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{{Abctune
{{Abctune
|f_tune_title=London March
|f_tune_title=London March (1)
|f_aka=Lord Loudon's March
|f_aka=Berkshire March (The), Cameronian March (1), Favorite Scotch Hornpipe, Lord Loudon's March, March of the Third Regiment of Guards,
|f_country=England
|f_country=England
|f_genre=English
|f_genre=English
Line 9: Line 9:
|f_accidental=2 sharps
|f_accidental=2 sharps
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AABB
|f_structure=AABA, AABB,
|f_book_title=Selection of Scotch English Irish and Foreign Airs vol. 4
|f_book_title=Selection of Scotch English Irish and Foreign Airs vol. 4
|f_collector=James Aird
|f_collector=James Aird
Line 15: Line 15:
|f_page=No. 54, p. 21
|f_page=No. 54, p. 21
|f_theme_code_index=3332 1565
|f_theme_code_index=3332 1565
|f_score=1
}}
}}
=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
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|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
|image=TUC-160x120.png
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<pre>
<section begin=abc />
X:1
X:1
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T:London March [1]
T:London March
M:C
M:C
L:1/8
L:1/8
Line 35: Line 51:
F2 F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>dF>d|E>DE>F E2 E>E|
F2 F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>dF>d|E>DE>F E2 E>E|
F2 F>F F2E2|D>FA>d {c}B2A2|BdAd G>cd>g|f2 e>d d4||
F2 F>F F2E2|D>FA>d {c}B2A2|BdAd G>cd>g|f2 e>d d4||
</pre>
<section end=abc />
<pre>
<section begin=X1 />
X:1
T:London March [1], The
M:C
L:1/8
R:March
Q:”Maestoso”
B:William Cahusac – The German Flute Preceptor (c. 1814, p. 23)
Z:AK/Fiddler’s Companion
K:G
B2 B>B B2A2|G>B d>g Te2d2|e>gd>g c>gB>g|A>GA>B A2 A>A|
B2 B>B B2TA2|G>B d>G Te2d2|e>gd>g c>fg>c’|b2Ta2 g4!fermata!:|
d>cB>c d>dc>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d>dc>B TB2A2|
d>cB>c d>dc>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d>dc>B B2AA!D.C!||
<section end=X1 />
<section begin=X4 />
X:37
C:Page 19
T:London March [1]. MBe.37, The
A:England;Cumbria;Towcett
B:Matthew Betham MS, Towcett Cumbria, 1815
Z:VMP - Hugh Taylor, 2012
T:Lord Lowden's March,aka. MBe.37
M:C
L:1/8
Q:1/2=60
R:
K:G
B2 B>B B2 A2|G>A"^sic"d>g ~e2 d2|e>gd>g c>gB>g|A>GA>B A2 A>A|
B2 B>B B2 ~A2|G>A"^sic"d>g ~e2 d2|e>gd>g c>fg>b| b2 a2 !fermata!g4"^Fine":|
|:d>cB>c d>dc>B|A>Bc>A ~B2 A2|G>GG>A B>BB>c|d>dc>B ~B2 A2|
d>cB>c d>dc>B|A>Bc>A ~B2 A2|G>GG>A B>BB>c|d>dc>B B2 A>A"^D.C.":|
<section end=X4 />
<section begin=X7 />
X:1
T:London March [1]
M:C
L:1/8
R:March
B:A. Robinson Jr. - ”Massachusetts collection of martial musick: containing a
B:plain, easy and concise introduction to the grounds of martial musick”
B:(Exeter, 1820, pp. 43-44)
B: https://archive.org/details/massachusettscol00exet/page/64/mode/2up
Z:AK/Fiddler’s Companion
K:G
V:1
B2 B>B B2A2|G>Bd>g e2d2|e>gd>g c>gB>g|A>GA>B A2 A>A|
B2 B>B B2A2|G>Bd>g e2d2|e>g d>g c>f g>c’|b2 a>g g4:|
|:d>cB>c d>dc>B|A>Bc>A B2A2|G>G G>A B>B B>c|d>d c>B B2A2|
d>c B>c d>d c>B|A>B c>A B2A2|G>G G>A B>B B>c|d>d c>B B2 A>A|
B2 B>B  B2A2|G>Bd>g e2d2|e>g d>g c>g B>g|A>G A>B A2 A>A|
B2 B>B B2A2|G>Bd>g e2 d2|e>g d>g c>f g>c’|b2 a>g g4:|
V:2
G2 G>G G2F2|G2B2c2B2|c2B2A2G2|F>EF>G F2 F>F|
G2 G>G G2F2|G2B2c2B2|c2B2 A2 B>e|d2 c>B B4:|
|:B>AG>A B>BA>G|F>GA>F G2F2|G>G G>F G>G G>A|B>B A>G G2F2|
B>A G>A B>B A>G|F>G A>F G2F2|G>G G>F G>G G>A|B>B A>G G2 F>F|
