Money in Both Pockets (1): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Money in Both Pockets (1) | |f_tune_title=Money in Both Pockets (1) | ||
|f_aka=Airgiod Ann Gac Pocad, Airgead in Gac Poca, Trip to Galloway (2) | |f_aka=Airgiod Ann Gac Pocad, Airgead in Gac Poca, Trip to Galloway (2), Spinner's Lilt (The) | ||
|f_country=England, Scotland, Ireland, Canada, United States | |f_country=England, Scotland, Ireland, Canada, United States | ||
|f_genre=Cape Breton/PEI, Contra, Irish, Northumbrian/Borders, Scottish | |f_genre=Cape Breton/PEI, Contra, Irish, Northumbrian/Borders, Scottish | ||
Line 16: | Line 16: | ||
|f_page=p. 11 | |f_page=p. 11 | ||
|f_theme_code_index=1H355 1H354H | |f_theme_code_index=1H355 1H354H | ||
|f_score=1 | |||
}} | }} | ||
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|description=The semantic index of North American, British and Irish traditional instrumental music with annotations | |||
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---- | ---- | ||
< | <section begin=abc /> | ||
X:1 | X:1 | ||
T:Money in Both Pockets [1] | T:Money in Both Pockets [1] | ||
Line 42: | Line 58: | ||
(f/g/af) (g/a/bg) | (f/g/af) ede | fdB AFA | BcB B2z :| | (f/g/af) (g/a/bg) | (f/g/af) ede | fdB AFA | BcB B2z :| | ||
%Petrie omitted the 8th rest at the end of the above line -SW | %Petrie omitted the 8th rest at the end of the above line -SW | ||
</ | <section end=abc /> | ||
< | <section begin=X2 /> | ||
X:2 | X:2 | ||
T:Money in Both Pockets [1] | T:Money in Both Pockets [1] | ||
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f<dB A<FA|TB3 d2A|df/g/a afd|(c/d/e/)f/^g/a/ (f/e/)(d/c/)B/A/|T(d/c/d/)e/f/g/ afd| | f<dB A<FA|TB3 d2A|df/g/a afd|(c/d/e/)f/^g/a/ (f/e/)(d/c/)B/A/|T(d/c/d/)e/f/g/ afd| | ||
{a}gfg f2 f/g/|(a/g/)f/g/a/f (b/a/)g/b/a/g/|(a/g/)f/a/g/f/ {f}ede|f>dB A<FA|TB3 ABc|| | {a}gfg f2 f/g/|(a/g/)f/g/a/f (b/a/)g/b/a/g/|(a/g/)f/a/g/f/ {f}ede|f>dB A<FA|TB3 ABc|| | ||
< | <section end=X2 /> | ||
< | <section begin=X4 /> | ||
X:3 | X:3 | ||
T:Money in Both Pockets [1] | T:Money in Both Pockets [1] | ||
Line 73: | Line 89: | ||
|: dfa afd | cea ecA | dfa afd | Tg3 f2g | | |: dfa afd | cea ecA | dfa afd | Tg3 f2g | | ||
agf bag | agf ede | fdB AFA | B3B2A :|] | agf bag | agf ede | fdB AFA | B3B2A :|] | ||
</ | <section end=X4 /> | ||
< | <section begin=X6 /> | ||
X:4 | X:4 | ||
T:Money in both Pockets [1] | T:Money in both Pockets [1] | ||
Line 80: | Line 96: | ||
L:1/8 | L:1/8 | ||
R:Country Dance | R:Country Dance | ||
B:Preston's Twenty Four Country Dances for the Year 1793 | B:Preston's Twenty Four Country Dances for the Year 1793 (No. 221, p. 91) | ||
Z:AK/Fiddler's Companion | Z:AK/Fiddler's Companion | ||
K:D | K:D | ||
Line 87: | Line 103: | ||
|:A|dfa afd|cea ecA|dfa afd|g3f2a| | |:A|dfa afd|cea ecA|dfa afd|g3f2a| | ||
