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{{Abctune
{{Abctune
|f_tune_title=Cuckoo's Nest (4) (The)
|f_tune_title=Cuckoo's Nest (4) (The)
|f_aka=Nead na Cuaiche, Nead an Cuaic, All Around, Captain Moss's, Come Ashore, Come Ashore Jolly Tar with Your Trousers On, Come Ashore Jolly Tar with Your Trowsers On, Coo Coo's Nest, Cuckold's Nest, I do confess thou art sae fair, Jacky Tar, Mower (The), Mountain Top (3) (The), Spealadoir (An), Trousers On (The), Yellow Heifer (1) (The)
|f_aka=Nead na cuaiche, Nead an Cuaic, All Around, Captain Moss's, Come Ashore, Come Ashore Jolly Tar with Your Trousers On, Come Ashore Jolly Tar with Your Trowsers On, Coo Coo's Nest, Cuckold's Nest, I do confess thou art sae fair, Jack a' Tar, Jacky Tar, Mower (The), Mountain Top (3) (The), Spealadoir (An), Trousers On (The), Yellow Heifer (1) (The)
|f_country=England, Scotland, Ireland, Canada, United States
|f_country=England, Scotland, Ireland, Canada, United States
|f_genre=Bluegrass, Cape Breton/PEI, Contra, Down-East/Maritime, English, Irish, Morris, Northumbrian/Borders, Old-Time, Scottish, Shetland/Orkney
|f_genre=Bluegrass, Cape Breton/PEI, Contra, Down-East/Maritime, English, Irish, Morris, Northumbrian/Borders, Old-Time, Scottish, Shetland/Orkney
Line 9: Line 9:
|f_accidental=2 sharps
|f_accidental=2 sharps
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AABB
|f_structure=ABC, AABBCC,
|f_book_title=A Selection of the Most Favorite Hornpipes for the Violin
|f_collector=W. Blackman
|f_year=c. 1810-22
|f_page=No. 32
|f_theme_code_index=333H3H 7445
|f_pdf_score=[[File:Cuckoo's Nest.pdf|left|200px|page=1|thumb|Cuckoo's Nest]]
|f_score=1
|f_media={{FeaturedTunes  |f_track=Cuckoo's Nest.mp3 |f_artwork=The Cuckoo is a bonny bird.jpg |f_tune_name=Cuckoo's Nest |f_played_by=Paul Brown  - Winston-Salem, United States |f_notes=Gammer Gurton's garland of nursery songs and Toby Tickle's collection of riddles |f_source=[https://soundcloud.com/paulbworldcitizen/cuckoos-nest Soundcloud] |f_pix=220  |f_picpix=80  |f_piclink=Cuckoo's_Nest_(4)_(The) }}
}}
}}
<p><font face="garamond, serif" size="4">
{{featured}}
'''CUCKOO'S NEST''' [4] (Nead na Cuaiche" or "Nead an Cuaic"). See "Cuckoo Hornpipe." AKA and see "All Around," "Captain Moss's," "Come Ashore," "Come Ashore, Jolly Tar, with Your Trousers/Trowsers On," "Coo Coo's Nest," "Cuckold's Nest," "I do confess thou(gh) art sae fair," "Jacky Tar" (Hornpipe), "The Mower," "The Mountain Top [3]," "An Spealadoir" (The Mower), "The Trousers On," "The Yellow Heifer [1]." British Isles, Old-Time, Bluegrass; Hornpipe, Reel, Breakdown. D Major (Barnes, Brody, Carlin {setting #1}, Kerr, Moylan, Phillips/1995 {setting #1}, Silberberg): D Dorian (Roche, 1st setting): G Major (Harding, Harker/Rafferty, Merryweather & Seattle, Mulvihill, O'Neill/Krassen & 1001, Phillips/1995 {setting #2}, Roche {setting 2}: E Aeolian (O'Neill/Krassen -1st setting): A Dorian (Phillips): A Major (Carlin/setting #2, O'Malley). Standard tuning (fiddle). AB (Begin, Silberberg): AABB (Brody, Harding, Kerr, Moylan, Phillips, Roche, O'Neill, Phillips and Carlin {1st settings}): AABC (Mulvihill): AABBCC (Barnes, Kennedy, Merryweather & Seattle, O'Neill/Krassen, 1001 & 1915, Roche, and Carlin {2nd settings}): AA'BBCC' (Harker/Rafferty): AA'BB'CC' (O'Malley).
 
