Bumper Squire Jones: Difference between revisions

Find traditional instrumental music
No edit summary
No edit summary
 
(43 intermediate revisions by 2 users not shown)
Line 1: Line 1:
{{Abctune
{{Abctune
|f_tune_title=Bumper Squire Jones
|f_tune_title=Bumper Squire Jones
|f_aka=Bumpers Squire Jones
|f_aka=Bumpers Squire Jones, Bumpers Esquire Jones, Thomas Morres Jones
|f_composer=Turlough O'Carolan
|f_composer=Turlough O'Carolan
|f_country=Ireland
|f_country=Ireland
Line 11: Line 11:
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AB
|f_structure=AB
|f_book_title=12 English and 12 Irish Airs with Variations
|f_collector=Burk Thumoth
|f_year=1746
|f_page=No. 9, pp. 18-19
|f_theme_code_index=3134 6431H
|f_score=1
|f_player=Mick O'Brien
|f_album=May Morning Dew
}}
}}
<p><font face="garamond, serif" size="4">
<!-- THIS IS FOR SEARCH ENGINE OPTIMIZATION -->
BUMPER(S,) SQUIRE JONES. AKA and see "Thomas Morres Jones." Irish, Air (6/8 time). D Major. Standard tuning (fiddle). AB. Composed by blind Irish harper Turlough O'Carolan (1670-1738). Though not often added, a coma should appear in the title after the first word rendering the title's meaning a cup filled to the brim in toast to Squire Jones ('bumpers'). In fact, "Bumpers all round and no heel taps" was the convivial call to do special honor in drinking a toast. The term bumper has been traced to two sources, both doubtful, says Hawkwood (1909). First, it was thought by some to have derived from the custom of monks drinking to the head of their fraternity as au bon père. The second explanation is that it refers to a glass or cup so filled that it "bumps" up in the middle, the liquid being higher in the centre than at the brim. One drinks a bumper at one draught and is expected to turn it upside down to show that it has been enthusiastically empitied of is contents. The 'heel taps' referred to in the call above is a term derived from a peg in the heel of a shoe, that the shoemaker removed last when work was complete; heel tap in the sense of the toast would be to 'drink up and leave not a drop (heel tap)'.
<!-- ************ DON'T TOUCH ************* -->
***
{{#seo:
Thus the song belongs in the group of O'Carolan's bacchanalian compositions, for which he was justly famous, though the English paraphrase of the original Gaelic was not written until 1730 when it was rendered by Arthur Dawson, Baron of the Exchequer.  In fact, O'Carolan composed the song prior to October, 1729, according to an entry in the diary of young Charles O'Conor, a harp pupil of the bards, who wrote: "Wednesday, 8th. I got Squire Jones from him today, and no thanks to him for that." There has been some speculation that the tune was originally composed by a London dancing master and published by Playford in 1703 as "The Rummer," although Donal O'Sullivan (1958), in his definitive work on O'Carolan, concludes that the commonalties of the two tunes are not enough to sustain the assertion. O'Sullivan does conclude that the English lyrics were penned by Dawson and that they are far superior to O'Carolan's "indifferent" Irish lyric. The composition was publicly championed for O'Carolan by Bunting, after he found attributions in the 1780 issue of the bard's tunes by S. Lee and in The Hibernian Muse (c. 1787). The tune is in Himes' reissue of O'Carolan's tunes, c. 1800-10, though Hime did not credit it to the harper when he printed it in '''New Selection...Original Irish Airs''' (c. 1800).
