:| |:d>c|B>AG>AB>c|d>^cd>e (de/f/)|(g>f) (ga/b/) (ag)|Tg2f2 g>f| e2e>f {a}g(f/e/)|d2 B>dg>d|{f}e(d/c/) BG TA2|G4:|]


X:1 T:Coolun M:3/4 L:1/8 R:Air Q:"Slow" B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5 B:(Glasgow, 1797, No. 71, p. 29) Z:AK/Fiddler’s Companion K:G (de/f/)|g2 g>b ag/f/|g2 B2 (3GBd|g>f ga/b/ ag|(g2f2) g>f| e2 (ef/g/) {a}(gf/e/)|d2 B>dg>d|{f}ed/c/ B>G A2{GA}|G4:| d>c|BAGA B>c|d^cd>e d>e/2f/4|g>f ga/b/ ag|(g2f2) g>f| e2 (ef/g/) {a}gf/e/|d2 B>dg>d|{f}ed/c/ B>G TA2 {GA}|G4||


X:1 T:Coolun M:3/4 L:1/8 R:Air S:Gow - 2nd Repository (1802) Z:AK/Fiddler's Companion K:D (3ABc|d2 ~d>f (f/e/)d/c/|~d2 A2 (3DFA|d2 (de/f/) {f}e>d|(d2c)z ~d>c| ~(B2 B)c/d/ (e/d/)(c/B/)|A2 (FA)(d>A)|(c/B/)A/G/ F2 E2|D4:| |:A>G|~F>E(D>E)(FG)|A>^G ABcA|~d>c (de/f/) ed|(d2c2) d>c| ~B2 (B/c/d/c/) (e/d/)(c/B/)|A2 (FA)d>A|(c/B/)(A/G/) F2 E2|D4:||


X:1 T:Coolun M:3/4 L:1/8 R:Air Q:"Larghetto" N:"A Favorite Irish Air." B:Mulhollan - Selection of Irish and Scots Tunes (Edinburgh, 1804, p. 20) Z:AK/Fiddler's Companion K:D (A>B/2c/4)|d2d2 (e>c)|d2F2 (3DFA|d>c (d>e/2f/4) Te>d|(d2c2)(d>c)| B2 (Bc/d/) {e}(dc/B/)|A2 (FA) (dA)|{c}(BA/G/) (FD) TE2{DE}|{E}D4:| |:A>G|F>ED>EF>G|A>^GA>Bc>A|(d>c) (d>e/2f/4) (e>d)|(d2c2) d>c| B2 (Bc/d/) {e}(dc/B/)|A2 F(A)(dA)|{c}BA/G/ (FD) TE2{DE}|{E}D4:|]


X:1 T:Coolin, The. A Retreat. M:3/4 L:1/8 R:Air S:The Buttery Manuscript (c. 1784-1820, No. 530) N:John Buttery (1784-1854) joined the 34th Regiment in Lincoln, N:Lincolnshire, England, in 1797 and served as a fifer until discharged in N:1814. His large ms. contains marches, duty calls, dance tunes and airs. N:EASMES identifies this as the Fife MS. and suggests a date of 1780, see N:https://www.cdss.org/elibrary/Easmes/Index.htm Z:AK/Fiddler’s Companion K:D AB/c/|ddfecd|F>AF/A/ d2cd|feddc2|(e/d/c/)d/ B2B2| c/d/B e/d/c/B/A2|GFAd A2|dc B(A/G/)F|E2D2:| |:A/(G/F/)|EDEFDA|=GABcA|dcdfed|d2 c4| (e/d/c/d/) BBc/d/|B e/d/c/B/|BAAd d2|cBAG F2|E2D2:|]