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An extremely popular English melody known throughout the British Isles and British North America whose title, the 'cuckoo's nest,' commonly referred to female pubic hair and accompanying anatomy. It dates to at least the early 18th century. James Aird's printing in his Selection of Scotch, English, Irish and Foreign Airs, vol. 1 (1782, pg. 66) includes an interesting fourth strain, not found in other sources. Matt Seattle (1987, 1994) believes the tune to originally have been a Scots Measure in D Minor with the title "Come Ashore Jolly Tar (with) Your Trousers On," but notes that many versions of this tune exist, with quite substantial variation between them, in major and minor keys (he remarks that the Northumbrian William Vicker's late 18th century setting is evidently minor, despite the key signature). The title appears in numerous 18th and 19th century dance collections, and made Henry Robson's list of popular Northumbrian song and dance tunes, which he published c. 1800. In '''Jacobite Relics''' (1819) James Hogg prints a song to the melody, commenting: "It must have been a great favourite in the last age, for about the time when I first began to know one tune from another, all the old people that could sing at all, could sing "The cuckoo is a bonny bird."  He prints the following words to the tune:
{{#seo:
<blockquote>
|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
''The cuckoo's a bonny bird when he comes home,'' <br>
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
''The cuckoo's a bonny bird when he comes home;'' <br>
|image=TUC-160x120.png
''He'll fley away the wild birds that hank about the throne,''<br>
|image_alt=Traditional universal music
''My bonny cuckoo when he comes home.'' <br>
}}
</blockquote>
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Poet John Clare (1793-1864) is highly regarded for his body of work inspired by the English countryside and rural life of the early 18th century. He was born in the village of Helpston, Northamptonshire, the son of an agricultural laborer and singer of local reputation, and became a fiddler and collector of songs and tunes of southern England.  He recalled, "Both my parents was illiterate to the last degree. [My father] was likewise fond of Ballads, & I have heard him make a boast of it over his horn of ale with his merry companions, that he could sing or recite above a hundred; he had a tolerable good voice, & was often calld upon to sing at those convivials of bacchanalian merry makings." Clare collected:
 
