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{{Abctune
{{Abctune
|f_tune_title=Blue Bonnets Over the Border (1)
|f_tune_title=Blue Bonnets Over the Border (1)
|f_aka=All the Blue Bonnets are over the Border, Duplin House, Over the Border (1), Blue Bonnets Jig, Blue Bonnets (2)
|f_country=Scotland
|f_country=Scotland
|f_genre=Scottish
|f_genre=Scottish
Line 9: Line 10:
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AABB
|f_structure=AABB
|f_book_title=Athole Collection (The)
|f_book_title=Davie's Caledonian Repository vol. 2
|f_collector=James Stewart-Robinson,
|f_collector=James Davie
|f_year=1884
|f_year=1840
|f_page=p. 145
|f_page=p. 41
|f_theme_code_index=1L1L11 16L62
|f_theme_code_index=1H1H1H1H 1H65H2H
|f_score=1
|f_player=Alasdair Fraser & Jody Stecher
|f_player=Alasdair Fraser & Jody Stecher
|f_album=Driven Bow (The)
|f_album=Driven Bow (The)
Line 19: Line 21:
|f_recording_date=1988
|f_recording_date=1988
}}
}}
<p><font face="garamond, serif" size="4">
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'''BLUE BONNETS OVER THE BORDER [1]'''. AKA and see "All the Blue Bonnets are Over the Border," "Over the Border [1]," "Blue Bonnets Jig," "Blue Bonnets [2]," "Scotch Come Over the Border" (Pa.). Scottish, Slow Air (6/8 time), Jig, Country Dance Tune or March. B Flat Major (Athole, Skye): D Major (Neil). Standard tuning (fiddle). AAB. The tune, frequently classified a jig, often appears under the label 'country dance tune' because of its long association with the dance. However, it has just as frequently been employed as a march and song air. 'Blue bonnets' is a euphemism for the Scots, stemming from the custom of Jacobite troops to identify themselves with a white cockade worn on a blue bonnet. The white cockade emblem itself is said to have originated when Bonnie Prince Charlie plucked a wild rose and pinned it to his hat (thus both "White Cockade" and "Blue Bonnets" are tunes with Jacobite associations). Samuel Bayard thinks the melody was fashioned in the 1740's into a quick dance piece in 6/8 from a slow 3/4 time song tune from about 1710 or earlier called "O Dear Mother (Minnie) What Shall I Do?"  This "Blue Bonnets Over the Border" was in turn the basis for a 4/4 version called "Braes of Auchtertyre/Auchentyre," "Belles of Tipperary" and "Beaus of Albany;" out of this group of tunes came "Billy in the Lowground/Low Land." Michael Diack's, on the other hand, has written in his Scottish Country Dances that "Blue Bonnets" is derived from a 17th-century Scottish tune called "Lesley's March to Scotland" (see note for that tune for more), although David Murray ('''Music of the Scottish Regiments''', 1994) says the tune first appeared as "General Leslie's March to Longmarston Moor." Murray finds variants in early pipe collections as "The Fusilier's March," and a version in Watts' '''Musical Miscellany''' (London, 1731) as "Black, White, Yellow and Red." "Leslie's March" was printed by Oswald (Book 2, 1755) and the aforementioned Watts' '''Musical Miscellany''' (1731), however, the resemblance seems obscure so some listeners and based on a few motifs. See also Gow's adaptation as his air "Duplin House." Lyrics to the tune were written by Sir Walter Scott, who based them on an old Cavalier song (Scott also mentions the song in his novel '''The Monastery''', 1830).
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<blockquote>
{{#seo:
''March! march! Ettrick and Teviotdale,''<br>
|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
''Why, my lads dinna ye march forward in order?''<br>
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
''March! march! Eskdale and Liddesdale,''<br>
|image=TUC-160x120.png
''All the blue bonnets are over the Border.''<br>
|image_alt=Traditional universal music
''Come from the hills where your hirsels (i.e. sheep) are grazing,''<br>
}}
''Come from the glen of the buck and the roe,''<br>
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''Come with the buckler, the lance and the bow''<br>
 
