Broom the Bonny Bonny Broom: Difference between revisions

Find traditional instrumental music
No edit summary
No edit summary
 
(6 intermediate revisions by the same user not shown)
Line 9: Line 9:
|f_accidental=1 sharp
|f_accidental=1 sharp
|f_mode=Mixolydian
|f_mode=Mixolydian
|f_history=ENGLAND(North East)
|f_history=SCOTLAND(Central Scotland), ENGLAND(North East)
|f_structure=One part
|f_structure=One part
|f_book_title=The English Dancing Master
|f_book_title=The English Dancing Master
Line 49: Line 49:
f3ga2ga|f2FG A2GF|G2G2d3B|G8||
f3ga2ga|f2FG A2GF|G2G2d3B|G8||
<section end=abc />
<section end=abc />
<section begin=X1 />
X:1
T:Broom of Cowden knows
M:C
L:1/8
B:Alexander Stuart – “Musick for Allan Ramsay’s Collection, part 2” (Edinburgh, c. 1724, pp. 26-27)
F: https://digital.tcl.sc.edu/digital/collection/rbc/id/2966
Z:AK/Fiddler’s Companion
K:Emin
V:1
E3F A3B|AFE>D D2 dA|B2 de f2 e>d|B6 d2|
A>Bd>e f2 e>d|d2 DE F2 ED|G3A BcdF |E6z2:|
|:E3F A3B|(A/B/A/)F/ (G/F/)E/D/ D2 dA|B2 de (f>g) e>d|B6d2|
ABde f2 e>d|(d^c) B(A/G/) F3F|G3A (B/c/B/c/) dF|E6z2:|
V:2  clef=bass
E,2B,,2E,,2G,,2|D,2A,2D,2F,2|G,2F,2D,2A,,2|B,,F,D,F, B,2B,,2|
D,2 F,,2D,,2A,,2|F,,2A,,2D,2A,2|E,2F,2G,2B,2|E,B,,G,,B,, E,,2z2:|
|:E,2E,,2F,2G,2|D,2A,,2D,,2F,,2|G,,2F,,2D,,2A,,2|B,,2 G,^A, B,2 F,E,|
D,2 F,E, D,2A,2|B,A,G,E, D,E,F,D,|E,2F,2 G,A,B,B,,|E,4E,,4:|
<section end=X1 />
<section begin=X2 />
<section begin=X2 />
X:2
X:2
Line 59: Line 79:
(G>A) (c>d) e2 (d>c)|c2 CD E2 DC|(F3G) (AB)(cE)|D8||
(G>A) (c>d) e2 (d>c)|c2 CD E2 DC|(F3G) (AB)(cE)|D8||
<section end=X2 />
<section end=X2 />
<section begin=X2a />
X:1
T:Broom of the Cowdenknows
M:Cd
L:1/8
R:Air
Q:"Slow"
B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 13)
F: https://vmirror.imslp.org/files/imglnks/usimg/b/b0/IMSLP94625-PMLP194938-Barsanti_A_Collection_of_Old_Scots_Tunes.pdf
N:Francis Barsanti  (1690-1775) was  an Italian flautist, oboist and composer who spent
N:most of his life in London and Edinburgh.
Z:AK/Fiddler’s Companion
K:Dmix
V:1
A3B d3Je|d>BTA>G G2 g>d|e2 g>a {ga}b2 T(a>g)|Te6 g2|
d>eg>a Jb2 T(a>g)|g2 G>A {c}B2 T(A>G)|c3d e>fg>B|A4:|]
V:2 clef = bass
D2C2 B,<A,B,C|D2D,2 G,A,B,G,|C,2 zD, G,2G,,2|C,2 CB, CDEC|
B,3C D2 D,2|G,4 _F4|E,D,E,B,, C,2G,,2|D,4:|]
<section end=X2a />
<section begin=X3 />
<section begin=X3 />
X:1
X:1
Line 97: Line 137:
K:G
K:G
(d<c)|(B<G)(A<c) {c}B2 A<G|(B<d)(c<e) {e}d2 (c<B)|e<gc<e A<c[EB]<A|G2F2 z2A2|
(d<c)|(B<G)(A<c) {c}B2 A<G|(B<d)(c<e) {e}d2 (c<B)|e<gc<e A<c[EB]<A|G2F2 z2A2|
(d<A)(B>c) (B<G)(B<d)|(g<d(e<=f) {f}e3^f|(g<e)(f<d) (B<g)(e<c)|^c2d4 z2 d=c|
(d<A)(B>c) (B<G)(B<d)|(g<d)(e<=f) {f}e3^f|(g<e)(f<d) (B<g)(e<c)|^c2d4 z2 d=c|
Bd GB EG ce|dB GB c3B|(ce)(dB) (Ac)(BG)|{G}F4 z2d2|
Bd GB EG ce|dB GB c3B|(ce)(dB) (Ac)(BG)|{G}F4 z2d2|
(gf)d'f (fe) c'e|(ed) b c (cB) g c|(3Bge (3dBG (E<c)(A<F)|g4 z4|
(gf)d'f (fe) c'e|(ed) b c (cB) g c|(3Bge (3dBG (E<c)(A<F)|g4 z4|

