Croppies Lie Down: Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Croppies Lie Down
|f_tune_title=Croppies Lie Down
|f_rhythm=Jig/Quadrille
|f_aka=Croppy get up
|f_country=England, Ireland
|f_genre=English, Irish
|f_rhythm=Air/Lament/Listening Piece, Country Dance, Jig/Quadrille
|f_time_signature=6/8
|f_time_signature=6/8
|f_key=G
|f_key=G
|f_accidental=1 sharp
|f_accidental=1 sharp
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AABB
|f_history=IRELAND(Ulster)
|f_book_title=Ryan's Mammoth Collection
|f_structure=ABB, AABB
|f_collector=William Bradbury Ryan,
|f_book_title=Twenty Four New Country Dances for the Year 1799
|f_year=1883
|f_collector=Thomas Skillern
|f_page=p. 110
|f_year=1799
|f_page=p. 10
|f_theme_code_index=5122 1H51H1
|f_theme_code_index=5122 1H51H1
|f_score=1
}}
}}
<p><font face="garamond, serif" size="4">
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'''CROPPIES, LIE DOWN'''. Irish (?), Scottish (?); Jig. G Major. Standard tuning (fiddle). AABB. The tune title is the title of a sectarian Protestant song--'croppy' was a derogatory term for an agricultural labourer, usually a Catholic individual. The title comes from an inflamatory jibe, and as such it hardly appears in most Irish collections.
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O'Neill (1913) tells of one Jemmy Byrne the Piper who lived in County Wexford in the early 19th century. Jemmy acquired the nickname 'Scut' at some point in his career, although it is not known exactly how. One story is that he "demeaned himself and insulted the sentiment of his people by playing party tunes, such as 'Croppies Lie Down,' at the orgies of the yeomen subsequent to the Rebellion of '98" (O'Neill generously remarks it would have been hard to refuse such a request, given the atmosphere of intimidation and repression at such events). Another possibility for Jemmy's sobriquet is that it was conferred by a particularly abstemious County Carlow priest who was determined to stamp out crossroads dancing in his parish. The outraged cleric is said to have declared to his congregation regarding Jemmy: "How dare this 'Scut' come into my parish with his bagpipes to corrupt and demoralize my flock in defiance of my expressed wish?" O'Neill points out he must have gained some fame despite his nickname and the exhortations of the priest, for the piper's name was remembered while the priest's was forgotten.  
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
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|image=TUC-160x120.png
<br>
|image_alt=Traditional universal music
''Printed sources:'' Cole ('''1000 Fiddle Tunes'''), 1940; p. 77. Kennedy ('''Jigs & Quicksteps, Trips & Humours'''), 1997; No. 24, p. 8. '''Ryan's Mammoth Collection''', 1883; p. 110.
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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<section begin=abc />
<pre>
X:1
T:Croppies Lie Down
M:6/8
L:1/8
R:Country Dance
B:T. Skillern - Twenty-Four New Country Dances for the Year 1799 (p. 10)
Z:AK/Fiddler's Companion
K:G
g|dBG GFG|ABA ABd|ef/g/e/ dBd|gGG Gge|
dBG GFG|ABA ABd|ef/g/e/ dBd|gGG G2||
|:e|def gfg|efg a2f|gab efg|dBG AGF|
G>AG BGG|cGG dGG|ecd efg|dBG G2:|]
<section end=abc />
<section begin=X1 />
X:1
T:Croppies lie down