''Trumpets are sounding, war-steeds are bounding''<br>
 
''Stand to your arms and march in good order''<br>
<font face="sans-serif" size="4">
''England shall many a day tell of the bloody frey''<br>
<div class="noprint">
''When the blue bonnets come over the Border.''
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</blockquote>
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
The tune is mentioned in William Hamilton Maxwell's '''Stories of Waterloo and Other Tales''' (London, 1829), in a chapter on one Frank Kennedy, of Connemara, a junior officer stationed in Ireland. In this passage he has been invited to a ball with several other officers:
</div>
<blockquote>The commander's advice was not lost upon me. I took unusual pains in arraying myself for conquest,
</font>
and in good time found myself in the ball-room, with thirty couples on the floor, all dancing "for the
<font face="sans-serif" size="2">
bare life," that admired tune of "Blue bonnets over the border." </blockquote>
----
"Blue Bonnets" can be heard in the Hollywood film Mary Queen of Scots, starring Katherine Hepburn. Pipers play it as they march into Edinburgh castle to drown out the cleric John Knox as he rails against her.
<section begin=X1 />
<br>
X:173
<br>
T:All The Blue Bonnets. RHu.169
Neil's (1991) version is an adaptation of one appearing in Uilleam Ross's '''Collection of Pipe Music''' (1869). In fact, the melody was adopted by the Black Watch as their quick time march, arranged for military band, about 1850, and have continued to play it through modern times. It has also been taken up by other Scottish regiments, "not perhaps so much for its words (which apply to the Borders region, not the Highlands)...but for its good rousing tune" (Murray, 1994).
T:AKA - Blue Bonnets over the Border [1]
<br>
B:R.Hughes MS,1823,Whitchurch,Shrops.
<br>
N:Song words written below music line
''Printed sources:'' MacDonald ('''The Skye Collection'''), 1887; p. 162. Neil (The Scots Fiddle), 1991; No. 25, p. 34. Stewart-Robertson ('''The Athole Collection'''), 1884; p. 145.  
A:Whitchurch, Shropshire
<br>
Z:Tony Weatherall 2006
<br>
M:6/8
''Recorded sources:'' A & M Records 79602 2000-2, Ashley MacIsaac - "Close to the Floor" (1992). Culbernie Records CUL 102, Alasdair Fraser & Jody Stecher - "The Driven Bow" (1988). Rounder RO 7023, Natalie MacMaster - "No Boundaries" (1996. A jig setting learned from her uncle, fiddler Buddy MacMaster).
L:1/8
<br>
Q:3/8=100
<br>
R:Quickstep
K:G
d3d3|a>bc' bag|eaf g2z||G2zG2z|
G>BA G>ED|G>EE E>Ee|d>cB B>AG|G2zG2z|
G>BA GED|G>ce d<Bd|d>cB B>AG|z4||
G>Bd dBG|e>dB B>AG|G>Bd e>cB|G>AB/c/ B>AG|
G>Bd dB>G|e>dB A>GA|G>ce dB>d|e>dB B>AG|]
<section end=X1 />
<section begin=abc />
X:1
T:Blue Bonnets over the Border [1]
M:6/8
L:1/8
R:Jig
Q:”Bold”
B:James Davie – “Caledonian Repository vol. 2” (1840, p. 41)
F: https://digital.nls.uk/special-collections-of-printed-music/archive/105000381