X:1 T:Coolin, or Lady of the Desert M:3/4 L:1/16 R:Air N:”Very ancient, author and date unknown. With N:variations by Lyons in the year 1702.” B:Bunting – Ancient Music of Ireland (1840, No. 119, pp. 88-89) Z:AK/Fiddler’s Companion K:G .d3(e/f/)|.g2z2 [d4g4] (a2g2)|.f2 z2 (e2d2) (d3e/f/)|g2z2 [d4g4] (b/a/g3)|.f2z2 [.d4f4] {a}(g2f2)| {^df}(e8 =d)B|{^ce}d8 B4 B3d/e/|(g2d2).c2.B2 [F4A4]|[D8G8]||(d3e/f/)| g2z2 [d4g4] (b/a/g3)|.f2z2 (e2d2) (d/e/f3)|.g2 z2 [d4g4] (b/a/g3)|.f2z2f4 {f}(e2d2)| e2z2 {^d}e4 {e}=d2B2|d2z2 {^c}d4 .B3(d/e/)|(g2d2).c2.B2 [F4A4]|[D8G8]|| G3(A/B/)|.d2z2{^c}d4 (e/d/B3)|.d2z2 {^c}d4 (d/e/f3)|.g2z2 g4 (a3>g/)| .f2z2f4 (g3>f/)|{^df}e8 =d2B2| {^ce}d8 B4 (B3d/e/)|(g2d2).c2.B2 TA3G|[D8G8] (G3A/B/)|.d2z2.e4 {e}(d3>B/)|.d2z2{c}(B/A/G3) .G4| .g2z2 (g3a/b/) (a2g2)|.f2z2f4 {f}(e2d2)|e2z2 [c4e4].d2.B2|(d3>B/) .G4 (.B2.d2)|(e2d2).c2.B2 (A3>G/)|[D8G8]|| P:2"Var. 1st. A little quicker" d/e/4f/4|{a}g/f/g/a/g/a/|{g}f/e/d/e/f/d/|{a}g/f/g/b/a/g/|{g}f/e/f/a/g/f/| {f}e/d/e/g/e/g/|{e}d/B/A/B/d/e/|g/d/e/B/A/G/|.G-[B2G2]:| |:(G/A/4B/4)|{e}(d/B/d/e/d/e/)|{e}(d/B/d/e/d/G/)|{a}(g/f/g/b/g/b/)| {g}(f/e/f/a/g/f/)|{f}(e/d/e/g/e/g/)|{e}(d/B/A/B/d/e/)|(g/d/e/B/A/G/)|G!fermata![B2G2]:| L:1/16 P:3 "Var. 2nd. Slow and Plaintive" D4|G7(G F2>E/)|F7 F/ TE3>D/|G4 (G/A/B3) TA3>G/|.F2 z2 {F}TE3>D/ .B,2z2| .E2 z2 T(D3>B,/) A,2 z2|(D3>B,/) G,4 (B,3>D/)|{^D}E2z2 (D/<B,2) T(A,3>G,/)|G,8|| (G,3A,/B,/)|(.D4.E4) {E}(D3>B,/)|[B,2D2]z2 [B,4D4] z2| G4 (A2B2) (A2G2)|F2z2 F2{F}(E3>D/) .B,2z2|E2z2 .E2 {E}(D3>B,/) .A,2z2| .D2z2 .D2(E/D/B,/A,/) (B,2D2)|.E2 z2 (D/<B,3) T(A,3>G,/)|G,8|| P:4 "Var. 3rd. Quick and Lively" M:3/8 L:1/8 D/E/4F/4|G/F/G/A/G/A/|F/G/F/E/F/A/|G/A/G/F/G/E/|F/G/F/E/F/D/| E/F/E/D/E/B,/|D/B,/A,/B,/D/E/|G/D/E/B,/A,/G,/|G,2:| |:(G,/A,/4B,/4)|D/B,/D/E/D/E/|D/B,/D/E/D/G,/|G/F/G/B/A/G/| F/G/F/E/D/B,/|{F}E/D/E/F/E/F/|D/B,/A,/B,/D/E/|G/D/E/B,/A,/G,/|G,2:| P:5 "Slower" D2|G4 z(B|A4) z(c|B4) z(B|A4) z(F|E4) {E}(D>B,)| (D2 E)(DB,D)|(ED)(CB,) T(A,>G,)|G,4||(G,/A,/B,)|{^C}D6|{^C}D6| L:1/16 .G2z2 (G/A/B3) (A2G2)|\ L:1/8 .Fz F2 {E}(D>>B,)|.Ez E2 {D}(C>>A,)|.Dz [B,2D2] (G>F)|(EDCB,) T(A,>>G,)|!fermata!G,4||


