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{{Abctune
{{Abctune
|f_tune_title=Cruiskeen Lawn
|f_tune_title=Cruiskeen Lawn
|f_aka=Cruiscin Lan, O'Sullivan's Return, Men of '82 (The), Wife Who Was Dumb (The), Dumb Dumb Dumb
|f_aka=Cruiscin Lan, Cruiskeen, O'Sullivan's Return, Men of '82 (The), Wife Who Was Dumb (The), Dumb Dumb Dumb, Crúisgín Lán (An)
|f_country=Ireland
|f_country=Ireland
|f_genre=Irish
|f_genre=Irish
|f_rhythm=Air/Lament/Listening Piece
|f_rhythm=Air/Lament/Listening Piece, Hornpipe/Clog
|f_time_signature=4/4
|f_time_signature=4/4
|f_key=G
|f_key=G
Line 10: Line 10:
|f_mode=Aeolian (minor)
|f_mode=Aeolian (minor)
|f_structure=AB
|f_structure=AB
|f_book_title=Music of Ireland: 1850 Melodies
|f_book_title=Pocket Companion for the Irish or Union Pipes vol. 3
|f_collector=Francis O'Neill,
|f_collector=O'Farrell
|f_year=1903
|f_year=c. 1808
|f_page=No. 254, p. 44
|f_page=p. 117
|f_theme_code_index=5L13b2 47L7L5L
|f_theme_code_index=5L13b2 47L7L5L
|f_score=1
}}
}}
<p><font face="garamond, serif" size="4">
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'''CRUISKEEN LAWN''' (Cruiscin Lan). AKA and see "[[O'Sullivan's Return]]," "[[Men of '82 Z(The)]]," "[[Wife Who Was Dumb (The)]]," "[[Dumb Dumb Dumb]]." Irish, Air (4/4 time). G Minor (O'Neill): A Minor (O'Farrell). Standard tuning (fiddle). AB (O'Neill): AABB (O'Farrell). "Cruiskeen Lawn" is the Englished form of the Gaelic title ''Cruiscin Lan,'' which means 'The Full Little Jug'. Flood (1905) mentions a rather bold assertion that Dr. Sigerson, in " 'The Bards of the Gael and Gall', believes this tune evidences strong Scandinavian musical influences from the period of the Norse invasions of Ireland c. 800-1050. He is in error," states Flood, who doubts the tune dates from the Norse period or even mediaeval days. Cazden (et al, 1982) finds the earliest publication of the song to be a sheet-music copy printed in New York by Edward Riley, dated between 1823 and 1831, and notes that the song became a favorite on both sides of the Atlantic during the mid-19th century. As a popular tune it was used for several other ballads and hymns, including the American shape-note piece "Consolation" ('''Sacred Harp''', 1848). See also note to "[[Cruisgin Beag (An)]]" and "[[We'll take again a cruiskeen a cruiskeen laun]]."
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''Source for notated version'': Chicago Police Sergeant James O'Neill, a fiddler originally from County Down and Francis O'Neill's collaborator [O'Neill]. O'Farrell (Pocket Companion, vol. III), c. 1808; pg. 41 (appears as "Cruskeen Lawn").  
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
<br>
|image=TUC-160x120.png
<br>
|image_alt=Traditional universal music
''Printed source:'' P.H. Hughes ('''Gems of the Emerald Isle'''), c. 1860's; No. 72, p. 17. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 254, p. 44.
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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<section begin=abc />
<pre>
X: 1
T: Cruskeen Lawn [1]
T: Cruisc\'in L\'an
N: O'Farrell's Pocket Companion v.3 (Sky ed. p.117)
N: Irish
M: C
L: 1/8
R: hornpipe
F:http://john-chambers.us/~jc/music/book/OFPC/hornpipe/CruskeenLawn.abc
K: Am
E2| AEAB c2 Bc| dcBA AGFE| A2 AB cBcd| e6 :|
d2| ecce g2 fe| dBGB d2 cd| e>cd>B e2 E2|
A2 AB c3d| ecdB e2 E^G| A6 :|
<section end=abc />
<section begin=X1 />
X:1
T:Crooskeen Lawn
T:Cruiskeen Laun [1]
M:C
L:1/8
R:Air
B:Edward Riley – “Riley’s Flute Melodies vol. 3” (1820, No. 188, p. 57)
F: https://digitalcollections.nypl.org/items/ab7b93e0-f959-0139-46b9-0242ac110002#/?uuid=277ff190-2ae4-013a-5cb8-0242ac110003
Z:AK/Fiddler’s Companion
K:D
F2|FB Bc d2 cd|ed cB B^A fe|{e}d2 {Bc}dc B2 B^A|B2 d>c B2||
P:Song