Z:AK/Fiddler’s Companion
K:Bb
[D2B2]z [D2B2]z|B<dc B<GF|(B<G)G G2f|(g>f)d c2B|
[D2B2]z [D2B2]z|B<dc B<GF|efg fdB|B>cd dcB!fine!:|
|:Bdf fdB|g>fe dcB|Bdf g>ab|B>cd (dc).B|
Bdf fdB|g>fe dcB|e>fg f<bd|f>ed (dc).B!D.C.!||
<section end=abc />
<section begin=X4 />
X:1
T:All the Blue Bonnets are over the Border  
T:Blue Bonnets over the Border [1]
M:6/8
L:1/8
R:Pipe March
B:William Ross -- Ross's Collection of Pipe Music (1869, No. 63, p. 83)
Z:AK/Fiddler's Companion
K:D
A|d3 d2 d2|d<fe dBA|dBB B<Bg|agf e2d|
d2d d3|d<fe dBA|BcB ABc|def e2d:|
|:dfa afd|agf fed|dfa afd|def e2d|
dfa afd|agf fed|dcB ABc|def e2d:|]
<section end=X4 />
<section begin=X7 />
X:1
T:Over the Border [1]
M:6/8
L:1/8
R:Jig
S:Kerr - Merry Melodies, vol. 1, No. 17 (c. 1880)
Z:AK/Fiddler's Companion
K:G
G3G3|GBA GED|G>EE E2D|edB A2B|G3G3|
GBA GED|c>de (d<g)G|GAB {B}A2G:|
|:GBd dBG|edB BAG|GBd efg|GAB BAG|
GBd dBG|edB BAG|EGE DEF|GAB ABA:|]
<section end=X7 />
<section begin=X10 />
X:1
T:Blue Bonnets [2]
T:Blue Bonnets over the Border [1]
M:6/8
L:1/8
R:Country Dance
B:Laybourn - Kohler's Violin Repository Book 1 (1881, p. 30)
Z:AK/Fiddler's Companion
K:Bb
[D2B2]z ([D3B3]|B>)dc .B2.A|G>AG .G2.f|g>fe d>ec|
[D2B2]z ([D3B3]|B>)dc .B2.A|B>AG F>DF|B>cd c2-B:|
|:B>df f>df|g>fe d>cB|B>df g>ab|B>cd c2-B|
B>df f>df|g>fe d>cB|B>AG F>DF|B>cd (c2B):|]
<section end=X10 />
<section begin=X12 />
X:1
T:Blue Bonnets Coming over the Border [1], The
M:6/8
L:1/8
R:Jig
B:Stephen Grier music manuscript collection (1883, Book 3, No. 252,p. 73)
N:Grier (c. 1824-1894) was a fiddler and uilleann piper originally
N:from north Longford, but who moved around 1852 to Newpark,
N:Bohey, Gortletteragh, south Leitrim.
F: https://manuscripts.itma.ie/grier/book-three/
Z:AK/Fiddler’s Companion
K:G
G3G3|GBA GED|EEE E2e|dcB BAG|
G3G3|GBA GED|cde dgB|dcB BAG||
GBd dBG|edc BAG|GBd efg|GAB BAG|
GBd dBG|edc BAG|EEE D2e|dcB BAG||
<section end=X12 />
<section begin=X13 />
X:1
T:Blue Bonnets Ow'r the Border [1]
M:6/8
L:1/8
R:Country Dance
B:Stewart-Robertson - The Athole Collection  (1884)
Z:AK/Fiddler's Companion
K:Bb
B,3 B,>CD | B>cd B2F | BGG G2g | g>fd c2B |
B,3 B,>CD | B>(3c/d/c/ BGF |G3 FDF | FBD C2B :|
|: Bdf fdB | gfd c2B | Bdf g>ab | B>(3c/d/e/ c2B |
Bdf fdB | gfd cBc | G3 FDF |FBD C2B :| |
<section end=X13 />
<section begin=X17 />
X:1
X:1
T:Blue Bonnets Over The Border
T:Blue Bonnets Over The Border [1]
C:Trad., Arr. by Natalie MacMaster
C:Trad., Arr. by Natalie MacMaster
S:Transcribed from Natalie's video by Carl Conn
S:Transcribed from Natalie's video by Carl Conn
Line 69: Line 171:
A/4c3/4-cE|D3:||:c3/2e/g|{ga}g3/2e/g|{g}a3/2
A/4c3/4-cE|D3:||:c3/2e/g|{ga}g3/2e/g|{g}a3/2
g/4a/4g/4e|{c}d2e/4d3/4|c3/2e/g|a3/2b/c'|!
g/4a/4g/4e|{c}d2e/4d3/4|c3/2e/g|a3/2b/c'|!
c3/2d/e|d3|c3/2e/g|g3/2e/g|a3/2g/e|d3/2e/d|c3/2B/A|G/4E3/4-EG|A/c3/2E|1D2C:|2 D3||
c3/2d/e|d3|c3/2e/g|g3/2e/g|a3/2g/e|
 
