Annotation:Kennet's Dream: Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Kennet's_Dream > | |||
'''KENNET'S DREAM'''. Scottish, Air (3/4 time). AEac# tuning (fiddle). AABB. The melody appears in James Oswald's (1710-1796) Caledonian Pocket Companion ( | |f_annotation='''KENNET'S DREAM'''. Scottish, Air (3/4 time). AEac# tuning (fiddle). AABB. The melody appears in James Oswald's (1710-1796) '''Caledonian Pocket Companion''' (Book 10, 1760, p. 20), printed as a slow air with variations (including a jig-time setting). Oswald was a composer and publisher of music, and a dancing master, much influenced by Continental music. A variant of the air is called "[[Old Head of Denis (The)]]," printed in O'Neill's '''Music of Ireland''' (1903). In fact, variants are numerous and many. "Kennet's Dream" has been identified by Cazden, Haufrecht & Studer ('''Folk Songs of the Catskills''', 1982) as an ancestral tune to a number of folk-song airs in Britain and Ireland, and in North America, calling it "among the most widespread in the Anglo-American tradition." . In the authors' entry on the song "Rock Island Line" they discuss the numerous variants that include Thomas Moore's "The Meeting of the Waters", Child's "Lord Randall" (12), and even the cowboy song "Dreary Black Hills." They write (p. 350): | ||
<blockquote> | <blockquote> | ||
''But probably the most productive source of later tune, using the typical Come-All-Ye or a-b-b-a phrase sequence of [Rock Island'' | ''But probably the most productive source of later tune, using the typical Come-All-Ye or a-b-b-a phrase sequence of [Rock Island'' | ||
| Line 12: | Line 12: | ||
''the 1750's, contains a closely matching instrumental tune with the title "Kennet's Dream." It shows an a-a'-b-a' phrase sequence'' | ''the 1750's, contains a closely matching instrumental tune with the title "Kennet's Dream." It shows an a-a'-b-a' phrase sequence'' | ||
''more appropriate to a dance tune, and its melodic contour lies partly concealed beneath a ''scordatura'', or variant tuning,'' | ''more appropriate to a dance tune, and its melodic contour lies partly concealed beneath a ''scordatura'', or variant tuning,'' | ||
''for the violin. In an earlier volume, Oswald had presented another form of the tune strain as "[Johnny] Armstrong's Farewell | ''for the violin. In an earlier volume, Oswald had presented another form of the tune strain as "[Johnny] Armstrong's Farewell" '' | ||
''While the repeated ''a'' phrase of that form is unmistakable, the tune is later extended and elaborated through instrumental'' | ''[[Johnny Armstrong]]. While the repeated ''a'' phrase of that form is unmistakable, the tune is later extended and elaborated'' ''through instrumental'' | ||
''flourishes beyond a recognizable definition of its ''b'' phrase. Along with a related, simpler, and perhaps earlier version of'' | ''flourishes beyond a recognizable definition of its ''b'' phrase. Along with a related, simpler, and perhaps earlier version of'' | ||
''it entitled "Johnny Armstrang's Dance" (Stenhouse), this is the source or the tunes contributed by Robert Burns to the ''' | ''it entitled "Johnny Armstrang's Dance" (Stenhouse), this is the source or the tunes contributed by Robert Burns to the'' | ||
''Musical Museum''' for Child 169, "Johnnie Armstrong" and for the ditty "Todlin Hame." '' | '' '''Scots Musical Museum''' for Child 169, "Johnnie Armstrong" and for the ditty "Todlin Hame." '' | ||
</blockquote> | </blockquote> | ||
See also [[Annotation:Lude's Lament]]. | |||