F F|F B Bc d2 cd|ed cB A2 FF|B2 Bc d2 de|f2 z2z2f2|fd df a2 gf|
ed cd e2 de|fe dc dc B^A|B>c d>e f2 !fermata!.b f|fg fe d2 {d}c2|B2z2z2c2|
d>e d>f a>f a>f|(e>c) A>c (e>c) (e>c)|B>c d>e f>e d>c|(B>c) (d>e) f2 bf|
f>g f>e dB dc|B2- BF (B>c) (d>e)|f>g f>e d>c dc|B2 z2z2||
<section end=X1 />
<section begin=X2 />
X:1
T:Cruiskeen Lawn [1]
M:C|
L:1/8
R:Air
B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 13, p. 7)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
Z:AK/Fiddler’s Companion
K:Dmin
A|(Ad).d.e .f2 .e.f|(gf).e.d ^c2 z.A|(Ad).d.d {g}.f.e.f>.g|
a6 a2|(af).f.a c'2 .b.a|.g.f.e.f !fermata!g2 .f>.g|
(ag).f.e .a2.A2|(.d2.e2.f2) (fg)|(ag).f.e (a2A)|d6||
<section end=X2 />
<section begin=X4 />
X:1
T:Cruiskeen Lawn [1]
M:C
L:1/8
R:Air
B:Manson – Hamilton’s Universal Tune Book vol. 1 (1846, p. 137)
Z:AK/Fiddler’s Companion
K:Bmin
F2|BFBc d2 cd|edcB B^AGF|B2 Bc dcde|f6:|e2|fddf a2 gf|
ecAc e2 d>e|f>de>c f2F2|B2 B>c d3e|fdec f2 F^A|B6||
<section end=X4 />
<section begin=X6 />
X:1
T:Cruiskeen Lawn [1]
M:C
L:1/8
R:Air
Q:"Moderato"
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 178, p. 81)
Z:AK/Fiddler’s Companion
K:Cmin
G|G>cc>d e2 (de)|(fe)d>c =B3G|G>cc>d e>def|
g6 a2|g>ee>g b2 ag|f>ede !fermata![d2f2] e>f|
g>fe>c [=B2g2].G2|.c2 T(d2{cd}e2) e>f|g>de>c [=B2g2].G2|[E6c6]||
<section end=X6 />
<section begin=X8 />
X:1
T:Crúisgín Lán, An
M:4/4
L:1/8
R:Air
S:James Goodman music manuscript collection (mid-19th cent., County Cork, p. 86)
F: http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=89&z=1204.3886%2C603.3508%2C7374.2874%2C4466.6667
F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie
Z:AK/Fiddler's Companion
K:G
GF|DGGA B2 AB|(cB)AG GF D2|DGGA B2 Bc|
(dc)(Bc) d2 |:Ode|(dc)(Bc) (de)(fd)|(cB)AB c2 Bc|
dcBA GBAF|G2 GA B2 Bc|dcBA GBAF|G6:|]
<section end=X8 />
<section begin=X11 />
X:2
T:Cruiskeen Lawn [1], The
M:C
L:1/8
R:Air
Q:"Moderato"
B:P.H. Hughes -- Gems from the Emerald Isle (c. 1860's, No. 72, p. 17)
Z:AK/Fiddler's Companion
K:Gmin
D2|DGGA B2 AB|c>BAG ^F2 D2|DGGA B>ABc|d6 f2|
d>BBd f2 ed|c>BAB c2 Bc|d>cB>G d2D2|
G2A2 B2Bc|d>c B<G d2D2 |G6||
<section end=X11 />
<section begin=X12 />
X:1
T:Cruiskeen Lawn, The
M:C
L:1/8
R:Air
S:Philip Carolan music manuscript collection 
N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate
N:farmer and fiddler who compiled his ms. probably during 1863-1873.
S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of
S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology,
S:2007, p. 91.  Carolan ms. 1, No. 279.
K:Amin
EE|EAAB c2 Bc|dcBA A-^GEE|A2 AB (cB)cd|e6 ze|
ecce gf2e|dcBc d2 cd|edcB (cB)(A^G)|(A>B) (c>d) e2 !fermata!ae|e>f e>d c2B2|
A2z2 c>d c>e|(g>e) g2 d>B G>B|(d>B) d2 A>B c>d|
(e>d) (c>B) (A>B) (c>d)|e2 !fermata!a2 e>f e>d|c2B2A2||
<section end=X12 />
<section begin=X14 />
X:1
T:Cruiskeen Lawn [1], The
M:2/4
L:1/8
R:Air
B:Stephen Grier music manuscript collection (1883, Book 3, No. 263)
N:Grier (c. 1824-1894) was a fiddler and uilleann piper originally
N:from north Longford, but who moved around 1852 to Newpark,
N:Bohey, Gortletteragh, south Leitrim.
K:G
DG GA|B2 Bd|cB AG|F2D2|DG GF|GA Bc|
d2D2|D2d2||dc Bd|f2d2|cB AB|c2e2|dc BA|
d2 D2|G2A2|B2 c2|dc BA|d2 D2|G2 GA|G4||
<section end=X14 />
<section begin=X16 />
X:1
X:1
T:Cruiskeen Lawn
T:Cruiskeen Lawn [1]
M:C
M:C
L:1/8
L:1/8
R:Air
R:Air
N:"With expression"
Q:"With expression"
S:O'Neill - Music of Ireland (1903), No. 254
S:O'Neill - Music of Ireland (1903), No. 254
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
Line 42: Line 184:
d>c B<G d2 D2 G6 z || G/A/ | B>A B<d f<d f2 | c>A F<A c<A c2 |  
d>c B<G d2 D2 G6 z || G/A/ | B>A B<d f<d f2 | c>A F<A c<A c2 |  
d>c B<G d2D2 | G2A2B2 Bc | d<g d>c B2A2 | G6 ||
d>c B<G d2D2 | G2A2B2 Bc | d<g d>c B2A2 | G6 ||
</pre>
<section end=X16 />
 
