Beaus of Albany (1): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Beaus of Albany (1) | |f_tune_title=Beaus of Albany (1) | ||
|f_aka=Beaux of Albany, Billie in the Low Ground (1), Billy in the Low Ground (1), | |f_aka=Beaux of Albany, Billie in the Low Ground (1), Billy in the Low Ground (1), Bridge's Hornpipe, | ||
|f_country=United States | |f_country=United States | ||
|f_genre=Contra | |f_genre=Contra | ||
Line 15: | Line 15: | ||
|f_page=No. 44, p. 61 | |f_page=No. 44, p. 61 | ||
|f_theme_code_index=1155 22H2H6 | |f_theme_code_index=1155 22H2H6 | ||
|f_score=1 | |||
}} | }} | ||
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X:1 | |||
T:Beaus of Albany [1] | |||
M:2/4 | |||
L:1/8 | |||
R:Reel | |||
B:Elias Howe – Second Part of the Musician’s Companion (1843, p. 69) | |||
Z:AK/Fiddler’s Companion | |||
K:C | |||
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X:1 | |||
T:Beaux of Albany | |||
T:Beaus of Albany [1] | |||
M:2/4 | |||
L:1/8 | |||
R:Reel | |||
B:”Melodist: A Collection of music in two volumes" (1826-1859, No. 17, p. 12) | |||
N:The melodist is a musician's ms., probably by a fiddler, that contains both | |||
N:tunes and songs from a variety of sources, American and European. The | |||
N:inscription on the inside cover reads, "This is from the Bridge family of | |||
N:Augusta, Maine (Horatio Bridge, friend of Hawthorne's)". However, entries in | |||
N:the ms. were in different hands indicating several contributors. | |||
N:The ms. is neat and the notation studied and precise. | |||
F: https://archive.org/details/Melodist/page/n13/mode/2up?view=theater | |||
Z:AK/Fiddler’s Companion | |||
K:C | |||
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X:1 | X:1 | ||
T:Beaux of Albany | T:Beaux of Albany | ||
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=[[ANNOTATION:{{PAGENAME}}| | X:1 | ||
T:Beaus of Albany [1] | |||
< | M:2/4 | ||
L:1/8 | |||
R:Hornpipe | |||
N:”Scotch” | |||
S:Clinton W. Bisbee (West Sumner, Me., August, 1904) | |||
N:The inscription on the front cover indicates the that contents were | |||
N:copied from the Dec. 25, 1864, music manuscript of Frank Richardson, | |||
N: who lived in a town called Mt. Vernon, Me., later called Canton, Me.. | |||
Z:AK/Fiddler’s Companion | |||
K:C | |||
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__NOTITLE__ |
Latest revision as of 18:52, 11 February 2024
X:1 T:Beaus of Albany [1] M:2/4 L:1/8 R:Reel B:Elias Howe – Second Part of the Musician’s Companion (1843, p. 69) Z:AK/Fiddler’s Companion K:C C>C EG|c/d/e/d/ c/B/A/G/|A/B/A/G/ Aa|(g/e/)c/d/ e/d/d| C>C EG|c/d/e/d/ c/B/A/G/|A/B/A/G/ A/B/c/A/|G/F/E/D/ E/C/C:| |:g>a g/f/e/g/|f/e/d/f/ e/d/c/B/|A/B/A/G/ Aa|(g/e/)c/d/ e/d/d| g>a g/f/e/g/|f/e/d/f/ e/d/c/B/|A/B/A/G/ A/B/c/A/|G/F/E/D/ G/C/C:|]
X:1
T:Beaux of Albany
T:Beaus of Albany [1]
M:2/4
L:1/8
R:Reel
B:”Melodist: A Collection of music in two volumes" (1826-1859, No. 17, p. 12)
N:The melodist is a musician's ms., probably by a fiddler, that contains both
N:tunes and songs from a variety of sources, American and European. The
N:inscription on the inside cover reads, "This is from the Bridge family of
N:Augusta, Maine (Horatio Bridge, friend of Hawthorne's)". However, entries in
N:the ms. were in different hands indicating several contributors.
N:The ms. is neat and the notation studied and precise.
F: https://archive.org/details/Melodist/page/n13/mode/2up?view=theater
Z:AK/Fiddler’s Companion
K:C
CC/C/ E/G/G|c/d/e/d/ c/A/A/^G/|A/c/G/c/ Aa|g/e/c/d/ e/d/d|
CC/C/ E/G/G|c/d/e/d/ c/A/A/^G/|A/c/G/c/ A/c/G/B/|c/A/G/F/ E/C/C:|
|:e/g/g/a/ g/e/c/e/|f/e/d/c/ e/d/c/B/|A/c/G/c/ Aa|g/e/c/d/ e/d/d|
e/g/g/a/ ge/c/|c/d/e/d/ c/A/A/G/|A/c/G// A/c/G/B/|c/A/G/F/ E/C/C:|]
X:1
T:Beaux of Albany
T:Beaus of Albany [1]
M:2/4
L:1/8
R:Reel
B:Saunders – New and Complete Instructor for the Violin (Boston, 1847, No. 44, p. 61)
Z:AK/Fiddler’s Companion
K:C
C(C/E/) G/A/G/E/|D/d/d/^c/ d/A/A/B/|c/B/c/A/ G/e/f/a/|g/e/f/d/ (c/e/).c:||
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X:1
T:Beaus of Albany [1]
M:2/4
L:1/8
R:Hornpipe
N:”Scotch”
S:Clinton W. Bisbee (West Sumner, Me., August, 1904)
N:The inscription on the front cover indicates the that contents were
N:copied from the Dec. 25, 1864, music manuscript of Frank Richardson,
N: who lived in a town called Mt. Vernon, Me., later called Canton, Me..
Z:AK/Fiddler’s Companion
K:C
CC/E/ G/A/G/E/|D/d/d/^c/ d/A/A/B/|(c/B/).c/.A/ G/e/f/a/|(g/e/).f/.d/ e/c/c:||
c(e/c/) g/c/e/c/|g/c/e/c/ a/d/d/e/|(c/d/)(e/c/) g/c/e/c/|g/c/c/d/ (e/c/)c|
ce/c/ g/c/e/c/|g/c/e/c/ a/d/d/e/|c/d/c/A/ G/e/f/a/|g/e/f/d/ e/c/c||