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{{featured}}
{{Abctune
{{Abctune
|f_tune_title=St. Anne's Reel
|f_tune_title=St. Anne's Reel
|f_aka=Burravoe Rattler (The), Esquimaults Reel, Quadrille du loup garou - 4ème partie, Reel de la Baie Ste Anne (La), Reel des esquimaults, Ste Agathe,
|f_aka=Burravoe Rattler (The), Esquimaults Reel, Quadrille du loup garou - 4ème partie, Reel de la Baie Ste Anne (La), Reel des esquimaults, Reel St-Anne, Ste Agathe,
|f_country=Ireland, Canada, United States
|f_country=Ireland, Canada, United States
|f_genre=Cape Breton/PEI, Québécois/Acadian
|f_genre=Cape Breton/PEI, Québécois/Acadian
Line 16: Line 17:
|f_page=p. 14
|f_page=p. 14
|f_theme_code_index=3H3H3H1H 5333
|f_theme_code_index=3H3H3H1H 5333
|f_pdf_score=[[File:St Anne's Reel.pdf|thumb|left|200px|page=1|St Anne's Reel]]
|f_score=1
|f_score=1
|f_media=[[File:Stannes.mp3|thumb|"St. Anne's Reel". Don Messer c. 1947]]
|f_media={{FeaturedTunes  |f_track=St Annes Reel.mp3 |f_artwork=AcousticG.jpg |f_tune_name=St. Anne's Reel |f_played_by=[https://soundcloud.com/jdsaviator Jeff Smith] |f_notes=Well-known in a number of genres in the English-speaking world as '''St. Anne's Reel'''. |f_source=[https://soundcloud.com/jdsaviator/st-annes-reel Soundcloud] |f_pix=220  |f_picpix=80  |f_piclink=St._Anne's_Reel }}
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----
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<section begin=abc />
<section begin=abc />
X:1
X:1
T:St. Anne's Reel
M:C|
L:1/8
N:From an August 1, 1966, field recording of the playing of Fidel
N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded
N:by folklorist Art Rosenbaum.  Martin, a WWI veteran, had a varied repertory that
N:consisted of "Down East", Acadian, Irish, American and French-Canadian tunes.
D: https://bmac.libs.uga.edu/index.php/Detail/objects/331630
F:UGA Brown Media Archives: identifier artrosen_00180 (Track 16 -12:04 of the tape)
Z:Transcribed by Andrew Kuntz
K:D
V:1 clef=treble name="0."
[V:1] Ad|fdf-g {fg}f-edz|AFAA AFAd|BGBB BG(Bd/B/)|AAAF DFAd|
Jf3f {g}fedB|AFAA AFAd|BGBB cABc|dfec (d/c/d)Ad|
ff2f {g}fedB|AFAA AFAd|BGBB BG(Bd/B/)|AAAF DFAd|
Jf3f {g}fedB|AAAF DFAd|BGBB cABc|dfef (d/c/d)||
ag|fdff fdfa|gggf (g/f/g)gf|eceg eceg|baa^g (a/g/a)-aa|
fdfa fdfa|gggf (g/f/g)gg|eccB Aceg|(f/g/f)ec d2Ag|
fdfa fdfa|gggf (g/f/g)gg|eceg eceg|baa^g a3a|
fdfa fdfa|gggf (g/f/g){f}gf|ecec Acee|fdec .d2||
<section end=abc />
<section begin=X2 />
X:2
T:St. Anne’s Reel
T:St. Anne’s Reel
T:as played by Fidel Martin, 1966-08-01
