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{{Abctune
{{Abctune
|f_tune_title=White Cockade (1) (The)
|f_tune_title=White Cockade (1) (The)
|f_aka=Cnota Bán (An), Duke of Buccleugh's Tune (The), Ranting Highlander (The), Ranting Highlandman (The), Fiddler's Morris, Highland Laddie (3) (The), Lad with the White Cockade (The), Rose in the Garden (The), White Cock Head, O an ye were dead guidman, Highland lad my love was born (A), Wind Blew the Bonnie Lassie’s Plaidie Away (The), Reel des Laurentides
|f_aka=Caledonian Quadrille - Figure 5a, Celebrated Set of Quadrilles II - Figure 4, Cnota Bán (An), Duke of Buccleugh's Tune (The), Ranting Highlander (The), Ranting Highlandman (1) (The), Fiddler's Morris, Highland Laddie (3) (The), Lad with the White Cockade (The), Rose in the Garden (The), White Cock Head, O an ye were dead guidman, Highland lad my love was born (A), Wind Blew the Bonnie Lassie’s Plaidie Away (The), Reel des Laurentides
|f_country=England, Scotland, Ireland, Canada, United States
|f_country=England, Scotland, Ireland, Canada, United States
|f_genre=Cape Breton/PEI, Contra, English, Irish, Northumbrian/Borders, Old-Time, Scottish
|f_genre=Cape Breton/PEI, Contra, English, Irish, Northumbrian/Borders, Old-Time, Scottish
Line 15: Line 15:
|f_page=No. 1
|f_page=No. 1
|f_theme_code_index=3332 1331H
|f_theme_code_index=3332 1331H
|f_pdf_score=[[File:The white cockade.pdf|thumb|left|page=1|200px|The White Cockade]]
|f_score=1
|f_score=1
|f_media={{FeaturedTunes  |f_track=White Cockade.mp3 |f_artwork=Bonnie Prince Charlie's white cockade.jpg |f_tune_name=The White Cockade |f_played_by=Angus Folk Community Singing Group |f_notes=Prince Charles Edward Stuart with the white cockade  |f_source=[https://soundcloud.com/user-797837175/white-cockade Soundcloud] |f_pix=220  |f_picpix=80  |f_piclink=White_Cockade_(1)_(The) }}
}}
}}
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{{featured}}
 
