Annotation:Harlequin Hornpipe (4): Difference between revisions

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|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Harlequin's_Hornpipe_(4) >
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|f_annotation='''HARLEQUIN HORNPIPE [4].''' AKA and see "[[Colosseum (The)]]," "[[Harlequin Gambols]]," "[[Merry Man Hornpipe (The)]]," "[[New Drop Hornpipe]]," "[[Runn's Hornpipe]]," "[[Stage Hornpipe (3) (A)]]." English, Hornpipe. G Major (Blackman, Wilson): D Major (Riley). Standard tuning (fiddle). AABB. The first strain is shared with the old-time air and shape-note song "[[Murillo's Lesson]]."  
'''HARLEQUIN HORNPIPE [4].''' AKA and see "[[Harlequin Gambols]]." English, Hornpipe. G Major. Standard tuning (fiddle). AABB.
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|f_printed_sources=Blackman ('''A Selection of the most favorite Hornpipes for the Violin'''), c. 1810-22; No. 9. Riley ('''Flute Melodies, vol. 1'''), 1814; No. 282, p. 77. Wilson ('''Companion to the Ball Room'''), 1816; p. 128.  
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''Source for notated version'':
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''Printed sources'': Riley ('''Flute Melodies, vol. 1'''), 1814; p. 77. Wilson ('''Companion to the Ball Room'''), 1816; p. 128.  
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''Recorded sources'': <font color=teal></font>
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Latest revision as of 16:18, 18 June 2024



X:1 T:Harlequin's Hornpipe [4] M:C L:1/8 R:Hornpipe Q:"Allegro" B:Thomas Wilson - Companion to the Ball Room (1816, p. 128) Z:AK/Fiddler's Companion K:G DE/F/|G2G2 GBAc|B2B2 Bece|dgfe dcBA|BGdB cAFD| G2G2 GBAc|B2B2 Bece|dgfe dcBA|G2G2G2|| dc|Bgdg Bgdg|cgeg cgeg|c'afd c'afd|b2g2g2 dc| Bgdg Bgdg|cege cgeg|c'afd c'afd|g2g2g2||



HARLEQUIN HORNPIPE [4]. AKA and see "Colosseum (The)," "Harlequin Gambols," "Merry Man Hornpipe (The)," "New Drop Hornpipe," "Runn's Hornpipe," "Stage Hornpipe (3) (A)." English, Hornpipe. G Major (Blackman, Wilson): D Major (Riley). Standard tuning (fiddle). AABB. The first strain is shared with the old-time air and shape-note song "Murillo's Lesson."


Additional notes



Printed sources : - Blackman (A Selection of the most favorite Hornpipes for the Violin), c. 1810-22; No. 9. Riley (Flute Melodies, vol. 1), 1814; No. 282, p. 77. Wilson (Companion to the Ball Room), 1816; p. 128.






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