d3/2e/d|c3/2B/A|G/4E3/4-EG|A/c3/2E|1D2C:|2 D3||
</font></p>
<section end=X17 />
 
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----
<section begin=X1 />
 
<section end=X1 />
<pre>
</font>  
X:1
<font face="sans-serif" size="4">
T:Blue Bonnets Ow'r the Border
<div class="noprint">
M:6/8
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
L:1/8
</div>
R:Country Dance
</font>
B:Stewart-Robertson - The Athole Collection  (1884)
__NOTITLE__
Z:AK/Fiddler's Companion
K:Bb
B,3 B,>CD | B>cd B2F | BGG G2g | g>fd c2B | B,3 B,>CD | B>(3c/d/c/) BGF |
G3 FDF | FBD C2B :: Bdf fdB | gfd c2B | Bdf g>ab | B>(3c/d/e/) c2B |
Bdf fdB | gfd cBc | G3 FDF |FBD C2B :| |
 
</pre>
----
<p><font face="garamond, serif" size="4">
'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
<br>
Engraver Valerio M. Pelliccioni
</font></p>

Latest revision as of 19:59, 1 August 2024


Blue Bonnets Over the Border (1)  Click on the tune title to see or modify Blue Bonnets Over the Border (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Blue Bonnets Over the Border (1)
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 Theme code Index    1H1H1H1H 1H65H2H
 Also known as    All the Blue Bonnets are over the Border, Duplin House, Over the Border (1), Blue Bonnets Jig, Blue Bonnets (2)
 Composer/Core Source    
 Region    Scotland
 Genre/Style    Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Country Dance, Jig/Quadrille, March/Marche
 Key/Tonic of    B
 Accidental    2 flats
 Mode    Ionian (Major)
 Time signature    6/8
 History    
 Structure    AABB
 Editor/Compiler    James Davie
 Book/Manuscript title    Book:Davie's Caledonian Repository vol. 2
 Tune and/or Page number    p. 41
 Year of publication/Date of MS    1840
 Artist    Biography:Alasdair Fraser & Jody Stecher
 Title of recording    Driven Bow (The)
 Record label/Catalogue nr.    Culbernie Records CUL 102
 Year recorded    1988
 Media    
 Score   (1)   



Blue Bonnets Over the Border (1): Annotations

X:173 T:All The Blue Bonnets. RHu.169 T:AKA - Blue Bonnets over the Border [1] B:R.Hughes MS,1823,Whitchurch,Shrops. N:Song words written below music line A:Whitchurch, Shropshire Z:Tony Weatherall 2006 M:6/8 L:1/8 Q:3/8=100 R:Quickstep K:G d3d3|a>bc' bag|eaf g2z||G2zG2z| G>BA G>ED|G>EE E>Ee|d>cB B>AG|G2zG2z| G>BA GED|G>ce d<Bd|d>cB B>AG|z4|| G>Bd dBG|e>dB B>AG|G>Bd e>cB|G>AB/c/ B>AG| G>Bd dB>G|e>dB A>GA|G>ce dB>d|e>dB B>AG|]


X:1 T:Blue Bonnets over the Border [1] M:6/8 L:1/8 R:Jig Q:”Bold” B:James Davie – “Caledonian Repository vol. 2” (1840, p. 41) F: https://digital.nls.uk/special-collections-of-printed-music/archive/105000381 Z:AK/Fiddler’s Companion K:Bb [D2B2]z [D2B2]z|B<dc B<GF|(B<G)G G2f|(g>f)d c2B| [D2B2]z [D2B2]z|B<dc B<GF|efg fdB|B>cd dcB!fine!:| |:Bdf fdB|g>fe dcB|Bdf g>ab|B>cd (dc).B| Bdf fdB|g>fe dcB|e>fg f<bd|f>ed (dc).B!D.C.!||


X:1 T:All the Blue Bonnets are over the Border T:Blue Bonnets over the Border [1] M:6/8 L:1/8 R:Pipe March B:William Ross -- Ross's Collection of Pipe Music (1869, No. 63, p. 83) Z:AK/Fiddler's Companion K:D A|d3 d2 d2|d<fe dBA|dBB B<Bg|agf e2d| d2d d3|d<fe dBA|BcB ABc|def e2d:| |:dfa afd|agf fed|dfa afd|def e2d| dfa afd|agf fed|dcB ABc|def e2d:|]


X:1 T:Over the Border [1] M:6/8 L:1/8 R:Jig S:Kerr - Merry Melodies, vol. 1, No. 17 (c. 1880) Z:AK/Fiddler's Companion K:G G3G3|GBA GED|G>EE E2D|edB A2B|G3G3| GBA GED|c>de (d<g)G|GAB {B}A2G:| |:GBd dBG|edB BAG|GBd efg|GAB BAG| GBd dBG|edB BAG|EGE DEF|GAB ABA:|]