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''Now some likes a girl that is pretty in the face,''<br>
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''And others likes a girl that is slender in the waist''<br>
{{font|text={{#formredlink:target=Annotation:{{PAGENAMEE}}|form=TuneAnnotation|link text={{PAGENAME}}: Annotation}}|font=sans-serif|size=18px}}
''But give me the girl with a wriggle and twist''<br>
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''That is pleasant and good-tempered with a cuckoo's nest.''<br>
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The Cuckoo's Nest is also the name of a Scottish country dance, which, though increasingly rare, was danced in parts of the country (e.g. West Berwickshire) through the 19th century.
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The 18th century Munster poet Eoghan Rua O Suilleabhain used the tune for his poem "An Spealadoir." Doolin, north County Clare tin whistle player Micho Russell also associated the tune with a 'spailpin,' or wandering harvest laborer (he called the tune "The Man that cuts the hay with the Scythe"). Bayard (1944) and Breathnach (1985) both cite the collector Father Henebry ('''A Handbook of Irish Music''', pp. 170-1) who was convinced that the third part of the Irish versions was modern (i.e. in his time, c. 1900), and "was tastelessly added to the original two parts or the air." Breathnach (1985) also notes that many songs were written to the air, and gives a verse from Seán Ó Dálaigh's collection of a rural love ballad popular in Munster:
<blockquote>
''Tá páircín bheag agamsa''<br>
''de bhán, mhín, réidh;''<br>
''Gan claí, gan fál, gan falla léi,''<br>
''ach a haghaidh ar an saol;''<br>
''Spealodóir do ghlacfainnse,''<br>
''Ar task na d'réir an acara,''<br>
''Bé acu sud do b'fhearr leis,''<br>
''nó páigh in aghaidh an lae.''<br>
<br>
(Literal translation by Paul de Grae:)
''I have a small little field''<br>
''white, smooth, ready;''<br>
''without fence, without hedge, without wall,''<br>
''but its face to the world:''<br>
''I'd take a mower''<br>
''on a task or by the acre,''<br>
''whichever he'd prefer,''<br>
''or paid by the day.''<br>
</blockquote>
Breathnach thinks the "An Spealdoir" (by which it is commonly known in Ireland) title stems from this verse.
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In America, the melody was included in New Windsor, Connecticut, musician Giles Gibbs' MS collection of 1777, Henry Beck's flute manuscript of 1785 (pg. 56), and Clement Weeks' collection of dances made in 1783. It was even preserved in a chime clock of the period manufactured by New Windsor, Connecticut, clockmaker Daniel Burnap. The tune remains a popular staple at New England contra dances to this day. In other American traditions, the title appears in a list of traditional Ozark Mountain fiddle tunes compiled by musicologist/folklorist Vance Randolph, published in 1954. Similarly, in modern times in the United States the tune has been assumed into Texas fiddling tradition, probably derived from Canadian or Midwestern sources (Guthrie Meade & Mark Wilson).
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''Sources for notated versions'': "loosely based on the playing of Dave Swarbrick" (England) [Phillips/1989]; piper Seamus Ennis (Ireland) [Breathnach]; from "an old music book of 1723" [Bunting]; from a MS collection by fiddler Lawrence Leadley, 1827-1897 (Helperby, Yorkshire) [Merryweather & Seattle]; Ruthie Dornfeld and James Chancellor [Phillips/1995]; the Fallibroome collection [Barnes]; accordion player Johnny O'Leary (Sliabh Luachra region of the Cork-Kerry border), recorded at a recital at Na Píobairí Uilleann, February, 1981 [Moylan]; fiddler Dawson Girdwood (Perth, Ottawa Valley, Ontario) [Begin]; fiddler Dwight Lamb (Onawa, Iowa) [Silberberg]; the Joseph Kershaw manuscript-Kershaw was a fiddler who lived in Slackcote, Saddleworth, North West England, in the 19th century, and his manuscript dates from around 1820 onwards [Kershaw]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926 [Harker]; accordion player and fiddler John McGrath, via his student, accordion player Tommy Ryan [O'Malley].