S:Fidel Martin
M:4/4
L:1/16
Q:1/4=110
%alternatively, it could be in 4/2 with the following. (That lets us use the swing feature in Michael Eskin's tool but is less to my taste.)
%M:4/2
%L:1/8
%Q:1/4=220
N:1. I think this was played on a violin tuned one whole tone down.
N: So the top three strings are DGC. Maybe the last one is an F?
N:2. Notated in 4/4, with semiquavers (aka quarter notes) as the basic unit,
N:as that’s the way I generally prefer writing reels these days.
N:3. For the ornaments and phrasing, this is just a rough outline. It’s best
N:of course to refer to the original recording.
N:4. It’s interesting to compare this transcription with from A. Kuntz’s
N:one, as both are based on the same recording. Apart from the differences
N:in key signature and meter, there are only a few other significant
N:differences.
N:5. (The following notes are copied from A. Kuntz.)
N:From an August 1, 1966, field recording of the playing of Fidel
N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded
N:by folklorist Art Rosenbaum.  Martin, a WWI veteran, had a varied repertory that
N:consisted of "Down East", Acadian, Irish, American and French-Canadian tunes.
F:https://bmac.libs.uga.edu/Detail/objects/331630
Z:abc-transcription Malcolm Schonfield (using A. Kuntz’s transcription
Z:as a starting point)%2024-06-19, 20, 25, 26
Z:abc-copyright CC BY-NC 2.0 (https://creativecommons.org/licenses/by-nc/2.0/fr/deed.en)
%abcjs_soundfont fluid
%%MIDI program 40
K:C %_/g =G %K:C _/B
V:1 clef=treble name="1."
[V:1] [P:A]Gc|ece>f ed.c2  GEGG GEGc|AFAA AF(AB/A/)  GGGE CEGc|
!slide!e3e {f}edcA  GEGG GEGc|AFAA BGAB  cedB c2Gc|
e"<("e">)"ee {f}edcA  GEGG GEGc|AFAA AF(AB/A/)  GGGE CEGc|
e3e {f}edcA  GGGE CEGB|AFAA BGAB  cedB .c2 
[P:B][|]gf&\
G2|ecee eceg  fffe f3f|d_/Bdf dBdf  aggf {gf}g3g|
eceg eceg  f2fe {fe}f3f|dBBA GBdf  {ef}e2dB c2gf &\
x14G2|
eceg eceg  f2fe {fe}f3f|dBdf dBdf  &\
x2G2 x2"<("">)"G2 [|] aggf g3g |
eceg eceg {fe}f2{ef}e2  &\
x2G2 G2G2 x2"<("">)"G2 [|] f2fe | dBdB GBdd  ecdB .c2 &\
x2G2 x2GG x2G2x2[|] 
[P:A (second time)]Gc|ecef edcA  [|] GEGG GEGc &\
x2CCCx C2|AFAA AF(AB/A/)  &\
x2CCCx C2[|] GGGE CEGc|
e3e {f}edcA GEGG GEGB &\
x3G2 x3 Cx C2 x2C2    | AFAA BGAB &\
x2CC "_ poco rall."x2C2 [|]  cedB .!>!c2|]
<section end=X2 />
<section begin=X3 />
X:3
T:St. Anne's Reel
S:An archival field recording of Acadian fiddler Andre' 'a Toto Savoie
S:(1941-2014), c. 1970's-80's, via Seattle fiddler Devon Leger.
N:Devon instructs that Savoie would play 4th finger notes a bit flat