G2 G>G G2F2|G2B2c2B2|c>e B>d E>G D>G|D>B D>B D2 F>F|
G2 G>G G2F2|G2B2c2B2|c2B2 A>c B>e|d2 c>B B4:|
V:3 clef=bass
G,,2 G,,>G,, G,,2D,2|G,2G,2G,2G,2|G,2G,2D,2G,,2|D,2D,2 D,,2D,,2|
G,,2 G,,>G,, G,,2D,2|G,2G,,2G,2G,,2|G,2G,,2D,2 B,,>C,| D,2D,,2 G,,4:|
|:G,,8|D,,8|G,>G, G,>D, G,,>G,, G,,>D,|G,>G, E,>G, D,2D,,2|
G,,8|D,,8|G,>G, G,>D, G,,>G,, G,,>D,|G,>G, F,>G, D,2D,,2|
G,2 G,>G, D,2 D,,2|G,,2G,2G,,2G,2|G,,8|D,,8|
G,,2 G,,>G,, D,2D,,2|G,,2G,2G,,2G,2|C,2G,,2D,2G,>C,|D,2D,,2D,,4:|
<section end=X7 />
<section begin=X10 />
X: 1
X: 1
%
T:London March [1]. JGi.114
T:London March. JGi.114
M:C
M:C
L:1/8
L:1/8
Line 54: Line 136:
ggfee2d2|e2e>fe2d2|ceGcA2G2|AcGc FAEG|
ggfee2d2|e2e>fe2d2|ceGcA2G2|AcGc FAEG|
DCDE DFED|CEGcA2G2|AcGc EGcd|e2d2c4:|
DCDE DFED|CEGcA2G2|AcGc EGcd|e2d2c4:|
</pre>
<section end=X10 />
<pre>
<section begin=X11 />
X:1
T:London March [1]
M:C
L:1/8
R:March
B:Edward Riley – “Riley Flute Melodies vol. 2” (New York, 1817, No. 348, p. 65)
F: https://archive.org/details/flutemelodies0000rile/page/94/mode/2up
Z:AK/Fiddler’s Companion
K:G
B2 B>B B2A2|G>B d>g Te2d2|e>gd>g c>gB>g|A>GA>B A2 A>A|
B2 B>B B2A2|G>B d>g Te2d2|e>gd>g c>fg>c’|b2Ta2g4!fine!||
d>c B>c d>d c>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d>d c>B B2A2|
d>cB>c d>dc>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d2 c>B {B}A4!D.C.!||
<section end=X11 />
<section begin=X13 />
X:1
X:1
%
T:London March [1], The. TJD.54
T:London March,The. TJD.54
M:C
M:C
L:1/8
L:1/8
Line 72: Line 168:
|:d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>BB2A2|!
|:d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>BB2A2|!
d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>B "^Da Capo"B2A2:|]
d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>B "^Da Capo"B2A2:|]
</pre>
<section end=X13 />
<pre>
<section begin=X16 />
X: 1
X: 1
%
T:London March [1], The. JMT.020
T:London March,The. JMT.020
M:C
M:C
L:1/8
L:1/8
Line 93: Line 188:
DFAd B2 A2 | Bd Ad FA dg | f2 e2 d4 :|
DFAd B2 A2 | Bd Ad FA dg | f2 e2 d4 :|
W:Try repeating the first bar.
W:Try repeating the first bar.
</pre>
<section end=X16 />
<pre>
<section begin=X19 />
X:1
X:1
%
T:London March [1]
T:London March.TLY.015
M:4/4
L:1/8
B:Oliver Ditson – The Boston Collection of Instrumental Music (c. 1850, p. 89)
Z:AK/Fiddler’s Companion
K:D
F2 F>F F2E2|D>F A>d B2A2|B/>d/A/>d/ G/>d/F/>d/|E>DE>F E2 E>E|
F2 F>F F2E2|D>F A>d B2A2|B/>d/A/>d/ G/>c/d/>g/|f2 e2 d4!fermata!:|
|:A>GF>G A>AG>F|E>FG>E F2E2|D>DD>E F>FF>G|A>AG>F F2E2|
A>GF>G A>AG>F|E>FG>E F2E2|D>DD>E F>FF>G|A>AG>F F2E2!D.C.!:|
<section end=X19 />
<section begin=X22 />
X:1
T:London March [1].TLY.015
M:4/4
M:4/4
L:1/8
L:1/8
Line 116: Line 223:
dd/2/d/2 de ff/2f/2 fg|ab>a b/2a/2g/2f/2f2 e2:|!
dd/2/d/2 de ff/2f/2 fg|ab>a b/2a/2g/2f/2f2 e2:|!
|:f2 f>f f2 e2|dfAd B2 A2|BdAd GdAd|E2 E>E E2 D>E|!
|:f2 f>f f2 e2|dfAd B2 A2|BdAd GdAd|E2 E>E E2 D>E|!
F2 F>F F2 E2|DFAd B2A2|\
F2 F>F F2 E2|DFAd B2A2|BdAd ((3Bcd) ((3efg)|f2~e2d4:|
BdAd ((3Bcd) ((3efg)|f2~e2d4:|
<section end=X22 />
</pre>
<section begin=X25 />
<pre>
X:1
X:1
T:London March, The
T:London March [1], The
M:C|
M:C|
L:1/8
L:1/8
Line 133: Line 239:
a>gfg a2 gf|e>fgf f2e2|ddde fffg|aagf f2e2|
a>gfg a2 gf|e>fgf f2e2|ddde fffg|aagf f2e2|
f2 f>f f2e2|BdAd {c}B2A2|BdAd FA d/e/f/g/|f2e2d2:|]
f2 f>f f2e2|BdAd {c}B2A2|BdAd FA d/e/f/g/|f2e2d2:|]
</pre>
<section end=X25 />
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__NOTITLE__

