Molly St. George: Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Molly St. George
|f_tune_title=Molly St. George
|f_country=England
|f_aka=Bride of Malahide (The)
|f_genre=English
|f_composer=Thomas Connellan,
|f_country=Ireland
|f_genre=Irish
|f_rhythm=Air/Lament/Listening Piece
|f_rhythm=Air/Lament/Listening Piece
|f_time_signature=3/4
|f_time_signature=3/4
Line 8: Line 10:
|f_accidental=1 sharp
|f_accidental=1 sharp
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AABBCCDD
|f_structure=AAB, AABBCCDD
|f_book_title=12 English and 12 Irish Airs
|f_book_title=A Collection of the Most Celebrated Irish Tunes
|f_collector=Burke Thumoth
|f_collector=John & William Neal
|f_year=c. 1746
|f_year=1724
|f_page=No. 3, pp. 30-31
|f_page=p. 4
|f_theme_code_index=1H76 564
|f_theme_code_index=1H76 564
}}
}}
=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
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|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
|image=TUC-160x120.png
|image_alt=Traditional universal music
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<pre>
<section begin=abc />
X:1
T:Molly St. George
S:J. & W. Neal, 'A Collection of the Most Celebrated Irish Tunes'
N:Dublin, c 1724
Q:1/4=80
L:1/4
M:3/4
K:G
(d/4e/4f/)|gfe|d(e/d/)(c/B/)|cBA3/4G/4|E2B/d/|e(g/e/)(d/B/)|
AB/4c/4d/ D|E(G/4A/4B/) A/G/|G2::(D/E/)|G/A/B (A/4B/4c/)|
B(c/B/)(A/G/)|(c/B/c/d/) e/f/|g2e/g/|ab/a/g/e/|de/d/c/B/|
cd/c/B/c/|A2(B/A/4B/4)|c/B/c/d/ e/f/|g2(f/e/)|(d/g/)(d/B/)(A/G/)|
E2B/d/|e(g/e/)(d/B/)|A(B/4c/4d/)D|E (G/A/4B/4) A/G/|G2|]
<section end=abc />
<section begin=X2 />
X:1
T:Molly St. George
M:3/4
L:1/8
B:Daniel Wright – Aria di Camera (London, 1727, No. 46)
N:”being A Choice Collection of Scotch, Irish & Welsh Airs
N:for the Violin and German Flute by the following masters
N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick
N:Mr. Hugh Edwards of Carmarthen”
F: https://ia600808.us.archive.org/20/items/AriaDiCamera1727/Wright-AriaDiCamera-1727.pdf
Z:AK/Fiddler’s Companion
K:G
(d/e/f)|g2f2e2|d2 (ed)(cB)|c2B2 A>G|E4 Bd|
e2 (ge)(dB)|A2 (b/c/d) D2|E2 (G/A/B) (AG)|G4:|
(DE)|FA B2 (A/B/c)|B2 (cB)(AG)|cBcdef|g4 eg|
a2 bage|d2 edcB|c2 dcBc|A4 (BA/B/)|
cBcdef|g4 (fe)|(dg)(dB)(AG)|E4 Bd|
e2 (ge)(dB)|A2 (B/c/d) D2|E2 (G/A/B) A>G|G4||
<section end=X2 />
<section begin=X3 />
X:1
X:1
T:Molly St. George
T:Molly St. George
Line 24: Line 77:
L:1/8
L:1/8
R:Air
R:Air
N:"Slow"
Q:"Slow"
B:Burke Thumoth - 12 English and 12 Irish Airs (c. 1746, No. 3, pp. 30-31)
B:Burk Thumoth - 12 English and 12 Irish Airs (c. 1746, No. 3, pp. 30-31)
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:G
K:G
Line 40: Line 93:
cB c/d/c/d/ ef|g4 fe|dgdBAG|E4 Bd|
cB c/d/c/d/ ef|g4 fe|dgdBAG|E4 Bd|
(3efe (3gfe (3dcB|A2 B/c/d D2|Ee e/d/c/B/ d/c/B/A/|G4:|]
(3efe (3gfe (3dcB|A2 B/c/d D2|Ee e/d/c/B/ d/c/B/A/|G4:|]
 
