Bonny Gray-Eyed Morn: Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Bonny Gray-Eyed Morn
|f_tune_title=Bonny Gray-Eyed Morn
|f_aka=Bonny Grey-Eyed Morn Begins to Peep, Bonny Grey-Ey'd Morn, Jockey Rous'd with Love, Old Gray-Ey'd Morning (The), Tis Woman that Seduces all Mankind
|f_aka=Bonny Grey-Eyed Morn Begins to Peep, Bonny Grey-Ey'd Morn, Jockey Rous'd with Love, Old Gray-Ey'd Morning (The), Tis woman that seduces all mankind
|f_country=England
|f_country=England
|f_genre=English
|f_genre=English
Line 9: Line 9:
|f_accidental=2 flats
|f_accidental=2 flats
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AB
|f_structure=AB, AABB
|f_book_title=English Country Dance Tunes
|f_book_title=Musick for Allan Ramsey's Collection of Scots Songs
|f_collector=Michael Raven,
|f_collector=Alexander Stuart
|f_year=1984
|f_year=c. 1724
|f_page=p. 50
|f_page=pp. 54-55
|f_theme_code_index=1132 3555
|f_theme_code_index=1132 3555
|f_score=1
|f_player=Belshazzar's Feast
|f_player=Belshazzar's Feast
|f_album=Mr. Kynaston's Famous Dance
|f_album=Mr. Kynaston's Famous Dance
Line 20: Line 21:
|f_recording_date=2000
|f_recording_date=2000
}}
}}
<p><font face="garamond, serif" size="4">
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'''BONNY GRAY-EYED MORN, THE'''. "Jockey rous'd with love," "The Bonny Grey-eyed Morn Begins to Peep." English, Air (whole or 2/2 time). B Flat Major. Standard tuning (fiddle). AB. Chappell (1859) asserts the Scots appropriated "The Bonny Grey-eyed Morn" or "Jockey rous'd with love," composed by Jeremiah Clark, for their tune, but that it was English in origin. He says Clarke's composition was sung in D'Urfey's comedy '''The Fond Husband, or The Plotting Sisters''' (1676). Henry Playford published it in his '''Dancing Master''', Part II, 2nd Edition (1698) and in all subsequent editions until the demise of the series in 1728. John Walsh published it in his '''Compleat Country Dancing Master''' (London, 1718). Kidson (1922) identifies it as an Anglo-Scotch song, the music being perhaps composed by Jeremiah Clark. Stenhouse doubted that Clark(e) composed the melody, and '''Grove's Dictionary''' gives dates for Clarke that would make him only six or seven years old when '''The Fond Husband''' was produced.  Oswald included it in the collection of Scottish Tunes, calling it "The Old Gray-ey'd morning." A version also appeared in Oswald's seventh book of  '''The Caledonian Pocket Companion''' as "The Gray Ey'd morning" albeit in a different version of the tune, in 3/4 time. It also appears in D'Urfey's '''Pills to Purge Melancholy''', vol. III (1719), on half-sheet music, and in John Gay's '''The Beggar's Opera''' (1729) under the title "'Tis woman that seduces all mankind." It was a popular tune, much employed in ballad operas, and also appears in Cibber's '''Patie & Peggy''' (1730), '''The Jew Decoy'd''', or the '''Progress of a Harlot''' (1733), '''The Happy Lovers, or the Beau Metamorphos'd''' (1736), Ramsay's '''The Gentle Shepherd''', and others.  
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|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
''Printed sources:'' Barnes ('''English Country Dance Tunes''', vol. 2), 2005; p. 14. Raven ('''English Country Dance Tunes'''), 1984; p. 50.
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
<br>
|image=TUC-160x120.png
<br>
|image_alt=Traditional universal music
''Recorded source:'' Wildgoose Records, Belshazzar's Feast - "Mr. Kynaston's Famous Dance" (2000).
}}
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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<pre>
X:1
T:Bonny Grey ey’d Morning, The
M:C
L:1/8
B:Alexander Stuart – “Musick for Allan Ramsay’s Collection of Scots
B:Songs, part 3” (Edinburgh, c. 1724, pp. 54-55)
F: https://digital.tcl.sc.edu/digital/collection/rbc/id/2994
Z:AK/Fiddler’s Companion
K:Bb
V:1
F|BABc d2 cB|(de)(fg) f3g|(fg)(fd) (ed)(cB)|(AB)(cd) c3d|
edcB A2 GA|BAGF =E3C|(FA)(GB) Acdc|A2 GF F2:|
|:c2|(cA)(cA) F3f|(fd)(fd) B3d|eG (c/B/A/G/) ^F3d|cB A2 G3D|
GABG e3d|eGcB A3F|(Bc/d/) (cd/e/) (df)gf|ed c2 B3:|
V:2 clef = bass
z|B,,4 B,2F,2|B,,2E,2 G,,C,D,E,|D,2B,2A,2G,2|F,2F,,2 F,G,A,B,|
CB,A,G, F,2C,2|G,F,=E,D, C,2C,,2|A,,2B,,2F,2B,2|C2C,2 F,2:|
|:z2|z2 z C CA,CA,|F,3B, DB,DB,|G,2E,2D,2G,,2|D,2D,,2G,2z2|
B,2G,2 CC,CB,|G,2=E,2 F,F,,F,_E,|D,2 A,,2B,,2E,2|F,2F,,2B,,3:|
<section end=abc />
<section begin=X1 />
X:1
X:1
T:Bonny Grey-Ey'd Morn
T:Bonny Grey-Ey'd Morn
Line 38: Line 66:
L:1/8
L:1/8
S:Beggar's Opera (1729)
S:Beggar's Opera (1729)
K:B Flat Major
K:Bb
F|BABc d2cB|defg f3g|fgfd edcB|ABcd c3d|edcB A2A|
F|BABc d2cB|defg f3g|fgfd edcB|ABcd c3d|
BAGF =E3C|FAGB Acdc|BAGF F3::c|cAcA F3f|fdfd B3d|
edcB A2A|BAGF =E3C|FAGB Acdc|BAGF F3:|
eGcA ^F3d|cBAG G3D|FABG e3d|dGcB A3F|Bdce dfgf|edcB B3:||
|:c|cAcA F3f|fdfd B3d|eGcA ^F3d|cBAG G3D|
 
