Annotation:Rout (2) (The): Difference between revisions

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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Rout_(2)_(The) >
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|f_annotation='''ROUT [2]. THE. ''' AKA - "Rout has come (The)."  AKA and see "[[Royal Quickstep (1)]]." English, American; Country Dance Tune or March (6/8 time). G Major. Standard tuning (fiddle). AABA. See note for "[[annotation:Rout (1) (The)|Rout]]" for explanation of the title.  "The Rout [2]" appears as "The Rout" in G. Graupner's Boston-published '''Cotillions and Country Dances No. 2''' (1808), and two of Boston publisher Elias Howe's mid-19th century collections, but was originally called "[[Royal Quickstep (1)]]."  Under the latter title it appears in late 18th century publications and musicians' manuscripts in England and America. The alternate title, "The Rout has come" is found with the tune in the music manuscript collections of James Rook (1840, Waverton, Cumbria, p. 110), and in the Campbell ms. (No. 42a, p. 21).
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|f_printed_sources=G. Graupner ('''Cotillions and Country Dances'''), Boston, 1808; p. 7. Howe ('''Musician's Companion Part 1'''), 1842; p. 64. Howe ('''1000 Jigs and Reels'''), c. 1867; p. 70. Edward Riley ('''Riley’s Flute Melodies vol. 1'''), New York, 1814; No. 183, p. 47.
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'''ROUT [2]. THE. ''' AKA and see "[[Royal Quickstep (1)]]." English, American; Country Dance Tune or March (6/8 time). G Major. Standard tuning (fiddle). AABA. The tune appears as "The Rout" in two of Boston publisher Elias Howe's mid-19th century collections, but was originally called "[[Royal Quickstep (1)]]."  Under the latter title it appears in late 18th century publications and musicians' manuscripts in England and America.  
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== Additional notes ==
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<font color=red>''Source for notated version''</font>: -
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<font color=red>''Printed sources''</font> : - Howe ('''Musician's Companion Part 1'''), 1842; p. 64. Howe (1000 Jigs and Reels), c. 1867; p. 70.  
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<font color=red>''Recorded sources'': </font> <font color=teal> -  </font>
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Latest revision as of 05:04, 20 February 2024


Back to Rout (2) (The)


X:1 T:Rout [2], The M:6/8 L:1/8 R:Jig B:G. Graupner - Cotillions and Country Dances No. 2 (Boston, 1808, No. 13, p. 7) B:https://www.loc.gov/resource/musm1a1.10093.0/?sp=3&r=-0.718,-0.026,2.436,1.395,0 Z:AK/Fiddler's Companion K: B/c/|d2g B2c|d2 B G3|ABc cBA|d2 B G2 B/c/| d2g B2c|d2B G3|AcB AGF|(G3 G2)!fine!!fermata!|| d|gag fef|gfe def|gag fef|gdB GBd| gag fef|gfe def|gag fef|(g3 g2)!D.C.!||



ROUT [2]. THE. AKA - "Rout has come (The)." AKA and see "Royal Quickstep (1)." English, American; Country Dance Tune or March (6/8 time). G Major. Standard tuning (fiddle). AABA. See note for "Rout" for explanation of the title. "The Rout [2]" appears as "The Rout" in G. Graupner's Boston-published Cotillions and Country Dances No. 2 (1808), and two of Boston publisher Elias Howe's mid-19th century collections, but was originally called "Royal Quickstep (1)." Under the latter title it appears in late 18th century publications and musicians' manuscripts in England and America. The alternate title, "The Rout has come" is found with the tune in the music manuscript collections of James Rook (1840, Waverton, Cumbria, p. 110), and in the Campbell ms. (No. 42a, p. 21).


Additional notes



Printed sources : - G. Graupner (Cotillions and Country Dances), Boston, 1808; p. 7. Howe (Musician's Companion Part 1), 1842; p. 64. Howe (1000 Jigs and Reels), c. 1867; p. 70. Edward Riley (Riley’s Flute Melodies vol. 1), New York, 1814; No. 183, p. 47.






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