<section begin=X19 />
<pre>
X:1
X:2
T:Cruiskleen Lawn [1], The
T:Cruiskeen Lawn, The
M:C
M:C
L:1/8
L:1/8
R:Air
R:Air
N:"Moderato"
Q:"Vivace"
B:P.H. Hughes -- Gems from the Emerald Isle (c. 1860's, No. 72, p. 17)
B:Batt Scanlon - "The Violin Made Easy and Attractive" (San Francisco, 1923, p. 46)
N:Scanlon was a student of George Whelan, a North Kerry fiddle player and teacher
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:Gmin
K:A
D2|DGGA B2 AB|c>BAG ^F2 D2|DGGA B>ABc|d6 f2|
C>C|(CF) (FG) A2 (GA)|(BA) (GF) ^E2 (C>C)|F2 (FG) AGAB|c4 z2 c2|(cA) (Ac) "4"e4 (dc)|
d>BBd f2 ed|c>BAB c2 Bc|d>cB>G d2D2|G2A2 B2Bc|d>c B<G d2D2 |G6||
(B>A)(GA) B2 (AB)|(c>B)(AF) c2C2|F2G2A2 (A>B)|(c>B)(AF) c2C2|F6 z2||
</pre>
(c>B) (Ac) "4"e2e2|(B>G) (EG) B2B2|(F>G)(A>B) c>B A>G|F2c2c2 !fermata!f2|(c>d) (c>B) A2G2|F6||
----
<section end=X19 />
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'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
<section begin=X1 />
<br>
<section end=X1 />
Engraver Valerio M. Pelliccioni
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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__NOTITLE__9