|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
<br>
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
<br>
|image=TUC-160x120.png
The Squire Jones referred to, states Flood (1906), was Thomas Morris Jones of Moneyglass, Co. Leitrim, and not, as Bunting asserts, Mr. Jones of Moneygalss, Co. Antrim. O'Neill (1913) relates that while enjoying the hospitality of the Squire O'Carolan composed a song for him, as was his custom. There are two versions of what happened next, and either a man named Moore or one Baron Dawson, overheard the harper composing in private in his rooms. Thinking to play a jest on the blind bard, the personage (who was musically trained) memorized the melody and even wrote his own words to it, and when O'Carolan played and sang the composition the next day it was vigorously asserted that the melody was not newly composed, but an old song, and the Baron (or Moore) played his version. O'Carolan, of course, flew into one of his famous rages, but was eventually mollified by explanations and not a few toasts. The song was sung the year Squire Jones died by the famous English tenor Thomas Lowe at the Theatre Royal, Aungier Street, Dublin on December 8th, 1743, at a benefit given by Madamoiselle Chateauneuf, and it must have been a showcase number for him as the song with music was printed over a decade later (in 1754) in the Liverpool-published  Muses Delight with the note "sung by Mr. Lowe." The song and tune appear The Gentleman's Magazine (1744) including dance directions along with the note that James (or Jack) Beard sang it in The Provok'd Wife, and song and tune also appear in The Merry Medley, or A Christmas-Box for Gay Gallants and Good Companions, II (1745). The song (without the tune) was printed in The Canary Bird (1745) and the tune was printed by Thumoth in 12 English and 12 Irish Airs (c. 1745) where it is identified as English. Finally, it appears in Henry Brooke's opera Little John and the Giants, performed in Dublin in 1748 as Jack the Giant Queller. In none of the above was a composer or author credited. A reference to the song is made in Smollett's novel Peregrine Pickle (1751).  
|image_alt=Traditional universal music
<blockquote>
}}
''Ye good fellows all,''<br>
<!-- ************ PLEASE!!!!! ************* -->
''Who love to be told where there's claret good store,''<br>
''Attend to the call of one who's ne'er frighted,''<br>
''But greatly delighted with six bottles more!''<br>
<br>
''Be sure yell don't pass the good house Monyglass,''<br>
''Which the jolly red god so peculiarly owns.''<br>
'''Twill well suit your humour, For pray what would you more,''<br>
''Than mirth with good claret and bumpers, Squire Jones?''      (Baron Dawson) <br>     
</blockquote>
''Printed sources:'' '''Complete Collection of Carolan's Irish Tunes''', 1984; No. 65, p. 58. Johnson ('''A Further Collection of Dances, Marches, Minuetts and Duetts of the Latter 18th Century'''), 1998; p. 2. O'Neill (Krassen), 1976; p. 230. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 639, p. 114.
<br>
<br>
''Recorded source:'' Mick O'Brien - "May Morning Dew."