<section end=X3 />
</pre>
<section begin=X5 />
----
X:1
=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
T:Molly St. George
 
M:3/4
<!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS -->
L:1/8
R:Air
B:Samuel, Anne & Peter Thompson – The Hibernian Muse (London, 1787, No.  49)
N:”A Collection of the most Favorite Compositions of Carolan the Celebrated Irish Bard”
Z:AK/Fiddler’s Companion
K:G
de/f/|g2Tf2e2|d2 (ed)(cB)|c2B2 A>G|E4 Bd|
e2 (ge)(dB)|A2 (B/c/d) D2|E2 (G/A/B) TA>G|G4:|
|:D>E|(GA) B2 (A/B/c)|B2 (cB)(AG)|(cBcdef)|g4 ea|
a2 (ba)(ge)|d2 (ed)(cB)|c2 (dc)(Bc)|A4 (BA/B/)|
(cB)(cdef)|!fermata!g4 fe|(dg)(dB)(AG)|E4 Bd|
e2 (ge)(dB)|A2 (B/c/d)D2|E2 (G/A/B) TAG|G4:|
<section end=X5 />
<section begin=X6 />
X:1
T:Molly St. George
C:"Conalon"
M:3/4
L:1/8
R:Air
B:Bunting - A General Collection of the Ancient Music of Ireland (1796, No. 12, p. 7)
Z:AK/Fiddler's Companion
K:G
d/e/f|[G2g2] (gf)(ed)|~d2 (ed~cB)|[D2c2][D2B2] {B}T(A>G)|E4 (A/B/d)|
e2 (fe) (dB)|A>B d2 (D2|E2) {B}TA3G|[B,4G4]||
|:D/E/F|[B,2G2][F2A2] ([D2B2]A)|[D2B2][G2B2](AG)|[E2c2][G2d2] [ce]f|[G4d4g4] (d/e/g)|
[A2a2][B2b2] (a/g/e)|[G2d2]e2 (e/d/B)|A2 dB AB|[D4F4A4] {d}cB|
c2 [G2d2] [Ee][Ff]|[G2g2][G2B2d2g2] {a}gf/e/|d2B2 A>G|E4 D/E/F|
[B,2G2] FE~DC|B,2 A,>B, G,2|E2{B}TA3G|[B,4G4]:|]
<section end=X6 />
<section begin=X8 />
X:1
T:Molly St. George
M:3/4
L:1/8
R:Air
Q:"Andante"
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 107, p. 54)
N:Irish-born John Clinton was a flute player and teacher at the
N:Royal Conservatory, London.
Z:AK/Fiddler’s Companion
K:G
(d/e/.f)|.g2 (gf)({f}(ed)|d2 {ed^cd} (ed=cB)|(c2B2) {B}T(A>G)|E4 (A/B/).d|
.e2 (fe)(dB)|(A>B) .d2.D2|.E2 {B}T(A3G)|G4||
|:(D/E/F)|(G2A2) (BA)|.B4 (AG)|.B2.d2 (ef)|g4 (d/e/g)|
(a2b2) (a/g/).e|(d2e2) (e/d/).B|.A2 (dBAB)|A4 {d}(cB)|
(d2e2) (ef)|g4 {a}(g/f/e)|(d2B2) {B}(A>G)|E4 (d/e/).f|
g2 (fedc)|.B2 (A>B) G2|E2 {B}T(A3G)|G4:|]
<section end=X8 />
<section begin=X9 />
X:1
T:Molly St. George
M:3/4
L:1/8
R:Air
Q:"Andante"
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 169, p. 77)
Z:AK/Fiddler’s Companion
K:G
d/e/f|g2 (gf)(ed)|O[G2d2] (ed~cB)|[D2c2][D2B2]{B}(A>G)|E4 (A/B/d)|
e2 (fe) (dB)|A>B d2(D2|E2) {B}TA3G|[B,4G4]||
|:D/E/F|[B,2G2][F2A2] (BA)|[D2B2] [G2B2] (AG)|[E2c2]d2 ef|[d4g4] (d/e/g)|
[A2a2] b2 (a/g/e)|d2 e2 (e/d/B)|A2 dB AB|[F4A4] {d}cB|
c2 d2 ef|g2 [d3g3] {a}gf/e/|d2B2 A>G|E4 D/E/F|
G2 FE~DC|B,2 A,>B, G,2|E2 {B}TA3G|[G,4G4]:|]
<section end=X9 />
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__NOTITLE__

