Bride's March (The): Difference between revisions

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|f_genre=Shetland/Orkney
|f_genre=Shetland/Orkney
|f_rhythm=Air/Lament/Listening Piece
|f_rhythm=Air/Lament/Listening Piece
|f_time_signature=3/4, 12/8
|f_time_signature=12/8, 3/4
|f_history=<b>Scotland</b>/Shetland/Orkney
|f_key=G
|f_accidental=1 sharp
|f_mode=Ionian (Major)
|f_history=SCOTLAND(Shetland/Orkney)
|f_structure=AABB
|f_book_title=Mirrie Dancers (Da)
|f_book_title=Mirrie Dancers (Da)
|f_collector=Tom Anderson & Tom Georgeson,  
|f_collector=Tom Anderson & Tom Georgeson,
|f_year=1970
|f_year=1970
|f_page=p. 11
|f_page=p. 11
|f_theme_code_index=1H1H1H2H 1H276
|f_theme_code_index=1H1H1H2H 1H276
}}
}}
<p><font face="garamond, serif" size="4">
<div class="noprint">
'''BRIDE'S MARCH, THE'''. AKA and see "A Scottish March." Shetland, Air (3/4 or 12/8 time). Shetland, West side. G Major. Standard tuning (fiddle). AAB. Cooke (1986) finds that Stickle's version of "The Bride's March" is similar to the Northumbrian song air called "The Rock and the/a Wee Pickle Tow." According to Stickle (who related the story to the collector Pat Shuldham-Shaw), the melody was a processional tune used to accompany the wedding party from the kirk after the marriage. "From almost every house passed on the way," related Stickle, "there would come a fiddler on the doorstep who would play this tune as the procession passed." Cooke remarks that if the locals were aware of the traditional text of the song, it must have been the cause for some levity, "and, at the same time, could serve as a warning to future young wives, for it takes the form of an 'auld wife's' lament of the difficulties of learning the wifely art of spinning."  John Playford published the tune in his Musick's Handmaid (1678) under the title "A Scottish March," which suggests to Cooke that the piece may well have been used as a bridal march in Scotland at an earlier time. 
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''Source for notated version'': John Stickle (Shetland) [Cooke]; Peter Fraser (Shetland) [Anderson & Georgeson].
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''Printed sources:'' Anderson & Georgeson ('''Da Mirrie Dancers'''), 1970; p. 11. Cooke ('''The Fiddle Tradition of the Shetland Isles'''), 1986; Ex. 32 (b), p. 84.
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<section begin=abc />
<pre>
X:1
X:1
%
T:Da Bride's March
T:Da Bride's March
L:1/8
L:1/8
M:12/8
M:12/8
K:G
K:G
e|:gde gde gab {ab}age|gdB A2g fga e3|gde gde gab|{ab}age|
e|:gde gde gab {ab}age|gdB A2g fga e3|
gdB (3ABc A2 BAG G2z:|c|:BGA Bgd (3BAB d BAG|
gde gde gab {ab}age|gdB (3ABc A2 BAG G2z:|
{EF}E D2 D2g fga A2c|{c}BGA Bgd {c}BAB d {c}BAG|EGA BdA {c}BAG G2z:||
c|:BGA Bgd (3BAB d BAG|{EF}E D2 D2g fga A2c|
 
{c}BGA Bgd {c}(3BAB d {c}BAG|EGA BdA {c}BAG G2z:||
</pre>
<section end=abc />
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'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
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<div class="noprint">
Engraver Valerio M. Pelliccioni
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Latest revision as of 20:47, 7 June 2018


Bride's March (The)  Click on the tune title to see or modify Bride's March (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Bride's March (The)
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 Theme code Index    1H1H1H2H 1H276
 Also known as    Scottish March (A)
 Composer/Core Source    
 Region    Scotland
 Genre/Style    Shetland/Orkney
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    12/8, 3/4
 History    SCOTLAND(Shetland/Orkney)
 Structure    AABB
 Editor/Compiler    Biography:Tom Anderson & Tom Georgeson
 Book/Manuscript title    Book:Mirrie Dancers (Da)
 Tune and/or Page number    p. 11
 Year of publication/Date of MS    1970
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


Bride's March (The): Annotations

X:1 % T:Da Bride's March L:1/8 M:12/8 K:G e|:gde gde gab {ab}age|gdB A2g fga e3| gde gde gab {ab}age|gdB (3ABc A2 BAG G2z:| c|:BGA Bgd (3BAB d BAG|{EF}E D2 D2g fga A2c| {c}BGA Bgd {c}(3BAB d {c}BAG|EGA BdA {c}BAG G2z:||


Bride's March (The): Annotations

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