X:1 T:Coolun M:3/4 L:1/8 R:Air Q:"Andante" B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 48, p. 24) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:G d2|.g2 (g>b) {b}(a>f)|(g>d B)z (3GBd|(g>f ga/b/ a>).g| (g2f)z (g>f)|e2-e(f/g/ a/g/f/e/)|(d2 B/)z/(dg).d|{f}(ed/c/) B>G T!fermata!A2 {GBA}|G4:| |:(d>c)|(BA).G>.A.B.c|.d>.^c.d.e.f.d|.g>.f (g>a/2b/4 ag)|(g2f) z (g>f)| e2- e(f/g/{a}gf/e/)|(d2 B/)z/(dg).d|{f}(ed/c/) (B>A) !fermata!A2 {GBA}|G4:|]


X:1 T:Coolun M:3/4 L:1/8 R:Air Q:”Andante” B:William Forde – 300 National Melodies of the British Isles (c. 1841, p. 1, No. 1) B: https://www.itma.ie/digital-library/text/300-national-melodies-of-the-british-isles.-vol.-3-100.-irish-airs N:William Forde (c.1795–1850) was a musician, music collector and scholar from County Cork Z:AK/Fiddler’s Companion K:Eb Bc/d/|e2 e>g g/f/e/d/|e>B G2 EG/B/|e2 ef/g/ f>e|e2d2 e>d|c3 d/e/ f/e/d/c/| B>AG Be>B|d/c/B/A/ G2 TF2| E4||B>A|G<FEFG=A|B>=ABcd B| e>d ef/g/ f>e|e2d2 e>d|c3 d/e/ f/e/d/c/|B>AG Be>B|d/c/B/A/ G2TF2|E4||


X:1 T:Coolin, The; or, Lady of the Desert M:3/4 L:1/16 R:Air N:”Bunting’s arrangement.” B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1859, No. 101, p. 45) Z:AK/Fiddler’s Companion K:G d3(e/f/)|g2z2g4 (a2g2)|.f2z2 (e2d2) (d3e/f/)|g2z2g4 (b/a/g3)|.f2z2 [A4f4] {a}(g2f2)| {^df}(e8 =d2)B2|{^ce}d8 B3d/e/|(g2d2).c2.B2 [F4A4]|[B,8G8]|| (d3e/f/)|g2 z2 [d4g4] (b/a/g3)|.f2 z2 (e2d2) (d/e/f3)|.g2z2[d4g4] (b/a/g3)|f2z2f4 {f}(e2d2)| Ez2 {^d}e4{e}=d2B2|d2 z2 {^c}d4 B3(d/e/)|(g2d2).c2.B2 [F4A4]|[B,8G8]|| G3(A/B/)|.d2z2 {^c}d4 (e/d/B3)|.d2z2 {^c}d4 (d/e/f3)|.g2z2g4 (a5g/)|.f2z2f4 (g5f/)| {^df}e8 =d2B2|{^ce}d8 (B3d/e/)|(g2d2).c2.B2 TA3G|[B,8G8] (G3A/B/)| .d2z2.e4 {e}(d5B/)|.d2 z2 {c}(B/A/G3) .G2|g2z2 (g3a/b/) (a2g2)|.f2z2f4 {f}(e2d2)| e2z2 [c4e4] .d2.B2|(d5B/) .G4 (.B2.d2)|(e2d2).c2.B2 (A5G/)|[B,8G8]|]


