Annotation:Logie of Buchan (2): Difference between revisions

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|f_annotation='''LOGIE OF BUCHAN [2].'''Scottish, English; Quadrille or Jig (6/8 time). England, Shropshire. D Major. Standard tuning (fiddle). AB. The air "[[Logie of Buchan (1)]]", in a dance setting.
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|f_source_for_notated_version=a c. 1837-1840 MS by Shropshire musician John Moore [Ashman].
'''LOGIE OF BUCHAN [2].''' English, Quadrille (6/8 time). England, Shropshire. D Major. Standard tuning (fiddle). AB. "[[Logie of Buchan (1)]]", in a dance setting.  
|f_printed_sources=Ashman ('''The Ironbridge Hornpipe'''), 1991; No. 78, p. 32. Frank Harding ('''Harding’s Original Collection'''), 1897; No. 133, p. 42. '''Keith’s Flute Instruction Book''', Boston, 1847; p. 26.
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''Source for notated version'': a c. 1837-1840 MS by Shropshire musician John Moore [Ashman].  
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''Printed sources'': Ashman, 1991; No. 78, p. 32.  
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''Recorded sources'': <font color=teal></font>
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Latest revision as of 04:13, 7 November 2023


Back to Logie of Buchan (2)

X: 1 T:Logie of Buchan [2]. BF12.22 M:6/8 Q:3/8=80 C:In T.Browne's hand S:MS12,c1835,Browne Coll.,Lakes R:.Air O:England A:Lakes Z:vmp.Chris Partington K:D (A3/4G/4)|(F>G).A (A<f).e|(dBB) B2 (A3/4G/4)|\ (F<G).A A<de|fddd2(A3/4G/4)|! |(F>G).A (A<f).e|(dBB) B2 (A3/4G/4)|(F<G).A A<de|(fdd)d2A||! (A3/4G/4)|(F>G).A (A<f).e|(dBB) B2 (A3/4G/4)|\ (F<G).A A<de|fddd2(A3/4G/4)|! |(F>G).A (A<f).e|(dBB) B2 (A3/4G/4)|(F<G).A A<de|(fdd)d2A||! (d3/4e/4)|f3(f>ef) (gfe)|(dBc)d2(d3/4e/4)|\ (df).d (ed).e|f-d.BB2(d3/4e/4)|! f>gf afe|(dB).cd2d/e/|(fg).f ede|fdBB2|]


LOGIE OF BUCHAN [2].Scottish, English; Quadrille or Jig (6/8 time). England, Shropshire. D Major. Standard tuning (fiddle). AB. The air "Logie of Buchan (1)", in a dance setting.


Additional notes
Source for notated version : - a c. 1837-1840 MS by Shropshire musician John Moore [Ashman].

Printed sources : - Ashman (The Ironbridge Hornpipe), 1991; No. 78, p. 32. Frank Harding (Harding’s Original Collection), 1897; No. 133, p. 42. Keith’s Flute Instruction Book, Boston, 1847; p. 26.





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