Buffoon (2) (The): Difference between revisions

Find traditional instrumental music
No edit summary
No edit summary
 
(3 intermediate revisions by 2 users not shown)
Line 8: Line 8:
|f_accidental=1 sharp
|f_accidental=1 sharp
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_history=<b>England</b>/West Midlands
|f_history=ENGLAND(West Midlands)
|f_structure=AB
|f_structure=AB
|f_book_title=Morris Ring (The)
|f_book_title=Morris Ring (The)
Line 16: Line 16:
|f_theme_code_index=1332 4443
|f_theme_code_index=1332 4443
}}
}}
<p><font face="garamond, serif" size="4">
<div class="noprint">
'''BUFFOON [2], THE'''. English, Morris Dance Tune (4/4 time). G Major. Standard tuning (fiddle). AB. A related tune to the Adderbury version, collected in the village of Ilmington, Warwickshire, England. This mention of comedy is wholly relevant. If you look at a reconstruction of the dance on youtube.com (by searching “3 kick, wyresdale”) you will hear a lot of laughter from the audience. This is initiated when the dancers start an arse-kicking sequence (in Wyresdale the hopping dance was simply known as “Greensleeves” and in a local fiddler’s tune book from 1789 the tune Greensleeves is also titled “kick my A—E”). I have found this the hardest part of my investigation because comedy is so ephemeral and difficult to deal with in an ancient historical context. This repeated kicking chorus may have had a separate history. It occurs in the Ilmington Buffoon Cotswold Morris Dance and it seems to be related to Pimponpet which is listed as one of Gargantua’s Games by Rabelais (c.1494-1553). In Randle Cotgraves English/French Dictionary published 1611 it is described as “A kind of game wherein three hit each other on the bumme with one of their feet”. In 1653, Thomas Urquhart, translator of Rabelais, seems to have been familiar with Pimponpet and translates it as Bumdockdousse.
=[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]=
<br>
</div>
<br>
<!-- SUBSTITUTE THE ABC NOTATION BELOW (BETWEEN THE <SECTION BEGIN /><SECTION END /> TAGS) WITH YOUR OWN NOTATION (IF ANY) -->
''Printed source:'' Bacon ('''The Morris  Ring'''), 1974; p. 221.
</font></p>


----
----
 
<section begin=abc />
<pre>
X:1
X: 1
%
T:The Buffoon, Ilmington
T:The Buffoon, Ilmington
M:4/4
M:4/4
Line 39: Line 37:
d2g2 g3 f|e2c2 c4  |A2a2 a3 g|f2d2 d4|
d2g2 g3 f|e2c2 c4  |A2a2 a3 g|f2d2 d4|
d2g2 g3 f|e2c2 c4  |A2d2 dedc|B2G2 G4||
d2g2 g3 f|e2c2 c4  |A2d2 dedc|B2G2 G4||
 
<section end=abc />
</pre>
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED -->
----
<section begin=X1 />
<p><font face="garamond, serif" size="4">
<section end=X1 />
'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
<div class="noprint">
<br>
=[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]=
Engraver Valerio M. Pelliccioni
</div>
</font></p>
__NOTITLE__

Latest revision as of 21:22, 4 May 2018


Buffoon (2) (The)  Click on the tune title to see or modify Buffoon (2) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Buffoon (2) (The)
Query the Archive
Query the Archive
 Theme code Index    1332 4443
 Also known as    
 Composer/Core Source    
 Region    England
 Genre/Style    Morris
 Meter/Rhythm    Country Dance
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    4/4
 History    ENGLAND(West Midlands)
 Structure    AB
 Editor/Compiler    Biography:Lionel Bacon
 Book/Manuscript title    Book:Morris Ring (The)
 Tune and/or Page number    p. 221
 Year of publication/Date of MS    1974
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   



X:1 % T:The Buffoon, Ilmington M:4/4 L:1/8 A:Ilmington P:A(AB2)4 K:G P:A G2B2 B2AB|c2c2 c2B2|F2B2 c2AG|F2d2 d4| G2B2 B2AB|c2c2 c2B2|A2d2 dedc|B2G2 G4|| P:B d2g2 g3 f|e2c2 c4 |A2a2 a3 g|f2d2 d4| d2g2 g3 f|e2c2 c4 |A2d2 dedc|B2G2 G4||