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<section begin=abc />
<section begin=abc />
Line 32: Line 43:
R:March
R:March
S:fifer Thomas Nixon Jr./Joseph Long copybook (c. 1776-78. pp. 90-91)
S:fifer Thomas Nixon Jr./Joseph Long copybook (c. 1776-78. pp. 90-91)
Z:AK/Fiddler’s Companion
Z:AK/Fiddler's Companion
K:G
K:G
GA|B2 Bc B2 AG|d2B2B2g2|d2 Bc B2 AG|FGAB A2 GA|
GA|B2 Bc B2 AG|d2B2B2g2|d2 Bc B2 AG|FGAB A2 GA|
Line 39: Line 50:
g2 d2 BA G2|A2B2g4|a2f2g2e2|d2B2B2:||
g2 d2 BA G2|A2B2g4|a2f2g2e2|d2B2B2:||
<section end=abc />
<section end=abc />
<section begin=X1 />
X:1
T:White Cockade [1], The
M:2/4
L:1/8
B:Aird - Selection of Scotch, English, Irish and Foreign Airs vol. 4 (1796, No. 38 p. 15)
Z:AK/Fiddler’s Companion
K:G
G/A/|BB BA/G/|BB Bg/e/|dB BA/G/|FA AG/A/|
BB BA/G?|AB gf/g/|(.b/.a/.g/.f/) (.a/.g/.f/.e/)|d(BB):|
|:B/c/|dBgB|dB Bc/d/|dBgB|AA AG/A/|
BB BA/G/|AB gf/g/|(.b/.a/.g/.f/) (.e/.f/.g/.e/)|dBB:|
<section end=X1 />
<section begin=X2 />
<section begin=X2 />
X:1
X:1
T:Second to the White Cockcade
T:Second to the White Cockade
S:Thomas Calvert Collection, Kelso, Scotland (1799)
Z:Jack Campin May 2001
M:C
M:C
L:1/8
L:1/8
N:bars 7 and 15 are written |g/f/e/d/ c/B/A/G/| in the book
B:Calvert - "A Collection of Marches & Quick Steps, Strathspeys & Reels" (1799, p. 9)
Z:AK/Fiddler's Companion
K:G
K:G
BA|G2B2 dBAB|d2G2 G2Bc|B2G2 G2F2|G2[F2A2] [F2A2]Bc|
BA|G2B2 dBAB|d2G2G2 Bc|B2G2G2F2|G2 [F2A2][F2A2] BA|
G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2||
G2B2 dBAB|c2d2e2f2|g/f/e/d/c/B/A/G/|B2G2G2||
GA|B2G2 d2G2|B2ge d2Bc|B2G2 B2AB|c2 A2 [F2A2]BA|
GA|B2G2d2G2|B2 ge d2 Bc|B2G2B2 AB|c2A2 [F2A2]BA|
G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2|]
G2B2 dBAB|c2d2e2f2|g/f/e/d/c/B/A/G/|B2G2G2||
<section end=X2 />
<section end=X2 />
<section begin=X3 />
<section begin=X5 />
X:1
X:43
C:Page 22
T:White Cockade. MBe.43, The
A:England;Cumbria;Towcett
B:Matthew Betham MS, Towcett Cumbria, 1815
Z:VMP - Hugh Taylor, 2012
M:2/4
L:1/8
Q:1/4=100
R:
N:Well known in the district as a tune to play for Westmorland Style step dancing
N:Not the same as the White Cockade MBe.27 on page 13
K:G
g|dB BA/G/|BBBg|dB BA/G/|BA AG/A/|
BB BA/B/|{A}G"sic"G>ga|(b/a/g/f/) (a/g/f/e/)|dB BB:|
|:c|{e}dBgB|ddde|{e}dc/B/ {a}~gf/g/|gA AG/A/|
BB BA/B/|GGga|(b/a/g/f/) (a/g/f/e/)|dB BB:|
<section end=X5 />
<section begin=X8 />
X:3
T:White Cockade [1]
T:White Cockade [1]
M:C
M:C
Line 64: Line 106:
G/A/|BBBA/G/ dB BG/A/|BB BA/G/ BA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|
G/A/|BBBA/G/ dB BG/A/|BB BA/G/ BA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|
|:B/c/|dBgB dd dB/c/|dB gf/g/ aA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|]
|:B/c/|dBgB dd dB/c/|dB gf/g/ aA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|]
<section end=X3 />
<section end=X8 />
<section begin=X5 />
<section begin=X11 />
X:1
X:4
T:White Cockade [1]  (Scotch)
T:White Cockade [1]  (Scotch)
M:C
M:C
Line 79: Line 121:
AB|d2B2g2B2|d2d2d2 Bc|d2B2 g2 fg|a2 A2A2 GA|
AB|d2B2g2B2|d2d2d2 Bc|d2B2 g2 fg|a2 A2A2 GA|
B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2||
B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2||
<section end=X5 />
<section end=X11 />
<section begin=X6 />
<section begin=X12 />
X:1
X:1
T:White Cockade, The
M:C|
L:1/8
R:Country Dance tune or March
B:Patrick McGahon music manuscript collection (1817, No. 17)
N:McGahon was a scribe of Irish language literature who lived in
N:Dungooley, County Louth, on the Armagh border. He was a
