Annotation:Pretty Maggie Morrissey: Difference between revisions

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X:1 T:Pretty Maggie Morrissey M:4/4 L:1/8 R:Hornpipe Z:O’Neill – Music of Ireland (1903), No. 1707 Z:AK/Fiddler’s Companion K:G Bc|:dBGB cAFA|GB (3AGF GABc | dgfg efge | dBGB A2 Bc| dBGB cAFA|GB (3AGF GABc | dgfg ecAF | GB (3AGF G2 Bc :| |:dgfg efge|dgfg edBc|dgfg bgeg | dBGB A2 Bc | dBGB cAFA | GB (3AGF GABc|dgfg ecAF |1 GB (3AGF G2 Bc :|2 GB (3AGF G4||

PRETTY MAGGIE MORRISSEY ("Ciumais na Mona" or "Mairgreadin Deas Ni Muirgeasa"). AKA and see “Brighton Hornpipe,” “Duke of Leinster (3) (The),” “Five Pound Note (The),” “Hennessey's Hornpipe (1),” "Kildare Hornpipe (2)," “O'Neill's Hornpipe (1),” “Peggy Morrissey,” “Strip of Turf (Ciumhais na Móna),” “Wexford Hornpipe.” Irish, Hornpipe. G Major. Standard tuning (fiddle). AABB. The tune was a popular hornpipe and frequently recorded in the first half of the 20th century, albeit under a bewildering variety of titles. Accordion player P.J. Conlon (1885–1954) recorded the tune as "Hennessy's/Hennessey's Hornpipe (1)" in 1921, while County Sligo fiddler Michael Coleman [1] (1891–1945) waxed it as "O'Neill's Hornpipe (1)." Uilleann pipers generally know the tune under the title "Wexford Hornpipe," the name by which influential piper Leo Rowsome [2] (1903–1970) recorded it in a medley sandwiched between "Rights of Man" and "Dunphy's Hornpipe." Rowsome's family hailed from Wexford. In 1926 piper Liam Walsh and fiddler J. O'Mahoney recorded the hornpipe as "Cork Hornpipe" [3], although that title generally is used for the tune familiar to most modern session musicians as "Harvest Home (1)."

Paul de Grae points out that Francis O'Neill printed another, slightly different, setting of the tune entitled "Kelly's Hornpipe" in his O'Neill's Irish Music (1915), "which may reflect [Chicago fiddler] John McFadden's well-known penchant for variation"^[1]. Curiously, though, four years after originally publishing the reel in his Music of Ireland: 1850 Melodies (1903), O'Neill left "Pretty Maggie Morrissey" out of his second seminal volume, Dance Music of Ireland: 1001 Gems (1907).

Additional notes
Source for notated version : - Chicago fiddler John McFadden, originally from County Mayo, of whom O’Neill said: “The airy style of his playing, the clear crispness of his tones, and the rhythmic swing of his tunes, left nothing to be desired…” [O’Neill].

Printed sources : - Breathnach (Ceol Rince na hÉireann vol. 5), 1999; No. 223. Cranitch (The Irish Fiddle Book), 1996; No. 83, p. 159. Jordan (Whistle and Sing!), 1975; p. 68. McDermott (Allan's Irish Fiddler), c. 1922; No. 77, p. 20. O'Neill (Krassen), 1976; p. 199. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 1707, p. 317. Roche (Collection of Traditional Irish Music, vol. 3), 1927; No. 182, p. 64.

Recorded sources : - OKeh Records 4322 (78 RPM), Peter J. Conlon (1921, as "Hennessy's Hornpipe"). Rounder Records 7057, Jerry Holland – “Parlor Music” (2005). WMT002, Wendy MacIsaac – “That’s What You Get” (1998? Appears as “Pretty Peggy Morrisey”).

See also listing at :
Alan Snyder’s Cape Breton Fiddle Recordings Index [4]
Jane Keefer’s Folk Music Index: An Index to Recorded Sources [5]
Alan Ng’s Irishtune.info [6]

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↑ Paul de Grae, "Notes on Sources of Tunes in the O'Neill Collections", 2017 [7].

[1] Paul de Grae, "Notes on Sources of Tunes in the O'Neill Collections", 2017 [7].

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-Paul de Grae points out that Francis O'Neill printed another, slightly different, setting of the tune entitled "[[Kelly's Hornpipe]]" in his '''O'Neill's Irish Music''' (1915), "which may reflect [Chicago fiddler] John McFadden's well-known penchant for variation"<ref>Paul de Grae, "Notes on Sources of Tunes in the O'Neill Collections", 2017 [https://www.irishtune.info/public/oneill-sources.htm].</ref>.
+Paul de Grae points out that Francis O'Neill printed another, slightly different, setting of the tune entitled "[[Kelly's Hornpipe]]" in his '''O'Neill's Irish Music''' (1915), "which may reflect [Chicago fiddler] John McFadden's well-known penchant for variation"<ref>Paul de Grae, "Notes on Sources of Tunes in the O'Neill Collections", 2017 [https://www.irishtune.info/public/oneill-sources.htm].</ref>. Curiously, though, four years after originally publishing the reel in his '''Music of Ireland: 1850 Melodies''' (1903), O'Neill left "Pretty Maggie Morrissey" out of his second seminal volume, '''Dance Music of Ireland: 1001 Gems''' (1907).
-|f_source_for_notated_version=Chicago fiddler John McFadden, originally from County Mayo, of whom O’Neill said: “The airy style of his playing, the clear crispness of his tones, and the rhythmic swing of his tunes, left nothing to be desired…” [O’Neill].
+|f_source_for_notated_version=Chicago fiddler [[biography:John McFadden|John McFadden]], originally from County Mayo, of whom O’Neill said: “The airy style of his playing, the clear crispness of his tones, and the rhythmic swing of his tunes, left nothing to be desired…” [O’Neill].
 |f_printed_sources=Breathnach ('''Ceol Rince na hÉireann vol. 5'''), 1999; No. 223.
 Cranitch ('''The Irish Fiddle Book'''), 1996; No. 83, p. 159.