agf bag|agf ede|fdB AFA|BcB B2:|] | agf bag|agf ede|fdB AFA|BcB B2:|] | ||
</ | <section end=X6 /> | ||
< | <section begin=X7 /> | ||
X: 1 | X:1 | ||
T:Money in Both Pockets. | T:Money in Both Pockets [1] | ||
M:6/8 | |||
L:1/8 | |||
B:Edward Riley – “Riley’s Flute Melodies vol. 1” (New York, 1814, No. 161, p. 42) | |||
B: https://archive.org/details/flutemelodies0000rile/page/n55/mode/2up | |||
Z:AK/Fiddler’s Companion | |||
K:D | |||
A|d2F FEF|ABA AGF|d2F FEF|A2B gfe| | |||
d2F FEF|ABA AGF|EFE EFG|B=cB B2:| | |||
|:A|dfa afd|cea ecA|dfa afd|g3 f2g| | |||
gfe bag|agf edc|dcB AFA|B=cB B2:|] | |||
<section end=X7 /> | |||
<section begin=X8 /> | |||
X: 5 | |||
T:Money in Both Pockets [1] | |||
R:Jig | R:Jig | ||
S:Rev.R.Harrison's MS, | S:Rev. R. Harrison's MS, RH.103, c. 1815, Cumbria | ||
O:England | O:England | ||
A:Temple Sowerby,Cumbria | A:Temple Sowerby, Cumbria | ||
Z:vmp.Simon Wilson. Review PJH, 2008. | Z:vmp.Simon Wilson. Review PJH, 2008. | ||
M:6/8 | M:6/8 | ||
L:1/8 | L:1/8 | ||
K:D | K:D | ||
|:A|d2F F>EF|ABA AGF|d2F F>EF|ABA gfe|! | |:A|d2F F>EF|ABA AGF|d2F F>EF|ABA gfe|! | ||
Line 104: | Line 133: | ||
|:A|dfa afd|ceg ecA|dfa afd|(g3f2)a|! | |:A|dfa afd|ceg ecA|dfa afd|(g3f2)a|! | ||
agf bag|agf ede|fdB AFA|BcB B2:| | agf bag|agf ede|fdB AFA|BcB B2:| | ||
</ | <section end=X8 /> | ||
< | <section begin=X10 /> | ||
X: | X:6 | ||
T:Money in Both Pockets [1] | T:Money in Both Pockets [1] | ||
M:6/8 | M:6/8 | ||
Line 119: | Line 148: | ||
|:B|dfa afd|cea ecA|dfa afd|(g3 f2)g| | |:B|dfa afd|cea ecA|dfa afd|(g3 f2)g| | ||
agf bag|agf ede|fdB AFA|B3 A2:|] | agf bag|agf ede|fdB AFA|B3 A2:|] | ||
</ | <section end=X10 /> | ||
< | <section begin=X12 /> | ||
X: 1 | X:7 | ||
T:Money in Both Pockets | T:Money in Both Pockets [1] | ||
M:6/8 | |||
L:1/8 | |||
R:Air | |||
Q:"Moderato" | |||
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 182, p. 93) | |||
H:Irish-born Clinton was a flute teacher for the Royal Academy, London | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
d|(g2B) (BA).B|(d>ed) (dc).B|(g2B) (BA).B|(d>ed) (c'b).a| | |||
(g2B) T(BAB)|(d>ed) (dcB)|(A>BA) (AB).d|(e>=fe) .e2:| | |||
|:d|(gb).d' (d'b).g|(fa).d' (af).d|(gb).d' (d'b).g|c'3 b2.c'| | |||
(d'c').b (e'd').c'|(d'c').b (ag).f|(gf).e (dB).d|(e>=fe) .e2:|] | |||
<section end=X12 /> | |||
<section begin=X14 /> | |||
X:1 | |||
T:Money in Both Pockets [1] | |||
M:6/8 | |||
L:1/8 | |||
R:Country Dance Tune | |||
B:Manson – Hamilton’s Universal Tune Book, vol. 2 (1846, p. 34) | |||
Z:AK/Fiddler’s Companion | |||
K:D | |||
c|d2F F>GF|A>BA AGF|d2F F>GF|A3 gfe| | |||
d2F F>GF|A>BA AGF|E>FE EFA|B3 A2:| | |||
|:c|dfa afd|cea ecA|dfa agf|(g3 f2)g| | |||
agf bag|agf ede|fdB AFA|B3 A2:|] | |||
<section end=X14 /> | |||
<section begin=X15 /> | |||
X:22 | |||