Latest revision as of 00:42, 7 June 2024


Molly St. George  Click on the tune title to see or modify Molly St. George's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Molly St. George
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 Theme code Index    1H76 564
 Also known as    Bride of Malahide (The)
 Composer/Core Source    Biography:Thomas Connellan
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    3/4
 History    
 Structure    AAB, AABBCCDD
 Editor/Compiler    Biography:John & William Neal
 Book/Manuscript title    Book:A Collection of the Most Celebrated Irish Tunes
 Tune and/or Page number    p. 4
 Year of publication/Date of MS    1724
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   



Molly St. George: Annotations

X:1 T:Molly St. George S:J. & W. Neal, 'A Collection of the Most Celebrated Irish Tunes' N:Dublin, c 1724 Q:1/4=80 L:1/4 M:3/4 K:G (d/4e/4f/)|gfe|d(e/d/)(c/B/)|cBA3/4G/4|E2B/d/|e(g/e/)(d/B/)| AB/4c/4d/ D|E(G/4A/4B/) A/G/|G2::(D/E/)|G/A/B (A/4B/4c/)| B(c/B/)(A/G/)|(c/B/c/d/) e/f/|g2e/g/|ab/a/g/e/|de/d/c/B/| cd/c/B/c/|A2(B/A/4B/4)|c/B/c/d/ e/f/|g2(f/e/)|(d/g/)(d/B/)(A/G/)| E2B/d/|e(g/e/)(d/B/)|A(B/4c/4d/)D|E (G/A/4B/4) A/G/|G2|]


X:1 T:Molly St. George M:3/4 L:1/8 B:Daniel Wright – Aria di Camera (London, 1727, No. 46) N:”being A Choice Collection of Scotch, Irish & Welsh Airs N:for the Violin and German Flute by the following masters N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick N:Mr. Hugh Edwards of Carmarthen” F: https://ia600808.us.archive.org/20/items/AriaDiCamera1727/Wright-AriaDiCamera-1727.pdf Z:AK/Fiddler’s Companion K:G (d/e/f)|g2f2e2|d2 (ed)(cB)|c2B2 A>G|E4 Bd| e2 (ge)(dB)|A2 (b/c/d) D2|E2 (G/A/B) (AG)|G4:| (DE)|FA B2 (A/B/c)|B2 (cB)(AG)|cBcdef|g4 eg| a2 bage|d2 edcB|c2 dcBc|A4 (BA/B/)| cBcdef|g4 (fe)|(dg)(dB)(AG)|E4 Bd| e2 (ge)(dB)|A2 (B/c/d) D2|E2 (G/A/B) A>G|G4||


X:1 T:Molly St. George M:3/4 L:1/8 R:Air Q:"Slow" B:Burk Thumoth - 12 English and 12 Irish Airs (c. 1746, No. 3, pp. 30-31) Z:AK/Fiddler's Companion K:G d/e/f|g2Tf2e2|d2 edcB|c2B2 TA>G|E4 Bd| e2 gedB|A2 (B/c/d) D2|e2 G/A/B TA>G|G4:| |:DE|GAB2 (A/B/c)|B2 cBAG|cBcdef|g4 ea| a2 bagf|d2 edcB|c2 dcBc|A4 BA/B/| cBcdef|g4 fe|dg(dBAG)|E4 Bd| e2 (gedB)|A2 B/c/d D2|E2 G/A/B TA>G|G4:| |:d/e/f|gbagfe|edcBAG|cB (3cBA (3BAG|E4 Bd| e/f/e/f/ gedB|A2 B/c/d D2|EedBAG|G4:| |:DE|G/F/G/A/ B/A/B/c/ d2|B2 (3cBA (3BAG|cB c/d/c/d/ e/f/e/f/|g4 eg| a2 b/c'/b/a/ g/a/g/f/|d2 e/f/e/d/ c/d/c/B/|ceecdB|A4 BA/B/| cB c/d/c/d/ ef|g4 fe|dgdBAG|E4 Bd| (3efe (3gfe (3dcB|A2 B/c/d D2|Ee e/d/c/B/ d/c/B/A/|G4:|]