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''Printed sources:'' Aird ('''Scotch, English, Irish and Foreign Airs'''), volume I, No. 190 (appears as "Come ashore Jolly Tar"). Barnes ('''English Country Dance Tunes''', vol. 2), 2005; p. 25. 1983; pg. 81. Carlin ('''Master Collection'''), 1984; pp. 163-164, No.'s 291-292 (arrangements by John Kimmel). '''Harding's All Round Collection''', 1905; No. 52, p. 16. Harker (''300 Tunes from Mike Rafferty'''), 2005; No. 261, pg. 80. Jarman, '''Old Time Fiddlin' Tunes'''; No. or p. 23. Kennedy ('''Fiddlers Tune Book'''), vol. 1, 1951; No. 27, p. 14 [note for note the same as Raven's version]. Kerr ('''Merry Melodies'''), vol. 4; No. 282, p. 30. '''The Joseph Kershaw Manuscript''', 1993; No. 11 (appears as "Cuckold's Nest"). Merryweather & Seattle ('''The Fiddler of Helperby'''), 1994; No. 28, p. 35. Mulvihill (''1st Collection''), 1986; No. 26, p. 96 (appears as "Cuckoo's Nest No. 1," identical to O'Neill's 1850 2nd setting). O'Malley (''Luke O'Malley's Colleciton of Irish Music'', vol. 1), 1976; No. 115, p. 58. O'Neill (1915 ed.), 1987; No. 321, pg. 158. O'Neill (Krassen), 1976; pg. 205 (two settings). O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903/1979; Nos. 1733 & 1734, p. 322. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907/1986; No. 913, p. 156. O'Sullivan/Bunting, 1983; No. 110, pp. 157-158. Phillips ('''Fiddlecase Tunebook'''), 1989; p. 14. Phillips ('''Traditional American Fiddle Tunes'''), vol. 2, 1995; p. 188. Raven ('''English Country Dance Tunes'''), 1984; p. 177 (appears as "The Cuckoo's Nest {New}" and is the same version as O'Neill's second setting). '''Roche Collection''', 1982; vol. II, p. 19 and vol. 3, p. 60, No. 170. Russell ('''The Piper's Chair'''), 1989; p. 26 (appears as "The Man that cuts the Hay with the Scythe"). Sannella, '''Balance and Swing''' (CDSS). Stanford-Petrie ('''Complete Collection'''), 1905; No. 1206. Seattle ('''William Vickers'''), 1987, Part 2; No. 289. Silberberg ('''Tunes I Learned at Tractor Tavern'''), 2002; p. 30.
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''Recorded sources:'' Folkways FS 3809, Dan White and John Summers- "Fine Times at Our House." Fretless 103, "Clem Myers: Northeast Regional Old Time Fiddle Champion 1967 & 1970." Fretless 201, Jerry Robichaud- "Maritime Dance Party" (1978). Front Hall 017, Michael and McCreesh- "Dance, Like a Wave of the Sea" (1978. Learned from the playing of Martin Carthy & Dave Swarbrick). Kicking Mule 204, Pat Dunford- "The Old-Time Banjo In America." Rounder 0046, Mark O'Conner- "National Junior Fiddle Champion." Rounder 0060, Brother Oswald and Charlie Collins- "Oz and Charlie." Sonet SNTF 764, Dave Swarbrick and Friends- "The Ceilidh Album." Tara Records 1009, Seamus Ennis - "The Fox Chase" (1977). See also listings at: Jane Keefer's Folk Music Index: An Index to Recorded Sources [], Alan Ng's Irishtune.info [].
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X:1
X:1
T:The Cuckoo's Nest [4]
T:Cuckoo’s Nest [4], The
M:C|
L:1/8
R:Reel
S:John Sutherland manuscript collection, "Music for the Bagpipe" (late 18th century)
Z:AK/Fiddler's Companion
K:G
GA|BABG babg|fdcB cedc|cBAG ABcA|f2c2 cedc|