T:Money in both pockets [1]. Roose.0200 | |||
B:Roose MS, 1850 | |||
%See also VMP transcriptions: | |||
%T.Westrop's 120 Country Dances, 1860's (WES.091); | |||
%John Buttrey MS, poss. Lincolnshire, early 19thC (JBut.341); | |||
%Rev.R.Harrison's MS, c1815, Cumbria (RH.103). | |||
Z:Village Music Project 2019 Roger Hare | |||
M:6/8 | |||
L:1/8 | |||
Q:3/8=80 | |||
K:D | |||
|: A | d2 A FEF | ABA AGF | d2 A FEF | e2 f gfe | | |||
d2 A FEF | ABA AGF | EFE EFA | (B3 A2) :| | |||
|: A | dfa afd | cde ecA | dfa afd | f3 a2 a | | |||
afa geg | fed cBA | dcB AFA | (B3 A2) :| | |||
<section end=X15 /> | |||
<section begin=X16 /> | |||
X: 8 | |||
T:Money in Both Pockets [1] | |||
M:6/8 | M:6/8 | ||
L:1/8 | L:1/8 | ||
R:Jig | R:Jig | ||
B:T. Westrop's 120 Country Dances, 1860's, no. 91 | |||
B:T. | |||
Z:VMP-R.Greig 2010 | Z:VMP-R.Greig 2010 | ||
K:D | K:D | ||
c|+accent+d2F FEF|ABA ABc|+accent+d2F FEF|ABA gfe|+accent+d2F FEF|ABA AGF| | c|+accent+d2F FEF|ABA ABc|+accent+d2F FEF|ABA gfe| | ||
EFE FGA|BcBB2||c|dfa afd|cea ecA|dfa afd| | +accent+d2F FEF|ABA AGF|EFE FGA|BcBB2|| | ||
(g3f2)g|agf bag|bgf ede|fdB AFA|BcBB2|] | c|dfa afd|cea ecA|dfa afd|(g3f2)g| | ||
</ | agf bag|bgf ede|fdB AFA|BcBB2|] | ||
< | <section end=X16 /> | ||
X: | <section begin=X18 /> | ||
X:9 | |||
T:Money in Both Pockets [1] | T:Money in Both Pockets [1] | ||
M:6/8 | M:6/8 | ||
Line 147: | Line 224: | ||
|: G | ceg gec | Bdg dBG | ceg gec | f3 e2f | | |: G | ceg gec | Bdg dBG | ceg gec | f3 e2f | | ||
gfe agf | gfe dcB | cBA GEG | ABA A2 :|] | gfe agf | gfe dcB | cBA GEG | ABA A2 :|] | ||
</ | <section end=X18 /> | ||
---- | <section begin=X20 /> | ||
=[[ANNOTATION:{{PAGENAME}}| | <section end=X20 /> | ||
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< | <section begin=X1 /> | ||
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__NOTITLE__ |
Latest revision as of 04:32, 20 February 2024
X:1 T:Money in Both Pockets [1] C:Trad., Irish? S:Petrie's Collection of Strathspey Reels and Country Dances &c., 1790 Z:Steve Wyrick <sjwyrick'at'astound'dot'net>, 2/28/04 N:Petrie's First Collection, page 11 L:1/8 M:6/8 K:D A | d2F FEF | ABA AGF | d2F TFEF | ABA gfe | d2F FEF | ABA AGF | EFE EFA | BcTB B2 :| |: A | dfa afd |cea ecA | dfa afd | g3 f2g | agf bag | agf ede | fdB AFA | BcB B2 :| z |: dcd dAF | ABA AGF | Tdcd dAF | Aaf gfe | %Petrie omitted the 8th rest at the beginning of the above line -SW dcd dAF | ABA AGF| E2E EFA | BcB B2z :| %Petrie omitted the 8th rest at the end of the above line -SW |: Tdcd afd | cea ecA | Tdcd afd |Tgfg f2g | (f/g/af) (g/a/bg) | (f/g/af) ede | fdB AFA | BcB B2z :| %Petrie omitted the 8th rest at the end of the above line -SW
X:2
T:Money in Both Pockets [1]
M:6/8
L:1/8
R:Jig
N:Gow notes that when this tune is danced, the 2nd part is only played to
N:the end of the eighth measure.