X:1 T:Molly St. George M:3/4 L:1/8 R:Air B:Samuel, Anne & Peter Thompson – The Hibernian Muse (London, 1787, No. 49) N:”A Collection of the most Favorite Compositions of Carolan the Celebrated Irish Bard” Z:AK/Fiddler’s Companion K:G de/f/|g2Tf2e2|d2 (ed)(cB)|c2B2 A>G|E4 Bd| e2 (ge)(dB)|A2 (B/c/d) D2|E2 (G/A/B) TA>G|G4:| |:D>E|(GA) B2 (A/B/c)|B2 (cB)(AG)|(cBcdef)|g4 ea| a2 (ba)(ge)|d2 (ed)(cB)|c2 (dc)(Bc)|A4 (BA/B/)| (cB)(cdef)|!fermata!g4 fe|(dg)(dB)(AG)|E4 Bd| e2 (ge)(dB)|A2 (B/c/d)D2|E2 (G/A/B) TAG|G4:|


X:1 T:Molly St. George C:"Conalon" M:3/4 L:1/8 R:Air B:Bunting - A General Collection of the Ancient Music of Ireland (1796, No. 12, p. 7) Z:AK/Fiddler's Companion K:G d/e/f|[G2g2] (gf)(ed)|~d2 (ed~cB)|[D2c2][D2B2] {B}T(A>G)|E4 (A/B/d)| e2 (fe) (dB)|A>B d2 (D2|E2) {B}TA3G|[B,4G4]|| |:D/E/F|[B,2G2][F2A2] ([D2B2]A)|[D2B2][G2B2](AG)|[E2c2][G2d2] [ce]f|[G4d4g4] (d/e/g)| [A2a2][B2b2] (a/g/e)|[G2d2]e2 (e/d/B)|A2 dB AB|[D4F4A4] {d}cB| c2 [G2d2] [Ee][Ff]|[G2g2][G2B2d2g2] {a}gf/e/|d2B2 A>G|E4 D/E/F| [B,2G2] FE~DC|B,2 A,>B, G,2|E2{B}TA3G|[B,4G4]:|]


X:1 T:Molly St. George M:3/4 L:1/8 R:Air Q:"Andante" B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 107, p. 54) N:Irish-born John Clinton was a flute player and teacher at the N:Royal Conservatory, London. Z:AK/Fiddler’s Companion K:G (d/e/.f)|.g2 (gf)({f}(ed)|d2 {ed^cd} (ed=cB)|(c2B2) {B}T(A>G)|E4 (A/B/).d| .e2 (fe)(dB)|(A>B) .d2.D2|.E2 {B}T(A3G)|G4|| |:(D/E/F)|(G2A2) (BA)|.B4 (AG)|.B2.d2 (ef)|g4 (d/e/g)| (a2b2) (a/g/).e|(d2e2) (e/d/).B|.A2 (dBAB)|A4 {d}(cB)| (d2e2) (ef)|g4 {a}(g/f/e)|(d2B2) {B}(A>G)|E4 (d/e/).f| g2 (fedc)|.B2 (A>B) G2|E2 {B}T(A3G)|G4:|]


X:1 T:Molly St. George M:3/4 L:1/8 R:Air Q:"Andante" B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 169, p. 77) Z:AK/Fiddler’s Companion K:G d/e/f|g2 (gf)(ed)|O[G2d2] (ed~cB)|[D2c2][D2B2]{B}(A>G)|E4 (A/B/d)| e2 (fe) (dB)|A>B d2(D2|E2) {B}TA3G|[B,4G4]|| |:D/E/F|[B,2G2][F2A2] (BA)|[D2B2] [G2B2] (AG)|[E2c2]d2 ef|[d4g4] (d/e/g)| [A2a2] b2 (a/g/e)|d2 e2 (e/d/B)|A2 dB AB|[F4A4] {d}cB| c2 d2 ef|g2 [d3g3] {a}gf/e/|d2B2 A>G|E4 D/E/F| G2 FE~DC|B,2 A,>B, G,2|E2 {B}TA3G|[G,4G4]:|]


Molly St. George: Annotations

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