|f_source_for_notated_version= | |||
|f_printed_sources= Martin ('''Traditional Scottish Fiddling'''), 2002; p. 29. James Oswald ('''Caledonian Pocket Companion Book 10'''), London, 1760; p. 20. | |||
|f_recorded_sources= | |||
|f_see_also_listing= | |||
}} | |||
'' | |||
Latest revision as of 01:22, 28 July 2023
X:1 T:Kennet’s Dream M:3/4 L:1/8 R:Air Q:"Slow" N:The tune, in scordatura fiddle tuning, AEac#, is written to be played as N:it would be fingered in regular (GDae) tuning. B:James Oswald – Caledonian Pocket Companion vol. 10 (1760, p. 20) F: https://digital.nls.uk/special-collections-of-printed-music/archive/94600356?mode=transcription Z:AK/Fiddler’s Companion K:A [^c4e4] B2|A2E2D2|D2E2A2|T[D4B4](AB)|[^c4e4]B2|{B}A2E2D2|D2E2 (AB)|A6:| |:[A4e4][A2g2]|[A4g4]a2|g2e2A2|TB2A2B2|[^c4e4]B2|A2E2D2|D2E2 AB|A4:| M:6/8 "Brisk"e2B AED|DEA TBAB|^c2B AED|DEA A3:| |:e2g g2a|geA TBAB|[^c2e2]g g2a|geA [D3B3]:| |:[Ae][Ae][Ae] [Ae][Ae][Ae]|[^FB][FB][FB] [FB][FB][FB]|A2G, B,DA|BA^F A3:| gAg aAa|gfe TB2A|gAg aAa|gfe [D3B3]:| |:g(e/f/g/e/) a(f/g/a/f/)|gfe TBAB|[^c2e2]G, B,DA|dB^F [G,2A2]:|]
KENNET'S DREAM. Scottish, Air (3/4 time). AEac# tuning (fiddle). AABB. The melody appears in James Oswald's (1710-1796) Caledonian Pocket Companion (Book 10, 1760, p. 20), printed as a slow air with variations (including a jig-time setting). Oswald was a composer and publisher of music, and a dancing master, much influenced by Continental music. A variant of the air is called "Old Head of Denis (The)," printed in O'Neill's Music of Ireland (1903). In fact, variants are numerous and many. "Kennet's Dream" has been identified by Cazden, Haufrecht & Studer (Folk Songs of the Catskills, 1982) as an ancestral tune to a number of folk-song airs in Britain and Ireland, and in North America, calling it "among the most widespread in the Anglo-American tradition." . In the authors' entry on the song "Rock Island Line" they discuss the numerous variants that include Thomas Moore's "The Meeting of the Waters", Child's "Lord Randall" (12), and even the cowboy song "Dreary Black Hills." They write (p. 350):
But probably the most productive source of later tune, using the typical Come-All-Ye or a-b-b-a phrase sequence of [Rock Island Line], is "The Green Bushes," or better, one of the two well-known tunes bearing that name. That setting probably gives adequate justification for the common designation of the tune, first by its publisher George Henry Davidson and later by Frank Kidson and Alfred Moffat, as "an old Irish folk song."
Yet the tune had appeared earlier in Scotland. Volume Ten of James Oswoald's Caledonian Pocket Companion, published during the 1750's, contains a closely matching instrumental tune with the title "Kennet's Dream." It shows an a-a'-b-a' phrase sequence more appropriate to a dance tune, and its melodic contour lies partly concealed beneath a scordatura, or variant tuning, for the violin. In an earlier volume, Oswald had presented another form of the tune strain as "[Johnny] Armstrong's Farewell" Johnny Armstrong. While the repeated a phrase of that form is unmistakable, the tune is later extended and elaborated through instrumental flourishes beyond a recognizable definition of its b phrase. Along with a related, simpler, and perhaps earlier version of it entitled "Johnny Armstrang's Dance" (Stenhouse), this is the source or the tunes contributed by Robert Burns to the Scots Musical Museum for Child 169, "Johnnie Armstrong" and for the ditty "Todlin Hame."
See also Annotation:Lude's Lament.