</font></p>


<font face="sans-serif" size="4">
<div class="noprint">
<!-- SUBSTITUTE THE ABC NOTATION BELOW (BETWEEN THE <SECTION BEGIN /><SECTION END /> TAGS) WITH YOUR OWN NOTATION (IF ANY) -->
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
</div>
</font>
<font face="sans-serif" size="2">
----
----
 
<section begin=X1 />
<pre>
X:1
T:Bumpers Squire Jones
M:6/4
L:1/8
R:Air
B:Burk Thumoth - "12 English and 12 Irish Airs" (1746, No. 9, pp. 18-19)
Z:AK/Fiddler's Companion
K:D
V:1
A2|{G}TF3E D2 d4e2|f2e2d2 e2d2c2|d2D2E2 G4A2|TF3E D2 d4e2|f2e2d2 e2d2c2|
d2c2d2B2e2c2|d2D2D2 D4::fg|a2f2a2 d3ef2|b2g2b2e3fg2|a2g2f2 e2f2d2|c2e2c2 A4g2|
f2a2f2 g2e2g2|f2a2f2 g2e2g2|{g}Tf3e d2 {d}Tc3B c2|d2D2D2 D4::A2|FDGEAF e4e2|
fg(afed) gf(gedc)|(3ded D2E2 G4A2|.F.D.E.F (G/A/B/c/) d4 e2|(3faf d4 (3ege c4|Td3c d2 B(gfedc)|
dcdAFA D4::fg|a(gafg)a d(efde)f|b(abgab) efgefg|(3aba (3gag (3faf (3efe gfed|
c(fedcB) A4 g2 |.f.faaff gbagfe|(3faf (3aba (3fgf (3gac' (3abg (3fge|f3c' d'2Tc3B c2|d2D2D2D4:|]
|:[M:6/8]A|FAD Ace|afd gec|dDE DGA|AFD Dde|fad egc|dfd egc|dDD D2:|
|:f/g/|afa (d/e/f/g/)a|bgb (e/f/g/a/)b|d'af afd|cf^G !fermata!A2g|
Dfa Egb|fac Gbd'|c'b/a/g/f/e/d/c/4B/4A/4G/4F/4E/4D/4|dDD D2||
V:2 clef = bass
z2|D,6-D,6|D6A,6|F,6E,4C,2|D,6-D,6|D6A,6|
F,6G,4A,2|D,6-D4::z2|D,6F,6|G,6A,6|D,6G,6|A,2D,2E,2A,,6|
D,6C,6|D,6C,6|D,6A,6|D,6-D,4::z2|D,6-D,6|
D6A,6|F,6E,6|D,6-D,6|D6A,6|F,6G,4A,2|
D,6-D,4:||:z2|D,6F,6|G,6A,6|F,6G,6|
A,2D,2E,2A,,6|D,6C,6|D,6C,6|D,6A,6|D,6-D,4:|
|:[M:6/8]z|D3C3|D3A,3|G,3E,2C,|D,3-D,3|D3A,3|F,3G,2A,|D,3-D,2:|
|:z|D,3F,3|G,3A,3|F,3G,3|A,3!fermata!A,3|
D,3G,3|A,3B,3|A,3A,,3|D,3-D,2||
<section end=X1 />
<section begin=abc />
X:1
T:Bumpers Squire Jones
M:6/8
L:1/8
R:Air
C:Carolan
B:Samuel, Anne & Peter Thompson – The Hibernian Muse
B:(London, 1787, No. 51, p. 31)
N:”A Collection of the most Favorite Compositions of Carolan
N:the Celebrated Irish Bard”
Z:AK/Fiddler’s Companion
K:D
A|{G}FDD D2E|(F/G/A)F (G/A/B)A|BEE G2A|{G}FDD d2e|
f(g/f/e/d/) edc|dBe cAc|dDD D2:|
|:a|(f/g/a)f d(f/g/a/f/)|b(g/a/b/g/)  e(g/a/b/g/)|afd (e/f/g)e|TcAA A2g|
(f/g/a)f geg|a(f/g/a/f/) geg|a(f/g/a/f/) geg|fed TcBc|dDD D2:|
<section end=abc />
<section begin=X2 />
X:1
T:Bumper Squire Jones
M:6/8
L:1/8
R:Air
Q:"Presto"
B:John Macpherson Mulhollan - Selection of Irish and Scots Tunes (Edinburgh, 1804, p. 51)
Z:AK/Fiddler's Companion
K:D
A|({G}FDD D2E)|F/G/AF G/A/BA|BEE G2A|
FDD d2e|fg/f/e/d/ edc|dBe cAc|dDD D2:|
|:a|af/g/a/f/ df/g/a/f/|bg/a/b/g/ eg/a/b/g/|afd e/f/ge|TcAA A2 g|
