Tenpenny Bit (3) (The): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Tenpenny Bit (3) (The) | |f_tune_title=Tenpenny Bit (3) (The) | ||
|f_aka=Made in Ireland, Three Little Drummers ( | |f_aka=Crame de Minthy, Made in Ireland, Three Little Drummers (1) | ||
|f_country=England, Ireland, United States | |f_country=England, Ireland, United States | ||
|f_genre=Irish | |f_genre=Irish | ||
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|f_key=A | |f_key=A | ||
|f_accidental=1 sharp | |f_accidental=1 sharp | ||
|f_mode= | |f_mode=Dorian | ||
|f_structure=AABB | |f_structure=AABB | ||
|f_book_title=Merry Melodies vol. 1 | |f_book_title=Merry Melodies vol. 1 | ||
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eaa eaa|bab gfe|def gdB|BAG A3:| | eaa eaa|bab gfe|def gdB|BAG A3:| | ||
<section end=abc /> | <section end=abc /> | ||
<section begin=X1 /> | |||
X:1 | |||
T:Tenpenny Bit [3], The | |||
M:6/8 | |||
L:1/8 | |||
N:From an August 24, 1966, field recording of the playing of Fidel | |||
N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded | |||
N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a repertory that | |||
N:consisted of Acadian, Irish, American and French-Canadian tunes. | |||
N:Martin sometimes inserted extra measures in the first strain, but not consistently | |||
N:nor in the same place. It seems more like he was straining to recall the tune, rather than | |||
N:playing a "crooked" version. | |||
D:https://bmac.libs.uga.edu/index.php/Detail/objects/331506 | |||
F:UGA Brown Media Archives: identifier artrosen_0056 (Track 4 -20:08 on the tape) | |||
Z:Transcribed by Andrew Kuntz | |||
K:Gdor | |||
Ac|d>GG d>GG|cAF FAc|dGG dG>G|cAc f(ef)| | |||
dGG dGG|cAF FAc|def cAF|1AGG GAc:|2 AGG G2c|| | |||
dgg gfg|aff agf|dgg gfg- |a>ff {g}f2 {ef}e| | |||
d>gg g-fg-|a>ff f-ga|bag fed|cAF G2c| | |||
dgg gfg |aff agf|dgd ggg|aff (f/4g/4f/)ef| | |||
d>gg gfg|aff fga|bgg (f/4g/4f/)ed|cAF GAc|| | |||
<section end=X1 /> | |||
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | ||
<section begin=X1 /> | <section begin=X1 /> | ||
Latest revision as of 20:26, 11 June 2024
X:1 T:Tenpenny Bit [3], The M: 6/8 L: 1/8 R: Jig K:Ador |:eAA eAA|BAB GBd|eAA eAA|def g2f| eAA eAA|BAB GBd|def gdB|BAG A3:| |:eaa eaa|bab g2f|eaa eaa|bge g2f| eaa eaa|bab gfe|def gdB|BAG A3:|
X:1
T:Tenpenny Bit [3], The
M:6/8
L:1/8
N:From an August 24, 1966, field recording of the playing of Fidel
N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded
N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a repertory that
N:consisted of Acadian, Irish, American and French-Canadian tunes.
N:Martin sometimes inserted extra measures in the first strain, but not consistently
N:nor in the same place. It seems more like he was straining to recall the tune, rather than
N:playing a "crooked" version.
D:https://bmac.libs.uga.edu/index.php/Detail/objects/331506
F:UGA Brown Media Archives: identifier artrosen_0056 (Track 4 -20:08 on the tape)
Z:Transcribed by Andrew Kuntz
K:Gdor
Ac|d>GG d>GG|cAF FAc|dGG dG>G|cAc f(ef)|
dGG dGG|cAF FAc|def cAF|1AGG GAc:|2 AGG G2c||
dgg gfg|aff agf|dgg gfg- |a>ff {g}f2 {ef}e|
d>gg g-fg-|a>ff f-ga|bag fed|cAF G2c|
dgg gfg |aff agf|dgd ggg|aff (f/4g/4f/)ef|
d>gg gfg|aff fga|bgg (f/4g/4f/)ed|cAF GAc||