FABG e3d|dGcB A3F|Bdce dfgf|edcB B3:||
</pre>
<section end=X1 />
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<section begin=X3 />
<p><font face="garamond, serif" size="4">
X:1
'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
T:Bonny Grey-Eyed Morn, The
<br>
M:C|
Engraver Valerio M. Pelliccioni
L:1/8
</font></p>
N:"Longways for as many as will."
B:John Walsh – Complete Country Dancing-Master, Volume the Fourth
B: (London, 1740, No. 167)
Z:AK/Fiddler’s Companion
K:Bb
F|(BA) (Bc)  d2(cB)|(de) f2 f3g|(fg) (fd) (ed) (cB)|(AB) (cd) c3d|
(ed) (cB) A3A|(BA) (GF) ^E3C|(FA) (GB) (Ac) (dc)|(BA) (GF) F3||
c|(cA) (cA) F3f|(fd) (fd) B3d|(eG) (cA) ^F3d|(cB) (AG) G3d|
(GA) (BG) e3d|(dG) (cB) A3F|(Bd) (ce) (df) (gf)|(ed) (cB) B3||
<section end=X3 />
<section begin=X5 />
X:1
T:Bonny gray eye’d morn, The
M:C
L:1/8
R:Country Dance
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5
B:(Glasgow, 1797, No. 27, p. 11)
Z:AK/Fiddler’s Companion
K:D
A|dcde {de}f2 ed|fgab a3b|a>baf gfed|cdef e3f|
gfed c3c|dcBA G3E|AcBd cefd|dcB>A A3||
e|ecec A3a|afaf d3f|gBec B2- ^Af|edcB B2 zF|
BcdB g3f|fBed c3A|dfeg faba|gfe>d d3||
<section end=X5 />
<section begin=X7 />
X:1
T:Bonny Grey Eyed Morn, The
M:C
L:1/8
R:Air
Q:"Slow"
B:Davie's Caledonian Repository (Aberdeen, 1829-30, p. 22)
Z:AK/Fiddler’s Companion
K:Bb
F|(B>A)(Bc) {Bc}d2 (cB)|(d>e)(f>g) f3g|(f>g)(f>d) (ed)(cB)|(A<B)(c>d) c3d|
(e>d)(cB) {B}A2 G>A|(BA)(GF) {F}=E2zC|(FA)(GB) (Ac)(Bd)|(BA)(G>F) F3:|
|:A|(c<A)(c<A) F3d|(f<d)(d<d) B3d|(eB)(cA) (G^F)(d>c)|{c}B2 {B}(A>G) G2 D>D|
(G>A)(BG) e3e|(dG)(c>B) {B}A2zF|(Bd)(ce) (df) (a/g/f/e/)|(ed) T(c2{Bc}B2):|
<section end=X7 />
<section begin=X9 />
X:1
T:Bonny Grey eye’d morn
M:C
L:1/8
R:Air
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 214)
Z:AK/Fiddler’s Companion
K:D
A|dcde f2 ed|fgab a3b|abaf gfed|cdef e3f|
gfed c3c|dcBA G3E|(AcBd) (cefe)|dcBc (A2 A):|
|:e|ecec A3a|afaf d3f|gBec B2 ^Af|edcd B2zF|
BcdB g3f|eBed c3A|dfeg faba|gfef d3d||
<section end=X9 />
<section begin=X11 />
X: 5
T: Bonny Grey-Ey'd Morn
R: reel
M: C|
L: 1/8
Z: 2011 John Chambers <jc:trillian.mit.edu>
B: Andrew Shaw "Mr Kynaston's Famous Dance" p.5
N: Longways for as many as will
P: Play AABB
K: Bb
%
"A"[|] F |\
"Bb"(BA)(Bc) d2(cB) | (de)f2 f3g | (fg)(fd) "Cm"(ed)(cB) | "F"(AB)(cd) c3d |
"Cm"(ed)(cB) "F"A3A | "Gm"(BA)(GF) "C"=E3C | "F"(FA)"C"(GB) "F"(Ac)"Bb"(dc) "C"(BA)(GF) "F"F3 :|
"B"|: c |\
"F"(cA)(cA) F3f | "Bb"(fd)(fd) "Gm"B3d | "Cm"(eG)(cA) "D"^F3d | "D"(cB)(AG) "Gm"G3D |
"F"(FA)"Gm"(BG) "Cm"e3d | "Gm"(dG)(cB) "F"A3F | "Bb"(Bd)"F"(ce) "Gb"(df)"Eb"(gf) | "F"(ed)(cB) "Bb"B3 :|
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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__NOTITLE__