N:(microtone), and Devon slides into the slightly flattened 'b' notes
N:in the second strain.
M:C|
L:1/8
D:https://www.youtube.com/watch?v=IrPSa-2rYRQ
Z:AK/Fiddler's Companion
K:D
V:1 clef=treble name="2."
[V:1] Ad|f2 fg fedB|"*"AFdF Adzd|BGdG Bdzd|AFdF Adzd|
f2 fg fedB|AFdF FdFd|BGBd cAce|dfec- d2:|
|:d2|aAfA aAfa|zaJbf afga|gfec acea|zabf afaa|
agfA aAfa|zaJbf afga|gfec acAc| ea (3fgf ec d2:|
P:Substitution
"*"AFdF FdFd|BGdG GdGd|AFdF FdFd||
<section end=X3 />
<section begin=X4 />
X:4
T:St. Anne's Reel
L:1/8
L:1/8
M:C|
M:C|
Line 46: Line 147:
Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
K:D
K:D
de|f2 (fg) fedB|A2 F2 F3 A|B2G2G2 (FG)|B2A2A2 a2|
V:1 clef=treble name="3."
[V:1] de|f2 (fg) fedB|A2 F2 F3 A|B2G2G2 (FG)|B2A2A2 a2|
f2 (fg) fedB|A2 FA DFAd|(BG)Bd (cA)cd|(e d2 )e d2:|
f2 (fg) fedB|A2 FA DFAd|(BG)Bd (cA)cd|(e d2 )e d2:|
|:ag|fdf(a fd)fg|ag2(a g2)(gf)|e(dcB) Ace^g|ba2b a2 (ag)|
|:ag|fdf(a fd)fg|ag2(a g2)(gf)|e(dcB) Ace^g|ba2b a2 (ag)|
fdf(a fd)fg|ag2(a g2) (gf)|e(dcB) Aceg|f d3 d2:||
fdf(a fd)fg|ag2(a g2) (gf)|e(dcB) Aceg|f d3 d2:||
<section end=abc />
<section end=X4 />
<section begin=X1 />
<section begin=X5 />
X:40
X:5
T:Saint Anne's Reel
T:Saint Anne's Reel
S:Kilkenny Tavern sessions, London
S:Kilkenny Tavern sessions, London
Line 65: Line 167:
L:1/8
L:1/8
K:D
K:D
de|:fedf edcB|A2FA DAFA|B2GB EBGB|A2FA DAFA|
V:1 clef=treble name="4."
[V:1] de|:fedf edcB|A2FA DAFA|B2GB EBGB|A2FA DAFA|
|fedf edcB|A2FA DAFA|Beed cABc|eddc d2de:|]
|fedf edcB|A2FA DAFA|Beed cABc|eddc d2de:|]
|f2fg fedc|Bggf ~g3f|edcB ABce|baa^g ~a3=g|
|f2fg fedc|Bggf ~g3f|edcB ABce|baa^g ~a3=g|
|f2fg fedc|Bggf ~g3f|edcB Aceg|[1 fdec d2de:|][2 fdec d2|]
|f2fg fedc|Bggf ~g3f|edcB Aceg|[1 fdec d2de:|][2 fdec d2|]
<section end=X1 />
<section end=X4 />
<section begin=X7 />
X:1
T:Reel St-Anne
S:Accordion player Jean-Paul Ouellette (southeastern New Brunswick)
M:C
L:1/8
F:https://tspace.library.utoronto.ca/bitstream/1807/31722/1/Cormier_Joel_201111_DMA_Thesis.pdf
B:Joel Cormier - "Acadian Accordion Music in South Eastern New Brunswick" (2011, Phd Thesis, p. 111)
Z:abc’s AK/Fiddler's Companion
K:A
C/E/A/|:Sc>d c/B/A/F/ EC/E/- E/C/E/A/|FD/D/ -DF EC/E/- E/C/E/A/|
c>d c/B/A/F/ C/E/- E/C/E/A/|1 F/D/F/A/ F/E/F/G/ A/c/B/G/ A/C/E/A/:|2 F/D/F/A/ F/E/F/G/ A/c/B/G/ Ae/B/||
|:c/A/c/e/ c/A/c/e/ d>c d>c|B/A/G/F/ E/G/B/d/ e>d e>B|c/A/c/e/ c/A/c/e/ d>c d>c|
|1 B/A/G/F/ E/G/B/d/ cB/G/ Ae/B/:|2 B/A/G/F/ E/G/B/d/ cB/G/ A/C/E/A/S||
<section end=X7 />
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__NOTITLE__
__NOTITLE__

