Cut and Dry Dolly: Difference between revisions

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|f_accidental=1 sharp
|f_accidental=1 sharp
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_history=<b>England</b>/North East
|f_history=ENGLAND(North East), ENGLAND(North West)
|f_structure=AABB
|f_structure=AABB, ABCDEFGHI
|f_book_title=Peacock's Tunes
|f_book_title=Scots Galwegian Border Tunes
|f_collector=John Peacock,
|f_collector=Robert Riddell
|f_year=c. 1805
|f_year=1794
|f_page=No. 43, p. 19
|f_page=p. 2
|f_theme_code_index=5351H 1H315
|f_theme_code_index=5351H 1H315, 1H51H3 4315
|f_player=Cut & Dry Band,  
|f_player=Cut & Dry Band,
|f_album=Cut and Dry Dolly
|f_album=Cut and Dry Dolly
|f_label=Topic 12TS278
|f_label=Topic 12TS278
}}
}}
<p><font face="garamond, serif" size="4">
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'''CUT AND DRY DOLLY'''. English, Reel. England, Northumberland. G Major. Standard tuning (fiddle). AABB (Bruce & Stokoe): AABBCCDDEEFFGGHH (Peacock). The title appears in Henry Robson's list of popular Northumbrian song and dance tunes, which he published c. 1800. No one knows definitively what the title refers to, or if it belong to a lost song. One explanation proffered is that it refers to a "kirn-dolly", in agrarian tradition the last bit of grain to be cut which was then dressed as a female.
=[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]=
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''Printed sources:'' Peacock ('''Peacock's Tunes'''), c. 1805; No. 43, p. 19. Bruce & Stokoe ('''Northumbrian Minstrelsy'''), 1882; p. 156.
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<section begin=abc />
<pre>
X:1
%
T:Cut and Dry Dolly
M:C|
L:1/8
S:Robert Riddell’s “Collection of Scotch Galwegian Border Tunes“ (1794, p. 2)
Z:AK/Fiddler’s Companion
K:A
(e/f/4g/4)|a2 ef/g/ a/g/f/e/ c/d/e/c/|d/c/B/A/ !trill!c2 Aeeg|a2 ef/g/ a/g/f/e/ c/d/e/c/|B/c/d/B/ !trill!c2 Bffg|
a2 ef/g/ a/g/f/e/ c/d/e/c/|d/c/B/A/ !trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||
d/c/B/A/ !trill!c2 Ae c/d/e/c/|d/c/B/A/ !trill!c2 Aeea|d/c/B/A/ !trill!c2 Ae c/d/e/c/|B/c/d/B/ !trill!Bffa|
d/c/B/A/ !trill! c2 Ae c/d/e/c/|d/c/B/A/ !~trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffg||
afge fdec|d/c/B/A/ !trill!c2 Aeeg|afge fdec|B/c/d/B/ !trill!c2 Bffg|
afge fdec|d/c/B/A/ !trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||
Aaca Aaca|d/c/B/A/ !trill!c2 Aeea|Aaca Aaca|d/c/B/A/ !trill!c2 Bffa|
Aaca Aaca|d/c/B/A/ !trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||
