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{{TuneAnnotation
<p><font face="garamond, serif" size="4">
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Clean_Peas_Straw >
'''CLEAN PEA(SE) STRAW/STRAE'''. AKA and see "[[Old Buttie was a Bonnie Lad]]," "[[Pea Straw]]," "[[Pease Strae]]/[[Pease Straw]]," "[[What'll all the lasses do?]]" (Shetland). English, Scottish, Shetland; Hornpipe or Reel. England, Northumberland. D Mixolydian. Standard tuning (fiddle). AAB. Glen (1891) finds the tune earliest in print in Robert Bremner's 1757 collection (p. 65). Pease strae, or pease straw, consists of dried stems and leaves.  It has many uses in agricultural areas: it is a fodder for horses, if not sandy, but was also used as a rustic bedding, as illustrated in this brief excerpt from Sir Water Scots' novel '''The Antiquary''':
|f_annotation='''CLEAN PEA(SE) STRAW/STRAE'''. AKA and see "[[Ducking the Carle]]," "[[Na 'm bithadh agum trudar Bodich]]," "[[Old Buttie was a Bonnie Lad]]," "[[Pea Straw]]," "[[Pease Strae]]/[[Pease Straw]]," "[[Pennyworth of Straw (The)]]," "[[What'll all the lasses do?]]" (Shetland). English, Scottish, Shetland; Hornpipe or Reel. England, Northumberland. D Mixolydian. Standard tuning (fiddle). AAB. Glen (1891) finds the tune earliest in print in Robert Bremner's 1757 collection (p. 65). Pease strae, or pease straw, consists of dried stems and leaves.  It has many uses in agricultural areas: it is a fodder for horses, if not sandy, but was also used as a rustic bedding, as illustrated in this brief excerpt from Sir Water Scots' novel '''The Antiquary''':
</font></p>
<blockquote>
<blockquote><font face="garamond, serif" size="4"><i>
Oldbuck thrust something into his hand—Ochiltree looked at it by the torchlight,
Oldbuck thrust something into his hand—Ochiltree looked at it by the torchlight,
and returned it—‘‘Na, na! I never tak gowd—besides, Monkbarns, ye wad maybe
and returned it—‘‘Na, na! I never tak gowd—besides, Monkbarns, ye wad maybe
be rueing it the morn.’’ Then turning to the group of fishermen and peasants—‘‘Now, sirs, wha will gie me a supper and some clean pease-strae?’’
be rueing it the morn.’’ Then turning to the group of fishermen and peasants—‘‘Now, sirs, wha will gie me a supper and some clean pease-strae?’’
</i></font></blockquote>
</blockquote>
<p><font face="garamond, serif" size="4">
Indeed, not only was it bedding for people-in the Elizabethan era to be as 'snug as pigs in pease-straw' was to be very well off! Many other literary references to pease strae exist. Scots poet Robert Tannahill wrote a song to the tune, called "When John and I Were Married", which mentions pease strae in the last line of every verse:
Indeed, not only was it bedding for people-in the Elizabethan era to be as 'snug as pigs in pease-straw' was to be very well off! Many other literary references to pease strae exist. Scots poet Robert Tannahill wrote a song to the tune, called "When John and I Were Married", which mentions pease strae in the last line of every verse:
</font></p>
<blockquote>
<blockquote><font face="garamond, serif" size="4"><i>
''When John and I were married,''<br>righ
''When John and I were married,''<br>righ
''Our hau'ding was but sma',''<br>
''Our hau'ding was but sma',''<br>
Line 21: Line 18:
''But weel I wat our bridal bed''<br>
''But weel I wat our bridal bed''<br>
''Was clean pease-strae.'' <br>
''Was clean pease-strae.'' <br>
</i></font></blockquote>
</blockquote>
<p><font face="garamond, serif" size="4">
It is even referenced in a relic of the ancient cushion dance that survived into the 20th century in the children's rhyme:
It is even referenced in a relic of the ancient cushion dance that survived into the 20th century in the children's rhyme:
</font></p>
<blockquote>
<blockquote><font face="garamond, serif" size="4"><i>
''The best bed of all,''<br>
''The best bed of all,''<br>
''the best bed in our house ''<br>
''the best bed in our house ''<br>
Line 33: Line 28:
''never mind my bonny lass –''<br>
''never mind my bonny lass –''<br>
''just lay the cushion down''<br>
''just lay the cushion down''<br>
</i></font></blockquote>
</blockquote>
<p><font face="garamond, serif" size="4">
The melody was entered into the music manuscripts of John Rook (1840, Waverton, Cumbria), and  of John Bell [http://www.asaplive.com/archive/detail.asp?id=R1001001] (1783–1864, Northumberland, ms. dated to c. 1812). 19th century researcher John Stokoe appended a note to the latter ms.:
The melody was entered into the music manuscripts of John Rook (1840, Waverton, Cumbria), and  of John Bell [http://www.asaplive.com/archive/detail.asp?id=R1001001] (1783-1864, Northumberland, ms. dated to c. 1812). 19th century researcher John Stokoe appended a note to the latter ms.:
<blockquote>  
</font></p>
<blockquote><font face="garamond, serif" size="4"><i>
''Scottish Reel to which a rather indelicate song has been written. The tune is used in''  
''Scottish Reel to which a rather indelicate song has been written. The tune is used in''  
''Northumberland for dancing the Cushion dance to; a dance similar to "[[Joan Sanderson]]" which''  
''Northumberland for dancing the Cushion dance to; a dance similar to "[[Joan Sanderson]]" which''  
''was popular 300 years ago.''
''was popular 300 years ago.''
</i></font></blockquote>
</blockquote>
<p><font face="garamond, serif" size="4">
"[[Old Buttie was a Bonnie Lad]]" is a title from the Shetland Islands (Mainland Shetland), however, Peter Cooke ('''The Fiddle Tradition of the Shetland Isles''', 1986) prints the following text to this dance tune suggesting another title ("What'll all the lasses do?"), collected in Shetland:
"[[Old Buttie was a Bonnie Lad]]" is a title from the Shetland Islands (Mainland Shetland), however, Peter Cooke ('''The Fiddle Tradition of the Shetland Isles''', 1986) prints the following text to this dance tune suggesting another title ("What'll all the lasses do?"), collected in Shetland:
</font></p>
<blockquote>
<blockquote><font face="garamond, serif" size="4"><i>
''What'll all the lasses do when the lads gings awa,''<br>
''What'll all the lasses do when the lads gings awa,''<br>
''Some will pee their peticots, and some will burst their gaa'.''<br>
''Some will pee their peticots, and some will burst their gaa'.''<br>
</i></font></blockquote>
</blockquote>
<p><font face="garamond, serif" size="4">
The melody appears as "[[Pennyworth of Straw (The)]]" in the c. 1909 music manuscript collection of cleric and fiddler Rev. Luke Donnellan (Oriel region, south Ulster).  See also note for "[[annotation:Pease Strae]]" for more.
See also note for "[[annotation:Pease Strae]]" for more.
|f_source_for_notated_version=William Vickers' 1770 music manuscript collection (Northumberland) [Seattle].
<br>
|f_printed_sources=Bremer ('''Scots Reels'''), 1757; p. 65. Corfield ('''Tunes from New Brunswick'''), 2024; p. 21. Hall & Stafford ('''Charlton Memorial Tune Book'''), 1974; p. 21. Honeyman ('''Strathspey, Reel and Hornpipe Tutor'''), 1898; p. 12. Kennedy ('''Fiddler's Tune-Book: Reels & Rants, Flings & Fancies'''), 1977; No. 22, p. 7. Kerr ('''Merry Melodies, vol. 1'''), c. 1880; Set 14, No. 6, p. 10. MacDonald ('''The Skye Collection'''), 1887; pg. 72. Mooney ('''A Collection of the Choicest Scots Tunes for the Lowland or Border Bagpipes'''); p. 25. Raven ('''English Country Dance Tunes'''), 1984; p. 184. Seattle/Vickers ('''Great Northern Tune Book, part 2'''), 1987; No. 203. Wilson ('''A Companion to the Ballroom'''), 1816; p. 44.Imperial 1701 (78 RPM), Daniel Wyper (1926). Music for Pleasure MFP 50373, "Fiddle Me Jig" (c. 1978).
<br>
|f_see_also_listing=Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://ibiblio.unc.edu/keefer/c07.htm#Clepest].<br>
</font></p>
}}
<p><font face="garamond, serif" size="4">
-------------
''Source for notated version'':
<br>
<br>
</font></p>
<p><font face="garamond, serif" size="4">
''Printed sources'': Bremer ('''Scots Reels'''), 1757; p. 65. Hall & Stafford ('''Charleton Memorial Tune Book'''), 1974; p. 21. Honeyman ('''Strathspey, Reel and Hornpipe Tutor'''), 1898; p. 12. Kennedy ('''Fiddler's Tune-Book: Reels & Rants, Flings & Fancies'''), 1977; No. 22, p. 7. Kerr ('''Merry Melodies, vol. 1'''); Set 14, No. 6, p. 10. MacDonald ('''The Skye Collection'''), 1887; pg. 72. Mooney ('''A Collection of the Choicest Scots Tunes for the Lowland or Border Bagpipes'''); p. 25. Raven ('''1000 English Country Dance Tunes'''), 1984; p. 184. Seattle/Vickers ('''Great Northern Tune Book, part 2'''), 1987; No. 203. Wilson ('''A Companion to the Ballroom'''), 1816; p. 44.
<br>
<br>
</font></p>
<p><font face="garamond, serif" size="4">
''Recorded sources'':
<font color=teal>
Music for Pleasure MFP 50373, "Fiddle Me Jig" (c. 1978).
</font>
<br>
<br>
</font></p>
<p><font face="garamond, serif" size="4">
See also listing at:<br>
Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://ibiblio.unc.edu/keefer/c07.htm#Clepest].<br>
</font></p>
<br>
<br>
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=='''Back to [[{{BASEPAGENAME}}]]'''==