N:teacher with The Irish Society in the early 19th century, but little
N:else is known about him. A few tunes in the ms. are written in other N:hands.
B:Pádraigín Ní UIallacháin – “A Hidden Ulster” (2003, p. 443)
Z:AK/Fiddler’s Companion
K:G
GA|B2B2 cBAG|B2B2B2g2|B2B2 cBAG|B2A2A2 GA|
B2B2 cBAG|B2d2g2 fg|bagf efge |d2B2B2:|
|:Bc |d2 cB g2 Bc|d2d2d2 Bc|d2B2 g2 fg|a2A2A2 GA|
BABd cBAG|B2d2 g2 ga|bagf efge|d2B2B2:|
<section end=X12 />
<section begin=X15 />
X:5
T:White Cockade
T:White Cockade
M:2/4
M:2/4
Line 87: Line 148:
R:Country Dance Tune
R:Country Dance Tune
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 154)
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 154)
Z:AK/Fiddler’s Companion
Z:AK/Fiddler's Companion
K:G
K:G
gf|e/d/c/B/ d/B/A/G/|BB Bg/f/|e/d/c/B/ d/B/A/G/|BA AG/A/|
gf|e/d/c/B/ d/B/A/G/|BB Bg/f/|e/d/c/B/ d/B/A/G/|BA AG/A/|
Line 93: Line 154:
|:B/c/|dB/G/ gB/c/|ddd>e|dB gf/g/|aA  G/A/|
|:B/c/|dB/G/ gB/c/|ddd>e|dB gf/g/|aA  G/A/|
B/G/B/d/ c/B/A/B/|GB/d/ !fermata!ga|b/a/g/f/ e/f/g/e/|d/G/B/d/A:|]
B/G/B/d/ c/B/A/B/|GB/d/ !fermata!ga|b/a/g/f/ e/f/g/e/|d/G/B/d/A:|]
<section end=X6 />
<section end=X15 />
<section begin=X8 />
<section begin=X18 />
X:1
X:6
T:White Cockade, The
T:White Cockade, The
M:2/4
M:2/4
Line 101: Line 162:
Q:"Allegro Spiritoso"
Q:"Allegro Spiritoso"
R:Country Dance
R:Country Dance
B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 199, p. 104)
B:J. Clinton - Gems of Ireland:200 Airs (1841, No. 199, p. 104)
Z:AK/Fiddler’s Companion
Z:AK/Fiddler's Companion
K:G
K:G
(G/A/)|.B.B.B (A/G/)|.B.B.B .g|.d.B (c/B/)(A/G/)|(BA).A (G/A/)|
(G/A/)|.B.B.B (A/G/)|.B.B.B .g|.d.B (c/B/)(A/G/)|(BA).A (G/A/)|
Line 110: Line 171:
(dB).g (B/c/)|{e}(d/^c/d/e/) .d(B/=c/)|(^c/d/e/f/ g/a/^a/b/)|=.a.A.A (G/A/)|
(dB).g (B/c/)|{e}(d/^c/d/e/) .d(B/=c/)|(^c/d/e/f/ g/a/^a/b/)|=.a.A.A (G/A/)|
.B.B (c/B/)(A/G/)|.B.d!fermata! (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B||
.B.B (c/B/)(A/G/)|.B.d!fermata! (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B||
<section end=X8 />
<section end=X18 />
<section begin=X9 />
<section begin=X21 />
X:1
X:7
T:White Cockade [1], The
T:White Cockade [1], The
M:C|
M:C|
Line 118: Line 179:
Q:"Spiritoso"
Q:"Spiritoso"
R:Country Dance
R:Country Dance
B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 22, p. 9)
B:P.M. Haverty - One Hundred Irish Airs vol. 1 (1858, No. 22, p. 9)
Z:AK/Fiddler’s Companion
Z:AK/Fiddler's Companion
K:G
K:G
GA|B2 (Bd) (cB)(AG)|BABc B2 gf|(ed)(cB) (cB)(AG)|E2 A>A .A2 GA|
GA|B2 (Bd) (cB)(AG)|BABc B2 gf|(ed)(cB) (cB)(AG)|E2 A>A .A2 GA|
Line 125: Line 186:
Bc|.d2.B2.g2.B2|(dc)Bc d2B2|.d2 (Bd) .g2 fg|a2 A>A A2 (GA)|
Bc|.d2.B2.g2.B2|(dc)Bc d2B2|.d2 (Bd) .g2 fg|a2 A>A A2 (GA)|
.B2 (Bd) (cB)AG|(Bd)(ef) gfga|bagf agfe|d2B2B2||
.B2 (Bd) (cB)AG|(Bd)(ef) gfga|bagf agfe|d2B2B2||
<section end=X9 />
<section end=X21 />
<section begin=X11 />
<section begin=X24 />
X:1
X:8
T:White Cockade [1], The  
T:White Cockade [1], The  
M:2/4
M:2/4
Line 135: Line 196:
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:G
K:G
e2|G3B B2AB|G3B B3Bg2|G3B B2AG|B2A2 A2GA|
e2|G3B B2AB|G3B B>Bg/|G3B B2AG|B2A2 A2GA|
BB3ed B2AG|AGAB g2fg|a2gf efge|d3B BB3:|
B<Bed B2AG|AGAB g2fg|a2gf efge|d3B BB3:|
|:c2|d3B g3B|dedB d3e|e2dB g2fg|a3A AGAB|
|:c2|d3B g3B|dedB d3e|e2dB g2fg|a3A AGAB|
BBed B2AG|AGAB g2fg|a2gf efge|d2B2 BB2:|]
BBed B2AG|AGAB g2fg|a2gf efge|d2B2 BB2:|]
<section end=X11 />
<section end=X24 />
<section begin=X12 />
