Annotation:Copperplate (1) (The): Difference between revisions
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Compare with the similar "Reel de mme. Renault/[[Madame Renaud]]." Compare also with "[[Sporting Pat (1)]]", | Compare with the similar "Reel de mme. Renault/[[Madame Renaud]]." Compare also with "[[Sporting Pat (1)]]", similar and perhaps cognate (despite the difference in tonality), albeit with parts reversed. | ||
|f_source_for_notated_version=fiddler Fred Finn {1919-1986} (Kiltycreen Kilavil, County Sligo) [Flaherty]; piper Willie Clancy (1918-1973, Miltown Malbay, west Clare) [Mitchell]; Liam Greenall (Liverpool, England) [Mulvihill]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926 [Harker]. | |f_source_for_notated_version=fiddler Fred Finn {1919-1986} (Kiltycreen Kilavil, County Sligo) [Flaherty]; piper Willie Clancy (1918-1973, Miltown Malbay, west Clare) [Mitchell]; Liam Greenall (Liverpool, England) [Mulvihill]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926 [Harker]. | ||
|f_printed_sources=Corfield ('''Tunes from New Brunswick'''), 2024; p. 24. Crowley ('''How to Play the Uillean Pipes'''), 1938, p. 24. Flaherty ('''Trip to Sligo'''), 1990; p. 74. Harker ('''300 Tunes from Mike Rafferty'''), No. 50, p. 16. Lyth ('''Bowing Styles in Irish Fiddle Music'''), 1981; 22. Mallinson ('''100 Enduring'''), 1995; No. 2, p. 1 ("New Copperplate"). McDermott ('''Allan's Irish Fiddler'''), c. 1920's; No. 55, p. 14. Mitchell ('''Dance Music of Willie Clancy'''), 1993; No. 65, p. 68. Mulvihill ('''1st Collection'''), 1986; No. 196, p. 53. Prior ('''Fionn Seisiún 2'''), 2003; p. 23. Taylor ('''Crossroads Dance'''), 1992; No. 41, p. 29 ("New Copperplate"). Tubridy ('''Irish Traditional Music''', Book Two), 1999; p. 20. | |f_printed_sources=Corfield ('''Tunes from New Brunswick'''), 2024; p. 24. Crowley ('''How to Play the Uillean Pipes'''), 1938, p. 24. Flaherty ('''Trip to Sligo'''), 1990; p. 74. Harker ('''300 Tunes from Mike Rafferty'''), No. 50, p. 16. Lyth ('''Bowing Styles in Irish Fiddle Music'''), 1981; 22. Mallinson ('''100 Enduring'''), 1995; No. 2, p. 1 ("New Copperplate"). McDermott ('''Allan's Irish Fiddler'''), c. 1920's; No. 55, p. 14. Mitchell ('''Dance Music of Willie Clancy'''), 1993; No. 65, p. 68. Mulvihill ('''1st Collection'''), 1986; No. 196, p. 53. Prior ('''Fionn Seisiún 2'''), 2003; p. 23. Taylor ('''Crossroads Dance'''), 1992; No. 41, p. 29 ("New Copperplate"). Tubridy ('''Irish Traditional Music''', Book Two), 1999; p. 20. |
Latest revision as of 04:39, 27 September 2024
X:1 T:The Copperplate [1] M:C| L:1/8 R:Reel K:G G2 dG BGdG|G2 dG BGGB|A2 eA cAeA|A2 ed cAFA| G2 dG BGdG|G2 dG BGGB|ABcd efge|1 aged cAFA:|2 aged Bdef|| |:g3a g3 ef|gedc BGBd|eaag agea|aged Bdef| g2 ga g2 de|gedc BGGB|ABcd efge|1 aged Bdef:|2 aged cAFA||
COPPERPLATE [1], THE. AKA and see "Cabar Féidh," "Copper Plate," "Lord Wellington (3)," "New Copperplate (The)," "Wellington's Reel (3)." Irish, Reel. G Major. Standard tuning (fiddle). AB (Mitchell, Mulvihill): AABB (Allan's): AA'BB' (Flaherty, Mallinson, Taylor, Tubridy). The title "Copperplate" is a corruption of the Scots Gaelic title "Caber Feidh/Feigh," sometimes rendered "Caper Fey", meaning 'deer's antlers'. There is a tune called "Old Copperplate (The)" that is not musically related, although the two 'Copperplates' are sometimes paired as a medley. "The Copperplate" was one of the first tunes recorded by the Ballinakill Céilí Band (East Galway) for Parlophone of London in July 1930 (the band's founding members were Anna Rafferty, Stephen Maloney, Tommy Whelan, Tommy Whyte, Jerry Maloney).
Compare with the similar "Reel de mme. Renault/Madame Renaud." Compare also with "Sporting Pat (1)", similar and perhaps cognate (despite the difference in tonality), albeit with parts reversed.