Latest revision as of 02:06, 7 May 2024


London March (1)  Click on the tune title to see or modify London March (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:London March (1)
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 Theme code Index    3332 1565
 Also known as    Berkshire March (The), Cameronian March (1), Favorite Scotch Hornpipe, Lord Loudon's March, March of the Third Regiment of Guards
 Composer/Core Source    
 Region    England
 Genre/Style    English
 Meter/Rhythm    March/Marche
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    
 Structure    AABA, AABB
 Editor/Compiler    Biography:James Aird
 Book/Manuscript title    Book:Selection of Scotch English Irish and Foreign Airs vol. 4
 Tune and/or Page number    No. 54, p. 21
 Year of publication/Date of MS    1796
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



London March (1): Annotations

X:1 T:London March [1] M:C L:1/8 R:March B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 4 (1796, No. 54, p. 21) Z:AK/Fiddler’s Companion K:D F2 F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>dF>d|E>DE>F E2 E>E| F2F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>cd>g|f2 e>d d4:|| a>gf>g a>ag>f|e>fg>e f2e2|d>dd>e f>ff>g|a>ag>f f2e2| A>GF>G A>AG>F|E>FG>E F2E2|D>DD>E F>FF>G|A>AG>F F2 F>E| F2 F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>dF>d|E>DE>F E2 E>E| F2 F>F F2E2|D>FA>d {c}B2A2|BdAd G>cd>g|f2 e>d d4||


X:1 T:London March [1], The M:C L:1/8 R:March Q:”Maestoso” B:William Cahusac – The German Flute Preceptor (c. 1814, p. 23) Z:AK/Fiddler’s Companion K:G B2 B>B B2A2|G>B d>g Te2d2|e>gd>g c>gB>g|A>GA>B A2 A>A| B2 B>B B2TA2|G>B d>G Te2d2|e>gd>g c>fg>c’|b2Ta2 g4!fermata!:| d>cB>c d>dc>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d>dc>B TB2A2| d>cB>c d>dc>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d>dc>B B2AA!D.C!||