<section begin=X27 />
X:1
X:9
T:White Cockade, The, with Variations
T:White Cockade, The, with Variations
M:C
M:C
Line 150: Line 211:
N:Stephen Grier (c. 1824-1894) was a piper and fiddler from  
N:Stephen Grier (c. 1824-1894) was a piper and fiddler from  
N:Newpark, Bohey, Gortletteragh, south Co. Leitrim.
N:Newpark, Bohey, Gortletteragh, south Co. Leitrim.
Z:AK/Fiddler’s Companion
Z:AK/Fiddler's Companion
K:G
K:G
GA|B2 Bd cBAB|GBBA Bgge|dBGB cBAG|FGAF DFAF|
GA|B2 Bd cBAB|GBBA Bgge|dBGB cBAG|FGAF DFAF|
GBdB cBAG|Bdef g2a2|bagf a/g/f/ gf/e/|d2B2B2||
GBdB cBAG|Bdef g2a2|bagf ag/f/ gf/e/|d2B2B2||
Bc|d2B2g2B2|dcde d2 ge|dcBc defg|agab a2 GA|
Bc|d2B2g2B2|dcde d2 ge|dcBc defg|agab a2 GA|
BcdB cBAG|Bdef g2a2|bagf ag/f/ gf/e/|d2B2B2||
BcdB cBAG|Bdef g2a2|bagf ag/f/ gf/e/|d2B2B2||
Line 165: Line 226:
ge|dB BB/B/ GG GG/G/|DB BB/B/ GB BB/B/|dB BB/B/ GBGB|AcBd cBAg|
ge|dB BB/B/ GG GG/G/|DB BB/B/ GB BB/B/|dB BB/B/ GBGB|AcBd cBAg|
dB BB/B/ GG GG/G/|DB BB/B/ GBdg|bagf ag/f/ gf/e/|d2B2B2||
dB BB/B/ GG GG/G/|DB BB/B/ GBdg|bagf ag/f/ gf/e/|d2B2B2||
<section end=X12 />
<section end=X27 />
<section begin=X14 />
<section begin=X30 />
X:3
X:10
T:White Cockade, The
T:White Cockade, The
L:1/8
L:1/8
M:C|
M:C|
R:Country Dance
R:Country Dance
B:Stewart-Robertson – The Athole Collection (1884)
B:Stewart-Robertson - The Athole Collection (1884)
Z:AK/Fiddler’s Companion
Z:AK/Fiddler's Companion
K:G
K:G
GA|B2B2B2 AB|G2B2B2 ge|d2B2B2 AG|B2A2A2 GA|
GA|B2B2B2 AB|G2B2B2 ge|d2B2B2 AG|B2A2A2 GA|
Line 179: Line 240:
|:Bc|d2B2g2B2|d2d2d3e|d2B2g2fg|a2A2A2GA|
|:Bc|d2B2g2B2|d2d2d3e|d2B2g2fg|a2A2A2GA|
B2Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|]  
B2Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|]  
<section end=X14 />
<section end=X30/>
<section begin=X15 />
<section begin=X33 />
X:1
X:11
T:White Cockade [1]
T:White Cockade [1]
M:2/4
M:2/4
Line 189: Line 250:
N:Gap, Lee County, western Virginia, as transcribed by his grandson, A. Porter Hamblon.
N:Gap, Lee County, western Virginia, as transcribed by his grandson, A. Porter Hamblon.
N:The key signature in the MS is (inexplicably) E Major.
N:The key signature in the MS is (inexplicably) E Major.
Z:AK/Fiddler’s Companion
Z:AK/Fiddler's Companion
K:G
K:G
G/A/|BB B/A/G/B/|dB Bg/e/|dB B/A/G/A/|BA A2 G/A/|
G/A/|BB B/A/G/B/|dB Bg/e/|dB B/A/G/A/|BA A2 G/A/|
Line 195: Line 256:
|:dB gB|dB/B/ G2|dB gf/f/|aA/A/ A2|
|:dB gB|dB/B/ G2|dB gf/f/|aA/A/ A2|
BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|]
BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|]
<section end=X15 />
<section end=X33 />
<section begin=X34 />
X:44
T:White Cockade Country Dance. GHW.044
M:2/4
L:1/16
Q:1/4=100
B:George H.Watson,MS,Swanton Abbott,Norfolk,c1890
R:.Scots Measure
A:England; Norfolk
Z:Village Music Project, Taz Tarry, 2000
K:G
(GA)|B2B2 cBAG|B2B2 B2g2|d2B2 cBAG|FGAB A2GA|
B2B2 cBAG|B2d2 g2ga|bagf agfe|d2B2B2:|
(Bc)|d2B2g2B2|d2d2 d2(Bc)|d2B2 g2(fg)|a2A2 A2(GA)|
B2B2 cBAG|B2d2 g2(ga)|bagf agfe|d2B2B2:|
<section end=X34 />
<section begin=X36 />
X:12
T:The White Cockade
M:4/4
L:1/8
R:March
B:Deloughery - Sliabh Luachra on Parade (1980, No. 125)
N:From the playing of Terry Teahan
Z:Patrick Cavanagh
K:G
G/A/|BB c/B/A/G/ dB Bg/e/|dB B/A/G/A/ BA AG/A/|BB c/B/A/G/ Bd g>a|b/a/g/f/ e/f/g/e/ dB B:|
|:B/c/|dB g/d/B/c/ dB BB/c/|dB gf/g/ aA AG/A/|BB c/B/A/G/ Bd g>a|b/a/g/f/ e/f/g/e/ dB B:||
<section end=X36/>
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Latest revision as of 00:30, 15 May 2024


