Annotation:Wonder Hornpipe (The): Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Wonder_Hornpipe_(The) > | |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Wonder_Hornpipe_(The) > | ||
|f_annotation='''WONDER HORNPIPE, THE.''' AKA and see “[[Coey's Hornpipe]],” "[[George Ross' Hornpipes]]," "[[London Clog (2)]]," "[[Miss Ferry's Hornpipe]]," "[[Peeler's Hornpipe (The)]]," "[[Plantation Hornpipe]]," "[[Princess Hornpipe]]," “[[Southern Shore (The)]],” “[[Tammany Ring]], "[[Thames (The)]].” English, Scottish, Irish, Canadian; Hornpipe (whole time). G Major (Kennedy, Raven): B Flat Major (Honeyman, Kerr, Miller, White). Standard tuning (fiddle). AABB (Honeyman, Kennedy, Miller, Raven, White): AA'BB (Kerr). “The Wonder” is often attributed to [[wikipedia:James_Hill_(folk_musician)]] (c. 1811-1853) of Newcastle, Northumberland, England, who was born in Scotland but active from the 1830s to 1850s in Gateshead and Newcastle. Hill, a sometime publican and popular tavern fiddler, has a lasting reputation particularly for his well-crafted hornpipes (“[[High Level Hornpipe (1)]],” “[[Beeswing]],” “[[Hawk (The)]],” etc.). He was apparently a sportsman (or frequented sporting events) and was wont to name tunes after racehorses and pubs. He is sometimes called the ‘Paganini of the hornpipe’. | |f_annotation='''WONDER HORNPIPE, THE.''' AKA and see “[[Coey's Hornpipe]],” "[[George Ross' Hornpipes]]," "[[London Clog (2)]]," "[[Miss Ferry's Hornpipe]]," "[[Peeler's Hornpipe (The)]]," "[[Plantation Hornpipe]]," "[[Princess Hornpipe]]," “[[Southern Shore (The)]],” “[[Tammany Ring]], "[[Thames (The)]].” English, Scottish, Irish, Canadian; Hornpipe (whole time). G Major (Kennedy, Raven): B Flat Major (Honeyman, Kerr, Miller, White). Standard tuning (fiddle). AABB (Honeyman, Kennedy, Miller, Raven, White): AA'BB (Kerr). “The Wonder” is often attributed to [[wikipedia:James_Hill_(folk_musician)|James_Hill_]] (c. 1811-1853) of Newcastle, Northumberland, England, who was born in Scotland but active from the 1830s to 1850s in Gateshead and Newcastle. Hill, a sometime publican and popular tavern fiddler, has a lasting reputation particularly for his well-crafted hornpipes (“[[High Level Hornpipe (1)]],” “[[Beeswing]],” “[[Hawk (The)]],” etc.). He was apparently a sportsman (or frequented sporting events) and was wont to name tunes after racehorses and pubs. He is sometimes called the ‘Paganini of the hornpipe’. | ||
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Honeyman prints three versions, one each in his three hornpipe playing styles: Sand Dance, Newcastle, and Sailor's. The first four bars of the second strain of "[[Black's Hornpipe (1)]]" are reminiscent of this tune. W.B. Laybourn, editor of the 1880's '''Köhler's Violin Repository, vol. 1''' (1881) included the melody as an untitled "Clog Hornpipe." Irish versions can be found in O’Neill under the titles “[[Coey's Hornpipe]]” and “[[Southern Shore (The)]],” | Honeyman prints three versions, one each in his three hornpipe playing styles: Sand Dance, Newcastle, and Sailor's. The first four bars of the second strain of "[[Black's Hornpipe (1)]]" are reminiscent of this tune. W.B. Laybourn, editor of the 1880's '''Köhler's Violin Repository, vol. 1''' (1881) included the melody as an untitled "Clog Hornpipe." Irish versions can be found in O’Neill under the titles “[[Coey's Hornpipe]]” and “[[Southern Shore (The)]],” an American one in '''Ryan’s Mammoth Collection''' (1883) as “[[Tammany Ring]]” and an English version as "[[Plantation Hornpipe]]." English musician Scan Tester's "[[No. 1 Stepdance]] is a variant of "Wonder Hornpipe," notes Philip Heath-Coleman, who also finds a similar version by Dolly Curtis. Philip notes that Clive Carey collected another from Harry Smith at Thaxted in Essex<ref>Philip Heath-Coleman, "Name that tune: waifs and strays of English melody." </ref>. | ||
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The tune was recorded on a 78 RPM record by champion accordion player George Ross in the mid-1950’s. Ross, born 1916, was from County Wexford and was a member of Mayglass Ceili Band. In hommage, "The Wonder Hornpipe" was recorded by the group De Dannan as "George Ross' Hornpipes" ("[[New Century (2) (The)]]" is the other tune in the Ross medley). A version was also recorded on 78 RPM in 1928 by County Galway flute player Tom Morrison as "[[London Clog (2)]]," and by Scottish accordionist William Starr. | The tune was recorded on a 78 RPM record by champion accordion player George Ross in the mid-1950’s. Ross, born 1916, was from County Wexford and was a member of Mayglass Ceili Band. In hommage, "The Wonder Hornpipe" was recorded by the group De Dannan as "George Ross' Hornpipes" ("[[New Century (2) (The)]]" is the other tune in the Ross medley). A version was also recorded on 78 RPM in 1928 by County Galway flute player Tom Morrison as "[[London Clog (2)]]," and by Scottish accordionist William Starr. Compare also, distantly, with "[[Thames (The)]]." | ||
