Lass of Patie's Mill (The): Difference between revisions

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(3agf (3fed (3gfe (3edc|(de) f2 A3A|(Bc)(dA) (Ee)(dc)|d6:|]
(3agf (3fed (3gfe (3edc|(de) f2 A3A|(Bc)(dA) (Ee)(dc)|d6:|]
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X:1
T:Lass of Paty’s Mill, The
M:C
L:1/8
B:David Young – “A Collection of Scotch Airs with the latest Variations” (AKA - The
B:McFarlane Manuscript (c. 1741, No. 14, p. 36)
N:Variation sonata: 2 strain tune + 3 variations.
F: https://rmacd.com/music/macfarlane-manuscript/collection/pdfs/i_woul_d_ha_e_my_gown_made.pdf
N:The Society of Antiquaries of Scotland
K:D
A>G|TF2 (ED) (F>G) A2|d4 A3d|TB>c dA BAGF|TE3F E2 TA>G|TF2 (ED) (F>G) A2|
(d3 e/f/) A3d|(Bc) d2 Td3c|d3e d2::f>g|Te3d Tc2 (B/c/ A/4B/4c/)|d4 A3d|
B>c dA B>A G>F|TE3F E2 TA>G|TF2 (F/G/A) D2 (3fgf|Te4 A3G|F>A G>B A>d (c/d/e/c/)|
d3e d2::TA>G|(FA)(dA) TF3d|AF (3ded Tc2 (3BcA|(B/c/d) (A/B/A/G/) TF>G AF|TE3F E2 TA>G|
(FG)(AB) (Dd)(ef)|(g/a/f/g/) (e/f/d/e/) TcBcA|(B>c) (d>e) B2 c>e|d3e d2:|
|:(d/e/f/g/)|f2 Te>d cdec|d(c/B/ A/B/G/A/) TF2 (3EFD|(EF)(GA) (B/A/B/c/ d)F|E3F E2 A>G|
FEFD (FGA)F|dB (e/f/e/d/) Tc2 (3BcA|(F/G/A/F/) (G/A/B/G/) (A/B/c/A/) (B/d/ c/4e/4d/3c/4)|d3 e d2:|
|:TA>G|TF2 (G/A/B) D2 (AB/c/)|d2 TA>G TF2 (3EFD|(FAd)F (GBe)F|TE3F E2 TA>G|
F>G A>B D2 d>B|c>d e>f A2 T(fe/f/)|gfed (e/d/c/B/ A)Tc|d6:|
|:T(fe/f/)|gfed (e/d/c/B/ A)c|d(c/B/ A/B/G/A/ D)E|(3FED (3GFE (F/G/A/B/ c/A/d/F/)|
TE3F E2 f>g|afge fdAf|gBed TcB TA(G/F/)|(G/A/B) A>d (c/d/e) ATc|d6:|
|:TA>G|FEFD FGAF|BA (3ded TcBcA|B>c dA (B/A/G/F/) EA|GAGF EF G(A/G/)|
(F/G/A/B/ A/G/F/E/) DAFA|dBed (c/d/B/d/ Tc)A|(B/A/B/c/ d/c/d/B/) (c/B/c/d/ ed/c/)|
|1 d3c (B/A/G/F/) (E/F/G/A/):|2 d6|:{ed}(d/e/f/g/)|f>e (f/e/d/c/) d(B/c/ d/c/B/A/)|Bcde cBcA|
(B/A/B/c/ d/c/d/A/) (B/A/G/A/ F/G/A/F/)|TE3F E2 TA>G|(F/E/F/D/) (G/F/G/E/) (A/G/A/F/) (B/A/B/G/)|