Latest revision as of 23:50, 30 September 2024


St. Anne's Reel  Click on the tune title to see or modify St. Anne's Reel's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:St. Anne's Reel
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 Theme code Index    3H3H3H1H 5333
 Also known as    Burravoe Rattler (The), Esquimaults Reel, Quadrille du loup garou - 4ème partie, Reel de la Baie Ste Anne (La), Reel des esquimaults, Reel St-Anne, Ste Agathe
 Composer/Core Source    
 Region    Ireland, Canada, United States
 Genre/Style    Cape Breton/PEI, Québécois/Acadian
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    D
 Accidental    2 flats
 Mode    Ionian (Major)
 Time signature    2/4
 History    CANADA(Québec)
 Structure    AABB
 Editor/Compiler    Biography:Pat McNulty
 Book/Manuscript title    Book:Dance Music of Ireland
 Tune and/or Page number    p. 14
 Year of publication/Date of MS    1965
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
St. Anne's Reel

Played by: Jeff Smith
Source: Soundcloud
Image: Well-known in a number of genres in the English-speaking world as St. Anne's Reel.
 Score   (1)   
St Anne's Reel





St. Anne's Reel

X:1 T:St. Anne's Reel M:C| L:1/8 N:From an August 1, 1966, field recording of the playing of Fidel N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a varied repertory that N:consisted of "Down East", Acadian, Irish, American and French-Canadian tunes. D: https://bmac.libs.uga.edu/index.php/Detail/objects/331630 F:UGA Brown Media Archives: identifier artrosen_00180 (Track 16 -12:04 of the tape) Z:Transcribed by Andrew Kuntz K:D V:1 clef=treble name="0." [V:1] Ad|fdf-g {fg}f-edz|AFAA AFAd|BGBB BG(Bd/B/)|AAAF DFAd| Jf3f {g}fedB|AFAA AFAd|BGBB cABc|dfec (d/c/d)Ad| ff2f {g}fedB|AFAA AFAd|BGBB BG(Bd/B/)|AAAF DFAd| Jf3f {g}fedB|AAAF DFAd|BGBB cABc|dfef (d/c/d)|| ag|fdff fdfa|gggf (g/f/g)gf|eceg eceg|baa^g (a/g/a)-aa| fdfa fdfa|gggf (g/f/g)gg|eccB Aceg|(f/g/f)ec d2Ag| fdfa fdfa|gggf (g/f/g)gg|eceg eceg|baa^g a3a| fdfa fdfa|gggf (g/f/g){f}gf|ecec Acee|fdec .d2||


X:2 T:St. Anne’s Reel T:as played by Fidel Martin, 1966-08-01 S:Fidel Martin M:4/4 L:1/16 Q:1/4=110 %alternatively, it could be in 4/2 with the following. (That lets us use the swing feature in Michael Eskin's tool but is less to my taste.) %M:4/2 %L:1/8 %Q:1/4=220 N:1. I think this was played on a violin tuned one whole tone down. N: So the top three strings are DGC. Maybe the last one is an F? N:2. Notated in 4/4, with semiquavers (aka quarter notes) as the basic unit, N:as that’s the way I generally prefer writing reels these days. N:3. For the ornaments and phrasing, this is just a rough outline. It’s best N:of course to refer to the original recording. N:4. It’s interesting to compare this transcription with from A. Kuntz’s N:one, as both are based on the same recording. Apart from the differences N:in key signature and meter, there are only a few other significant N:differences. N:5. (The following notes are copied from A. Kuntz.) N:From an August 1, 1966, field recording of the playing of Fidel N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a varied repertory that N:consisted of "Down East", Acadian, Irish, American and French-Canadian tunes. F:https://bmac.libs.uga.edu/Detail/objects/331630 Z:abc-transcription Malcolm Schonfield (using A. Kuntz’s transcription Z:as a starting point)%2024-06-19, 20, 25, 26 Z:abc-copyright CC BY-NC 2.0 (https://creativecommons.org/licenses/by-nc/2.0/fr/deed.en) %abcjs_soundfont fluid %%MIDI program 40 K:C %_/g =G %K:C _/B V:1 clef=treble name="1." [V:1] [P:A]Gc|ece>f ed.c2 GEGG GEGc|AFAA AF(AB/A/) GGGE CEGc| !slide!e3e {f}edcA GEGG GEGc|AFAA BGAB cedB c2Gc| e"<("e">)"ee {f}edcA GEGG GEGc|AFAA AF(AB/A/) GGGE CEGc| e3e {f}edcA GGGE CEGB|AFAA BGAB cedB .c2 [P:B][|]gf&\ G2|ecee eceg fffe f3f|d_/Bdf dBdf aggf {gf}g3g| eceg eceg f2fe {fe}f3f|dBBA GBdf {ef}e2dB c2gf &\ x14G2| eceg eceg f2fe {fe}f3f|dBdf dBdf &\ x2G2 x2"<("">)"G2 [|] aggf g3g | eceg eceg {fe}f2{ef}e2 &\ x2G2 G2G2 x2"<("">)"G2 [|] f2fe | dBdB GBdd ecdB .c2 &\ x2G2 x2GG x2G2x2[|] [P:A (second time)]Gc|ecef edcA [|] GEGG GEGc &\ x2CCCx C2|AFAA AF(AB/A/) &\ x2CCCx C2[|] GGGE CEGc| e3e {f}edcA GEGG GEGB &\ x3G2 x3 Cx C2 x2C2 | AFAA BGAB &\ x2CC "_ poco rall."x2C2 [|] cedB .!>!c2|]