X:37 C:Page 19 T:London March [1]. MBe.37, The A:England;Cumbria;Towcett B:Matthew Betham MS, Towcett Cumbria, 1815 Z:VMP - Hugh Taylor, 2012 T:Lord Lowden's March,aka. MBe.37 M:C L:1/8 Q:1/2=60 R: K:G B2 B>B B2 A2|G>A"^sic"d>g ~e2 d2|e>gd>g c>gB>g|A>GA>B A2 A>A| B2 B>B B2 ~A2|G>A"^sic"d>g ~e2 d2|e>gd>g c>fg>b| b2 a2 !fermata!g4"^Fine":| |:d>cB>c d>dc>B|A>Bc>A ~B2 A2|G>GG>A B>BB>c|d>dc>B ~B2 A2| d>cB>c d>dc>B|A>Bc>A ~B2 A2|G>GG>A B>BB>c|d>dc>B B2 A>A"^D.C.":|


X:1 T:London March [1] M:C L:1/8 R:March B:A. Robinson Jr. - ”Massachusetts collection of martial musick: containing a B:plain, easy and concise introduction to the grounds of martial musick” B:(Exeter, 1820, pp. 43-44) B: https://archive.org/details/massachusettscol00exet/page/64/mode/2up Z:AK/Fiddler’s Companion K:G V:1 B2 B>B B2A2|G>Bd>g e2d2|e>gd>g c>gB>g|A>GA>B A2 A>A| B2 B>B B2A2|G>Bd>g e2d2|e>g d>g c>f g>c’|b2 a>g g4:| |:d>cB>c d>dc>B|A>Bc>A B2A2|G>G G>A B>B B>c|d>d c>B B2A2| d>c B>c d>d c>B|A>B c>A B2A2|G>G G>A B>B B>c|d>d c>B B2 A>A| B2 B>B B2A2|G>Bd>g e2d2|e>g d>g c>g B>g|A>G A>B A2 A>A| B2 B>B B2A2|G>Bd>g e2 d2|e>g d>g c>f g>c’|b2 a>g g4:| V:2 G2 G>G G2F2|G2B2c2B2|c2B2A2G2|F>EF>G F2 F>F| G2 G>G G2F2|G2B2c2B2|c2B2 A2 B>e|d2 c>B B4:| |:B>AG>A B>BA>G|F>GA>F G2F2|G>G G>F G>G G>A|B>B A>G G2F2| B>A G>A B>B A>G|F>G A>F G2F2|G>G G>F G>G G>A|B>B A>G G2 F>F| G2 G>G G2F2|G2B2c2B2|c>e B>d E>G D>G|D>B D>B D2 F>F| G2 G>G G2F2|G2B2c2B2|c2B2 A>c B>e|d2 c>B B4:| V:3 clef=bass G,,2 G,,>G,, G,,2D,2|G,2G,2G,2G,2|G,2G,2D,2G,,2|D,2D,2 D,,2D,,2| G,,2 G,,>G,, G,,2D,2|G,2G,,2G,2G,,2|G,2G,,2D,2 B,,>C,| D,2D,,2 G,,4:| |:G,,8|D,,8|G,>G, G,>D, G,,>G,, G,,>D,|G,>G, E,>G, D,2D,,2| G,,8|D,,8|G,>G, G,>D, G,,>G,, G,,>D,|G,>G, F,>G, D,2D,,2| G,2 G,>G, D,2 D,,2|G,,2G,2G,,2G,2|G,,8|D,,8| G,,2 G,,>G,, D,2D,,2|G,,2G,2G,,2G,2|C,2G,,2D,2G,>C,|D,2D,,2D,,4:|


X: 1 T:London March [1]. JGi.114 M:C L:1/8 Q:1/4=130 S:Joshua Gibbons MS,1823,Tealby,Lincs. R:march O:Tealby,Lincolnshire Z:VMP/R.Greig, 2009 K:C E2E>EE2D2|CE GcA2G2|AcGc FAEA|DCDE DFED| E2E>EE2D2|CEGcA2G2|AcGc EGcd|e2d2c4:| |:g>fed ggfe|defee2d2|c>dc>d e>fe>f|ggfee2d2| g>fe>f ggfe|defee2d2|c>dc>d e>fe>f| ggfee2d2|e2e>fe2d2|ceGcA2G2|AcGc FAEG| DCDE DFED|CEGcA2G2|AcGc EGcd|e2d2c4:|


X:1 T:London March [1] M:C L:1/8 R:March B:Edward Riley – “Riley Flute Melodies vol. 2” (New York, 1817, No. 348, p. 65) F: https://archive.org/details/flutemelodies0000rile/page/94/mode/2up Z:AK/Fiddler’s Companion K:G B2 B>B B2A2|G>B d>g Te2d2|e>gd>g c>gB>g|A>GA>B A2 A>A| B2 B>B B2A2|G>B d>g Te2d2|e>gd>g c>fg>c’|b2Ta2g4!fine!|| d>c B>c d>d c>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d>d c>B B2A2| d>cB>c d>dc>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d2 c>B {B}A4!D.C.!||