(cB/A/) (dc/B/) (ed/c/) (fe/d/)|1 BcdA (B/c/d/B/) (c/d/e/c/)|d6:|2 BcdA Bdce|dAFA D2||
|:[M:6/8]A/G/|FED FGA|def AGF|GBd FAd|EFE E2 A/G/|FED FGA|
def AGF|Bcd edc|d>ed d2::e/f/|gdB ecA|def AGF|
GBd FAd|EFE E2 f/g/|afd gec|fdB ecA|Bcd edc|dAF D2:|
|:[M:2/4]A/G/|FD FA|dD FA|dc df|A(A/B/) cA|(B/A/B/c/ d)c|(B/c/B/A/ G)F|TE3F|E2 (A/B/A/G/)|
FD FA|dD FA|(d/c/d/e/) (f/e/f/g/)|a2 A2|(B/A/B/c/ d)B|(c/B/c/d/ e)c|dD FA|d3:|
|:(f/g/)|fa2 g|(f/a/g/f/) (e/g/f/e/) |(d/c/d/e/) (f/d/e/f/)|A3d|(B/A/B/c/ d)c|(B/c/B/A/ G)F|TE3F|
E2 (fg)|a d'2f|ea2c|df2B|ce2A|(B/c/d/B/) (c/d/e/c/)|(d/e/f/d/) (e/d/e/c/)|dD FA|d3||
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FA Dd BGFG|BGed cA^GA|fagf edce|d3 e d4:|]
FA Dd BGFG|BGed cA^GA|fagf edce|d3 e d4:|]
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X:1
T:Lass of Peatie’s Mill, The
M:C
L:1/8
R:Air
Q:"Slow"
B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 3)
F: https://vmirror.imslp.org/files/imglnks/usimg/b/b0/IMSLP94625-PMLP194938-Barsanti_A_Collection_of_Old_Scots_Tunes.pdf
N:Francis Barsanti  (1690-1775) was  an Italian flautist, oboist and composer who spent
N:most of his life in London and Edinburgh.
Z:AK/Fiddler’s Companion
K:D
V:1
TA>G|{G}F2 T(ED) F2A2|(d3 e/f/) TA3d|B>cdA (BA)(GF)|TE6 TA>G|{G}F2 T(ED) JF2A2|
(d3 e/f/) TA3d|BcdB cd {f}e(d/c/)|d3e d2::(f>g)|{f}Te3d {d}c2 T(BA)|(d3 e/f/) TA3d|BcdA (BA)(GF)|
TE6 f>g|(a/g/f) (g/f/e) f>dB>g|T(e3 d/e/) TA2 (GF)|G2JB2A2 (Tdc)|d3e d2:|]
V:2  clef = bass
z2|D,4C,4|B,,4F,,2F,2|G,3F,G,2G,,2|A,,2 A,B, A,G,F,E,|D,4 C,4|
B,,4 F,,2 F,2|G,4A,2A,,2|D,2A,,2D,,2::D,,2|G,,4A,,4|B,,4 F,,2F,2|G,3F, G,2G,,2|
A,,2 A,B, A,G,F,E,|F,2E,2D,2G,2|A,2G,2F,2D,2|B,2G,2A,2A,,2|D,2A,,2D,,2:|]
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Revision as of 02:53, 11 March 2024