X:1 T:Blue Bonnets [2] T:Blue Bonnets over the Border [1] M:6/8 L:1/8 R:Country Dance B:Laybourn - Kohler's Violin Repository Book 1 (1881, p. 30) Z:AK/Fiddler's Companion K:Bb [D2B2]z ([D3B3]|B>)dc .B2.A|G>AG .G2.f|g>fe d>ec| [D2B2]z ([D3B3]|B>)dc .B2.A|B>AG F>DF|B>cd c2-B:| |:B>df f>df|g>fe d>cB|B>df g>ab|B>cd c2-B| B>df f>df|g>fe d>cB|B>AG F>DF|B>cd (c2B):|]


X:1 T:Blue Bonnets Coming over the Border [1], The M:6/8 L:1/8 R:Jig B:Stephen Grier music manuscript collection (1883, Book 3, No. 252,p. 73) N:Grier (c. 1824-1894) was a fiddler and uilleann piper originally N:from north Longford, but who moved around 1852 to Newpark, N:Bohey, Gortletteragh, south Leitrim. F: https://manuscripts.itma.ie/grier/book-three/ Z:AK/Fiddler’s Companion K:G G3G3|GBA GED|EEE E2e|dcB BAG| G3G3|GBA GED|cde dgB|dcB BAG|| GBd dBG|edc BAG|GBd efg|GAB BAG| GBd dBG|edc BAG|EEE D2e|dcB BAG||


X:1 T:Blue Bonnets Ow'r the Border [1] M:6/8 L:1/8 R:Country Dance B:Stewart-Robertson - The Athole Collection (1884) Z:AK/Fiddler's Companion K:Bb B,3 B,>CD | B>cd B2F | BGG G2g | g>fd c2B | B,3 B,>CD | B>(3c/d/c/ BGF |G3 FDF | FBD C2B :| |: Bdf fdB | gfd c2B | Bdf g>ab | B>(3c/d/e/ c2B | Bdf fdB | gfd cBc | G3 FDF |FBD C2B :| |


X:1 T:Blue Bonnets Over The Border [1] C:Trad., Arr. by Natalie MacMaster S:Transcribed from Natalie's video by Carl Conn Z:abc by Rick Gustaitis & Steve Wyrick M:3/4 L:1/4 K:Bb B,3|B,3/2vC/uD|{B}(vd2{Bd}c) | {A}uB3/2vG/uF|(vB/G3/2){A}vG|{F}G3/2z/g|! {a}vg3/2uf/{c}vd|ud3/2vc/ud}|B,3|B,3/2vC/uD|{B}(vd2{Bd}c)|{A}uB3/2vG/uF|! {F}vG3|{F}uD2uF|vG/B3/2{C}uD|1vC3:|2C3|C2-C/D/||! |:vB3/2ud/vf|uf3/2vd/uB|{f}vg3/2uf/{c}vd|{B}uc3/2vd/uc|vB3/2ud/vf|{f}ug3/2va/ub|! vB3/2uc/vd|{B}uc3|vB3/2ud/vf|{e}uf3/2vd/uB|{f}vg3/2uf/{c}vd|ud3/2vc/ud|! {A}vB3/2A/uG|(vF/D3/2)uF|(vG/B3/2){C}uD|1vC2B,:|2vC3-|C3|z3|z3|z3|z3||! K:C |:C3|C3/2D/E|c3/2e/d|c3/2A/G|c/4[A3/4A3/4]-[AA][AA]|[A2A2]a|{b}a3/2g/e|! {eg}e3/2d/e|C3|C3/2D/E|c3/2e/d|c3/2A/G|[A3/2A3/2]A/A/A/|G/4E3/4-EG|! A/4c3/4-cE|D3:||:c3/2e/g|{ga}g3/2e/g|{g}a3/2 g/4a/4g/4e|{c}d2e/4d3/4|c3/2e/g|a3/2b/c'|! c3/2d/e|d3|c3/2e/g|g3/2e/g|a3/2g/e| d3/2e/d|c3/2B/A|G/4E3/4-EG|A/c3/2E|1D2C:|2 D3||


Blue Bonnets Over the Border (1): Annotations

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