M:6/8
L:1/8
R:Jig
B:William Campbell – “Campbell’s 14th Book of New and Favorite Country Dances &
B:Strathspey Reels for the Harp, Piano-Forte & Violin, with their Proper Figures, as
B:Danced at Court, Bath, Williss’s, & Hanover Square Rooms” (Soho, London, c. 1799, p. 14)
F: https://vmirror.imslp.org/files/imglnks/usimg/0/0a/IMSLP655933-PMLP1052069-campbells14thboo00camp.pdf
Z:AK/Fiddler’s Companion
K:G
V:1
(e/f/4g/4)|dBG GFG|ABA ABd|(ef/g/)e dBd|cAA A2 (f/g/)|
dBG GFG|ABA ABd|(ef/g/e) dBd|{f}gGG G2:|
|:e|def gfg|efg a2f|gab e(f/g/)e|dBG ABc|
def gfg|efg a2f|gab ef/g/e|dBg G2e|
def gfg|efg a2f|gab e(f/g/)e|dBG ABc|
def gfg|efg a2f|gfe dBb|gGG G2||
V:2 clef = bass
z|G,3G,,3|D,3D,2G,,|C,3G,3|A,3D,3|
G,3G,,3|D,3D,2G,,|C,3 G,2D|G,3 G,,2:|
z|C,3B,,3|C,2E, D,2A,|B,2G,C2C,|G,,3D,3|
C,3B,,3|C,2E,D,2A,|B,2G, C3|B,3G,2z|
C,3B,,3|C,2E, D,2A,|B,2G,C2C,|G,,3D,3|
C,3B,,3|C,2E,D,2A,|B,2C B,2G,|G,,3 G,2||
<section end=X1 />
<section begin=X2 />
X:78
T:Croppies Lie Down. WI.078
M:6/8
L:1/8
Q:3/8=120
C:"Irish"
B:Wm Irwin, Folio MS, c1850. AGG's Transcription
R:.Jig
O:England
Q:"With Spirit"
A:Lake District
Z:vmp.Chris Partington.2005
K:G
g|dBG GFG|ABA ABd|(e/f/g)e dBd|gGG Gge|
dBG GFG|ABA ABd|(e/f/g)e dBd|gGG G2:|
|:e|def gfg|efg a2f|gab efg|
dBG AGF|G3 efg|dBd G2:|
<section end=X2 />
<section begin=X3 />
X:1
T:Croppies lie down
M:6/8
L:1/8
R:Jig
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 134)
N:This is the 2nd appearance of the tune in Rook's manuscript, and appears
N:to be a pipe setting with variations.
Z:AK/Fiddler’s Companion
K:G
g|dBG GFG|ABA ABd|e/f/ge dBd|fGG Gg|
dBG GFG|ABA ABd|e/f/ge dBd|gdB G2:|
|:e|def gfg|efg a2f|gab efg|dBG AGF|
GAG BAB|def g2e|fga dcd|gGG G2:|]
<section end=X3 />
<section begin=X5 />
X:1
T:Cropies lie Down
M:3/8
L:1/8
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 193)
Z:AK/Fiddler’s Companion
K:G
g/e/|dBG| GFG|AA/B/A/B/|ABd|ee/f/g/e/|dBd |gGG|G2:|
|:d/e/|def|gfg|efg|agf|gab|ef g/e/|dBG|AGF|
G3|e3|dBd|G2::g/f/|e/d/c/B/A/G/|GFG|AA/B/A/B/|ABd|
e/g/f/a/g/e/|dB (3d/e/f|GGG|G2::G/B/|d/c/d/e/f/d/|
g/f/g/a/b/g/|e/d/e/f/g/e/|a/b/c'/a/g/f/|g/a/b/g/f/g/|
e/f/g/e/d/c/|B/g/e/c/B/A/|G/F/E/D/E/F/|G3|e2 g/e/|
dBd G2::(3D/E/F/|GBB|Bdd|dBG|A2 (3D/E/F/|GBB|Bcd|
ecA|A2 (3c'/b/a/|gee|gdd|gcc|gBB|AG/F/E/D/|AG/F/E/D/|
GGG|G2::z|dBB e2B|cAd|d2G|GGF|G2 A/B/|c2B
B/A/ z2|dBB|eee|cAd|d2 f/g/|afd|af d/f/|ggg|g2:|]
<section end=X5 />
<section begin=X6 />
X:1
X:1
T:Croppies lie down
M:6/8
L:1/8
R:Air
B:P.M. Haverty – One Hundred Irish Airs vol. 3 (1859, No. 265, p. 131)
Z:AK/Fiddler’s Companion
K:C
(c'/a/)|gec {d}cBc|ded deg|{ab}c'2a geg|(c'c)c c2 (c'/a/)|
gec {d}cBc|ded deg|{ab}c'2a geg|(c'c)c c3||
gab {d'}c'Bc'|abc' d'c'b|c'd'e'abc'|gec e2d|
[E2c2]z [c2a2]z|geg ceg|c'2z a2z|gec' c3||
<section end=X6 />
<section begin=X8 />
X:2
T:Croppies, Lie Down
T:Croppies, Lie Down
M:6/8
M:6/8
Line 34: Line 155:
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:G
K:G
g/e/ | dBG GFG | ABA ABd | (g2.e) dBd | gGG Gge | dBG GFG |  
g/e/ | dBG GFG | ABA ABd | (g2.e) dBd | gGG Gge |  
ABA ABd | (g2.e) dBD |1 gGG G :|2 gGG G3 |: def gfg | efg agf |  
dBG GFG | ABA ABd | (g2.e) dBd |1 gGG G :|2 gGG G3 ||
gab efg | dBG (B2A) | G2z e2z | dBd GBd | g2z e2z |1 dBg G3 :|2 dBg G ||  
: def gfg | efg agf | gab efg | dBG (B2A) |  
 