Lass of Patie's Mill (The)  Click on the tune title to see or modify Lass of Patie's Mill (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Lass of Patie's Mill (The)
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 Theme code Index    3235 1H1H55
 Also known as    Carolan's Cap (1), I Like the Fox Shall Grieve, Lass of Paty's Mill (The), Peggy's Mill, Lass of Peatie's Mill
 Composer/Core Source    
 Region    England, Scotland
 Genre/Style    English, Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Country Dance
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    2/4
 History    
 Structure    AB, ABB, AABB, ABCD, AABBCCDDEEFFGG
 Editor/Compiler    Daniel Wright
 Book/Manuscript title    Book:Aria di Camera
 Tune and/or Page number    No. 31
 Year of publication/Date of MS    1727
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Lass of Patie's Mill (The): Annotations

X:1 T:Lass of Patties Mill, The M:C| L:1/8 B:Daniel Wright – Aria di Camera (London, 1727, No. 31) N:”being A Choice Collection of Scotch, Irish & Welsh Airs N:for the Violin and German Flute by the following masters N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick N:Mr. Hugh Edwards of Carmarthen” F: https://ia600808.us.archive.org/20/items/AriaDiCamera1727/Wright-AriaDiCamera-1727.pdf Z:AK/Fiddler’s Companion K:D (AG)|F2 (ED) FGAF|d3e c2 (BA)|B2 (AF) (dB)(AF)|E3A (EF)(GA)| F2 (ED) (FG)(AF)|a3b c2 (BA)|(Bc)(dB) (cd)(ec)|d6:| |:(f/g/a)|e2 d>e (dc)(BA)|(de) f2 A2 (de)|(fe)(dB) (AF)(ED)|E6 (fg)| (3agf (3fed (3gfe (3edc|(de) f2 A3A|(Bc)(dA) (Ee)(dc)|d6:|]


X:1 T:Lass of Paty’s Mill, The M:C L:1/8 B:David Young – “A Collection of Scotch Airs with the latest Variations” (AKA - The B:McFarlane Manuscript (c. 1741, No. 14, p. 36) N:Variation sonata: 2 strain tune + 3 variations. F: https://rmacd.com/music/macfarlane-manuscript/collection/pdfs/i_woul_d_ha_e_my_gown_made.pdf N:The Society of Antiquaries of Scotland K:D A>G|TF2 (ED) (F>G) A2|d4 A3d|TB>c dA BAGF|TE3F E2 TA>G|TF2 (ED) (F>G) A2| (d3 e/f/) A3d|(Bc) d2 Td3c|d3e d2::f>g|Te3d Tc2 (B/c/ A/4B/4c/)|d4 A3d| B>c dA B>A G>F|TE3F E2 TA>G|TF2 (F/G/A) D2 (3fgf|Te4 A3G|F>A G>B A>d (c/d/e/c/)| d3e d2::TA>G|(FA)(dA) TF3d|AF (3ded Tc2 (3BcA|(B/c/d) (A/B/A/G/) TF>G AF|TE3F E2 TA>G| (FG)(AB) (Dd)(ef)|(g/a/f/g/) (e/f/d/e/) TcBcA|(B>c) (d>e) B2 c>e|d3e d2:| |:(d/e/f/g/)|f2 Te>d cdec|d(c/B/ A/B/G/A/) TF2 (3EFD|(EF)(GA) (B/A/B/c/ d)F|E3F E2 A>G| FEFD (FGA)F|dB (e/f/e/d/) Tc2 (3BcA|(F/G/A/F/) (G/A/B/G/) (A/B/c/A/) (B/d/ c/4e/4d/3c/4)|d3 e d2:| |:TA>G|TF2 (G/A/B) D2 (AB/c/)|d2 TA>G TF2 (3EFD|(FAd)F (GBe)F|TE3F E2 TA>G| F>G A>B D2 d>B|c>d e>f A2 T(fe/f/)|gfed (e/d/c/B/ A)Tc|d6:| |:T(fe/f/)|gfed (e/d/c/B/ A)c|d(c/B/ A/B/G/A/ D)E|(3FED (3GFE (F/G/A/B/ c/A/d/F/)| TE3F E2 f>g|afge fdAf|gBed TcB TA(G/F/)|(G/A/B) A>d (c/d/e) ATc|d6:| |:TA>G|FEFD FGAF|BA (3ded TcBcA|B>c dA (B/A/G/F/) EA|GAGF EF G(A/G/)| (F/G/A/B/ A/G/F/E/) DAFA|dBed (c/d/B/d/ Tc)A|(B/A/B/c/ d/c/d/B/) (c/B/c/d/ ed/c/)| |1 d3c (B/A/G/F/) (E/F/G/A/):|2 d6|:{ed}(d/e/f/g/)|f>e (f/e/d/c/) d(B/c/ d/c/B/A/)|Bcde cBcA| (B/A/B/c/ d/c/d/A/) (B/A/G/A/ F/G/A/F/)|TE3F E2 TA>G|(F/E/F/D/) (G/F/G/E/) (A/G/A/F/) (B/A/B/G/)| (cB/A/) (dc/B/) (ed/c/) (fe/d/)|1 BcdA (B/c/d/B/) (c/d/e/c/)|d6:|2 BcdA Bdce|dAFA D2|| |:[M:6/8]A/G/|FED FGA|def AGF|GBd FAd|EFE E2 A/G/|FED FGA| def AGF|Bcd edc|d>ed d2::e/f/|gdB ecA|def AGF| GBd FAd|EFE E2 f/g/|afd gec|fdB ecA|Bcd edc|dAF D2:| |:[M:2/4]A/G/|FD FA|dD FA|dc df|A(A/B/) cA|(B/A/B/c/ d)c|(B/c/B/A/ G)F|TE3F|E2 (A/B/A/G/)| FD FA|dD FA|(d/c/d/e/) (f/e/f/g/)|a2 A2|(B/A/B/c/ d)B|(c/B/c/d/ e)c|dD FA|d3:| |:(f/g/)|fa2 g|(f/a/g/f/) (e/g/f/e/) |(d/c/d/e/) (f/d/e/f/)|A3d|(B/A/B/c/ d)c|(B/c/B/A/ G)F|TE3F| E2 (fg)|a d'2f|ea2c|df2B|ce2A|(B/c/d/B/) (c/d/e/c/)|(d/e/f/d/) (e/d/e/c/)|dD FA|d3||