X:3 T:St. Anne's Reel S:An archival field recording of Acadian fiddler Andre' 'a Toto Savoie S:(1941-2014), c. 1970's-80's, via Seattle fiddler Devon Leger. N:Devon instructs that Savoie would play 4th finger notes a bit flat N:(microtone), and Devon slides into the slightly flattened 'b' notes N:in the second strain. M:C| L:1/8 D:https://www.youtube.com/watch?v=IrPSa-2rYRQ Z:AK/Fiddler's Companion K:D V:1 clef=treble name="2." [V:1] Ad|f2 fg fedB|"*"AFdF Adzd|BGdG Bdzd|AFdF Adzd| f2 fg fedB|AFdF FdFd|BGBd cAce|dfec- d2:| |:d2|aAfA aAfa|zaJbf afga|gfec acea|zabf afaa| agfA aAfa|zaJbf afga|gfec acAc| ea (3fgf ec d2:| P:Substitution "*"AFdF FdFd|BGdG GdGd|AFdF FdFd||


X:4 T:St. Anne's Reel L:1/8 M:C| S:Jay Ungar (Hudson Valley, New York, 1980) Z:AK/Fiddler’s Companion K:D V:1 clef=treble name="3." [V:1] de|f2 (fg) fedB|A2 F2 F3 A|B2G2G2 (FG)|B2A2A2 a2| f2 (fg) fedB|A2 FA DFAd|(BG)Bd (cA)cd|(e d2 )e d2:| |:ag|fdf(a fd)fg|ag2(a g2)(gf)|e(dcB) Ace^g|ba2b a2 (ag)| fdf(a fd)fg|ag2(a g2) (gf)|e(dcB) Aceg|f d3 d2:||


X:5 T:Saint Anne's Reel S:Kilkenny Tavern sessions, London N:A French Canadian reel first published in 1937, N:perhaps developed out of an Irish original such N:as 'The Factory Lass' in O'Neill's Waifs & Strays, N:No. 232, which he picked up at a Gaelic Park N:concert in Chicago in 1922. Z:ATB R:reel M:4/4 L:1/8 K:D V:1 clef=treble name="4." [V:1] de|:fedf edcB|A2FA DAFA|B2GB EBGB|A2FA DAFA| |fedf edcB|A2FA DAFA|Beed cABc|eddc d2de:|] |f2fg fedc|Bggf ~g3f|edcB ABce|baa^g ~a3=g| |f2fg fedc|Bggf ~g3f|edcB Aceg|[1 fdec d2de:|][2 fdec d2|]


X:1 T:Reel St-Anne S:Accordion player Jean-Paul Ouellette (southeastern New Brunswick) M:C L:1/8 F:https://tspace.library.utoronto.ca/bitstream/1807/31722/1/Cormier_Joel_201111_DMA_Thesis.pdf B:Joel Cormier - "Acadian Accordion Music in South Eastern New Brunswick" (2011, Phd Thesis, p. 111) Z:abc’s AK/Fiddler's Companion K:A C/E/A/|:Sc>d c/B/A/F/ EC/E/- E/C/E/A/|FD/D/ -DF EC/E/- E/C/E/A/| c>d c/B/A/F/ C/E/- E/C/E/A/|1 F/D/F/A/ F/E/F/G/ A/c/B/G/ A/C/E/A/:|2 F/D/F/A/ F/E/F/G/ A/c/B/G/ Ae/B/|| |:c/A/c/e/ c/A/c/e/ d>c d>c|B/A/G/F/ E/G/B/d/ e>d e>B|c/A/c/e/ c/A/c/e/ d>c d>c| |1 B/A/G/F/ E/G/B/d/ cB/G/ Ae/B/:|2 B/A/G/F/ E/G/B/d/ cB/G/ A/C/E/A/S||


St. Anne's Reel

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