f/g/af geg|af/g/a/f/ geg|fed cBc|dDD D2:|
<section end=X2 />
<section begin=X2a />
X:1
T:Bumper Square [sic] Jones
M:6/8
L:1/8
R:Air
B:Patrick McGahon music manuscript collection (1817, No. 81)
N:McGahon was a scribe of Irish language literature who lived in
N:Dungooley, County Louth, on the Armagh border. He was a
N:teacher with The Irish Society in the early 19th century, but little
N:else is known about him. A few tunes in the ms. are written in other N:hands.
B:Pádraigín Ní UIallacháin – “A Hidden Ulster” (2003, p. 458)
Z:AK/Fiddler’s Companion
K:D
A|FDD D2E|F/G/AF A/B/cA|BEE G2A|FDD d2e|
(fg/f/e/d/) edc|dBe cAc|dDD D2:|f|af/g/a/f/ df/g/a/f/|
bg/a/b/g/ eg/a/b/g/|afd e/f/ge|cAA A2g|f/g/af geg|
a/f/g/a/f/ geg|fed cBc|dDD D2:|
<section end=X2a />
<section begin=X3 />
X:1
T:Bumper Squire Jones
M:6/8
L:1/8
R:Air
Q:"Allegretto"
B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 15, p. 6)
Z:AK/Fiddler’s Companion
K:Bb
F|(DB,)B, B,2C|DFD EGE|(G<C)D E2F|
(DB,)B, B2c|dcB cBA|BAG FGA|BB,B, B,2||
F|{F}fdf Bdf|{G}geg cde|{F}fed cdB|(AF)F F2c|
(dfd) (ece)|dfd ece|dcB AGA|BB,B, B,2||
<section end=X3 />
<section begin=X4 />
X:1
T:Bumper Squire Jones
M:6/8
L:1/8
R:Air
B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 634)
B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf
Z:AK/Fiddler’s Companion
K:D
A/G/|FDD D2 A/F/|GBG FAF|GEE E2 A/G/|FED D2g|
fed cBc|dAF D2::g|fg/a/f daf|ga/b/g ebg|fg/a/f dBd|
cec A2 (a/g/)|fg/a/f daf|ga/b/ g eag|fed cBc|dAF D2:|]
<section end=X4 />
<section begin=X6 />
X:1
T:Planxty
T:Bumper Squire Jones, Thomas Morres Jones
M:C
L:1/8
R:Hornpipe
B:Stephen Grier music manuscript collection (Book 3, c. 1883, No. 43, p. 18)
B:http://grier.itma.ie/book-three#?c=0&m=0&s=0&cv=17&z=-465.4471%2C1093.5425%2C3684.9298%2C1426.6654
N:Stephen Grier (c. 1824-1894) was a piper and fiddler from
N:Newpark, Bohey, Gortletteragh, south Co. Leitrim.
Z:AK/Fiddler’s Companion
K:G
dc|BGG G2A|BB/d/c/B/ cc/B/c/d/|eAA AB/c/d|eAA Adc|
eAA Adc|BGG G2A|BB/c/B/G/ AA/B/A/F/ |GEA FDF|
GG/G/ G2G2||dB/c/d/B/ GBd|ec/d/e/c/ ABc|dBG cAG|FDD D3|
dB/c/d/B/ cA/B/c/A/|d/B/c/d/B/ cA/B/c/A/ |dBG FDF|GG/G/ GG||
<section end=X6 />
<section begin=X7 />
X:1
X:1
T:Thomas Morres Jones or Bumper Squire Jones
T:Thomas Morres Jones or Bumper Squire Jones
Line 53: Line 182:
f/g/ | afa dfa | bgb efg | faf ged | cAA A2 g |
f/g/ | afa dfa | bgb efg | faf ged | cAA A2 g |
f/g/af geg | f/g/af geg | fed cBc | dDD D2 ||
f/g/af geg | f/g/af geg | fed cBc | dDD D2 ||
 