Latest revision as of 15:59, 18 April 2024


Bonny Gray-Eyed Morn  Click on the tune title to see or modify Bonny Gray-Eyed Morn's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Bonny Gray-Eyed Morn
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 Theme code Index    1132 3555
 Also known as    Bonny Grey-Eyed Morn Begins to Peep, Bonny Grey-Ey'd Morn, Jockey Rous'd with Love, Old Gray-Ey'd Morning (The), Tis woman that seduces all mankind
 Composer/Core Source    
 Region    England
 Genre/Style    English
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    B
 Accidental    2 flats
 Mode    Ionian (Major)
 Time signature    4/4, 2/2
 History    
 Structure    AB, AABB
 Editor/Compiler    Alexander Stuart
 Book/Manuscript title    Book:Musick for Allan Ramsey's Collection of Scots Songs
 Tune and/or Page number    pp. 54-55
 Year of publication/Date of MS    c. 1724
 Artist    Biography:Belshazzar's Feast
 Title of recording    Mr. Kynaston's Famous Dance
 Record label/Catalogue nr.    Wildgoose Records
 Year recorded    2000
 Media    
 Score   (1)   



Bonny Gray-Eyed Morn: Annotations

X:1 T:Bonny Grey ey’d Morning, The M:C L:1/8 B:Alexander Stuart – “Musick for Allan Ramsay’s Collection of Scots B:Songs, part 3” (Edinburgh, c. 1724, pp. 54-55) F: https://digital.tcl.sc.edu/digital/collection/rbc/id/2994 Z:AK/Fiddler’s Companion K:Bb V:1 F|BABc d2 cB|(de)(fg) f3g|(fg)(fd) (ed)(cB)|(AB)(cd) c3d| edcB A2 GA|BAGF =E3C|(FA)(GB) Acdc|A2 GF F2:| |:c2|(cA)(cA) F3f|(fd)(fd) B3d|eG (c/B/A/G/) ^F3d|cB A2 G3D| GABG e3d|eGcB A3F|(Bc/d/) (cd/e/) (df)gf|ed c2 B3:| V:2 clef = bass z|B,,4 B,2F,2|B,,2E,2 G,,C,D,E,|D,2B,2A,2G,2|F,2F,,2 F,G,A,B,| CB,A,G, F,2C,2|G,F,=E,D, C,2C,,2|A,,2B,,2F,2B,2|C2C,2 F,2:| |:z2|z2 z C CA,CA,|F,3B, DB,DB,|G,2E,2D,2G,,2|D,2D,,2G,2z2| B,2G,2 CC,CB,|G,2=E,2 F,F,,F,_E,|D,2 A,,2B,,2E,2|F,2F,,2B,,3:|


