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{{Abctune
{{Abctune
|f_tune_title=Bung Your Eye
|f_tune_title=Bung Your Eye
|f_aka=Bang Your Eye, Brisk Young Lad, Brisk Young Lad's (The), Earl of Dunmore (The), High Cauld Cap (The), Jolly Old Man (The), Mary the Maid
|f_aka=Bang Your Eye, Brisk Young Lad, Brisk Young Lad's (The), Bung Her Eye, Earl of Dunmore (The), High Cauld Cap (The), Jolly Old Man (The), Mary the Maid
|f_country=England, Scotland
|f_country=England, Scotland
|f_genre=English, Scottish
|f_genre=English, Scottish
Line 10: Line 10:
|f_mode=Aeolian (minor)
|f_mode=Aeolian (minor)
|f_structure=AABB
|f_structure=AABB
|f_book_title=Selection of Scotch English Irish and Foreign Airs vol. 1
|f_book_title=A Choice Collection of Scots Reels or Country Dances & Strathspeys etc.
|f_collector=James Aird,
|f_collector=Robert Ross
|f_year=1782
|f_year=1780
|f_page=No. 15, p. 6
|f_page=p. 1
|f_theme_code_index=13b52 7bL244
|f_theme_code_index=13b52 7bL244
|f_score=1
}}
}}
<p><font face="garamond, serif" size="4">
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'''BUNG YOUR EYE'''. AKA and see "[[Bang Your Eye]]," "[[Brisk Young Lad's (The)]]," "[[High Cauld Cap]]," "[[Jolly Old Man (The)]]," "[[Mary the Maid]]."  Scottish, Jig. A Minor. Standard tuning (fiddle). ABB (Sharp): AABB (Gow, Karpeles, Kennedy, Williamson). This melody was published in the "Bodleian MS" (1740) {named for the library in which it resides--the Bodleian Library, Oxford} and is inscribed '''A Collection of the Newest Country Dances Performed in Scotland written at Edinburgh by D.A. Young, W.M. 1740'''. Originally set by Young as a country dance (to which he gives directions). Another early country dance version appears in John Johnson's '''Choice Collection of 200 Favourite Country Dances''', vol. III (London, 1744, as "Bung Her Eye"). Karpeles notes that this tune is also suitable as an accompaniment to Rapper Sword Dance. Glen (1891) reported he found the tune earliest in print in Robert Ross's 1780 collection (p. 1), and evidently did not know of the Bodleian MS. Samuel Bayard (1981) believes the piece to be a "recognizable version" of a tune family that includes "Lan(n)igan's Ball," "[[Lumps of Pudding]]," "[[Kitty Alone]]," "[[Muirland Willie]]," and "[[O As I Was Kiss'd Yestreen (1)]]." Close variants of the "Bung Your Eye" strain of the family are: "[[Off to the Hunt]]", "[[Antrim Lasses (The)]]," "[[Tatter Jack]]," "[[Boys of Carrigallen (The)]]," "[[Mount Your Baggage (1)]]," and "[[Bonnie Strathmore]]."
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{{#seo:
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|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
The term 'bung your eye' means to 'shut your eye', a meaning taken from the bung or cork used to stopper a hole in a cask, for example. 'Bung your eye' was one euphemism for gin (along with 'strip-me-naked' and others), an alcoholic beverage the English populace nearly drowned in during the mid-18th century. In this sense an excess of gin will 'shut (bung) your eye(s)' through blind drunkenness. Another sense of the term is revealed in the song "The Bold Irishman," an early 19th century broadside sheet ballad that relates the perils of an immigrant in a new land. Here the phrase 'bung your eye' implies a threat to beat the protagonist until his eyes are shut:
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
<blockquote>
|image=TUC-160x120.png
''A blustering bully with a head like a Turk''<br>
|image_alt=Traditional universal music
''Says welcome from Ireland, sweet Paddy from Cork'' <br>
}}
''Arrah turn you round Pat, for I've been a kin'' <br>
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''For I never yet see a coat buttoned behind''<br>
<br>
''A beef headed butcher was then standing by'' <br>
''Cries Paddy you rogue I'll bung up your eye''<br>
''Such blustering words made my heart ache''<br>
''For fear of my eyes not a word dare I speak'' <br>
</blockquote>
Paddy prevails in the end, turning the tables on the two bullies:
<blockquote>
''The bully that said he'd bung up my eye,''<br>
''I tipt him a grinder as I passed by,'' <br>
''I let him to know as he lay in his gore,'' <br>
''That an Irishmans coat was buttoned before''<br>
</blockquote>
The melody appears (almost note-for-note with Gow's version) in the c. 1785 music manuscript collection (p. 135) of pastoral piper John Sutherland, Aberdeenshire. See also notes to "[[Annotation:Lanigan's Ball]]" and O'Neill's "[[Annotation:Jolly Old Man (The)]]."
<br>
<br>
''Printed sources:'' Aird ('''Selection of Scotch, English, Irish and Foreign Airs'''), vol. 1, 1782; No. 15, p. 6. Gow ('''Complete Repository'''), Part 1, 1799; p. 21. Johnson ('''A Further Collection of Dances, Marches, Minuetts and Duetts of the Latter 18th Century'''), 1998; p. 13. Karpeles & Schofield ('''A Selection of 100 English Folk Dance Airs'''), 1951; p. 26. Kennedy ('''Fiddler's Tune Book'''), vol. 2, 1954; p. 42 (appears as "Mary the Maid"). Sharp ('''Country Dance Tunes'''), 1909; p. 58. Williamson ('''English, Welsh, Scottish and Irish Fiddle Tunes'''), 1976, p. 50.


