|f_annotation='''MAIDIN BHEAG AOIBHINN''' ("Pleasant Early Morning" or "Soft Mild Morning"). Irish, Air (3/8 time). B Flat Major. Standard tuning (fiddle). AA. [[File:Denis Hempson.jpg|300px|thumb|right|Denis Hempson]]
|f_annotation='''MAIDIN BHEAG AOIBHINN''' ("Pleasant Early Morning" or "Soft Mild Morning"). Irish, Air (3/8 time). B Flat Major. Standard tuning (fiddle). AA. [[File:Denis Hempson.jpg|300px|thumb|right|Denis Hempson]]
|f_source_for_notated_version=Belfast collector Edward Bunting noted the tune from the harper [[biography:Denis Hempson|Denis Hempson]] at Magilligan, County Kerry, in 1796. It was only published in 1840, however, in Bunting's third volume of '''Ancient Music of Ireland''', with the note that it was "very ancient, author and date unknown." Hempson was the only harper Bunting heard who played in the ancient style, with long curved fingernails plucking brass strings. The collector greatly admired the playing and repertoire of Denis Hempson, and elderly man when the nineteen-year-old, hired to make some transcriptions at the Belfast Harp Festival of 1792, first met him:
|f_source_for_notated_version=Belfast collector Edward Bunting noted the tune from the harper [[biography:Denis Hempson|Denis Hempson]] at Magilligan, County Kerry, in 1796. It was only published in 1840, however, in Bunting's third volume of '''Ancient Music of Ireland''', with the note that it was "very ancient, author and date unknown." Hempson was the only harper Bunting heard who played in the ancient style, with long curved fingernails plucking brass strings. The collector greatly admired the playing and repertoire of Denis Hempson, and elderly man when the nineteen-year-old, who had been hired to make some transcriptions at the Belfast Harp Festival of 1792, first met him:
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''Hempson, who realized the antique picture drawn by Cambrensis and Galilei, for he played with long crooked nails, and in his'' ''performance, “the tinkling of the small wires under the deep notes of the bass” was particularly thrilling, took the attention'' ''of the Editor with a degree of interest which he never can forget. He was the only one who played the very old—the''
''Hempson, who realized the antique picture drawn by Cambrensis and Galilei, for he played with long crooked nails, and in his'' ''performance, “the tinkling of the small wires under the deep notes of the bass” was particularly thrilling, took the attention'' ''of the Editor with a degree of interest which he never can forget. He was the only one who played the very old—the''
''aboriginal—music of the country; and this he did in a style of such finished excellence as persuaded the Editor that the''
''aboriginal—music of the country; and this he did in a style of such finished excellence as persuaded the Editor that the''
X:1
T:Maidin Bheag Aoibhinn
T:Pleasant Early Morning
R:Air
M:3/8
L:1/8
B:Bunting - Ancient Irish Music (1849, p. 57)
Z:AK/Fiddler's Companion
K:Bb
BB/c/d/e/|f2 b|gfb|g/f/e/d/c/B/|BB/c/d/e/|f2b|
g/f/e/d/c/B/|c>ed/c/|BB/c/d/e/|f2 b|g/f/e/d/c/B/|
GFF|GBc/d/|e>gf/e/|d Tc2|B3:||
MAIDIN BHEAG AOIBHINN ("Pleasant Early Morning" or "Soft Mild Morning"). Irish, Air (3/8 time). B Flat Major. Standard tuning (fiddle). AA. Denis Hempson
Additional notes Source for notated version : - Belfast collector Edward Bunting noted the tune from the harper Denis Hempson at Magilligan, County Kerry, in 1796. It was only published in 1840, however, in Bunting's third volume of Ancient Music of Ireland, with the note that it was "very ancient, author and date unknown." Hempson was the only harper Bunting heard who played in the ancient style, with long curved fingernails plucking brass strings. The collector greatly admired the playing and repertoire of Denis Hempson, and elderly man when the nineteen-year-old, who had been hired to make some transcriptions at the Belfast Harp Festival of 1792, first met him:
Hempson, who realized the antique picture drawn by Cambrensis and Galilei, for he played with long crooked nails, and in hisperformance, “the tinkling of the small wires under the deep notes of the bass” was particularly thrilling, took the attentionof the Editor with a degree of interest which he never can forget. He was the only one who played the very old—theaboriginal—music of the country; and this he did in a style of such finished excellence as persuaded the Editor that thepraises of the old Irish harp in Cambrensis, Fuller, and others, instead of being, as the detractors of the country are fond ofasserting, the ill-considered and indiscriminate, were in reality no more than a just tribute to that admirable instrument andits then professors. ... [Bunting, Ancient Irish Music, 1840, Preface p. 3]
Hempon was born in 1695, a native of Craigmore, near Garvagh, in the county of Londonderry. He was an old man in his late nineties when he participated in the convocation of ancient harpers held in Belfast in 1791, but his playing was strong and intricate, on long fingernails as did the harpers of old. Collector Edward Bunting transcribed several tune from Hempson before he died at the age of 112.
Printed sources : - P.M. Haverty (One Hundred Irish Airs vol. 3), 1859; No. 282, p. 141. O'Sullivan/Bunting (Ancient Music of Ireland), 1983; No. 78, pp. 121-122.