Latest revision as of 01:28, 17 April 2024


Broom the Bonny Bonny Broom  Click on the tune title to see or modify Broom the Bonny Bonny Broom's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Broom the Bonny Bonny Broom
Query the Archive
Query the Archive
 Theme code Index    551H1H 1H544H
 Also known as    Broom of the Cowdenknowes (1), Cowden Knows, Cowden Knowes, Cowdenknowes, Lovely Northerne Lass (The), O My King, O the broom
 Composer/Core Source    
 Region    England, Scotland
 Genre/Style    English, Northumbrian/Borders, Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Country Dance
 Key/Tonic of    D
 Accidental    1 sharp
 Mode    Mixolydian
 Time signature    4/4, 2/4
 History    SCOTLAND(Central Scotland), ENGLAND(North East)
 Structure    One part
 Editor/Compiler    John Playford
 Book/Manuscript title    Book:The English Dancing Master
 Tune and/or Page number    
 Year of publication/Date of MS    1651
 Artist    Biography:Robin Williamson
 Title of recording    Legacy of the Scottish Harpers vol. 1
 Record label/Catalogue nr.    Flying Fish Records FF358
 Year recorded    
 Media    
 Score   (1)   




X:1 T:Broom, the Bonny, Bonny Broom M:2/2 L:1/8 S:Playford (1651) K:F c3dc3d|cBAG F4|f2fg agfe|d6e2| f3ga2ga|f2FG A2GF|G2G2d3B|G8||


X:1 T:Broom of Cowden knows M:C L:1/8 B:Alexander Stuart – “Musick for Allan Ramsay’s Collection, part 2” (Edinburgh, c. 1724, pp. 26-27) F: https://digital.tcl.sc.edu/digital/collection/rbc/id/2966 Z:AK/Fiddler’s Companion K:Emin V:1 E3F A3B|AFE>D D2 dA|B2 de f2 e>d|B6 d2| A>Bd>e f2 e>d|d2 DE F2 ED|G3A BcdF |E6z2:| |:E3F A3B|(A/B/A/)F/ (G/F/)E/D/ D2 dA|B2 de (f>g) e>d|B6d2| ABde f2 e>d|(d^c) B(A/G/) F3F|G3A (B/c/B/c/) dF|E6z2:| V:2 clef=bass E,2B,,2E,,2G,,2|D,2A,2D,2F,2|G,2F,2D,2A,,2|B,,F,D,F, B,2B,,2| D,2 F,,2D,,2A,,2|F,,2A,,2D,2A,2|E,2F,2G,2B,2|E,B,,G,,B,, E,,2z2:| |:E,2E,,2F,2G,2|D,2A,,2D,,2F,,2|G,,2F,,2D,,2A,,2|B,,2 G,^A, B,2 F,E,| D,2 F,E, D,2A,2|B,A,G,E, D,E,F,D,|E,2F,2 G,A,B,B,,|E,4E,,4:|