White Cockade (1) (The)  Click on the tune title to see or modify White Cockade (1) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:White Cockade (1) (The)
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 Theme code Index    3332 1331H
 Also known as    Caledonian Quadrille - Figure 5a, Celebrated Set of Quadrilles II - Figure 4, Cnota Bán (An), Duke of Buccleugh's Tune (The), Ranting Highlander (The), Ranting Highlandman (1) (The), Fiddler's Morris, Highland Laddie (3) (The), Lad with the White Cockade (The), Rose in the Garden (The), White Cock Head, O an ye were dead guidman, Highland lad my love was born (A), Wind Blew the Bonnie Lassie’s Plaidie Away (The), Reel des Laurentides
 Composer/Core Source    
 Region    England, Scotland, Ireland, Canada, United States
 Genre/Style    Cape Breton/PEI, Contra, English, Irish, Northumbrian/Borders, Old-Time, Scottish
 Meter/Rhythm    Country Dance, March/Marche, Reel (single/double)
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    4/4, 2/4, 2/2
 History    
 Structure    AABB
 Editor/Compiler    Biography:James Aird
 Book/Manuscript title    Book:Selection of Scotch English Irish and Foreign Airs vol. 1
 Tune and/or Page number    No. 1
 Year of publication/Date of MS    1782
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
The White Cockade