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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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<section begin=abc />
<pre>
X:1
T:Bung your Eye
M:6/8
L:1/8
R:Jig
B:Robert Ross – Choice Collection of Scots Reels or Country Dances
B:& Strathspeys (Edinburgh, 1780, p. 1)
Z:AK/Fiddler’s Companion
K:Amin
V:1
E|ABA c2d|edc TB2A|GAG B2c|dge dBG|
ABA c2d|edc Bcd|e2(A A)B^G|A3c2:|
|:G|c>(de/f/ g2)a|gec gec|G>(AB/c/ d2)e|dge dBG|
c>(de/f/ g2)a|gec de^g|a2(A A)B^G|A3 c2:|]
V:2 clef = bass
z|A,2z E,2z|C,B,,A,, G,,3|B,,3 G,G,,A,,|B,,2C B,,2G,|
C,3E,3|A,3D,3|C,2D, E,2E,|A,,C,E, A,,2:|
|:z|E,3 E,A,F,|C,3 E,3|G,,3 G,3|B,2C B,3|
C,3 E,CF,|E,3B,,3|C,2D,E,2 E,|A,,C,E, A,,2:|]
<section end=abc />
<section begin=X2 />
X:1
T:Bung your Eye
M:6/8
L:1/8
R:Jig
B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 1 (1782, No. 15, p. 6)
Z:AK/Fiddler’s Companion
K:Amin
E|ABA c2d|edc B2A|GAG B2c|dge dBG|
ABA c2d|edc Bcd|e2A BAG|A3 A2:|
|:G|cde g2a|gec gec|GAG B2c|dge dBG|
cde g2a|gec de^g|a2A BA^G|A3 A2:|]
<section end=X2 />
<section begin=X5 />
X:1
X:1
T:Bung your Eye
M:6/8
L:1/8
R:Jig
B:William Campbell – “Campbell’s 12th Book of New and Favorite Country Dances &
B:Strathspey Reels for the Harp, Piano-Forte & Violin, with their Proper Figures, as
B:Danced at Court, Bath, Williss’s, & Hanover Square Rooms” (Soho, London, c. 1797, p. 24)
F: https://vmirror.imslp.org/files/imglnks/usimg/9/9a/IMSLP655932-PMLP1052069-campbells12thboo00camp.pdf
Z:AK/Fiddler’s Companion
K:Amin
V:1
E|ABA c2d|edc B2A|GAG B2c|dge dBG|
ABA c2d|edc Bcd|e2A BA^G|A3 A2:|
|:G|cde g2a|gec gec|GAG B2c|dge dBG|
cde g2a|gec ce^g|a2A BA^G|A3 A2:|]
V:2 clef = bass
z|A,,3A,3|C,2A,, E,2z|A,,3G,2z|G,2C, B,,2E,|
A,,3A,2F,|E,2A, ^G,2E,|A,2C, E,2E,,|A,,3 A,2:|
|:z|C,3E,2F,|E,3C,3|B,,3G,,2z|B,,2C,B,,2G,|
C,3 E,2F,|E,3 A,2B,|C2C, D,2E,|A,E,C, A,,2:|]
<section end=X5 />
<section begin=X9 />
X:2
T:Bung Your Eye
T:Bung Your Eye
M:6/8
M:6/8
Line 57: Line 103:
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:Amin
K:Amin
E|ABA c2d|e(dc) B2A|GAG B2c|dge dBG|ABA c2d|
E|ABA c2d|e(dc) B2A|GAG B2c|dge dBG|
edc Bcd|e2A AB^G|A3 e2::B|c>de/f/ g2a|gec gec|
ABA c2d|edc Bcd|e2A AB^G|A3 e2:|
G>AB/c/ d2e|dge dBG|c>de/f/ g2a|gec de^g|a2A AB^G|A3 e2:||
|:B|c>de/f/ g2a|gec gec|G>AB/c/ d2e|dge dBG|
 