e/f/e/d/ c/d/e/c/ e/f/e/d/ c/d/e/c/|d/c/B/A/ !trill!c2 Aeea|e/f/e/d/ c/d/e/c/ e/f/e/d/ c/d/e/c/|B/c/d/B/ !trilL!c2 Bffa|
e/f/e/d/ c/d/e/c/ e/f/e/d/ c/d/e/c/|d/c/B/A/ !trill!c2 Ae f/e/d/c/ |df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||
A/a/a/a/ c/a/a/a/ A/a/a/a/ c/a/a/a/|d/c/B/A/ !trill!c2 Aeea|A/a/a/a/ c/a/a/a/ A/a/a/a/ c/a/a/a/|B/c/d/B/ c/d/e/c/ Bffa|
A/a/a/a/ c/a/a/a/ A/a/a/a/ c/a/a/a/|d/c/B/A/ !trill!c2 Ae f/e/d/c/ |df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||
A/B/c/A/ c/d/e/c/ A/B/c/A/ c/d/e/c/|d/c/B/A/ !trill!c2 Aeea|A/B/c/A/ c/d/e/c/ A/B/c/A/ c/d/e/c/|B/c/d/B/ !trill!c2 Bffa|
A/B/c/A/ c/d/e/c/ A/B/c/A/ c/d/e/c/|dc/B/A/ !trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa||
P:"Variations (by) J. Clark"
A,C/E/ Ac A,/A,/C/E/ Ac|d/c/B/A/ !trill!c2 A/a/!trill!a ac'|A,C/E/ Ac A,/A,/c/e/ Ac|B/c/d/B/ !trill!c2 Bb!trill!b .b.d'|
A,C/E/ Ac A,/A,/C/E/ Ac|d/c/B/A/ !trill!c2 A/a/g/a/ f/e/d/c/|d/b/B/f/ =g/f/e/d/ c/A/A/e/|B/c/d/B/ !trill!c2 Bffg||
(a/g/).f/e/ (d/c/).B/./A (G/A/).E/.A/ (C/E/).A/.c/|d/c/B/A/ !trill!c2 Aeeg|(a/g/).f/.e/ (d/c/).B/.A/ (G/A/).E/.A/ (C/E/).A/.c/|B/c/d/B/ !trill!c2 Bffg|
(a/e/).c/.e/ (f/d/).B/.e/ (c/A/).E/.A/ (C/E/).A/c/|(A,/B,/).C/.D/ (E/F/).G/.A/ (d/c/).B/.A/ (c/d/).e/.c/|d/b/B/f/ =g/f/e/d/ c/A/A/e/ f/e/d/c/|B/c/d/B/ !trill!c2 Bff||
<section end=abc />
<section begin=X2 />
X:1
%
T:Cut & dry Dolly
M:2/4
L:1/8
R:Reel
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 158)
Z:AK/Fiddler’s Companion
K:G
g|d/B/A/G/ TB2|d/B/A/G/ g/f/e/f/|gG TB2|Gddg|
d/B/A/G/ TB2|d/B/A/G/ g/f/e/f/|aA Tc2|Aee:|
|:f|g>ef>d|ecdB|gG TB2|Gdd e/f/|g>ef>d|ecdB|aA Tc2|Aee:|
|:g|d/B/A/G/ B/c/d/B/|d/B/A/G/ B/c/d/B/|d/B/A/G/ B/c/d/B/|d/e/f/d/ e/f/g/e/|
d/B/A/G/ B/c/d/B/|g/f/e/d/ B/c/d/B/|aA Tc2|Aee:|
|:f|gGgB|gGgB|gG TB2|Gdd e/f/|
gGgB|gGgB|aA Tc2|Aee:|
|:g|G/B/d/B/ G/B/g/B/|G/B/d/B/ G/B/g/B/|d/B/A/G/ TB2|Gddg|
G/B/d/B/ G/B/d/B/|G/B/d/B/ G/B/d/B/|aA Tc|Aee:|
|:f|gf/e/d/ e/f/g/e/|g/f/e/d/ B/c/d/B/|d/B/A/G/ TB2|Gdd e/f/|
g/f/e/d/ e/f/g/e/|g/f/e/d/ B/c/d?B/|aA c2 Aee:|
|:f|(B/d/g/B/) B/d/g/B/|(B/d/g/d/) B/d/g/B/|d/c/B/G/ TB2|Gddg|
B/d/g/d/ B/d/g/d/|B/d/g/d/ B/d/g/d/|aA Tc2|Aee:|
|:f|gG B/c/d/B/|gG B/c/d/B/|gG B/c/d/B/|d/e/f/d/ e/f/g/e/|
gG B/c/d/B/|gG B/c/d/B/|aA Tc2|Aee:|
|:f|gbeg|dgBg|gG TB2|Add e/f/|
gbeg|dgBg|aA c2|G3:|
<section end=X2 />
X:1
X:1
%
T:Cut and Dry Dolly
T:Cut and Dry Dolly
M:2/4
M:2/4
Line 41: Line 95:
|:f|g>ef>d|e>cd>B|gG B2|Bd de/f/|
|:f|g>ef>d|e>cd>B|gG B2|Bd de/f/|
g>ef>d|e>cd>B|gA c2|Aee:||
g>ef>d|e>cd>B|gA c2|Aee:||
 