Played by: Angus Folk Community Singing Group
Source: Soundcloud
Image: Prince Charles Edward Stuart with the white cockade
 Score   (1)   
The White Cockade




White Cockade (1) (The)

X:1 T:White Cockade [1] M:C| L:1/8 R:March S:fifer Thomas Nixon Jr./Joseph Long copybook (c. 1776-78. pp. 90-91) Z:AK/Fiddler's Companion K:G GA|B2 Bc B2 AG|d2B2B2g2|d2 Bc B2 AG|FGAB A2 GA| B2 Bc B2 AG|A2B2 g4|a2 f2 g2e2|d2B2 B3:| |:Bc|d2 Bc g2 Bc|d2 de d4|edef gfga|b2 e2 e2 d>c/B/4| g2 d2 BA G2|A2B2g4|a2f2g2e2|d2B2B2:||


X:1 T:White Cockade [1], The M:2/4 L:1/8 B:Aird - Selection of Scotch, English, Irish and Foreign Airs vol. 4 (1796, No. 38 p. 15) Z:AK/Fiddler’s Companion K:G G/A/|BB BA/G/|BB Bg/e/|dB BA/G/|FA AG/A/| BB BA/G?|AB gf/g/|(.b/.a/.g/.f/) (.a/.g/.f/.e/)|d(BB):| |:B/c/|dBgB|dB Bc/d/|dBgB|AA AG/A/| BB BA/G/|AB gf/g/|(.b/.a/.g/.f/) (.e/.f/.g/.e/)|dBB:|


X:1 T:Second to the White Cockade M:C L:1/8 B:Calvert - "A Collection of Marches & Quick Steps, Strathspeys & Reels" (1799, p. 9) Z:AK/Fiddler's Companion K:G BA|G2B2 dBAB|d2G2G2 Bc|B2G2G2F2|G2 [F2A2][F2A2] BA| G2B2 dBAB|c2d2e2f2|g/f/e/d/c/B/A/G/|B2G2G2|| GA|B2G2d2G2|B2 ge d2 Bc|B2G2B2 AB|c2A2 [F2A2]BA| G2B2 dBAB|c2d2e2f2|g/f/e/d/c/B/A/G/|B2G2G2||


X:43 C:Page 22 T:White Cockade. MBe.43, The A:England;Cumbria;Towcett B:Matthew Betham MS, Towcett Cumbria, 1815 Z:VMP - Hugh Taylor, 2012 M:2/4 L:1/8 Q:1/4=100 R: N:Well known in the district as a tune to play for Westmorland Style step dancing N:Not the same as the White Cockade MBe.27 on page 13 K:G g|dB BA/G/|BBBg|dB BA/G/|BA AG/A/| BB BA/B/|{A}G"sic"G>ga|(b/a/g/f/) (a/g/f/e/)|dB BB:| |:c|{e}dBgB|ddde|{e}dc/B/ {a}~gf/g/|gA AG/A/| BB BA/B/|GGga|(b/a/g/f/) (a/g/f/e/)|dB BB:|


X:3 T:White Cockade [1] M:C L:1/8 Q:"Allegretto" B:Wilson - Companion to the Ball Room (1816, p. 39) Z:AK/Fiddler's Companion K:G G/A/|BBBA/G/ dB BG/A/|BB BA/G/ BA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:| |:B/c/|dBgB dd dB/c/|dB gf/g/ aA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|]


X:4 T:White Cockade [1] (Scotch) M:C L:1/8 Q:"Allegretto" R:Country Dance B:Thomas Wilson - Companion to the Ball Room (1816, p. 54) Z:AK/Fiddler's Companion K:G GA|B2B2 B2 AG|d2B2B2 GA|B2B2B2 AG|B2A2A2 GA| B2B2B2 AG|A2B2 g3a|bagf efge|d2B2B2|| AB|d2B2g2B2|d2d2d2 Bc|d2B2 g2 fg|a2 A2A2 GA| B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2||