X:2 T:Broom of the Cowdenknows, The M:C L:1/8 S:Allan Ramsay - Tea Table Misclellany (1734) K:C D3E G3A|GED>C C2 cG|A2 cd e2 d>c|A6 c2| (G>A) (c>d) e2 (d>c)|c2 CD E2 DC|(F3G) (AB)(cE)|D8||


X:1 T:Broom of the Cowdenknows M:Cd L:1/8 R:Air Q:"Slow" B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 13) F: https://vmirror.imslp.org/files/imglnks/usimg/b/b0/IMSLP94625-PMLP194938-Barsanti_A_Collection_of_Old_Scots_Tunes.pdf N:Francis Barsanti (1690-1775) was an Italian flautist, oboist and composer who spent N:most of his life in London and Edinburgh. Z:AK/Fiddler’s Companion K:Dmix V:1 A3B d3Je|d>BTA>G G2 g>d|e2 g>a {ga}b2 T(a>g)|Te6 g2| d>eg>a Jb2 T(a>g)|g2 G>A {c}B2 T(A>G)|c3d e>fg>B|A4:|] V:2 clef = bass D2C2 B,<A,B,C|D2D,2 G,A,B,G,|C,2 zD, G,2G,,2|C,2 CB, CDEC| B,3C D2 D,2|G,4 _F4|E,D,E,B,, C,2G,,2|D,4:|]


X:1 T:Broom of Cowdon Knows, The M:C L:1/8 R:Air B:Oswald – Caledonian Pocket Companion, Book 6 (1760, p. 21) Z:AK/Fiddler’s Companion K:Ador A3B d3e|(d<B) (c>B) B2 g<d|{d}e2 g>a {ga}b2 Ta>g|e4 z2g2| d>eg>a {ga}b2 Ta>g|(gf)(ed) B2 A>G|c3d (ed/e/) gB|{B}A4z2:| |:B2|(GA)(AB) dB (ge/g/)|{e}d(B/d/) {B}AG G2d2|(e/g/f/a/ g/b/a/c'/) (ba)(gf)| e4 z2d2|g3a (g/a/b) a>g|g2 G>A {c}TB2 TA>G|c3d (e<g)(d<B)|{B}A4a2:|]


X:3 T:Broom of the Cowdon knows, The M:C L:1/8 R:Air Q:"Slow" S:McGibbon - Scots Airs, book III, p. 67 (1762) Z:AK/Fiddler's Compainon K:Dmix A3Bd3e | (dB) T(A>G) G2 (g>d) | e2(g>a) b2 T(a>g) | {g}e6g2 | (d>e)(g>a) b2 T(ag) | g2 (G>A) B2 T(A>G) | ~c3d (efg)B | {B}A8 :||


X:1 T:Broom on Cowdenknows, The M:C L:1/8 R:Air B:John Moore music manuscript (Shropshire c. 1837-40, Book 2, p. 66) B: https://www.vwml.org/topics/historic-dance-and-tune-books/Moore2 Z:AK/Fiddler’s Companion K:G (d<c)|(B<G)(A<c) {c}B2 A<G|(B<d)(c<e) {e}d2 (c<B)|e<gc<e A<c[EB]<A|G2F2 z2A2| (d<A)(B>c) (B<G)(B<d)|(g<d)(e<=f) {f}e3^f|(g<e)(f<d) (B<g)(e<c)|^c2d4 z2 d=c| Bd GB EG ce|dB GB c3B|(ce)(dB) (Ac)(BG)|{G}F4 z2d2| (gf)d'f (fe) c'e|(ed) b c (cB) g c|(3Bge (3dBG (E<c)(A<F)|g4 z4| (d<B)(B<G) e3g|(d<B)(B<G) g3d|e3d (cB)(AG)|{G}F4 z2d2| (gf) d'f2 fe c'e2|(ed) bc2 (cB)gc|(3Bge (3dBG (E<c)(A<F)|{F}G3 z2d2| (gf)(d'f) (fe)(c'e)|(ed)(bc) (cB)(gc)|(3Bge (3dBG (E<c)(A<F)|G4z2!D.C.!:|]