Latest revision as of 18:04, 6 February 2024


Cruiskeen Lawn (1)  Click on the tune title to see or modify Cruiskeen Lawn (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Cruiskeen Lawn (1)
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 Theme code Index    5L13b2 47L7L5L
 Also known as    Cruiscin Lan, Cruiskeen, O'Sullivan's Return, Men of '82 (The), Wife Who Was Dumb (The), Dumb Dumb Dumb, Crúisgín Lán (An)
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Air/Lament/Listening Piece, Hornpipe/Clog
 Key/Tonic of    G
 Accidental    2 flats
 Mode    Aeolian (minor)
 Time signature    4/4
 History    
 Structure    AB
 Editor/Compiler    Biography:O'Farrell
 Book/Manuscript title    Book:Pocket Companion for the Irish or Union Pipes vol. 3
 Tune and/or Page number    p. 117
 Year of publication/Date of MS    c. 1808
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Cruiskeen Lawn (1): Annotations

X: 1 T: Cruskeen Lawn [1] T: Cruisc\'in L\'an N: O'Farrell's Pocket Companion v.3 (Sky ed. p.117) N: Irish M: C L: 1/8 R: hornpipe F:http://john-chambers.us/~jc/music/book/OFPC/hornpipe/CruskeenLawn.abc K: Am E2| AEAB c2 Bc| dcBA AGFE| A2 AB cBcd| e6 :| d2| ecce g2 fe| dBGB d2 cd| e>cd>B e2 E2| A2 AB c3d| ecdB e2 E^G| A6 :|


X:1 T:Crooskeen Lawn T:Cruiskeen Laun [1] M:C L:1/8 R:Air B:Edward Riley – “Riley’s Flute Melodies vol. 3” (1820, No. 188, p. 57) F: https://digitalcollections.nypl.org/items/ab7b93e0-f959-0139-46b9-0242ac110002#/?uuid=277ff190-2ae4-013a-5cb8-0242ac110003 Z:AK/Fiddler’s Companion K:D F2|FB Bc d2 cd|ed cB B^A fe|{e}d2 {Bc}dc B2 B^A|B2 d>c B2|| P:Song F F|F B Bc d2 cd|ed cB A2 FF|B2 Bc d2 de|f2 z2z2f2|fd df a2 gf| ed cd e2 de|fe dc dc B^A|B>c d>e f2 !fermata!.b f|fg fe d2 {d}c2|B2z2z2c2| d>e d>f a>f a>f|(e>c) A>c (e>c) (e>c)|B>c d>e f>e d>c|(B>c) (d>e) f2 bf| f>g f>e dB dc|B2- BF (B>c) (d>e)|f>g f>e d>c dc|B2 z2z2||


X:1 T:Cruiskeen Lawn [1] M:C| L:1/8 R:Air B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 13, p. 7) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:Dmin A|(Ad).d.e .f2 .e.f|(gf).e.d ^c2 z.A|(Ad).d.d {g}.f.e.f>.g| a6 a2|(af).f.a c'2 .b.a|.g.f.e.f !fermata!g2 .f>.g| (ag).f.e .a2.A2|(.d2.e2.f2) (fg)|(ag).f.e (a2A)|d6||


X:1 T:Cruiskeen Lawn [1] M:C L:1/8 R:Air B:Manson – Hamilton’s Universal Tune Book vol. 1 (1846, p. 137) Z:AK/Fiddler’s Companion K:Bmin F2|BFBc d2 cd|edcB B^AGF|B2 Bc dcde|f6:|e2|fddf a2 gf| ecAc e2 d>e|f>de>c f2F2|B2 B>c d3e|fdec f2 F^A|B6||


X:1 T:Cruiskeen Lawn [1] M:C L:1/8 R:Air Q:"Moderato" B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 178, p. 81) Z:AK/Fiddler’s Companion K:Cmin G|G>cc>d e2 (de)|(fe)d>c =B3G|G>cc>d e>def| g6 a2|g>ee>g b2 ag|f>ede !fermata![d2f2] e>f| g>fe>c [=B2g2].G2|.c2 T(d2{cd}e2) e>f|g>de>c [=B2g2].G2|[E6c6]||