X:1 T:White Cockade, The M:C| L:1/8 R:Country Dance tune or March B:Patrick McGahon music manuscript collection (1817, No. 17) N:McGahon was a scribe of Irish language literature who lived in N:Dungooley, County Louth, on the Armagh border. He was a N:teacher with The Irish Society in the early 19th century, but little N:else is known about him. A few tunes in the ms. are written in other N:hands. B:Pádraigín Ní UIallacháin – “A Hidden Ulster” (2003, p. 443) Z:AK/Fiddler’s Companion K:G GA|B2B2 cBAG|B2B2B2g2|B2B2 cBAG|B2A2A2 GA| B2B2 cBAG|B2d2g2 fg|bagf efge |d2B2B2:| |:Bc |d2 cB g2 Bc|d2d2d2 Bc|d2B2 g2 fg|a2A2A2 GA| BABd cBAG|B2d2 g2 ga|bagf efge|d2B2B2:|


X:5 T:White Cockade M:2/4 L:1/8 R:Country Dance Tune S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 154) Z:AK/Fiddler's Companion K:G gf|e/d/c/B/ d/B/A/G/|BB Bg/f/|e/d/c/B/ d/B/A/G/|BA AG/A/| B/G/B/d/ c/B/A/G/|AB !fermata!ga|b/a/g/f/ e/f/g/e/|d/B/A/B/ A:| |:B/c/|dB/G/ gB/c/|ddd>e|dB gf/g/|aA G/A/| B/G/B/d/ c/B/A/B/|GB/d/ !fermata!ga|b/a/g/f/ e/f/g/e/|d/G/B/d/A:|]


X:6 T:White Cockade, The M:2/4 L:1/8 Q:"Allegro Spiritoso" R:Country Dance B:J. Clinton - Gems of Ireland:200 Airs (1841, No. 199, p. 104) Z:AK/Fiddler's Companion K:G (G/A/)|.B.B.B (A/G/)|.B.B.B .g|.d.B (c/B/)(A/G/)|(BA).A (G/A/)| .B.B (c/B/)(A/G/)|.B.d.g (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B || (B/c/)|.d.B.g (B/c/)|{e}(d/^c/)(c/d/) .d(B/=c/)|.d.B.g (f/g/)|.a.A.A (G/A/)| .B.B (c/B/)(A/G/)|.B.d. g(g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B (B/c/)| (dB).g (B/c/)|{e}(d/^c/d/e/) .d(B/=c/)|(^c/d/e/f/ g/a/^a/b/)|=.a.A.A (G/A/)| .B.B (c/B/)(A/G/)|.B.d!fermata! (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B||


X:7 T:White Cockade [1], The M:C| L:1/8 Q:"Spiritoso" R:Country Dance B:P.M. Haverty - One Hundred Irish Airs vol. 1 (1858, No. 22, p. 9) Z:AK/Fiddler's Companion K:G GA|B2 (Bd) (cB)(AG)|BABc B2 gf|(ed)(cB) (cB)(AG)|E2 A>A .A2 GA| .B2 Bd cBAG|(Bd)(ef) gfga|(ba)gf (agf)e|d2B2B2|| Bc|.d2.B2.g2.B2|(dc)Bc d2B2|.d2 (Bd) .g2 fg|a2 A>A A2 (GA)| .B2 (Bd) (cB)AG|(Bd)(ef) gfga|bagf agfe|d2B2B2||


X:8 T:White Cockade [1], The M:2/4 L:1/16 R:Pipe March B:William Ross - Ross's Collection of Pipe Music (1869, No. 107, p. 99) Z:AK/Fiddler's Companion K:G e2|G3B B2AB|G3B B>Bg/|G3B B2AG|B2A2 A2GA| B<Bed B2AG|AGAB g2fg|a2gf efge|d3B BB3:| |:c2|d3B g3B|dedB d3e|e2dB g2fg|a3A AGAB| BBed B2AG|AGAB g2fg|a2gf efge|d2B2 BB2:|]