BABG babg|fdcB cedc|cBAG FGAc|B2G2G4:|
|:d4|g2g2 gbag|f2d2d2e2|fefg fagf|gdcB cedc|
BABG babg|fdcB c2 d|cBAG FGAc|B2G2G4:|
|:Bc|dBGB dBGB|dcBA G2 AB|cAFA cAFA|cBAG F2 GA|
BABG babg|fdcB c2e2|cBAG FGAc|B2G2 G4:|]
<section end=abc />
<section begin=X1 />
X:2
T:Cuckoo's Nest [4]. BHp.32, The
M:C
L:1/8
R:.Hornpipe
Z:vmp. Peter Dunk 2013/15
B:Blackman - A Selection of the most favorite Hornpipes for the Violin ca1810-22
Q:1/4=140
K:G
dc|BABG babg|fdcB cedc|B2AG FGAB|c2A2A2dc|
BABG babg|fdcB cedc|B2AG FGAc|B2G2G2:|
|:d2|g3a gbag|f2d2d2e2|=f3g fagf|e2c2c2dc|
BABG babg|fdcB cedc|B2AG FGAc|B2G2G2:|
<section end=X1 />
<section begin=X2 />
X:3
T:Cuckoo's Nest [4], The
M:C
L:1/8
R:Air
N:"Author and date unknown."
B:Bunting - Ancient Music of Ireland (1840, No. 110, p. 81)
Z:AK/Fiddler's Companion
K:Eb
B>A|{AB}(AG){FG}(FE) (e>f)(ge)|(dB{B}AG) (AcB>).A|(AGFE) (DE)(FG)|(.A2.F2.F2) (B>A)|
(AGFE) (e>f) (ge)|(dB{B}AG) (AcB>)A|(AGFE) (DEF>).A|(.G.E.E2)||
(GA)|(BAGA) (BAGA)|(BAGF) E2 (FG)|(AGFG) (AGFG)|(AGFE) D2 ~E>F|
(AGFE) efge|(dB{B}G) (AcB>).A|(AGFE) (DEF>).A|.G2.E2.E2||
(Bd)|(ed)(ef) (ef)(ge)|(.d2.B2.B2) (Bc)|(_dcde) (de)(fe)|_dBAG .A2 (BA)|
{AB}(AG){FG}(FE) (ef)(ge)|(dB{B}AG) (AcB>).A|(AGFE) (DEF>).A|(.G2.E2.E2)||
<section end=X2 />
<section begin=X3 />
X:4
T:Cuckoo's Nest [4], The
M:C|
L:1/8
R:Hornpipe
S:James Goodman music manuscript collection (mid-19th cent., County Cork, p. 60)
Z:AK/Fiddler's Companion
F:http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=63&z=1025.4101%2C921.8119%2C6145.2395%2C3722.2222
F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie
K:G
d>c|cBAG g>abg|fdcB ced>c|cBAG FGAB|c2A2A2 dc|
cBAG g>abg|fdcB ced>c|cBAG FGAB|B2G2G2:|
|:df|gfga gabg|f2d2d2 de|=fefg fgag|=fdcB c2 dc|
cBAG gabg|fdcB ced>c|cBAG FGAB|B2G2G2:|
|:Bc|dcBc dcBc|dcBA A2 AB|cBAB cBAB|cBAG F2 G>A|
cBAG gabg|fdcB ced>c|cBAG FGAB|B2G2G2:|]
<section end=X3 />
<section begin=X6 />
X:90
T:Cuckoo's Nest [4]. Le4.090
B:L.Leadley MS#4 c1850
Z:Village Music Project, 2016 Steve Mansfield
M:C
L:1/8
Q:2/4=75
K:G
dc | BABG babg | fdcB cedc | B2AG FGAB | c2A2 A2dc |
BABG babg | fdcB cedc | B2AG FGAB | B2G2 G2 :|
|: d2 | g3a gbag | f2d2 d2e2 | f3g fagf | e2c2 c2dc |
BABG babg | fdcB cedc | {c}B2AG FGAc | B2G2 G2 :|
|: Bc | dBGB dBGB | dcBA G2AB | cAFA cAFA | cBAG F2dc |
BABG babg | fecB cedc | {c}B2AG FGAc | B2G2 G2 :|
<section end=X6 />
<section begin=X8 />
X:5
T:Cuckoo's Nest [4], The
L:1/8
L:1/8
M:C|
M:C|
Line 82: Line 133:
|:Bc|dggf gabg|afd^c d2 de|=fede ^fgaf|gfdB cedc|
|:Bc|dggf gabg|afd^c d2 de|=fede ^fgaf|gfdB cedc|
BABA GBdg|fdcB cedc|BABG FGAc|B2G2G2:||
BABA GBdg|fdcB cedc|BABG FGAc|B2G2G2:||
<section end=X8 />
<section begin=X9 />
X:1
T:Untitled
N:A version of "Cuckoo's Nest [4]"
M:C|
L:1/8
N:From an August 24, 1966, field recording of the playing of Fidel
N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded
N:by folklorist Art Rosenbaum.  Martin, a WWI veteran, had a repertory that
N:consisted of Acadian, Irish, American and French-Canadian tunes.
D:https://bmac.libs.uga.edu/index.php/Detail/objects/331506
F:UGA Brown Media Archives: identifier artrosen_0056 (Track 11 -12:41 on the tape)
Z:Transcribed by Andrew Kuntz
K:Ador
A3B|:SecAc ecAc|eccB A2Bc|dBGB dBGB|dB{c}BA G2Bd|
cBcd ef (g/f/e)|agef (g/f/g) (g/f/e)|dB{c}BA GABd|[M:6/4]"*"(c/e/c)A2 A2 A2A2cd|
[M:C|]e>cAc ecAc|ec (B/c/B) A2Bc|dBGB dBGB|dB{c}BA GGBd|
cBcd ef (g/f/e)|aaed eeef|[M:6/4]gfge d2B2  GGBd|[M:C|](c/e/c)A2 A2-A||
d|eaag a2ba|(g/a/g) e2 edef|(g/a/g) gf ggag|f2d2d3d|
cBcd eea2|(g/a/g)e2 e2 ed|(c<A) (c<A) GABd|(c/d/c)A2 A2cd|
eaag a2ba|g2 e2 edef|(g/a/g) gf g2ag|f2d2 f4|
cBcd e2 a2|(g/a/g) e2 e2 e2|cccA GABd|[M:6/4]c2 A2 A4- A2 cdS||
P:Substitutions
|[M:C|]"*"(c/e/c) A2A2 cd||