<section begin=X3 />
</pre>
<section end=X3 />
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<p><font face="garamond, serif" size="4">
<section begin=X1 />
'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
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<div class="noprint">
Engraver Valerio M. Pelliccioni
=[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]=
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Latest revision as of 15:11, 27 September 2017


Cut and Dry Dolly  Click on the tune title to see or modify Cut and Dry Dolly's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Cut and Dry Dolly
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 Theme code Index    5351H 1H315, 1H51H3 4315
 Also known as    
 Composer/Core Source    
 Region    England
 Genre/Style    Northumbrian/Borders
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    2/4
 History    ENGLAND(North East), ENGLAND(North West)
 Structure    AABB, ABCDEFGHI
 Editor/Compiler    Biography:Robert Riddell
 Book/Manuscript title    Book:Scots Galwegian Border Tunes
 Tune and/or Page number    p. 2
 Year of publication/Date of MS    1794
 Artist    Biography:Cut & Dry Band
 Title of recording    Cut and Dry Dolly
 Record label/Catalogue nr.    Topic 12TS278
 Year recorded    
 Media    
 Score   ()   


Cut and Dry Dolly: Annotations

X:1 % T:Cut and Dry Dolly M:C| L:1/8 S:Robert Riddell’s “Collection of Scotch Galwegian Border Tunes“ (1794, p. 2) Z:AK/Fiddler’s Companion K:A (e/f/4g/4)|a2 ef/g/ a/g/f/e/ c/d/e/c/|d/c/B/A/ !trill!c2 Aeeg|a2 ef/g/ a/g/f/e/ c/d/e/c/|B/c/d/B/ !trill!c2 Bffg| a2 ef/g/ a/g/f/e/ c/d/e/c/|d/c/B/A/ !trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa|| d/c/B/A/ !trill!c2 Ae c/d/e/c/|d/c/B/A/ !trill!c2 Aeea|d/c/B/A/ !trill!c2 Ae c/d/e/c/|B/c/d/B/ !trill!Bffa| d/c/B/A/ !trill! c2 Ae c/d/e/c/|d/c/B/A/ !~trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffg|| afge fdec|d/c/B/A/ !trill!c2 Aeeg|afge fdec|B/c/d/B/ !trill!c2 Bffg| afge fdec|d/c/B/A/ !trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa|| Aaca Aaca|d/c/B/A/ !trill!c2 Aeea|Aaca Aaca|d/c/B/A/ !trill!c2 Bffa| Aaca Aaca|d/c/B/A/ !trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa|| e/f/e/d/ c/d/e/c/ e/f/e/d/ c/d/e/c/|d/c/B/A/ !trill!c2 Aeea|e/f/e/d/ c/d/e/c/ e/f/e/d/ c/d/e/c/|B/c/d/B/ !trilL!c2 Bffa| e/f/e/d/ c/d/e/c/ e/f/e/d/ c/d/e/c/|d/c/B/A/ !trill!c2 Ae f/e/d/c/ |df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa|| A/a/a/a/ c/a/a/a/ A/a/a/a/ c/a/a/a/|d/c/B/A/ !trill!c2 Aeea|A/a/a/a/ c/a/a/a/ A/a/a/a/ c/a/a/a/|B/c/d/B/ c/d/e/c/ Bffa| A/a/a/a/ c/a/a/a/ A/a/a/a/ c/a/a/a/|d/c/B/A/ !trill!c2 Ae f/e/d/c/ |df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa|| A/B/c/A/ c/d/e/c/ A/B/c/A/ c/d/e/c/|d/c/B/A/ !trill!c2 Aeea|A/B/c/A/ c/d/e/c/ A/B/c/A/ c/d/e/c/|B/c/d/B/ !trill!c2 Bffa| A/B/c/A/ c/d/e/c/ A/B/c/A/ c/d/e/c/|dc/B/A/ !trill!c2 Ae f/e/d/c/|df g/f/e/d/ ce f/e/d/c/|B/c/d/B/ !trill!c2 Bffa|| P:"Variations (by) J. Clark" A,C/E/ Ac A,/A,/C/E/ Ac|d/c/B/A/ !trill!c2 A/a/!trill!a ac'|A,C/E/ Ac A,/A,/c/e/ Ac|B/c/d/B/ !trill!c2 Bb!trill!b .b.d'| A,C/E/ Ac A,/A,/C/E/ Ac|d/c/B/A/ !trill!c2 A/a/g/a/ f/e/d/c/|d/b/B/f/ =g/f/e/d/ c/A/A/e/|B/c/d/B/ !trill!c2 Bffg|| (a/g/).f/e/ (d/c/).B/./A (G/A/).E/.A/ (C/E/).A/.c/|d/c/B/A/ !trill!c2 Aeeg|(a/g/).f/.e/ (d/c/).B/.A/ (G/A/).E/.A/ (C/E/).A/.c/|B/c/d/B/ !trill!c2 Bffg| (a/e/).c/.e/ (f/d/).B/.e/ (c/A/).E/.A/ (C/E/).A/c/|(A,/B,/).C/.D/ (E/F/).G/.A/ (d/c/).B/.A/ (c/d/).e/.c/|d/b/B/f/ =g/f/e/d/ c/A/A/e/ f/e/d/c/|B/c/d/B/ !trill!c2 Bff||