X:9 T:White Cockade, The, with Variations M:C L:1/8 R:Hornpipe B:Stephen Grier music manuscript collection (Book 3, c. 1883, No. 30, p. 10) B: http://grier.itma.ie/book-three#?c=0&m=0&s=0&cv=9&z=106.4282%2C299.3808%2C3343.425%2C1294.4477 N:Stephen Grier (c. 1824-1894) was a piper and fiddler from N:Newpark, Bohey, Gortletteragh, south Co. Leitrim. Z:AK/Fiddler's Companion K:G GA|B2 Bd cBAB|GBBA Bgge|dBGB cBAG|FGAF DFAF| GBdB cBAG|Bdef g2a2|bagf ag/f/ gf/e/|d2B2B2|| Bc|d2B2g2B2|dcde d2 ge|dcBc defg|agab a2 GA| BcdB cBAG|Bdef g2a2|bagf ag/f/ gf/e/|d2B2B2|| P:1st Variation DGBG DGBG|DGBG cBAG|DGBG DGBG|ABcB cBAG| DGBG DGBG|DGBd g2a2|bagf ag/f/ gf/e/ |d2B2B2|| P:2nd Variation ge|dBGB dgfg|bgfg dcBc|dBGB defg|agab agfe| dBGB dgfg|bgfg dcBd|c'bc'b c'bag|f2d2d2|| P:3rd Variation ge|dB BB/B/ GG GG/G/|DB BB/B/ GB BB/B/|dB BB/B/ GBGB|AcBd cBAg| dB BB/B/ GG GG/G/|DB BB/B/ GBdg|bagf ag/f/ gf/e/|d2B2B2||


X:10 T:White Cockade, The L:1/8 M:C| R:Country Dance B:Stewart-Robertson - The Athole Collection (1884) Z:AK/Fiddler's Companion K:G GA|B2B2B2 AB|G2B2B2 ge|d2B2B2 AG|B2A2A2 GA| B2 Bd cBAG|A2B2g3a|bagf efge|d2B2B2:| |:Bc|d2B2g2B2|d2d2d3e|d2B2g2fg|a2A2A2GA| B2Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|]


X:11 T:White Cockade [1] M:2/4 L:1/8 R:Air and Reel N:”As played by David R. Hamblon” (1809-1893, originally from Cumberland N:Gap, Lee County, western Virginia, as transcribed by his grandson, A. Porter Hamblon. N:The key signature in the MS is (inexplicably) E Major. Z:AK/Fiddler's Companion K:G G/A/|BB B/A/G/B/|dB Bg/e/|dB B/A/G/A/|BA A2 G/A/| BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:| |:dB gB|dB/B/ G2|dB gf/f/|aA/A/ A2| BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|]


X:44 T:White Cockade Country Dance. GHW.044 M:2/4 L:1/16 Q:1/4=100 B:George H.Watson,MS,Swanton Abbott,Norfolk,c1890 R:.Scots Measure A:England; Norfolk Z:Village Music Project, Taz Tarry, 2000 K:G (GA)|B2B2 cBAG|B2B2 B2g2|d2B2 cBAG|FGAB A2GA| B2B2 cBAG|B2d2 g2ga|bagf agfe|d2B2B2:| (Bc)|d2B2g2B2|d2d2 d2(Bc)|d2B2 g2(fg)|a2A2 A2(GA)| B2B2 cBAG|B2d2 g2(ga)|bagf agfe|d2B2B2:|


X:12 T:The White Cockade M:4/4 L:1/8 R:March B:Deloughery - Sliabh Luachra on Parade (1980, No. 125) N:From the playing of Terry Teahan Z:Patrick Cavanagh K:G G/A/|BB c/B/A/G/ dB Bg/e/|dB B/A/G/A/ BA AG/A/|BB c/B/A/G/ Bd g>a|b/a/g/f/ e/f/g/e/ dB B:| |:B/c/|dB g/d/B/c/ dB BB/c/|dB gf/g/ aA AG/A/|BB c/B/A/G/ Bd g>a|b/a/g/f/ e/f/g/e/ dB B:||


White Cockade (1) (The)

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