X:1 T:London March [1], The. TJD.54 M:C L:1/8 Q:1/4=140 S:T.J.Dixon MS2, Lincolnshire, early 19thC R:march N:Repeat mark added at end A:Lincolnshire, Holton le Moor Z:vmp.R.Greig2010 K:G B2B>BB2A2|G>Bd>ge2d2|e>gd>g c>gB>g|A2A>A A>cB>A|! B2B>BB2A2|G>Bd>ge2d2|e>gd>g c>gB>g|b2a2g4:|! |:d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>BB2A2|! d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>B "^Da Capo"B2A2:|]


X: 1 T:London March [1], The. JMT.020 M:C L:1/8 Q:1/4=140 S:J.Moore,Tyneside,1841.(14a) R:.March O:England A:Northumbria N:Irregular (bar missed out in the B music? Z:vmp.John Adam K:D |:F2 FF F2 E2| DFAc B2 A2 | Bd Ad Gd Fd | E>DEF E4 |! F2 FF F2 E2 | DFAdB2 A2 | Bd Ad FA dg | f2 e2 d2 :||:! (3agf | efge f2 e2 "?"| d2 de f2 fa | a2 (3 agf f2 e2 | f2 ff f2 e2 |! df Ad B2 A2 | Bd Ad Gd Fd | E>DEF E4 | F2 FF F2 E2 |! DFAd B2 A2 | Bd Ad FA dg | f2 e2 d4 :| W:Try repeating the first bar.


X:1 T:London March [1] M:4/4 L:1/8 B:Oliver Ditson – The Boston Collection of Instrumental Music (c. 1850, p. 89) Z:AK/Fiddler’s Companion K:D F2 F>F F2E2|D>F A>d B2A2|B/>d/A/>d/ G/>d/F/>d/|E>DE>F E2 E>E| F2 F>F F2E2|D>F A>d B2A2|B/>d/A/>d/ G/>c/d/>g/|f2 e2 d4!fermata!:| |:A>GF>G A>AG>F|E>FG>E F2E2|D>DD>E F>FF>G|A>AG>F F2E2| A>GF>G A>AG>F|E>FG>E F2E2|D>DD>E F>FF>G|A>AG>F F2E2!D.C.!:|


X:1 T:London March [1].TLY.015 M:4/4 L:1/8 Q:1/2=90 S:Wm.Tildesley,Swinton,Lancs.1860s. R:.March O:England. A:Lancashire. N:I have removed the D>E from the end of the A strain to the N:beginning.CGP. H:1860. Z:vmp.Taz Tarry. K:D "*"D>E|F2 F>F F2E2| DFAd B2A2|BdAd GdFd|E2 E>E E2 D>E|! F2 F>F F2 E2|D/2E/2F/2G/2 A/2B/2c/2d/2 B2 A2|\ BdAd Gc ((3efg)|f2~e2d2:|! |:f>g|a>gf>g g>agf|e>fg>g f2 e2|\ dd/2/d/2 de ff/2f/2 fg|ab>a b/2a/2g/2f/2f2 e2:|! |:f2 f>f f2 e2|dfAd B2 A2|BdAd GdAd|E2 E>E E2 D>E|! F2 F>F F2 E2|DFAd B2A2|BdAd ((3Bcd) ((3efg)|f2~e2d4:|


X:1 T:London March [1], The M:C| L:1/8 R:March B:Manson – Hamilton’s Universal Tune Book, vol. 2 (1846, p. 44) Z:AK/Fiddler’s Companion K:D (DE)|F2 FF F2E2|D/E/F/G/ A/B/c/d/ {c}B2A2|BdAd GdFd|EDEF EGFE| F2 FF F2E2|DFAd {c}B2A2|BdAd FA d/e/f/g/|f2e2d2:| |:a2|a>gfg a2 gf|e>fgf f2 {gf}e2|DDDE FFFG|AAGF F2E2| a>gfg a2 gf|e>fgf f2e2|ddde fffg|aagf f2e2| f2 f>f f2e2|BdAd {c}B2A2|BdAd FA d/e/f/g/|f2e2d2:|]


London March (1): Annotations

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