X:1 T:Crúisgín Lán, An M:4/4 L:1/8 R:Air S:James Goodman music manuscript collection (mid-19th cent., County Cork, p. 86) F: http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=89&z=1204.3886%2C603.3508%2C7374.2874%2C4466.6667 F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie Z:AK/Fiddler's Companion K:G GF|DGGA B2 AB|(cB)AG GF D2|DGGA B2 Bc| (dc)(Bc) d2 |:Ode|(dc)(Bc) (de)(fd)|(cB)AB c2 Bc| dcBA GBAF|G2 GA B2 Bc|dcBA GBAF|G6:|]


X:2 T:Cruiskeen Lawn [1], The M:C L:1/8 R:Air Q:"Moderato" B:P.H. Hughes -- Gems from the Emerald Isle (c. 1860's, No. 72, p. 17) Z:AK/Fiddler's Companion K:Gmin D2|DGGA B2 AB|c>BAG ^F2 D2|DGGA B>ABc|d6 f2| d>BBd f2 ed|c>BAB c2 Bc|d>cB>G d2D2| G2A2 B2Bc|d>c B<G d2D2 |G6||


X:1 T:Cruiskeen Lawn, The M:C L:1/8 R:Air S:Philip Carolan music manuscript collection N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate N:farmer and fiddler who compiled his ms. probably during 1863-1873. S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology, S:2007, p. 91. Carolan ms. 1, No. 279. K:Amin EE|EAAB c2 Bc|dcBA A-^GEE|A2 AB (cB)cd|e6 ze| ecce gf2e|dcBc d2 cd|edcB (cB)(A^G)|(A>B) (c>d) e2 !fermata!ae|e>f e>d c2B2| A2z2 c>d c>e|(g>e) g2 d>B G>B|(d>B) d2 A>B c>d| (e>d) (c>B) (A>B) (c>d)|e2 !fermata!a2 e>f e>d|c2B2A2||


X:1 T:Cruiskeen Lawn [1], The M:2/4 L:1/8 R:Air B:Stephen Grier music manuscript collection (1883, Book 3, No. 263) N:Grier (c. 1824-1894) was a fiddler and uilleann piper originally N:from north Longford, but who moved around 1852 to Newpark, N:Bohey, Gortletteragh, south Leitrim. K:G DG GA|B2 Bd|cB AG|F2D2|DG GF|GA Bc| d2D2|D2d2||dc Bd|f2d2|cB AB|c2e2|dc BA| d2 D2|G2A2|B2 c2|dc BA|d2 D2|G2 GA|G4||


X:1 T:Cruiskeen Lawn [1] M:C L:1/8 R:Air Q:"With expression" S:O'Neill - Music of Ireland (1903), No. 254 Z:AK/Fiddler's Companion K:Gmin G/^F/ | D<GGA B2 AB | .c.B.A.G F3 D/C/ | D<GGA B>ABc | d6 zd | d>BBd f2 ed | cBAB c2 Bc | d>c B<G d2D2 | G2A2B2 Bc | d>c B<G d2 D2 G6 z || G/A/ | B>A B<d f<d f2 | c>A F<A c<A c2 | d>c B<G d2D2 | G2A2B2 Bc | d<g d>c B2A2 | G6 ||


X:1 T:Cruiskleen Lawn [1], The M:C L:1/8 R:Air Q:"Vivace" B:Batt Scanlon - "The Violin Made Easy and Attractive" (San Francisco, 1923, p. 46) N:Scanlon was a student of George Whelan, a North Kerry fiddle player and teacher Z:AK/Fiddler's Companion K:A C>C|(CF) (FG) A2 (GA)|(BA) (GF) ^E2 (C>C)|F2 (FG) AGAB|c4 z2 c2|(cA) (Ac) "4"e4 (dc)| (B>A)(GA) B2 (AB)|(c>B)(AF) c2C2|F2G2A2 (A>B)|(c>B)(AF) c2C2|F6 z2|| (c>B) (Ac) "4"e2e2|(B>G) (EG) B2B2|(F>G)(A>B) c>B A>G|F2c2c2 !fermata!f2|(c>d) (c>B) A2G2|F6||


Cruiskeen Lawn (1): Annotations

9

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