X:1 T:Lass of Paty's Mill, The M:C L:1/8 R:Air B:Burk Thumoth - Twelve Scotch and Twelve Irish Airs with Variations (London, 1742, No. 5, pp. 10-11 ) Z:AK/Fiddler's Companion K:D AG|F2 (ED) FG A2|{e}Td3e (d/e/f) A2|Bcd>c BAG>F|TE4 {F}E2 AG| {G}F2 ED FG A2|d3e (d/e/f)A2|(Bcd>B) (cde>c)|Td4 {e}d2:| |:f2|g>f Te2{d}Tc2 BA|{e}d3e (d/e/f) A2|(Bcd>c) (BAG>F)|TE4 {F}E2 fg| (a/g/f) (g/f/e) fdBg|{f}Te4 A2 G>F|F3B A>d c>e|d4 {e}d2:| |:A>G|F2 (F/G/A) D2 (A/B/c)|d2 A>G {G}F2 E>D|(DGBG) (FAdF)|TE4 {F}E2 A>G| FGAF D2 dB|(cdef) A2 gf|e>dc>B (cdef)|(d4{e}d2):| |:f2|gfed (e/d/c/B/) Ac|dB Gd FE FE/D/|(G/A/B/c/) dG FA dF|TE4{F}E2 fg| a>f g>e fdBf|g>B e>d cBAG|F>A G>B Gd ce|(d4{e}d2):| |:AG|(FGAF) DFAd|BGFG BcdB|efgf edcd|{d}Tc3B A2 AG| .F.A d2 .G.B e2|.A.c f2 .B.d g2|fagf gefc|d3 e2 d4:| |:f2|gfge Aceg|fdcd AFDF|DFAd fgBe|{d}Tc3B A2 AG| FA Dd BGFG|BGed cA^GA|fagf edce|d3 e d4:|]


X:1 T:Lass of Peatie’s Mill, The M:C L:1/8 R:Air Q:"Slow" B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 3) F: https://vmirror.imslp.org/files/imglnks/usimg/b/b0/IMSLP94625-PMLP194938-Barsanti_A_Collection_of_Old_Scots_Tunes.pdf N:Francis Barsanti (1690-1775) was an Italian flautist, oboist and composer who spent N:most of his life in London and Edinburgh. Z:AK/Fiddler’s Companion K:D V:1 TA>G|{G}F2 T(ED) F2A2|(d3 e/f/) TA3d|B>cdA (BA)(GF)|TE6 TA>G|{G}F2 T(ED) JF2A2| (d3 e/f/) TA3d|BcdB cd {f}e(d/c/)|d3e d2::(f>g)|{f}Te3d {d}c2 T(BA)|(d3 e/f/) TA3d|BcdA (BA)(GF)| TE6 f>g|(a/g/f) (g/f/e) f>dB>g|T(e3 d/e/) TA2 (GF)|G2JB2A2 (Tdc)|d3e d2:|] V:2 clef = bass z2|D,4C,4|B,,4F,,2F,2|G,3F,G,2G,,2|A,,2 A,B, A,G,F,E,|D,4 C,4| B,,4 F,,2 F,2|G,4A,2A,,2|D,2A,,2D,,2::D,,2|G,,4A,,4|B,,4 F,,2F,2|G,3F, G,2G,,2| A,,2 A,B, A,G,F,E,|F,2E,2D,2G,2|A,2G,2F,2D,2|B,2G,2A,2A,,2|D,2A,,2D,,2:|]