X:1 T:Bonny Grey-Ey'd Morn M:C L:1/8 S:Beggar's Opera (1729) K:Bb F|BABc d2cB|defg f3g|fgfd edcB|ABcd c3d| edcB A2A|BAGF =E3C|FAGB Acdc|BAGF F3:| |:c|cAcA F3f|fdfd B3d|eGcA ^F3d|cBAG G3D| FABG e3d|dGcB A3F|Bdce dfgf|edcB B3:||


X:1 T:Bonny Grey-Eyed Morn, The M:C| L:1/8 N:"Longways for as many as will." B:John Walsh – Complete Country Dancing-Master, Volume the Fourth B: (London, 1740, No. 167) Z:AK/Fiddler’s Companion K:Bb F|(BA) (Bc) d2(cB)|(de) f2 f3g|(fg) (fd) (ed) (cB)|(AB) (cd) c3d| (ed) (cB) A3A|(BA) (GF) ^E3C|(FA) (GB) (Ac) (dc)|(BA) (GF) F3|| c|(cA) (cA) F3f|(fd) (fd) B3d|(eG) (cA) ^F3d|(cB) (AG) G3d| (GA) (BG) e3d|(dG) (cB) A3F|(Bd) (ce) (df) (gf)|(ed) (cB) B3||


X:1 T:Bonny gray eye’d morn, The M:C L:1/8 R:Country Dance B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5 B:(Glasgow, 1797, No. 27, p. 11) Z:AK/Fiddler’s Companion K:D A|dcde {de}f2 ed|fgab a3b|a>baf gfed|cdef e3f| gfed c3c|dcBA G3E|AcBd cefd|dcB>A A3|| e|ecec A3a|afaf d3f|gBec B2- ^Af|edcB B2 zF| BcdB g3f|fBed c3A|dfeg faba|gfe>d d3||


X:1 T:Bonny Grey Eyed Morn, The M:C L:1/8 R:Air Q:"Slow" B:Davie's Caledonian Repository (Aberdeen, 1829-30, p. 22) Z:AK/Fiddler’s Companion K:Bb F|(B>A)(Bc) {Bc}d2 (cB)|(d>e)(f>g) f3g|(f>g)(f>d) (ed)(cB)|(A<B)(c>d) c3d| (e>d)(cB) {B}A2 G>A|(BA)(GF) {F}=E2zC|(FA)(GB) (Ac)(Bd)|(BA)(G>F) F3:| |:A|(c<A)(c<A) F3d|(f<d)(d<d) B3d|(eB)(cA) (G^F)(d>c)|{c}B2 {B}(A>G) G2 D>D| (G>A)(BG) e3e|(dG)(c>B) {B}A2zF|(Bd)(ce) (df) (a/g/f/e/)|(ed) T(c2{Bc}B2):|


X:1 T:Bonny Grey eye’d morn M:C L:1/8 R:Air S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 214) Z:AK/Fiddler’s Companion K:D A|dcde f2 ed|fgab a3b|abaf gfed|cdef e3f| gfed c3c|dcBA G3E|(AcBd) (cefe)|dcBc (A2 A):| |:e|ecec A3a|afaf d3f|gBec B2 ^Af|edcd B2zF| BcdB g3f|eBed c3A|dfeg faba|gfef d3d||


X: 5 T: Bonny Grey-Ey'd Morn R: reel M: C| L: 1/8 Z: 2011 John Chambers <jc:trillian.mit.edu> B: Andrew Shaw "Mr Kynaston's Famous Dance" p.5 N: Longways for as many as will P: Play AABB K: Bb % "A"[|] F |\ "Bb"(BA)(Bc) d2(cB) | (de)f2 f3g | (fg)(fd) "Cm"(ed)(cB) | "F"(AB)(cd) c3d | "Cm"(ed)(cB) "F"A3A | "Gm"(BA)(GF) "C"=E3C | "F"(FA)"C"(GB) "F"(Ac)"Bb"(dc) "C"(BA)(GF) "F"F3 :| "B"|: c |\ "F"(cA)(cA) F3f | "Bb"(fd)(fd) "Gm"B3d | "Cm"(eG)(cA) "D"^F3d | "D"(cB)(AG) "Gm"G3D | "F"(FA)"Gm"(BG) "Cm"e3d | "Gm"(dG)(cB) "F"A3F | "Bb"(Bd)"F"(ce) "Gb"(df)"Eb"(gf) | "F"(ed)(cB) "Bb"B3 :|


Bonny Gray-Eyed Morn: Annotations

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