X:1 T:Coolin, The M:3/4 L:1/8 R:Air Q:"Andante" N:”Robinson’s Arrangement” B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 180, p. 81) Z:AK/Fiddler’s Companion K:Eb (Bc/d/)|[G2e2][B2e2] (f>d)|e2G2 (3EGB|(e>d) (ef/g/) (f>e)|e2 {fe}d2 e>d| c2 (3cde {f}(ed/c/)|B2 (GB) (eB)|(cB/A/) (GE) T(F>E)|E4|| (B>A)|(G>FE>F) (G>=A)|(B>=AB>c) (d>B)|(e>d) ef/g/ f>e|(e2d2) (e>d)| c2 (3cde (f/e/d/c/)|[G2B2] (GB) (eB)|(d/c/B/A/) (GE) T(F>E)|E4||


X:1 T:Coulin (The Old) N:Similar Stanford/Petrie No. 599 M:3/4 L:1/8 R:Air N:Obtained by Goodman from the music manuscript collection of John Edward Pigot (1822-1871). B:James Goodman music manuscript collection, Book 2, p. 89 (mid-19th century) B:http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=92&z=128.2454%2C2901.9144%2C8098.3776%2C3101.8519Z:AK/Fiddler’s Companion K:Ddor (3ABc|d2 dcde|f2A2 de|fagfed|cB A2 (3ABc|d2 dcde| f2A2F2|G2 GABG|!fermata!A4||D/E/F/G/|A2 AG F2|c>BA/G/ F2| GFGB AG|FE D2 D/E/F/G/|A2 fe de/c/d/e/|f2A2 d/c/A/G/|F2 DF ED|D4||


X:3 T:Old Coolin, The M:3/4 L:1/8 R:Air Q:"Moderato" S:Stanford/Petrie (1905), No. 599 Z:AK/Fiddler's Companion K:D AB/c/ | d2 dcde | f2A2A2 | f2 gfed | {d}c2 A2 AB/c/ | d2 dcde | f2A2 AB | AG F2 TG2 | A4 || FG | A2A2 GF | =c2 BAGF | GF GB AG | F2D2 FG | A2f2 ef | de f2 AG | F2 DF E>D | D4 || AB/c/ | d2 dcde | f2A2A2 | f2 gfed | {d}c2A2 AB/c/ | d2 dcde | f2 A2 AB | AG F2 TG2 | A4 || FG | A2A2 GF |=c2 BAG>F | GF GB AG | F2D2 FG | A2f2 ef | de f2 AG | F2DF E>D | D4 ||


X:2 T:Coolin, The M:3/4 L:1/8 R:Air Q:"With great expression" S:Joyce - Old Irish Folk Music and Songs (1909) Z:AK/Fiddler's Companion K:F c>d | f>g a2 g>f | f2 A2 c>d | f>g a2 g>f | f4 fe | dcfdcA | c2F2 Ac | d2 cA {A}G>F | F4 || AG | FGAcdf | c2A2 cd | f>g a2 g>f | f4 f>e | dcfdcA | c2A2 cf | d2 cA {A}G>F | F4 ||


X:1 T:Cúilfionn, An T:Coolun, The M:3/4 L:1/8 Q:"With Soul" B:Batt Scanlon - "The Violin Made Easy and Attractive" (San Francisco, 1923, p. 36) Z:AK/Fiddler's Companion K:D u(AB/c/)|"1"d2-d2 "2"(e>c)|(d2F2) (DF/A/)|"1"(d>"1"c) "1"(d"2"e/"3"f/) "2".e2"1".d2|"1"d2-.c2 (dc)|(B2 (3B)"3"c-d ("4"e/d/)(c/B/)| A2 (FA) "1"(d>"0"A)|(c/B/).A/.G/ (F2 D>F)|E2-"2"{D}"2"!fermata!D2::(A>G)|(F>E) (D>E) (F>^G)|(A>^G) (A>B) (cA)| "1"(d>"1"c) ("1"d"2"e/"3"f/) "2"e1d|"1"d2-c2 (dc)|B2- (3B(cd) ("4"e/d/)(c/B/)|A2 (FA) "1"(d>"0"A)|(c/B/).A/.G/ (F2 D>F)|E2-"2"{D}"2"!fermata!D2:|]


Coolun (The)

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