c>de/f/ g2a|gec de^g|a2A AB^G|A3 e2:||
</pre>
<section end=X9 />
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<section begin=X13 />
<p><font face="garamond, serif" size="4">
X:1
'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
T:Bung Your Eye. A Quick Step.
<br>
M:6/8
Engraver Valerio M. Pelliccioni
L:1/8
</font></p>
R:March
S:The Buttery Manuscript (c. 1784-1820, No. 462)
N:John Buttery (1784-1854) joined  the 34th Regiment in Lincoln,
N:Lincolnshire, England, in 1797 and served as a fifer until discharged in
N:1814. His large ms. contains marches, duty calls, dance tunes and airs.
N:EASMES identifies this as the Fife MS. and suggests a date of 1780, see
N:https://www.cdss.org/elibrary/Easmes/Index.htm
Z:AK/Fiddler’s Companion
K:Amin
E|ABA c2d|edc B2A|GAG B2c|dge dBG|
ABA c2d|edc Bcd|e2A BA^G|A3 A2:|
|:G|cde g2a|gec gec|GAG B2c|dge dBG|
cde g2a|gec ce^g|a2A BA^G|A3 A2:|]
<section end=X13 />
<section begin=X17 />
X:3
T:Bung Your Eye. Le4.003
B:L.Leadley MS#4 c1850
Z:Village Music Project, 2016 Steve Mansfield
M:6/8
L:1/8
Q:3/8=120
K:Am
E | ABA c2d | edc B2A | GAG B2c | dge dBG |
ABA c2d | edc Bcd | e2A BA^G | A3 A2 :|
|: G | cde g2a | gec gec | GAG B2c | dge dBG |
cde g2a | gec de^g | a2A BA^G | A3 A2 :|
<section end=X17 />
<section begin=X20 />
X:27
T:Bung your Eye. Roose.0027
B:J.Roose MS, Manchester, 1850
Z:Village Music Project 2019 Eric Conrad
M:6/8
Q:3/8=120
L:1/8
K:Am
|: D | ABA c2d | edc B2A | GAG B2c | dge dBG |
ABA c2d | edc Bcd | e2A BA^G | A3 A2 :|
|: G | cde g2a | gec gec | GAG B2c | dge dBG |
cde g2A | gec de^g | a2A BA^G | A3 A2 :|
<section end=X20 />
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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Latest revision as of 18:21, 21 December 2023


Bung Your Eye  Click on the tune title to see or modify Bung Your Eye's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Bung Your Eye
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 Theme code Index    13b52 7bL244
 Also known as    Bang Your Eye, Brisk Young Lad, Brisk Young Lad's (The), Bung Her Eye, Earl of Dunmore (The), High Cauld Cap (The), Jolly Old Man (The), Mary the Maid
 Composer/Core Source    
 Region    England, Scotland
 Genre/Style    English, Scottish
 Meter/Rhythm    Jig/Quadrille
 Key/Tonic of    A
 Accidental    NONE
 Mode    Aeolian (minor)
 Time signature    6/8
 History    
 Structure    AABB
 Editor/Compiler    Robert Ross
 Book/Manuscript title    Book:A Choice Collection of Scots Reels or Country Dances & Strathspeys etc.
 Tune and/or Page number    p. 1
 Year of publication/Date of MS    1780
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Bung Your Eye: Annotations

X:1 T:Bung your Eye M:6/8 L:1/8 R:Jig B:Robert Ross – Choice Collection of Scots Reels or Country Dances B:& Strathspeys (Edinburgh, 1780, p. 1) Z:AK/Fiddler’s Companion K:Amin V:1 E|ABA c2d|edc TB2A|GAG B2c|dge dBG| ABA c2d|edc Bcd|e2(A A)B^G|A3c2:| |:G|c>(de/f/ g2)a|gec gec|G>(AB/c/ d2)e|dge dBG| c>(de/f/ g2)a|gec de^g|a2(A A)B^G|A3 c2:|] V:2 clef = bass z|A,2z E,2z|C,B,,A,, G,,3|B,,3 G,G,,A,,|B,,2C B,,2G,| C,3E,3|A,3D,3|C,2D, E,2E,|A,,C,E, A,,2:| |:z|E,3 E,A,F,|C,3 E,3|G,,3 G,3|B,2C B,3| C,3 E,CF,|E,3B,,3|C,2D,E,2 E,|A,,C,E, A,,2:|]