B:Gow - Third Collection of Niel Gow's Reels (1792)
Z:AK/Fiddler's Companion
K:D
f|:{c}d2F TFEF|A2A AGF|{c}d2F TFEF|A3 gfe|{c}d2F {G}FEF|
A>BA {B}AGF|TE>FE EFA|TB3 {A/B/}ABc:||(df)a afd|(ce).a ecA|
(df).a afd|Tg3 {f/g/}f2 f/g/|{f/g/}a>gf {g/a/}b>ag|{f/g/}a>gf Te>de|
f<dB A<FA|TB3 d2A|df/g/a afd|(c/d/e/)f/^g/a/ (f/e/)(d/c/)B/A/|T(d/c/d/)e/f/g/ afd|
{a}gfg f2 f/g/|(a/g/)f/g/a/f (b/a/)g/b/a/g/|(a/g/)f/a/g/f/ {f}ede|f>dB A<FA|TB3 ABc||
X:3
T:Money in Both Pockets [1]
M:6/8
L:1/8
R:Jig
S:MacDonald - 3rd Collection of Strathspey Reels (c. 1792)
Z:AK/Fiddler's Companion
K:D
d2F TFEF | ABA AGF | d2F TFEF | A3 gfe |
d2F FEF | ABA AGF | E2E EFA | B3B2A :|
|: dfa afd | cea ecA | dfa afd | Tg3 f2g |
agf bag | agf ede | fdB AFA | B3B2A :|]
X:4
T:Money in both Pockets [1]
M:6/8
L:1/8
R:Country Dance
B:Preston's Twenty Four Country Dances for the Year 1793 (No. 221, p. 91)
Z:AK/Fiddler's Companion
K:D
A|d2F FGF|ABA AGF|d2F FGF|ABA gfe|
d2F FGF|ABA AGF|EFE EFA|BcB B2:|
|:A|dfa afd|cea ecA|dfa afd|g3f2a|
agf bag|agf ede|fdB AFA|BcB B2:|]
X:1
T:Money in Both Pockets [1]
M:6/8
L:1/8
B:Edward Riley – “Riley’s Flute Melodies vol. 1” (New York, 1814, No. 161, p. 42)
B: https://archive.org/details/flutemelodies0000rile/page/n55/mode/2up
Z:AK/Fiddler’s Companion
K:D
A|d2F FEF|ABA AGF|d2F FEF|A2B gfe|
d2F FEF|ABA AGF|EFE EFG|B=cB B2:|
|:A|dfa afd|cea ecA|dfa afd|g3 f2g|
gfe bag|agf edc|dcB AFA|B=cB B2:|]
X: 5
T:Money in Both Pockets [1]
R:Jig
S:Rev. R. Harrison's MS, RH.103, c. 1815, Cumbria
O:England
A:Temple Sowerby, Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
K:D
|:A|d2F F>EF|ABA AGF|d2F F>EF|ABA gfe|!