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X:2
T:The Cuckoo's Nest [4]
T:The Cuckoo's Nest [4]
M:C
M:C
Line 102: Line 175:
|:a2 {b}ag abc'a|bge^d e2 ef|gfef gabg|agec d2 cB|
|:a2 {b}ag abc'a|bge^d e2 ef|gfef gabg|agec d2 cB|
A2 ce abc'a|bgec d2 ed|(3cdc BA GABd|1 (3cdc AG A2 ce:|2 (3cdc AG A2z2||
A2 ce abc'a|bgec d2 ed|(3cdc BA GABd|1 (3cdc AG A2 ce:|2 (3cdc AG A2z2||
 
<section end=X11 />
</pre>
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<section end=X1 />
'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
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<font face="sans-serif" size="4">
Engraver Valerio M. Pelliccioni
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</font></p>
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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Latest revision as of 02:54, 15 December 2023


Cuckoo's Nest (4) (The)  Click on the tune title to see or modify Cuckoo's Nest (4) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Cuckoo's Nest (4) (The)
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 Theme code Index    333H3H 7445
 Also known as    Nead na cuaiche, Nead an Cuaic, All Around, Captain Moss's, Come Ashore, Come Ashore Jolly Tar with Your Trousers On, Come Ashore Jolly Tar with Your Trowsers On, Coo Coo's Nest, Cuckold's Nest, I do confess thou art sae fair, Jack a' Tar, Jacky Tar, Mower (The), Mountain Top (3) (The), Spealadoir (An), Trousers On (The), Yellow Heifer (1) (The)
 Composer/Core Source    
 Region    England, Scotland, Ireland, Canada, United States
 Genre/Style    Bluegrass, Cape Breton/PEI, Contra, Down-East/Maritime, English, Irish, Morris, Northumbrian/Borders, Old-Time, Scottish, Shetland/Orkney
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    
 Structure    ABC, AABBCC
 Editor/Compiler    Biography:W. Blackman
 Book/Manuscript title    Book:A Selection of the Most Favorite Hornpipes for the Violin
 Tune and/or Page number    No. 32
 Year of publication/Date of MS    c. 1810-22
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
Cuckoo's Nest

Played by: Paul Brown - Winston-Salem, United States
Source: Soundcloud
Image: Gammer Gurton's garland of nursery songs and Toby Tickle's collection of riddles
 Score   (1)   
Cuckoo's Nest




