Annotation:Madam McKeeny's Scotch-Measure: Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Madam_McKeeny's_Scotch-Measure > | |||
'''MADAM McKEENY'S SCOTCH-MEASURE.''' AKA and see "[[Ketty's Scots Measure]]," "[[My Daddy O]]." Scottish, Country Dance Tune (cut time) or Reel. C Major. Standard tuning (fiddle). AABB'. Published in 1700 by London publisher Henry Playford in ''' A Collection of Original Scotch-Tunes, (Full of the Highland Humours) for the violin; Most of them being in the Compass of the Flute.''' The volume marks first appearance in print of the term 'Scotch Measure' with the melodies "[[My Lady Hope's Scotch Measure]]" and others. 'Scotch Measure' refers to a cut-time dance tune similar to a reel (some say it is an older form of a reel), however having the characteristic three quarter-note pattern in the melody in either the first three or the last three beats of the measure, interspersed with measures comprised mostly of eighth notes. The genre, if indeed it can be distinguished from reels, has fallen out of favor and has been replaced by reels. | |f_annotation='''MADAM McKEENY'S SCOTCH-MEASURE.''' AKA and see "[[Ketty's Scots Measure]]," "[[Major Montgomerie's Quick Step]]," "[[My Daddy O]]," "[[O'er the Muir to Ketty]]." Scottish, Country Dance Tune (cut time) or Reel. C Major. Standard tuning (fiddle). AABB'. Published in 1700 by London publisher Henry Playford in ''' A Collection of Original Scotch-Tunes, (Full of the Highland Humours) for the violin; Most of them being in the Compass of the Flute.''' The volume marks first appearance in print of the term 'Scotch Measure' with the melodies "[[My Lady Hope's Scotch Measure]]" and others. 'Scotch Measure' refers to a cut-time dance tune similar to a reel (some say it is an older form of a reel), however having the characteristic three quarter-note pattern in the melody in either the first three or the last three beats of the measure, interspersed with measures comprised mostly of eighth notes. The genre, if indeed it can be distinguished from reels, has fallen out of favor and has been replaced by reels. | ||
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Some sixty years later the melody was printed by James Oswald, a Scottish music publisher in London, in his '''Caledonian Pocket Companion''' (1760) as "[[ | Some forty years later the melody was entered by Edinburgh writing master and musician David Young in his '''McFarlane Manuscript''' (1741) as "[[O'er the Muir to Ketty]]," sixty years later the same melody was printed by James Oswald, a Scottish music publisher in London, in his '''Caledonian Pocket Companion, vol. V''' (1760) as "[[Ketty's Scots Measure]]", and eighty years later as James Aird's "[[Major Montgomerie's Quick Step]]" (1782). More than 100 years later (c. 1806) the tune was published (again in London) by Irish uilleann piper O'Farrell as "[[My Daddy O]]" (who identified the tune as "Scotch"). County Cork cleric and uilleann piper [[wikipedia:James Goodman (musicologist)|James Goodman]] entered a version of the tune as "[[Caledonian Lass (The)]]" in Volume 1 (p. 214) of his large mid-19th century music manuscript collection. | ||
|f_source_for_notated_version= | |||
|f_printed_sources=Alburger ('''Scottish Fiddlers and Their Music'''), 1983; Ex. 8, p. 26. Playford ('''A Collection of Original Scotch-Tunes'''), 1700; No. 4, p. 2. | |||
|f_recorded_sources= | |||
|f_see_also_listing= | |||
}} | |||
Latest revision as of 21:50, 12 August 2024
X:1 T:Madam Mc. Keeny's Scotch-Measure M:C| L:1/8 B:Henry Playford - A Collection of Original Scotch-Tunes, (Full of the B:Highland Humours) for the violin (London, 1700, No. 4, p. 2) N:"Most of them being in the Compass of the Flute." Z:AK/FIddler's Companion K:C ED|C3E (GA)(GE)|G2c2c3G|ABcd (c/d/e) d>c|d2D2D2 E>D| C3E (GA)(GE)|G2c2c3G|ABcA dcBd|c2C2C2:| cd|edcA GABG|A2c2 c3E|FGAG AGFE|D2d2d2 cd| edce dcBd|1 cBAG AGFE|EFGD GFED|C2c2c2:| |2 cBAG AGFe|fgfe dcBd|c2C2C2||
MADAM McKEENY'S SCOTCH-MEASURE. AKA and see "Ketty's Scots Measure," "Major Montgomerie's Quick Step," "My Daddy O," "O'er the Muir to Ketty." Scottish, Country Dance Tune (cut time) or Reel. C Major. Standard tuning (fiddle). AABB'. Published in 1700 by London publisher Henry Playford in A Collection of Original Scotch-Tunes, (Full of the Highland Humours) for the violin; Most of them being in the Compass of the Flute. The volume marks first appearance in print of the term 'Scotch Measure' with the melodies "My Lady Hope's Scotch Measure" and others. 'Scotch Measure' refers to a cut-time dance tune similar to a reel (some say it is an older form of a reel), however having the characteristic three quarter-note pattern in the melody in either the first three or the last three beats of the measure, interspersed with measures comprised mostly of eighth notes. The genre, if indeed it can be distinguished from reels, has fallen out of favor and has been replaced by reels.
Some forty years later the melody was entered by Edinburgh writing master and musician David Young in his McFarlane Manuscript (1741) as "O'er the Muir to Ketty," sixty years later the same melody was printed by James Oswald, a Scottish music publisher in London, in his Caledonian Pocket Companion, vol. V (1760) as "Ketty's Scots Measure", and eighty years later as James Aird's "Major Montgomerie's Quick Step" (1782). More than 100 years later (c. 1806) the tune was published (again in London) by Irish uilleann piper O'Farrell as "My Daddy O" (who identified the tune as "Scotch"). County Cork cleric and uilleann piper James Goodman entered a version of the tune as "Caledonian Lass (The)" in Volume 1 (p. 214) of his large mid-19th century music manuscript collection.