d2F F>EF|ABA AGF|EFE EFG|BcB B2:|!
|:A|dfa afd|ceg ecA|dfa afd|(g3f2)a|!
agf bag|agf ede|fdB AFA|BcB B2:|
X:6
T:Money in Both Pockets [1]
M:6/8
L:1/8
R:Jig
B:J. Anderson - Anderson's Budget of Strathspeys, Reels & Country Dances
B: for the German Flute or Violin (Edinburgh, 1820, p. 20)
Z:AK/Fiddler's Companion
K:D
A|d2F FGF|ABA AFA|d2F FGF|ABA f2e|
d2F FGF|ABA AGF|EFE EFA|B3 A2:|
|:B|dfa afd|cea ecA|dfa afd|(g3 f2)g|
agf bag|agf ede|fdB AFA|B3 A2:|]
X:7
T:Money in Both Pockets [1]
M:6/8
L:1/8
R:Air
Q:"Moderato"
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 182, p. 93)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
Z:AK/Fiddler’s Companion
K:G
d|(g2B) (BA).B|(d>ed) (dc).B|(g2B) (BA).B|(d>ed) (c'b).a|
(g2B) T(BAB)|(d>ed) (dcB)|(A>BA) (AB).d|(e>=fe) .e2:|
|:d|(gb).d' (d'b).g|(fa).d' (af).d|(gb).d' (d'b).g|c'3 b2.c'|
(d'c').b (e'd').c'|(d'c').b (ag).f|(gf).e (dB).d|(e>=fe) .e2:|]
X:1
T:Money in Both Pockets [1]
M:6/8
L:1/8
R:Country Dance Tune
B:Manson – Hamilton’s Universal Tune Book, vol. 2 (1846, p. 34)
Z:AK/Fiddler’s Companion
K:D
c|d2F F>GF|A>BA AGF|d2F F>GF|A3 gfe|
d2F F>GF|A>BA AGF|E>FE EFA|B3 A2:|
|:c|dfa afd|cea ecA|dfa agf|(g3 f2)g|
agf bag|agf ede|fdB AFA|B3 A2:|]
X:22
T:Money in both pockets [1]. Roose.0200
B:Roose MS, 1850
%See also VMP transcriptions:
%T.Westrop's 120 Country Dances, 1860's (WES.091);
%John Buttrey MS, poss. Lincolnshire, early 19thC (JBut.341);
%Rev.R.Harrison's MS, c1815, Cumbria (RH.103).
Z:Village Music Project 2019 Roger Hare
M:6/8
L:1/8
Q:3/8=80
K:D
|: A | d2 A FEF | ABA AGF | d2 A FEF | e2 f gfe |
d2 A FEF | ABA AGF | EFE EFA | (B3 A2) :|
|: A | dfa afd | cde ecA | dfa afd | f3 a2 a |
afa geg | fed cBA | dcB AFA | (B3 A2) :|
X: 8
T:Money in Both Pockets [1]
M:6/8
L:1/8
R:Jig
B:T. Westrop's 120 Country Dances, 1860's, no. 91
Z:VMP-R.Greig 2010
K:D
c|+accent+d2F FEF|ABA ABc|+accent+d2F FEF|ABA gfe|
+accent+d2F FEF|ABA AGF|EFE FGA|BcBB2||
c|dfa afd|cea ecA|dfa afd|(g3f2)g|
agf bag|bgf ede|fdB AFA|BcBB2|]
X:9
T:Money in Both Pockets [1]
M:6/8
L:1/8
R:Jig
S:O'Neill - Dance Music of Ireland: 1001 Gems (1907), No. 35
Z:AK/Fiddler's Companion
K:C
G | c2E EDE | GAG GFE | c2E EDE | G2g fed |
c2E EDE | GAG GFE | DED DEG| ABA A2 :|
|: G | ceg gec | Bdg dBG | ceg gec | f3 e2f |
gfe agf | gfe dcB | cBA GEG | ABA A2 :|]