Cuckoo's Nest (4) (The)

X:1 T:Cuckoo’s Nest [4], The M:C| L:1/8 R:Reel S:John Sutherland manuscript collection, "Music for the Bagpipe" (late 18th century) Z:AK/Fiddler's Companion K:G GA|BABG babg|fdcB cedc|cBAG ABcA|f2c2 cedc| BABG babg|fdcB cedc|cBAG FGAc|B2G2G4:| |:d4|g2g2 gbag|f2d2d2e2|fefg fagf|gdcB cedc| BABG babg|fdcB c2 d|cBAG FGAc|B2G2G4:| |:Bc|dBGB dBGB|dcBA G2 AB|cAFA cAFA|cBAG F2 GA| BABG babg|fdcB c2e2|cBAG FGAc|B2G2 G4:|]


X:2 T:Cuckoo's Nest [4]. BHp.32, The M:C L:1/8 R:.Hornpipe Z:vmp. Peter Dunk 2013/15 B:Blackman - A Selection of the most favorite Hornpipes for the Violin ca1810-22 Q:1/4=140 K:G dc|BABG babg|fdcB cedc|B2AG FGAB|c2A2A2dc| BABG babg|fdcB cedc|B2AG FGAc|B2G2G2:| |:d2|g3a gbag|f2d2d2e2|=f3g fagf|e2c2c2dc| BABG babg|fdcB cedc|B2AG FGAc|B2G2G2:|


X:3 T:Cuckoo's Nest [4], The M:C L:1/8 R:Air N:"Author and date unknown." B:Bunting - Ancient Music of Ireland (1840, No. 110, p. 81) Z:AK/Fiddler's Companion K:Eb B>A|{AB}(AG){FG}(FE) (e>f)(ge)|(dB{B}AG) (AcB>).A|(AGFE) (DE)(FG)|(.A2.F2.F2) (B>A)| (AGFE) (e>f) (ge)|(dB{B}AG) (AcB>)A|(AGFE) (DEF>).A|(.G.E.E2)|| (GA)|(BAGA) (BAGA)|(BAGF) E2 (FG)|(AGFG) (AGFG)|(AGFE) D2 ~E>F| (AGFE) efge|(dB{B}G) (AcB>).A|(AGFE) (DEF>).A|.G2.E2.E2|| (Bd)|(ed)(ef) (ef)(ge)|(.d2.B2.B2) (Bc)|(_dcde) (de)(fe)|_dBAG .A2 (BA)| {AB}(AG){FG}(FE) (ef)(ge)|(dB{B}AG) (AcB>).A|(AGFE) (DEF>).A|(.G2.E2.E2)||


X:4 T:Cuckoo's Nest [4], The M:C| L:1/8 R:Hornpipe S:James Goodman music manuscript collection (mid-19th cent., County Cork, p. 60) Z:AK/Fiddler's Companion F:http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=63&z=1025.4101%2C921.8119%2C6145.2395%2C3722.2222 F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie K:G d>c|cBAG g>abg|fdcB ced>c|cBAG FGAB|c2A2A2 dc| cBAG g>abg|fdcB ced>c|cBAG FGAB|B2G2G2:| |:df|gfga gabg|f2d2d2 de|=fefg fgag|=fdcB c2 dc| cBAG gabg|fdcB ced>c|cBAG FGAB|B2G2G2:| |:Bc|dcBc dcBc|dcBA A2 AB|cBAB cBAB|cBAG F2 G>A| cBAG gabg|fdcB ced>c|cBAG FGAB|B2G2G2:|]


X:90 T:Cuckoo's Nest [4]. Le4.090 B:L.Leadley MS#4 c1850 Z:Village Music Project, 2016 Steve Mansfield M:C L:1/8 Q:2/4=75 K:G dc | BABG babg | fdcB cedc | B2AG FGAB | c2A2 A2dc | BABG babg | fdcB cedc | B2AG FGAB | B2G2 G2 :| |: d2 | g3a gbag | f2d2 d2e2 | f3g fagf | e2c2 c2dc | BABG babg | fdcB cedc | {c}B2AG FGAc | B2G2 G2 :| |: Bc | dBGB dBGB | dcBA G2AB | cAFA cAFA | cBAG F2dc | BABG babg | fecB cedc | {c}B2AG FGAc | B2G2 G2 :|