<section end=X7 />
</pre>
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED -->
----
<section begin=X1 />
<p><font face="garamond, serif" size="4">
<section end=X1 />
'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
</font>
<br>
<font face="sans-serif" size="4">
Engraver Valerio M. Pelliccioni
<div class="noprint">
</font></p>
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
</div>
</font>
__NOTITLE__

Latest revision as of 01:35, 7 June 2024


Bumper Squire Jones  Click on the tune title to see or modify Bumper Squire Jones's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Bumper Squire Jones
Query the Archive
Query the Archive
 Theme code Index    3134 6431H
 Also known as    Bumpers Squire Jones, Bumpers Esquire Jones, Thomas Morres Jones
 Composer/Core Source    Turlough O'Carolan
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    6/8
 History    
 Structure    AB
 Editor/Compiler    Biography:Burk Thumoth
 Book/Manuscript title    Book:12 English and 12 Irish Airs with Variations
 Tune and/or Page number    No. 9, pp. 18-19
 Year of publication/Date of MS    1746
 Artist    Biography:Mick O'Brien
 Title of recording    May Morning Dew
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Bumper Squire Jones: Annotations

X:1 T:Bumpers Squire Jones M:6/4 L:1/8 R:Air B:Burk Thumoth - "12 English and 12 Irish Airs" (1746, No. 9, pp. 18-19) Z:AK/Fiddler's Companion K:D V:1 A2|{G}TF3E D2 d4e2|f2e2d2 e2d2c2|d2D2E2 G4A2|TF3E D2 d4e2|f2e2d2 e2d2c2| d2c2d2B2e2c2|d2D2D2 D4::fg|a2f2a2 d3ef2|b2g2b2e3fg2|a2g2f2 e2f2d2|c2e2c2 A4g2| f2a2f2 g2e2g2|f2a2f2 g2e2g2|{g}Tf3e d2 {d}Tc3B c2|d2D2D2 D4::A2|FDGEAF e4e2| fg(afed) gf(gedc)|(3ded D2E2 G4A2|.F.D.E.F (G/A/B/c/) d4 e2|(3faf d4 (3ege c4|Td3c d2 B(gfedc)| dcdAFA D4::fg|a(gafg)a d(efde)f|b(abgab) efgefg|(3aba (3gag (3faf (3efe gfed| c(fedcB) A4 g2 |.f.faaff gbagfe|(3faf (3aba (3fgf (3gac' (3abg (3fge|f3c' d'2Tc3B c2|d2D2D2D4:|] |:[M:6/8]A|FAD Ace|afd gec|dDE DGA|AFD Dde|fad egc|dfd egc|dDD D2:| |:f/g/|afa (d/e/f/g/)a|bgb (e/f/g/a/)b|d'af afd|cf^G !fermata!A2g| Dfa Egb|fac Gbd'|c'b/a/g/f/e/d/c/4B/4A/4G/4F/4E/4D/4|dDD D2|| V:2 clef = bass z2|D,6-D,6|D6A,6|F,6E,4C,2|D,6-D,6|D6A,6| F,6G,4A,2|D,6-D4::z2|D,6F,6|G,6A,6|D,6G,6|A,2D,2E,2A,,6| D,6C,6|D,6C,6|D,6A,6|D,6-D,4::z2|D,6-D,6| D6A,6|F,6E,6|D,6-D,6|D6A,6|F,6G,4A,2| D,6-D,4:||:z2|D,6F,6|G,6A,6|F,6G,6| A,2D,2E,2A,,6|D,6C,6|D,6C,6|D,6A,6|D,6-D,4:| |:[M:6/8]z|D3C3|D3A,3|G,3E,2C,|D,3-D,3|D3A,3|F,3G,2A,|D,3-D,2:| |:z|D,3F,3|G,3A,3|F,3G,3|A,3!fermata!A,3| D,3G,3|A,3B,3|A,3A,,3|D,3-D,2||


X:1 T:Bumpers Squire Jones M:6/8 L:1/8 R:Air C:Carolan B:Samuel, Anne & Peter Thompson – The Hibernian Muse B:(London, 1787, No. 51, p. 31) N:”A Collection of the most Favorite Compositions of Carolan N:the Celebrated Irish Bard” Z:AK/Fiddler’s Companion K:D A|{G}FDD D2E|(F/G/A)F (G/A/B)A|BEE G2A|{G}FDD d2e| f(g/f/e/d/) edc|dBe cAc|dDD D2:| |:a|(f/g/a)f d(f/g/a/f/)|b(g/a/b/g/) e(g/a/b/g/)|afd (e/f/g)e|TcAA A2g| (f/g/a)f geg|a(f/g/a/f/) geg|a(f/g/a/f/) geg|fed TcBc|dDD D2:|


X:1 T:Bumper Squire Jones M:6/8 L:1/8 R:Air Q:"Presto" B:John Macpherson Mulhollan - Selection of Irish and Scots Tunes (Edinburgh, 1804, p. 51) Z:AK/Fiddler's Companion K:D A|({G}FDD D2E)|F/G/AF G/A/BA|BEE G2A| FDD d2e|fg/f/e/d/ edc|dBe cAc|dDD D2:| |:a|af/g/a/f/ df/g/a/f/|bg/a/b/g/ eg/a/b/g/|afd e/f/ge|TcAA A2 g| f/g/af geg|af/g/a/f/ geg|fed cBc|dDD D2:|