|f_source_for_notated_version= | |f_source_for_notated_version= | ||
|f_printed_sources=Craig ('''The Empire Collection of Hornpipes'''), 1890, p. 6. Honeyman ('''Strathspey, Reel and Hornpipe Tutor'''), 1898; pp. 40 41 (three versions). Kennedy ('''Fiddlers Tune Book, vol. 2'''), 1954; p. 3. Kerr ('''Merry Melodies, vol. 1'''), c. 1880; No. 29, p. 46. Laybourn ('''Köhler's Violin Repository, vol. 1'''), 1881 p. 86. Miller ('''Fiddler’s Throne'''), 2004; No. 324, p. 190. Raven ('''English Country Dance Tunes'''), 1984; p. 168. Jean White ('''100 Popular Hornpipes, Reels, Jigs and Country Dances'''), Boston, 1880; p. 11. | |f_printed_sources=Craig ('''The Empire Collection of Hornpipes'''), 1890, p. 6. Honeyman ('''Strathspey, Reel and Hornpipe Tutor'''), 1898; pp. 40 41 (three versions). Kennedy ('''Fiddlers Tune Book, vol. 2'''), 1954; p. 3. Kerr ('''Merry Melodies, vol. 1'''), c. 1880; No. 29, p. 46. Laybourn ('''Köhler's Violin Repository, vol. 1'''), 1881 p. 86. Miller ('''Fiddler’s Throne'''), 2004; No. 324, p. 190. Raven ('''English Country Dance Tunes'''), 1984; p. 168. Jean White ('''100 Popular Hornpipes, Reels, Jigs and Country Dances'''), Boston, 1880; p. 11. | ||
Revision as of 02:41, 5 March 2024
X:1 T:Wonder Hornpipe M:C L:1/8 R:Hornpipe S:Kerr - Merry Melodies vol. 1 (c. 1880, No. 29, p. 46) Z:AK/Fiddler’s Companion K:Bb (3FGA|:B>fd>B A>ec>A|B>cd>B F2 BA|G>Bc>d e>dc>B|A>cf>=e g>f_e>c| B>fd>B A>ec>A|B>cd>B F2 BA|G>gf>e d>cB>A|c2B2B2:| |:c>B|A>cf>=e f>dc>B|A>cf>=e f>ag>f|=e>fg>a b>ge>g|f>=ef>g f2 _e2| d>ed>c B>d g2|c>dc>B A>c f2|g>ba>g f>ed>c|B2d2B2:|
WONDER HORNPIPE, THE. AKA and see “Coey's Hornpipe,” "George Ross' Hornpipes," "London Clog (2)," "Miss Ferry's Hornpipe," "Peeler's Hornpipe (The)," "Plantation Hornpipe," "Princess Hornpipe," “Southern Shore (The),” “Tammany Ring, "Thames (The).” English, Scottish, Irish, Canadian; Hornpipe (whole time). G Major (Kennedy, Raven): B Flat Major (Honeyman, Kerr, Miller, White). Standard tuning (fiddle). AABB (Honeyman, Kennedy, Miller, Raven, White): AA'BB (Kerr). “The Wonder” is often attributed to James_Hill_ (c. 1811-1853) of Newcastle, Northumberland, England, who was born in Scotland but active from the 1830s to 1850s in Gateshead and Newcastle. Hill, a sometime publican and popular tavern fiddler, has a lasting reputation particularly for his well-crafted hornpipes (“High Level Hornpipe (1),” “Beeswing,” “Hawk (The),” etc.). He was apparently a sportsman (or frequented sporting events) and was wont to name tunes after racehorses and pubs. He is sometimes called the ‘Paganini of the hornpipe’.
Honeyman prints three versions, one each in his three hornpipe playing styles: Sand Dance, Newcastle, and Sailor's. The first four bars of the second strain of "Black's Hornpipe (1)" are reminiscent of this tune. W.B. Laybourn, editor of the 1880's Köhler's Violin Repository, vol. 1 (1881) included the melody as an untitled "Clog Hornpipe." Irish versions can be found in O’Neill under the titles “Coey's Hornpipe” and “Southern Shore (The),” an American one in Ryan’s Mammoth Collection (1883) as “Tammany Ring” and an English version as "Plantation Hornpipe." English musician Scan Tester's "No. 1 Stepdance is a variant of "Wonder Hornpipe," notes Philip Heath-Coleman, who also finds a similar version by Dolly Curtis. Philip notes that Clive Carey collected another from Harry Smith at Thaxted in Essex[1].
The tune was recorded on a 78 RPM record by champion accordion player George Ross in the mid-1950’s. Ross, born 1916, was from County Wexford and was a member of Mayglass Ceili Band. In hommage, "The Wonder Hornpipe" was recorded by the group De Dannan as "George Ross' Hornpipes" ("New Century (2) (The)" is the other tune in the Ross medley). A version was also recorded on 78 RPM in 1928 by County Galway flute player Tom Morrison as "London Clog (2)," and by Scottish accordionist William Starr. Compare also, distantly, with "Thames (The)."
- ↑ Philip Heath-Coleman, "Name that tune: waifs and strays of English melody."