X:1 T:Lass of Patie’s Mill, The M:C L:1/8 R:Air Q:"Slow" B:Oswald – Caledonian Pocket Companion, Book 2 (1760, pp. 14-15) Z:AK/Fiddler’s Companion K:D (A>G)|TF2 (ED) (FG) A2|d4 A3d|(Bc)(dA) (BA)(GF) |{F}E6 (A>G)| F2 ED FG A2|(d3 e/f/) A3d|(Bc)(dB) (cd)(ec)|d3 e d2:| |:(f>g)|{f}e3e c2 (BA)|(d3e/f/) A3d|(Bc)(dA) (BA)(GF)| {F}e6 f>g| (a/g/f) (g/f/e) fdBg|{f}e4 A2 (GF)|GBAd ceAc|d3e d2:| P:"Variation" A2|(GF)(ED) (FG) A2|{de}f2 Te>d A3A|(B<G) d2 (A<F)(d<F)|E6 A2| (GF)(ED) (FG) A2|{de}f2 ed Tc2 (BA)|Bbag (fe)(dc) |d3e d2:| |:f2|(gf)(ed) (ce)(Ac)|dBAG TF2 ED|GBdA BGAF|TE3F E2 (fg)| (a/g/f/e/) db geca|fdBg Tc2 (BA)|(GF)(ED) {de}f2 Te>f| d3e d2:||:(AG)|FD2A2 (B/c/)|(d/e/f/e/) (f/d/e/f/) A3d| (B/A/B/c/ B/c/d/A/) (B/A/d/c/ B/A/G/F/)|{F}E3F E2 (AG)|F D2F2A2 (B/c/)| (d/e/f/e/) (f/d/e/f/) A3d|B/A/B/c/ dB ceAc|{c}d3e d2:| |:(f/e/f/g/)|{f}e3d (c/d/e/c/) (A/B/c/A/)|(d/f/e/f/) (d/f/e/f/) A3d|Bd- d/c/B/A/ BAGF| T(E3 D/4E/4F/) E2 (fg)|(a/g/f/a/) (g/f/e/g/) (f/d/c/d/) (B/a/g/f/)| (e/f/g/f/) (e/d/c/B/) A2 (GF)|GBAd B{ef}g {f}e(d/c/)|{c}d3e d2:|]