Latest revision as of 03:34, 27 September 2024




X:1 T:Clean Peas Straw M:C L:1/8 R:Reel S:Bremner - Scots Reels (1757) Z:AK/Fiddler's Companion K:D e | defd gefd | eA A/A/A (c2 c)e | defd gefd | eA A/A/A (d2d) :| f | afdf (a/g/f/e/ d)f | eA A/A/A (c2 c)f | afdf a/g/f/e/ df | eA A/A/A (d2d)f | (a/g/f/e/ d)f (a/g/f/e/ d)f | eA A/A/A c2 cf | afge fde^c | d(gTfe) (d2d) |]



CLEAN PEA(SE) STRAW/STRAE. AKA and see "Ducking the Carle," "Na 'm bithadh agum trudar Bodich," "Old Buttie was a Bonnie Lad," "Pea Straw," "Pease Strae/Pease Straw," "Pennyworth of Straw (The)," "What'll all the lasses do?" (Shetland). English, Scottish, Shetland; Hornpipe or Reel. England, Northumberland. D Mixolydian. Standard tuning (fiddle). AAB. Glen (1891) finds the tune earliest in print in Robert Bremner's 1757 collection (p. 65). Pease strae, or pease straw, consists of dried stems and leaves. It has many uses in agricultural areas: it is a fodder for horses, if not sandy, but was also used as a rustic bedding, as illustrated in this brief excerpt from Sir Water Scots' novel The Antiquary:

Oldbuck thrust something into his hand—Ochiltree looked at it by the torchlight, and returned it—‘‘Na, na! I never tak gowd—besides, Monkbarns, ye wad maybe be rueing it the morn.’’ Then turning to the group of fishermen and peasants—‘‘Now, sirs, wha will gie me a supper and some clean pease-strae?’’

Indeed, not only was it bedding for people-in the Elizabethan era to be as 'snug as pigs in pease-straw' was to be very well off! Many other literary references to pease strae exist. Scots poet Robert Tannahill wrote a song to the tune, called "When John and I Were Married", which mentions pease strae in the last line of every verse:

When John and I were married,
righ Our hau'ding was but sma',
For my minnie, canker't carline,
Wou'd gi'e us nocht ava';
I wair't my fee wi' canny care,
As far as it would gae,
But weel I wat our bridal bed
Was clean pease-strae.

It is even referenced in a relic of the ancient cushion dance that survived into the 20th century in the children's rhyme:

The best bed of all,
the best bed in our house
is clean pease straw.
Pease straw is dirty,
will dirty all my gown;
never mind my bonny lass –
just lay the cushion down

The melody was entered into the music manuscripts of John Rook (1840, Waverton, Cumbria), and of John Bell [1] (1783–1864, Northumberland, ms. dated to c. 1812). 19th century researcher John Stokoe appended a note to the latter ms.:

Scottish Reel to which a rather indelicate song has been written. The tune is used in Northumberland for dancing the Cushion dance to; a dance similar to "Joan Sanderson" which was popular 300 years ago.

"Old Buttie was a Bonnie Lad" is a title from the Shetland Islands (Mainland Shetland), however, Peter Cooke (The Fiddle Tradition of the Shetland Isles, 1986) prints the following text to this dance tune suggesting another title ("What'll all the lasses do?"), collected in Shetland:

What'll all the lasses do when the lads gings awa,
Some will pee their peticots, and some will burst their gaa'.

The melody appears as "Pennyworth of Straw (The)" in the c. 1909 music manuscript collection of cleric and fiddler Rev. Luke Donnellan (Oriel region, south Ulster). See also note for "annotation:Pease Strae" for more.


Additional notes
Source for notated version : - William Vickers' 1770 music manuscript collection (Northumberland) [Seattle].

Printed sources : - Bremer (Scots Reels), 1757; p. 65. Corfield (Tunes from New Brunswick), 2024; p. 21. Hall & Stafford (Charlton Memorial Tune Book), 1974; p. 21. Honeyman (Strathspey, Reel and Hornpipe Tutor), 1898; p. 12. Kennedy (Fiddler's Tune-Book: Reels & Rants, Flings & Fancies), 1977; No. 22, p. 7. Kerr (Merry Melodies, vol. 1), c. 1880; Set 14, No. 6, p. 10. MacDonald (The Skye Collection), 1887; pg. 72. Mooney (A Collection of the Choicest Scots Tunes for the Lowland or Border Bagpipes); p. 25. Raven (English Country Dance Tunes), 1984; p. 184. Seattle/Vickers (Great Northern Tune Book, part 2), 1987; No. 203. Wilson (A Companion to the Ballroom), 1816; p. 44.Imperial 1701 (78 RPM), Daniel Wyper (1926). Music for Pleasure MFP 50373, "Fiddle Me Jig" (c. 1978).



See also listing at :
Jane Keefer's Folk Music Index: An Index to Recorded Sources [2].



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