G2z e2z | dBd GBd | g2z e2z |1 dBg G3 :|2 dBg G ||  
</pre>
<section end=X8 />
----
<section begin=X9 />
<p><font face="garamond, serif" size="4">
X:1
'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
T:Croppy, Get Up
<br>
M:6/8
Engraver Valerio M. Pelliccioni
L:1/8
</font></p>
R:Air
B:Stephen Grier music manuscript collection (Book 3, c. 1883, No. 207, p. 63)
B: http://grier.itma.ie/book-three#?c=0&m=0&s=0&cv=62&z=116.5801%2C109.8861%2C3098.831%2C1290.4289
N:Stephen Grier (c. 1824-1894) was a piper and fiddler from
N:Newpark, Bohey, Gortletteragh, south Co. Leitrim.
Z:AK/Fiddler’s Companion
K:G
g|dBG GFG|ABA ABd|eee efg|dBG G2:|
|:B|def gfg|efg a2f|gab efg|dBG AGE|G3 g3|dBd G2:|
<section end=X9 />
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[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
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__NOTITLE__

Latest revision as of 02:08, 23 December 2023


Croppies Lie Down  Click on the tune title to see or modify Croppies Lie Down's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Croppies Lie Down
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 Theme code Index    5122 1H51H1
 Also known as    Croppy get up
 Composer/Core Source    
 Region    England, Ireland
 Genre/Style    English, Irish
 Meter/Rhythm    Air/Lament/Listening Piece, Country Dance, Jig/Quadrille
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    6/8
 History    IRELAND(Ulster)
 Structure    ABB, AABB
 Editor/Compiler    Biography:Thomas Skillern
 Book/Manuscript title    Book:Twenty Four New Country Dances for the Year 1799
 Tune and/or Page number    p. 10
 Year of publication/Date of MS    1799
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Croppies Lie Down: Annotations

X:1 T:Croppies Lie Down M:6/8 L:1/8 R:Country Dance B:T. Skillern - Twenty-Four New Country Dances for the Year 1799 (p. 10) Z:AK/Fiddler's Companion K:G g|dBG GFG|ABA ABd|ef/g/e/ dBd|gGG Gge| dBG GFG|ABA ABd|ef/g/e/ dBd|gGG G2|| |:e|def gfg|efg a2f|gab efg|dBG AGF| G>AG BGG|cGG dGG|ecd efg|dBG G2:|]


X:1 T:Croppies lie down M:6/8 L:1/8 R:Jig B:William Campbell – “Campbell’s 14th Book of New and Favorite Country Dances & B:Strathspey Reels for the Harp, Piano-Forte & Violin, with their Proper Figures, as B:Danced at Court, Bath, Williss’s, & Hanover Square Rooms” (Soho, London, c. 1799, p. 14) F: https://vmirror.imslp.org/files/imglnks/usimg/0/0a/IMSLP655933-PMLP1052069-campbells14thboo00camp.pdf Z:AK/Fiddler’s Companion K:G V:1 (e/f/4g/4)|dBG GFG|ABA ABd|(ef/g/)e dBd|cAA A2 (f/g/)| dBG GFG|ABA ABd|(ef/g/e) dBd|{f}gGG G2:| |:e|def gfg|efg a2f|gab e(f/g/)e|dBG ABc| def gfg|efg a2f|gab ef/g/e|dBg G2e| def gfg|efg a2f|gab e(f/g/)e|dBG ABc| def gfg|efg a2f|gfe dBb|gGG G2|| V:2 clef = bass z|G,3G,,3|D,3D,2G,,|C,3G,3|A,3D,3| G,3G,,3|D,3D,2G,,|C,3 G,2D|G,3 G,,2:| z|C,3B,,3|C,2E, D,2A,|B,2G,C2C,|G,,3D,3| C,3B,,3|C,2E,D,2A,|B,2G, C3|B,3G,2z| C,3B,,3|C,2E, D,2A,|B,2G,C2C,|G,,3D,3| C,3B,,3|C,2E,D,2A,|B,2C B,2G,|G,,3 G,2||