X:1 % T:Cut & dry Dolly M:2/4 L:1/8 R:Reel S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 158) Z:AK/Fiddler’s Companion K:G g|d/B/A/G/ TB2|d/B/A/G/ g/f/e/f/|gG TB2|Gddg| d/B/A/G/ TB2|d/B/A/G/ g/f/e/f/|aA Tc2|Aee:| |:f|g>ef>d|ecdB|gG TB2|Gdd e/f/|g>ef>d|ecdB|aA Tc2|Aee:| |:g|d/B/A/G/ B/c/d/B/|d/B/A/G/ B/c/d/B/|d/B/A/G/ B/c/d/B/|d/e/f/d/ e/f/g/e/| d/B/A/G/ B/c/d/B/|g/f/e/d/ B/c/d/B/|aA Tc2|Aee:| |:f|gGgB|gGgB|gG TB2|Gdd e/f/| gGgB|gGgB|aA Tc2|Aee:| |:g|G/B/d/B/ G/B/g/B/|G/B/d/B/ G/B/g/B/|d/B/A/G/ TB2|Gddg| G/B/d/B/ G/B/d/B/|G/B/d/B/ G/B/d/B/|aA Tc|Aee:| |:f|gf/e/d/ e/f/g/e/|g/f/e/d/ B/c/d/B/|d/B/A/G/ TB2|Gdd e/f/| g/f/e/d/ e/f/g/e/|g/f/e/d/ B/c/d?B/|aA c2 Aee:| |:f|(B/d/g/B/) B/d/g/B/|(B/d/g/d/) B/d/g/B/|d/c/B/G/ TB2|Gddg| B/d/g/d/ B/d/g/d/|B/d/g/d/ B/d/g/d/|aA Tc2|Aee:| |:f|gG B/c/d/B/|gG B/c/d/B/|gG B/c/d/B/|d/e/f/d/ e/f/g/e/| gG B/c/d/B/|gG B/c/d/B/|aA Tc2|Aee:| |:f|gbeg|dgBg|gG TB2|Add e/f/| gbeg|dgBg|aA c2|G3:|

X:1 % T:Cut and Dry Dolly M:2/4 L:1/8 R:Reel S:Bruce & Stokoe - Northumbrian Minstrelsy (1882) Z:AK/Fiddler's Companion K:G g|d/B/A/G/ B2|d/B/A/G/ g/f/e/f/|gG B2|Gddg| d/B/A/G/ B2|d/B/A/G/ g/f/e/f/|gA c2|Aee:| |:f|g>ef>d|e>cd>B|gG B2|Bd de/f/| g>ef>d|e>cd>B|gA c2|Aee:||



Cut and Dry Dolly: Annotations

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