X:1 T:Bumper Square [sic] Jones M:6/8 L:1/8 R:Air B:Patrick McGahon music manuscript collection (1817, No. 81) N:McGahon was a scribe of Irish language literature who lived in N:Dungooley, County Louth, on the Armagh border. He was a N:teacher with The Irish Society in the early 19th century, but little N:else is known about him. A few tunes in the ms. are written in other N:hands. B:Pádraigín Ní UIallacháin – “A Hidden Ulster” (2003, p. 458) Z:AK/Fiddler’s Companion K:D A|FDD D2E|F/G/AF A/B/cA|BEE G2A|FDD d2e| (fg/f/e/d/) edc|dBe cAc|dDD D2:|f|af/g/a/f/ df/g/a/f/| bg/a/b/g/ eg/a/b/g/|afd e/f/ge|cAA A2g|f/g/af geg| a/f/g/a/f/ geg|fed cBc|dDD D2:|


X:1 T:Bumper Squire Jones M:6/8 L:1/8 R:Air Q:"Allegretto" B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 15, p. 6) Z:AK/Fiddler’s Companion K:Bb F|(DB,)B, B,2C|DFD EGE|(G<C)D E2F| (DB,)B, B2c|dcB cBA|BAG FGA|BB,B, B,2|| F|{F}fdf Bdf|{G}geg cde|{F}fed cdB|(AF)F F2c| (dfd) (ece)|dfd ece|dcB AGA|BB,B, B,2||


X:1 T:Bumper Squire Jones M:6/8 L:1/8 R:Air B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 634) B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf Z:AK/Fiddler’s Companion K:D A/G/|FDD D2 A/F/|GBG FAF|GEE E2 A/G/|FED D2g| fed cBc|dAF D2::g|fg/a/f daf|ga/b/g ebg|fg/a/f dBd| cec A2 (a/g/)|fg/a/f daf|ga/b/ g eag|fed cBc|dAF D2:|]


X:1 T:Planxty T:Bumper Squire Jones, Thomas Morres Jones M:C L:1/8 R:Hornpipe B:Stephen Grier music manuscript collection (Book 3, c. 1883, No. 43, p. 18) B:http://grier.itma.ie/book-three#?c=0&m=0&s=0&cv=17&z=-465.4471%2C1093.5425%2C3684.9298%2C1426.6654 N:Stephen Grier (c. 1824-1894) was a piper and fiddler from N:Newpark, Bohey, Gortletteragh, south Co. Leitrim. Z:AK/Fiddler’s Companion K:G dc|BGG G2A|BB/d/c/B/ cc/B/c/d/|eAA AB/c/d|eAA Adc| eAA Adc|BGG G2A|BB/c/B/G/ AA/B/A/F/ |GEA FDF| GG/G/ G2G2||dB/c/d/B/ GBd|ec/d/e/c/ ABc|dBG cAG|FDD D3| dB/c/d/B/ cA/B/c/A/|d/B/c/d/B/ cA/B/c/A/ |dBG FDF|GG/G/ GG||


X:1 T:Thomas Morres Jones or Bumper Squire Jones C:Turlough O'Carolan S:Carolan: The Life, Times and Music of an Irish Harper S:by Donal O'Sullivan Z:transcribed by Paul de Grae M:6/8 L:1/8 K:D A/G/ | FDD D2 E | F/G/AF G/A/BA | BEF G2 A/G/ | FED d2 e | fed edc | dBe cAc | dDD D || f/g/ | afa dfa | bgb efg | faf ged | cAA A2 g | f/g/af geg | f/g/af geg | fed cBc | dDD D2 ||


Bumper Squire Jones: Annotations

Retrieved from "https://ttadev.org/w/index.php?title=Bumper_Squire_Jones&oldid=527005"