X:78 T:Croppies Lie Down. WI.078 M:6/8 L:1/8 Q:3/8=120 C:"Irish" B:Wm Irwin, Folio MS, c1850. AGG's Transcription R:.Jig O:England Q:"With Spirit" A:Lake District Z:vmp.Chris Partington.2005 K:G g|dBG GFG|ABA ABd|(e/f/g)e dBd|gGG Gge| dBG GFG|ABA ABd|(e/f/g)e dBd|gGG G2:| |:e|def gfg|efg a2f|gab efg| dBG AGF|G3 efg|dBd G2:|


X:1 T:Croppies lie down M:6/8 L:1/8 R:Jig S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 134) N:This is the 2nd appearance of the tune in Rook's manuscript, and appears N:to be a pipe setting with variations. Z:AK/Fiddler’s Companion K:G g|dBG GFG|ABA ABd|e/f/ge dBd|fGG Gg| dBG GFG|ABA ABd|e/f/ge dBd|gdB G2:| |:e|def gfg|efg a2f|gab efg|dBG AGF| GAG BAB|def g2e|fga dcd|gGG G2:|]


X:1 T:Cropies lie Down M:3/8 L:1/8 S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 193) Z:AK/Fiddler’s Companion K:G g/e/|dBG| GFG|AA/B/A/B/|ABd|ee/f/g/e/|dBd |gGG|G2:| |:d/e/|def|gfg|efg|agf|gab|ef g/e/|dBG|AGF| G3|e3|dBd|G2::g/f/|e/d/c/B/A/G/|GFG|AA/B/A/B/|ABd| e/g/f/a/g/e/|dB (3d/e/f|GGG|G2::G/B/|d/c/d/e/f/d/| g/f/g/a/b/g/|e/d/e/f/g/e/|a/b/c'/a/g/f/|g/a/b/g/f/g/| e/f/g/e/d/c/|B/g/e/c/B/A/|G/F/E/D/E/F/|G3|e2 g/e/| dBd G2::(3D/E/F/|GBB|Bdd|dBG|A2 (3D/E/F/|GBB|Bcd| ecA|A2 (3c'/b/a/|gee|gdd|gcc|gBB|AG/F/E/D/|AG/F/E/D/| GGG|G2::z|dBB e2B|cAd|d2G|GGF|G2 A/B/|c2B B/A/ z2|dBB|eee|cAd|d2 f/g/|afd|af d/f/|ggg|g2:|]


X:1 T:Croppies lie down M:6/8 L:1/8 R:Air B:P.M. Haverty – One Hundred Irish Airs vol. 3 (1859, No. 265, p. 131) Z:AK/Fiddler’s Companion K:C (c'/a/)|gec {d}cBc|ded deg|{ab}c'2a geg|(c'c)c c2 (c'/a/)| gec {d}cBc|ded deg|{ab}c'2a geg|(c'c)c c3|| gab {d'}c'Bc'|abc' d'c'b|c'd'e'abc'|gec e2d| [E2c2]z [c2a2]z|geg ceg|c'2z a2z|gec' c3||


X:2 T:Croppies, Lie Down M:6/8 L:1/8 R:Jig S:Ryan's Mammoth Collection (1883) Z:AK/Fiddler's Companion K:G g/e/ | dBG GFG | ABA ABd | (g2.e) dBd | gGG Gge | dBG GFG | ABA ABd | (g2.e) dBd |1 gGG G :|2 gGG G3 ||

def gfg | efg agf | gab efg | dBG (B2A) |

G2z e2z | dBd GBd | g2z e2z |1 dBg G3 :|2 dBg G ||


X:1 T:Croppy, Get Up M:6/8 L:1/8 R:Air B:Stephen Grier music manuscript collection (Book 3, c. 1883, No. 207, p. 63) B: http://grier.itma.ie/book-three#?c=0&m=0&s=0&cv=62&z=116.5801%2C109.8861%2C3098.831%2C1290.4289 N:Stephen Grier (c. 1824-1894) was a piper and fiddler from N:Newpark, Bohey, Gortletteragh, south Co. Leitrim. Z:AK/Fiddler’s Companion K:G g|dBG GFG|ABA ABd|eee efg|dBG G2:| |:B|def gfg|efg a2f|gab efg|dBG AGE|G3 g3|dBd G2:|


Croppies Lie Down: Annotations

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