Rakes of Westmeath (1) (The): Difference between revisions
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|f_structure=AAB, AABB, AABBCCDDEEFFGG | |f_structure=AAB, AABB, AABBCCDDEEFFGG | ||
|f_book_title=12 English and 12 Irish Airs with Variations | |f_book_title=12 English and 12 Irish Airs with Variations | ||
|f_collector= | |f_collector=Burk Thumoth | ||
|f_year=c. 1746 | |f_year=c. 1746 | ||
|f_page=No. 2, pp. 28-29 | |f_page=No. 2, pp. 28-29 | ||
Line 31: | Line 31: | ||
L:1/8 | L:1/8 | ||
R:Air or Slip Jig | R:Air or Slip Jig | ||
B: | B:Burk Thumoth - 12 English and 12 Irish Airs (c. 1746, No. 2, pp. 28-29) | ||
Z:AK/Fiddler's Companion | Z:AK/Fiddler's Companion | ||
K:D | K:D |
Latest revision as of 00:29, 7 June 2024
X:1 T:Rakes of Westmeath [1], The M:9/8 L:1/8 R:Air or Slip Jig B:Burk Thumoth - 12 English and 12 Irish Airs (c. 1746, No. 2, pp. 28-29) Z:AK/Fiddler's Companion K:D ABc dAG FED|ABc dAF G2E|ABc dAG FGA| =cBc cEF G2E::DFA dAF E/F/GE|DFA dAF BGE| DFA dAF (E/F/GE)|A/B/=cA GEF G2E::d2g (f/g/a)f (e/f/g)e| d2g (f/g/a)f g2e|d2g (f/g/a)f (e/f/g)e|=cBc cEF G2E:| |:(D/E/F/G/A/B/4c/4) dAG FDF|D/(E/F/G/A/B/4c/4) dAF BGE|(D/E/F/G/A/B/4c/4) dAG (F/G/A)F| (G/A/B)G (=c/d/e)c (E/F/G)E::d>(e/f/g/) afd gec|d>(ef/g/) a(f/g/a/f/) g(e/f/g/e/)| d>(e/f/g/) a(f/g/a/f/) g(e/f/g/e/)|=c(A/B/c/A/) G(E/F/G/E/) GFE::FDF FDF (E/F/G)E| F(DF) FDF BGE|FDF FD/E/F/D/ E/F/GE|(A/B/=c)A GEF G2E:| |:fda fda e/f/ge|fdd f(d/e/f/d/) bge|fda fda e/f/ge|a/b/=c'a ge^c g2e:|]
X:1
T:Rakes of Westmeath, The
M:9/8
L:1/8
R:Slip Jig
B:Samuel, Anne & Peter Thompson – The Hibernian Muse
B:(London, 1787, No. 61, p. 38)
N:”A Collection of the most Favorite Compositions
N:of Carolan the Celebrated Irish Bard”
Z:AK/Fiddler’s Companion
K:D
ABc dAG FED|ABc dAF G2E|ABc dAG FGA|
=cBc cEF G2E::DFA dAF (E/F/G)E|DFA dAF BGE|
DFA dAF (E/F/G)E|(A/B/=c)A GEF G2E:|]
X: 1 T: The Rakes of Westmeath [1] %R: slip-jig B: "The Hibernian Muse" p.38 #1 F: http://imslp.org/wiki/The_Hibernian_Muse_%28Various%29 Z: 2015 John Chambers <jc:trillian.mit.edu> P: No. LXI. M: 9/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ ABc dAG FED | ABc dAF G2E |\ ABc dAG FGA | =cBc cEF G2E :| |:\ DFA dAF (E/F/G)E | DFA dAF BGE |\ DFA dAF (E/F/G)E | (A/B/=c)A GEF G2E :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: d3 d3 d3 | d3 d3 A3 | d3 d3 d3 | a3 a3 a3 :| |: d3 d3 a3 | d3 d3 g3 | d3 d3 A3 | a3 a3 a3 :|
X:1
T:Rakes of Westmouth [1] (Irish)
M:9/8
L:1/8
R:Slip Jig
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5
B:(Glasgow, 1797, No. 23, p. 9)
Z:AK/Fiddler’s Companion
K:D
d3 dAG FED|d3 dAG G2E|ABc dAG FGA|
=cBc E2F G2E:||:d2g fdf ece|d2g fdf g2e|
d2g fdf ece|=cBc E2F G2E:|]
X:2
T:Rakes of Westmeath [1] (Old Irish)
M:9/8
L:1/8
R:Slip Jig
Q:"Allegro"
B:Thomas Wilson - A Companion to the Ball Room (London, 1816, p. 30)
Z:AK/Fiddler's Companion
K:D
d3 dAG FED|d3 dAF G2E|ABc dAG FGA|=cBc E2F GFE:|
|:d2g fdf ece|d2g fdf g2e|d2g fdf ece|=cBc E2F GFE:|]
X:1
T:Rakes of Westmeath, The
M:9/8
L:1/8
R:Slip Jig
Q:"Very quick"
B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 125, p. 57)
Z:AK/Fiddler’s Companion
K:D
{ABc}d3 dAG FED|d3 dAF (G2E)|ABc dAG FED|
=cBc (E2F) (G2E)::d2g fdf ecA|d2g fdf (g2e)|
d2g fdf ecA|=cBc (E2F) (G2E):|
X:3
T:Rakes of Westmeath [1]
M:9/8
L:1/8
R:Slip Jig
B:Hughes – Gems from the Emerald Isles (London, 1867, No. 29, p. 7)
Z:AK/Fiddler’s Companion
K:D
{FA}d3 dAG FED|{FA}d3 dAF G2E|ABc dAG FGA|=cBc E2F G2E:|
|:G2E d2B c2A|efg aed cBA|G2E d2B c2A|ega cdB A3:|]
X:4
T:Rakes of Westmeath [1], The
M:9/8
L:1/8
R:Slip Jig
S:O’Neill – Dance Music of Ireland: 1001 Gems (1907), No. 416
Z:AK/Fiddler’s Companion
K:D
d2d dAG FED|d2d dAF G2E|ABc dAG FGA|
=cBc E2F G2E:||d2g fdf ece|d2g fdf g2e|
d2g fdf ece|=cBc E2F G2E|d2g fdf ece|
d2g fdf g2e|afd gec d2B|=cBc E2F G2E||