Annotation:Pray Goody: Difference between revisions

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|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Pray_Goody >
'''PRAY GOODY.''' AKA - "Pray Goody, please to moderate." English, Air (cut time). G Major. Standard tuning (fiddle). AB. The air is to a song from Kane O'Hara's burletta '''Midas''' (1764), music by Thomas Arne. According to William Chappell, "in the original book of words to the opera, the music of 'Pray Goody' is stated to be 'A tune in '''Queen Mab'''. The music for the pantomime of '''Queen Mab''' was composed by Dr. Burney. 'Hope told a flattering tale' was written [by Peter Pindar] to supply the demand for English words to Paisiello's exquisite air--
|f_annotation='''PRAY GOODY.''' AKA - "Pray Goody, please to moderate." English, Air (cut time). G Major. Standard tuning (fiddle). AB. The air is to a song from Kane O'Hara's [https://en.wikipedia.org/wiki/Kane_O%27Hara] (1712-1782) first burletta, '''Midas''' [https://en.wikipedia.org/wiki/Midas_(burletta)] (1762), music by Thomas Arne. According to William Chappell, "in the original book of words to the opera, the music of 'Pray Goody' is stated to be 'A tune in '''Queen Mab'''. The music for the pantomime of '''Queen Mab''' was composed by Dr. Burney. 'Hope told a flattering tale' was written [by Peter Pindar] to supply the demand for English words to Paisiello's exquisite air--
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''Nel cor più non mi sent''<br>
''Nel cor più non mi sent''<br>
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''Never more to rise.''<br>
''Never more to rise.''<br>
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The tune was also entered in volume one (p. 204) of the large mid-19th century music manuscript collection of County Cork cleric and uilleann piper [[wikipedia:James Goodman (musicologist)|James Goodman]].
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|f_printed_sources=O’Farrell ('''Pocket Companion for the Union Pipes, vol. IV'''), c. 1810; p. 111. Riley ('''Riley's Flute Melodies, vol. 1'''), c. 1814; No. 339, p. 93.  
''Source for notated version'':
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''Printed sources'': O’Farrell ('''Pocket Companion for the Union Pipes, vol. IV'''), c. 1810; p. 111. Riley ('''Riley's Flute Melodies, vol. 1'''), c. 1814; p. 93.  
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''Recorded sources'': <font color=teal></font>
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Latest revision as of 19:12, 13 August 2024



Back to Pray Goody


X:1 T:Pray Goody M:C| L:1/8 R:Air S:O’Farrell – Pocket Companion, vol. IV (c. 1810) Z:AK/Fiddler’s Companion K:G d4 cBAG | BAGF GBdf | {e/f/}g2 fe dBAG | gdcB {B}A4 | d4 cBAG | BAGF GBdf | {e/f/}g2 fe dBec | BdcA G4 || g2d2Te2d2 | gBBB c2B2 | gddd gddd | B2A2 ||



PRAY GOODY. AKA - "Pray Goody, please to moderate." English, Air (cut time). G Major. Standard tuning (fiddle). AB. The air is to a song from Kane O'Hara's [1] (1712-1782) first burletta, Midas [2] (1762), music by Thomas Arne. According to William Chappell, "in the original book of words to the opera, the music of 'Pray Goody' is stated to be 'A tune in Queen Mab. The music for the pantomime of Queen Mab was composed by Dr. Burney. 'Hope told a flattering tale' was written [by Peter Pindar] to supply the demand for English words to Paisiello's exquisite air--

Nel cor più non mi sent
Brillar la gioventù.

We will only add...that as music to pantomimes is almost invariably selected music, Dr. Burney may have borrowed 'Pray Goody' from Rousseau, for whom the air has been claimed" [Notes and Queries, Sept. 12, 1874, p. 220].

The song was popular and much anthologized in songsters of the latter-18th through the mid-19th century, and was issued on period song sheets.

PRAY, Goody, please to moderate,
The rancour of your tongue;
Why flash those sparks of fury from your eyes?
Remember when the judgement's weak,
The prejudice is strong:
A stranger why will you despise?
Ply me,
Try me,
Prove e'er you deny me,
If you cast me off you blast me,
Never more to rise.

The tune was also entered in volume one (p. 204) of the large mid-19th century music manuscript collection of County Cork cleric and uilleann piper James Goodman.


Additional notes



Printed sources : - O’Farrell (Pocket Companion for the Union Pipes, vol. IV), c. 1810; p. 111. Riley (Riley's Flute Melodies, vol. 1), c. 1814; No. 339, p. 93.






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