X:5 T:Cuckoo's Nest [4], The L:1/8 M:C| R:Hornpipe S:O'Neill - Dance Music of Ireland: 1001 Gems (1907), No. 913 Z:AK/Fiddler's Companion K:G dc|BABA GBdg|fdcB cedc|BABG FGAB|c2A2 A2dc| BABA GBdg|fdcB cedc|BABG FGAc|B2G2G2:| |:Bc|dBGB dBGB|dcBA G2 AB|cAFA cAFA|cBAG F2BA| GABc d2g2|fdcB cedc|BABG FGAc|B2G2G2:| |:Bc|dggf gabg|afd^c d2 de|=fede ^fgaf|gfdB cedc| BABA GBdg|fdcB cedc|BABG FGAc|B2G2G2:||


X:1 T:Untitled N:A version of "Cuckoo's Nest [4]" M:C| L:1/8 N:From an August 24, 1966, field recording of the playing of Fidel N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a repertory that N:consisted of Acadian, Irish, American and French-Canadian tunes. D:https://bmac.libs.uga.edu/index.php/Detail/objects/331506 F:UGA Brown Media Archives: identifier artrosen_0056 (Track 11 -12:41 on the tape) Z:Transcribed by Andrew Kuntz K:Ador A3B|:SecAc ecAc|eccB A2Bc|dBGB dBGB|dB{c}BA G2Bd| cBcd ef (g/f/e)|agef (g/f/g) (g/f/e)|dB{c}BA GABd|[M:6/4]"*"(c/e/c)A2 A2 A2A2cd| [M:C|]e>cAc ecAc|ec (B/c/B) A2Bc|dBGB dBGB|dB{c}BA GGBd| cBcd ef (g/f/e)|aaed eeef|[M:6/4]gfge d2B2 GGBd|[M:C|](c/e/c)A2 A2-A|| d|eaag a2ba|(g/a/g) e2 edef|(g/a/g) gf ggag|f2d2d3d| cBcd eea2|(g/a/g)e2 e2 ed|(c<A) (c<A) GABd|(c/d/c)A2 A2cd| eaag a2ba|g2 e2 edef|(g/a/g) gf g2ag|f2d2 f4| cBcd e2 a2|(g/a/g) e2 e2 e2|cccA GABd|[M:6/4]c2 A2 A4- A2 cdS|| P:Substitutions |[M:C|]"*"(c/e/c) A2A2 cd||


X:6 T:The Cuckoo's Nest [4] M:C L:1/8 R:Hornpipe B:Luke O'Malley's Collection of Irish Music, vol. 1, No. 115 (1976) Z:AK/Fiddler's Companion K:A ed|:(3ded (3BcB ABce|aecA d2 ed|(3cdc (3BcB A2 ed|(3cBA ec B2 ed| (3cdc (3BcB ABce|aecA d2 ed|(3cdc BA GABd|1 (3cdc AG A2 ed:|2 (3cdc AG A2 cd|| |:ecAc ecAc|(3efe (3dcB A2 Bc|dB=GB dBGB|(3ded (3=cBA =G2 ^cB| A/A/A ce abc'a|bgec d2 ed|(3cdc BA GABd|1 (3cdc AG A2 cd:|2 (3cdc AG A2 ce|| |:a2 {b}ag abc'a|bge^d e2 ef|gfef gabg|agec d2 cB| A2 ce abc'a|bgec d2 ed|(3cdc BA GABd|1 (3cdc AG A2 ce:|2 (3cdc AG A2z2||


Cuckoo's Nest (4) (The): Annotations

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