X:2 T:Lass of Paties Mill, The M:C L:1/8 R:Scots Measure Q:"Slow" S:McGibbon - Scots Tunes, Book 1 (c. 1762) Z:AK/Fiddler's Companion K:D A>G | F2 T(ED) F2A2 | d4A3d | (B>cd)A (BA)T(GF) | {F}E6 A>G | F2 T(ED) F2A2 | (d3 e/f/) TA3d | (Bcd)B (cde)c | d3e d2 :| |: (f>g) | {f}e3d Tc2 (BA) | (d3e/f/) A3d | (Bc)(dA) (BA)T(GF) | {F}E6 f>g | (a/g/f) (g/f/e) fdBg | {f}Te4 A2 (GF) | G2 (G/A/B) A2 Tc2 | d3e d2 :|] |:"Moderately Quick"AG | F2 T(ED) F2A2 | (B3c/d/) A3d | (B/A/B/c/ d)A BAGF | T(E3D/4E/4F/) E2 AG | F2 T(ED) F2A2 | (d3e/f/) A3d | (B/A/B/c/ d)B (c/B/c/d/ e)c | d3e d2 :|| f>g | {f}e3d (c>d/2e/4) (A>B/2c/4) | (d3c/B/) A3d | (B/A/B/c/ d)A (B/c/d/)A/ GF | {F}E6 f>g | (a/g/f/a/) (g/f/e/g/) fdBg | {f}(e2 e/)d/c/B/ A2 T(GF) | GABG Ad {f}ed/c/ | {c}d3ed2 :| |: AG | F D2F2 A2 (B/c/) | (d/e/f/e/) (f/d/e/f/) A3d | (B/A/B/c/ B/c/d/A/) (B/A/d/c/ B/A/G/F/) | {F}E4 E2 AG | F D2F2A2 B/c/ | (d/e/f/e/) (f/d/e/f/) TA3d | (B/A/B/c/ d)B ceAc | {c}d3e d2 :| |: (f/e/f/g/) {f}e3d (c/d/e/)c/(A/B/c/)A/ | (d/f/e/f/) (d/f/e/f/) A3d | B(d d/)c/B/A/ BAGF | T(E3 D/4E/4F/) E2 fg | (a/g/f/a/) (g/f/e/)g/ (f/d/c/d/) B/(a/g/f/) (e/f/g/)f/ e/d/c/B/ A2 GF | G>ABG A2 {e/f/}g2 {f}e(d/c/) | {c}d3e d2 :|]


X:3 T:Lass of Patie's Mill M:C| L:1/8 R:Scots Measure B:McGlashan - Collection of Scots Measures (177?) Z:AK/Fiddler's Companion K:D A2| GFED F2A2|d3 e/f/ A3d| Bcdc BAGF | E4 E2A2 | GFED F2A2 | d3e/f/ A3d |BcdB cdef|d4 D2:| |: fg | e3 d dcBA | d3 e/f/ A3d | Bcdc BAGF | E4 E2 AG | GFED FG A2 | d3 e/f/ A3d | BcdB cdef | d4 D2 :|


X:1 T:Lass of Paties Mill, The M:C L:1/8 R:Air Q:"Gracefully" S:John Rook music manuscript collection (1840, p. 40) N:Rook was a multi-instrumentalist from Waverton, near Wigton, Cumbria Z:AK/Fiddler’s Companion K:D A>G|{G}F2 E>D F>G A2{c}|d3e f2 zA|B>cdc BAG>F|{F}E4 a2 A>G| F2 E>D F>G A2|~d3e f2zA|B>cdB c>def|{e}d6:| |:f2|gfed {d}c2 BA|{c}d3e f2 zA|(B>c)(dA) (BAG)F|{F}E4 z2 fg| a<fge fdB>g|f2 {gf}e4 GF|G2 A>B A2 Pd{c}B/c/|d6:|]


X:1 T:Lass of Patty’s Mill, The M:C| L:1/8 R:Air B:James Goodman music manuscript collection, Book 2, p. 60 (mid-19th century) B:http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=63&z=1010.6685%2C1224.6479%2C8098.3776%2C3101.8519 Z:AK/Fiddler’s Companion K:F c>B|A2 GF A2c2|f3g a2 zc|d>ef>e d>cB>A|A2 G2 z2c2|BAGF A2c2| f3g a2zc|d>ef>e e>fg>a|g2f2 z2 cB|BAGF A2 c2|f2g2a2zc| d>e f>e d>c B>A|A4 G2 cB|BAGF A2c2|f3g a2zc|d>ef>d e>fg>a| g2f2 z2 a>g|g3f fedc|f>gff/e/ f>g a2c2|d>ef>d d>cB>A|A2 G2z2cB| BAGF A2c2|f3g a2c2|d>ef>d e>fg>a|g2 f2 z2 !fermata!ag|g3f fedc|f3g afc^c| d<ef<e dcBA|A4 G2 cB|BAGF A2c2|f3g a3c|d>ef>d e>fg>a|g2f2z2||


Lass of Patie's Mill (The): Annotations

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