Annotation:Scollay's Reel: Difference between revisions
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{{TuneAnnotation | |||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Scollay's_Reel > | |||
|f_annotation='''SCOLLAY’S REEL.''' AKA – “Sculley’s Reel," "Scully's Reel." Shetland, Reel. E Minor. Standard tuning (fiddle). AABB. A version of the hornpipe “[[King of the Fairies (The)]].” The tune is sourced to Shetland fiddler John Scollay, who was recorded playing the tune (with his brother Peter on guitar) in the early 1950's by collector Pat Shuldham-Shaw. | |||
---- | |f_source_for_notated_version=Terry Wergeland [Silberberg]. | ||
|f_printed_sources=Silberberg ('''Tunes I Learned at Tractor Tavern'''), 2002; p. 142 (appears as “Scully’s Reel”). Songer ('''Portland Collection'''), 1997; p. 178. | |||
---- | |f_recorded_sources=Folktrax Casette FTX-068, J. Scollay & P. Scollay - "Da Mirrie Boys: Shetland Fiddle Music" (1978. Various artists, originally recorded in the field by Pat Shuldham-Shaw in Shetland, 1950-52). June Appal 014, John McCutcheon "The Wind that Shakes the Barley" (1977. Appears as “Scullay’s Reel,” learned from Dudley Laufman {N.H.}). Rooster Records 117, Swallowtail - “Swallowtail” (1982). Rounder Select 82161-0476-2, “The Wind That Shakes the Barley: Hammered Dulcimer Music” (reissues, orig. released 1977). | ||
|f_see_also_listing= | |||
}} | |||
'''SCOLLAY’S REEL.''' AKA – “Sculley’s Reel. | |||
Latest revision as of 23:53, 22 September 2024
X:1 T: Scollay's Reel R: reel Z: 1997 by John Chambers <jc@ecf-guest.mit.edu > http://eddie.mit.edu/~jc/music/abc/ N: This is a 32 bar version of King of the Fairies M: C| L: 1/8 K: Em |: "Em"E3F G3A | BcBA GEGA | B2E2 E2G2 | "D"FGAF D2F2 | "Em"E3F G3A | BcBA GEGA |"Bm" B2Bc BAFA | "Em"G2E2 E4 :| |: "Em"efge B2B2 | g2g2 B4 | "Am"c2BA "Em"G2G2 | "D"FGAF D3F | "Em"E2EF G2GA | BABd e2d2 | "Bm"B2Bc BAFA | "Em"G2E2 E4 :|
SCOLLAY’S REEL. AKA – “Sculley’s Reel," "Scully's Reel." Shetland, Reel. E Minor. Standard tuning (fiddle). AABB. A version of the hornpipe “King of the Fairies (The).” The tune is sourced to Shetland fiddler John Scollay, who was recorded playing the tune (with his brother Peter on guitar) in the early 1950's by collector Pat Shuldham-Shaw.