|f_annotation='''PRETTY MAGGIE MORRISSEY''' ("Ciumais na Mona" or "Mairgreadin Deas Ni Muirgeasa"). AKA and see “[[Brighton Hornpipe]],” “[[Duke of Leinster (3) (The)]],” “[[Five Pound Note (The)]],” “[[Hennessey's Hornpipe (1)]],” "[[Kildare Hornpipe (2)]]," “[[ O'Neill's Hornpipe (1)]],” “[[Peggy Morrissey]],” “[[Strip of Turf (The)]] ([[Ciumhais na Móna]]),” “[[Wexford Hornpipe]].” Irish, Hornpipe. G Major. Standard tuning (fiddle). AABB. The tune was a popular hornpipe and frequently recorded in the first half of the 20th century, albeit under a bewildering variety of titles. Accordion player P.J. Conlon (1885–1954) recorded the tune as "Hennessy's/[[Hennessey's Hornpipe (1)]]" in 1921, while County Sligo fiddler Michael Coleman [https://en.wikipedia.org/wiki/Michael_Coleman_(musician)] (1891–1945) waxed it as "[[O'Neill's Hornpipe (1)]]." Uilleann pipers generally know the tune under the title "[[Wexford Hornpipe]]," the name by which influential piper Leo Rowsome [https://en.wikipedia.org/wiki/Leo_Rowsome] (1903–1970) recorded it in a medley sandwiched between "[[Rights of Man (The)]]" and "[[Dunphy's Hornpipe]]." Rowsome's family hailed from Wexford. In 1926 piper Liam Walsh and fiddler J. O'Mahoney recorded the hornpipe as "Cork Hornpipe" [https://archive.org/details/UnknownPlayersPipesFiddlePianoHarvestHomeWexfordHornpipe], although that title generally is used for the tune familiar to most modern session musicians as "[[Harvest Home (1)]]." [[File:mcfadden.jpg|400px|thumb|right|John McFadden]]
|f_annotation='''PRETTY MAGGIE MORRISSEY''' ("Ciumais na Mona" or "Mairgreadin Deas Ni Muirgeasa"). AKA and see “[[Brighton Hornpipe]],” “[[Duke of Leinster (3) (The)]],” “[[Five Pound Note (The)]],” “[[Hennessey's Hornpipe (1)]],” "[[Kildare Hornpipe (2)]]," “[[ O'Neill's Hornpipe (1)]],” “[[Peggy Morrissey]],” “[[Strip of Turf]] ([[Ciumhais na Móna]]),” “[[Wexford Hornpipe]].” Irish, Hornpipe. G Major. Standard tuning (fiddle). AABB. The tune was a popular hornpipe and frequently recorded in the first half of the 20th century, albeit under a bewildering variety of titles. Accordion player P.J. Conlon (1885–1954) recorded the tune as "Hennessy's/[[Hennessey's Hornpipe (1)]]" in 1921, while County Sligo fiddler Michael Coleman [https://en.wikipedia.org/wiki/Michael_Coleman_(musician)] (1891–1945) waxed it as "[[O'Neill's Hornpipe (1)]]." Uilleann pipers generally know the tune under the title "[[Wexford Hornpipe]]," the name by which influential piper Leo Rowsome [https://en.wikipedia.org/wiki/Leo_Rowsome] (1903–1970) recorded it in a medley sandwiched between "[[Rights of Man]]" and "[[Dunphy's Hornpipe]]." Rowsome's family hailed from Wexford. In 1926 piper Liam Walsh and fiddler J. O'Mahoney recorded the hornpipe as "Cork Hornpipe" [https://archive.org/details/UnknownPlayersPipesFiddlePianoHarvestHomeWexfordHornpipe], although that title generally is used for the tune familiar to most modern session musicians as "[[Harvest Home (1)]]." [[File:mcfadden.jpg|400px|thumb|right|John McFadden]]
|f_source_for_notated_version=Chicago fiddler John McFadden, originally from County Mayo, of whom O’Neill said: “The airy style of his playing, the clear crispness of his tones, and the rhythmic swing of his tunes, left nothing to be desired…” [O’Neill].
Paul de Grae points out that Francis O'Neill printed another, slightly different, setting of the tune entitled "[[Kelly's Hornpipe]]" in his '''O'Neill's Irish Music''' (1915), "which may reflect [Chicago fiddler] John McFadden's well-known penchant for variation"<ref>Paul de Grae, "Notes on Sources of Tunes in the O'Neill Collections", 2017 [https://www.irishtune.info/public/oneill-sources.htm].</ref>. Curiously, though, four years after originally publishing the reel in his '''Music of Ireland: 1850 Melodies''' (1903), O'Neill left "Pretty Maggie Morrissey" out of his second seminal volume, '''Dance Music of Ireland: 1001 Gems''' (1907).
|f_source_for_notated_version=Chicago fiddler [[biography:John McFadden|John McFadden]], originally from County Mayo, of whom O’Neill said: “The airy style of his playing, the clear crispness of his tones, and the rhythmic swing of his tunes, left nothing to be desired…” [O’Neill].
|f_printed_sources=Breathnach ('''Ceol Rince na hÉireann vol. 5'''), 1999; No. 223.
Cranitch ('''The Irish Fiddle Book'''), 1996; No. 83, p. 159.
Cranitch ('''The Irish Fiddle Book'''), 1996; No. 83, p. 159.
Paul de Grae points out that Francis O'Neill printed another, slightly different, setting of the tune entitled "Kelly's Hornpipe" in his O'Neill's Irish Music (1915), "which may reflect [Chicago fiddler] John McFadden's well-known penchant for variation"[1]. Curiously, though, four years after originally publishing the reel in his Music of Ireland: 1850 Melodies (1903), O'Neill left "Pretty Maggie Morrissey" out of his second seminal volume, Dance Music of Ireland: 1001 Gems (1907).
Additional notes Source for notated version : - Chicago fiddler John McFadden, originally from County Mayo, of whom O’Neill said: “The airy style of his playing, the clear crispness of his tones, and the rhythmic swing of his tunes, left nothing to be desired…” [O’Neill].
Printed sources : - Breathnach (Ceol Rince na hÉireann vol. 5), 1999; No. 223.
Cranitch (The Irish Fiddle Book), 1996; No. 83, p. 159.
Jordan (Whistle and Sing!), 1975; p. 68.
McDermott (Allan's Irish Fiddler), c. 1922; No. 77, p. 20.
O'Neill (Krassen), 1976; p. 199.
O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 1707, p. 317.
Roche (Collection of Traditional Irish Music, vol. 3), 1927; No. 182, p. 64.
Recorded sources : - OKeh Records 4322 (78 RPM), Peter J. Conlon (1921, as "Hennessy's Hornpipe").
Rounder Records 7057, Jerry Holland – “Parlor Music” (2005).
WMT002, Wendy MacIsaac – “That’s What You Get” (1998? Appears as “Pretty Peggy Morrisey”).
See also listing at : Alan Snyder’s Cape Breton Fiddle Recordings Index [4]
Jane Keefer’s Folk Music Index: An Index to Recorded Sources [5]
Alan Ng’s Irishtune.info [6]