X:1 T:Bung your Eye M:6/8 L:1/8 R:Jig B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 1 (1782, No. 15, p. 6) Z:AK/Fiddler’s Companion K:Amin E|ABA c2d|edc B2A|GAG B2c|dge dBG| ABA c2d|edc Bcd|e2A BAG|A3 A2:| |:G|cde g2a|gec gec|GAG B2c|dge dBG| cde g2a|gec de^g|a2A BA^G|A3 A2:|]


X:1 T:Bung your Eye M:6/8 L:1/8 R:Jig B:William Campbell – “Campbell’s 12th Book of New and Favorite Country Dances & B:Strathspey Reels for the Harp, Piano-Forte & Violin, with their Proper Figures, as B:Danced at Court, Bath, Williss’s, & Hanover Square Rooms” (Soho, London, c. 1797, p. 24) F: https://vmirror.imslp.org/files/imglnks/usimg/9/9a/IMSLP655932-PMLP1052069-campbells12thboo00camp.pdf Z:AK/Fiddler’s Companion K:Amin V:1 E|ABA c2d|edc B2A|GAG B2c|dge dBG| ABA c2d|edc Bcd|e2A BA^G|A3 A2:| |:G|cde g2a|gec gec|GAG B2c|dge dBG| cde g2a|gec ce^g|a2A BA^G|A3 A2:|] V:2 clef = bass z|A,,3A,3|C,2A,, E,2z|A,,3G,2z|G,2C, B,,2E,| A,,3A,2F,|E,2A, ^G,2E,|A,2C, E,2E,,|A,,3 A,2:| |:z|C,3E,2F,|E,3C,3|B,,3G,,2z|B,,2C,B,,2G,| C,3 E,2F,|E,3 A,2B,|C2C, D,2E,|A,E,C, A,,2:|]


X:2 T:Bung Your Eye M:6/8 L:1/8 R:Jig S:Gow - 1st Repository (1799) Z:AK/Fiddler's Companion K:Amin E|ABA c2d|e(dc) B2A|GAG B2c|dge dBG| ABA c2d|edc Bcd|e2A AB^G|A3 e2:| |:B|c>de/f/ g2a|gec gec|G>AB/c/ d2e|dge dBG| c>de/f/ g2a|gec de^g|a2A AB^G|A3 e2:||


X:1 T:Bung Your Eye. A Quick Step. M:6/8 L:1/8 R:March S:The Buttery Manuscript (c. 1784-1820, No. 462) N:John Buttery (1784-1854) joined the 34th Regiment in Lincoln, N:Lincolnshire, England, in 1797 and served as a fifer until discharged in N:1814. His large ms. contains marches, duty calls, dance tunes and airs. N:EASMES identifies this as the Fife MS. and suggests a date of 1780, see N:https://www.cdss.org/elibrary/Easmes/Index.htm Z:AK/Fiddler’s Companion K:Amin E|ABA c2d|edc B2A|GAG B2c|dge dBG| ABA c2d|edc Bcd|e2A BA^G|A3 A2:| |:G|cde g2a|gec gec|GAG B2c|dge dBG| cde g2a|gec ce^g|a2A BA^G|A3 A2:|]


X:3 T:Bung Your Eye. Le4.003 B:L.Leadley MS#4 c1850 Z:Village Music Project, 2016 Steve Mansfield M:6/8 L:1/8 Q:3/8=120 K:Am E | ABA c2d | edc B2A | GAG B2c | dge dBG | ABA c2d | edc Bcd | e2A BA^G | A3 A2 :| |: G | cde g2a | gec gec | GAG B2c | dge dBG | cde g2a | gec de^g | a2A BA^G | A3 A2 :|


X:27 T:Bung your Eye. Roose.0027 B:J.Roose MS, Manchester, 1850 Z:Village Music Project 2019 Eric Conrad M:6/8 Q:3/8=120 L:1/8 K:Am |: D | ABA c2d | edc B2A | GAG B2c | dge dBG | ABA c2d | edc Bcd | e2A BA^G | A3 A2 :| |: G | cde g2a | gec gec | GAG B2c | dge dBG | cde g2A | gec de^g | a2A BA^G | A3 A2 :|


Bung Your Eye: Annotations

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