Crystal Schottische: Difference between revisions

Find traditional instrumental music
No edit summary
mNo edit summary
 
(9 intermediate revisions by 2 users not shown)
Line 1: Line 1:
{{Abctune
{{Abctune
|f_tune_title=Crystal Schottische
|f_tune_title=Crystal Schottische
|f_aka=Two-Step Schottische
|f_aka=Old South, Old Southern Schottische, Two-Step Schottische, Calgary Schottische
|f_composer=William Byerly
|f_country=United States
|f_country=United States
|f_genre=Old-Time
|f_genre=Old-Time
Line 9: Line 10:
|f_accidental=1 sharp
|f_accidental=1 sharp
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_history=<b>USA</b>/Central, <b>USA</b>/Mid-Atlantic
|f_history=USA(Central), USA(Mid Atlantic)
|f_structure=AABCDD
|f_structure=AABCDD
|f_book_title=Diamond School for the Violin
|f_book_title=Diamond School for the Violin
Line 17: Line 18:
|f_theme_code_index=37L15L 33H1H1H
|f_theme_code_index=37L15L 33H1H1H
}}
}}
<p><font face="garamond, serif" size="4">
<font face="sans-serif" size="4">
'''CRYSTAL SCHOTTISCHE'''. American, Schottische. USA; Missouri (presumably Ford's version), Pennsylvania. G Major ('A' and 'C' parts), D Major ('B' part), & C Major ('D' part). Standard tuning. AABCDD (Ford): AABB (Bayard). Bayard (1944) identifies this tune as a favorite schottische, in various forms (some of which differ markedly from the sheet music), all over western Pennsylvania. See also Henry Reed's "Kiss Waltz [2]" (a schottische, despite the title) which employs part of "Crystal Schottische" as the third part. The time was recorded as
<div class="noprint">
"Two-Step Schottishe" by Leizime Brusoe (who played in his early days in Canada) on 78RPM. Folk versions of "Crystal Schottische" (albeit differing markedly from the original) can be traced to the "Crystal Schottische" composed by William Byerly and published in New York in 1853, around the time the schottische was introduced to America as a dance form (from Germany, where it was loosely based on Scottish dance). American songster Stephen Foster included in a collection called '''The Social Orchestra''' (1854), arranged for violin and flute, with accompaniment by a second violin and bass; his only known venture into strictly instrumental music, aimed at a parlor audience.
<!-- SUBSTITUTE THE ABC NOTATION BELOW (BETWEEN THE <SECTION BEGIN /><SECTION END /> TAGS) WITH YOUR OWN NOTATION (IF ANY) -->
<br>
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
<br>
</div>
''Sources for notated versions'': Mrs. Sarah Armstrong, (near) Derry, Pennsylvania, November 18, 1943 [Bayard, 1944]: Thoma Patterson (Elizabeth, Pa., 1930's), Steffy (1949), Levi Hall (Fayette County, 1944), James Taylor (Greene County, Pa./Wetzel, W.Va., 1930's) [Bayard, 1981].
</font>
<br>
<font face="sans-serif" size="2">
<br>
''Printed sources:'' Bayard ('''Hill Country Tunes'''), 1944; No. 36 (listed as untitled "Schottische"). Bayard ('''Dance to the Fiddle'''), 1981; No. 422, pp. 399-401. Ira Ford ('''Traditional Music in America'''), 1940; p. 157. Henry Ford ('''Good Morning'''), 1941; p. 79. Howe's ('''Diamond School for the Violin''') 1861; p. 54. 
<br>
<br>
''Recorded source:'' Rounder CD1518, Various Performers - "American Fiddle Tunes" (1971. Played by Leizime Brusoe).
 
</font></p>
 
----
----
 
<section begin=abc />
<pre>
X:1
X:1
T:Crystal Schottische
T:Crystal Schottische
Line 45: Line 37:
B>G F>A G2D2|Bd b>a g4|f2A2 e2F2|G>A G>F G4:|
B>G F>A G2D2|Bd b>a g4|f2A2 e2F2|G>A G>F G4:|
K:D
K:D
A>g f>e ^d2e2|f2 f>g a4|b2 e>f g2c2|({e}d>)c d>e f4|
A>g f>e ^d2e2|f2 f>g a4|b2 e>f g2c2|{e}d>c d>e f4|
A>g f>e ^d2e2|f2 f>g a4|b2 e>f ag Bc|d2d2 d4||
A>g f>e ^d2e2|f2 f>g a4|b2 e>f ag Bc|d2d2 d4||
K:G
K:G
Line 53: Line 45:
C>E G>c e2c2|E>G c>e g3a|(g2 f)B (e2 d)F|(c2 B)E A2G2|
C>E G>c e2c2|E>G c>e g3a|(g2 f)B (e2 d)F|(c2 B)E A2G2|
C>E G>c e2c2|E>G C>e g3a|(g2 f)B (ed) AB|c2c2 c4:||
C>E G>c e2c2|E>G C>e g3a|(g2 f)B (ed) AB|c2c2 c4:||
 
<section end=abc />
</pre>
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED -->
----
<section begin=X1 />
<p><font face="garamond, serif" size="4">
<section end=X1 />
'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
</font>
<br>
<font face="sans-serif" size="4">
Engraver Valerio M. Pelliccioni
<div class="noprint">
</font></p>
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
</div>
</font>
__NOTITLE__

Latest revision as of 00:53, 21 October 2020


Crystal Schottische  Click on the tune title to see or modify Crystal Schottische's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Crystal Schottische
Query the Archive
Query the Archive
 Theme code Index    37L15L 33H1H1H
 Also known as    Old South, Old Southern Schottische, Two-Step Schottische, Calgary Schottische
 Composer/Core Source    Biography:William Byerly
 Region    United States
 Genre/Style    Old-Time
 Meter/Rhythm    Schottische/Schottis/Jennkka/Reinlander
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    4/4
 History    USA(Central), USA(Mid Atlantic)
 Structure    AABCDD
 Editor/Compiler    Elias Howe
 Book/Manuscript title    Book:Diamond School for the Violin
 Tune and/or Page number    p. 54
 Year of publication/Date of MS    1861
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


Crystal Schottische: Annotations

X:1 T:Crystal Schottische M:C L:1/8 B:Ira Ford - Traditional Music in America (1940) Z:AK/Fiddler's Companion K:G B>G F>A G2D2|Bd b>a g4|f2A2f2e2|d>F G>A B2A2| B>G F>A G2D2|Bd b>a g4|f2A2 e2F2|G>A G>F G4:| K:D A>g f>e ^d2e2|f2 f>g a4|b2 e>f g2c2|{e}d>c d>e f4| A>g f>e ^d2e2|f2 f>g a4|b2 e>f ag Bc|d2d2 d4|| K:G B>G F>A G2D2|BD b>a g4|f2A2f2e2|d>F G>A B2A2| B>G F>A G2D2|Bd b>a g4|f2A2 e2F2|G>A G>F G4|| K:C C>E G>c e2c2|E>G c>e g3a|(g2 f)B (e2 d)F|(c2 B)E A2G2| C>E G>c e2c2|E>G C>e g3a|(g2 f)B (ed) AB|c2c2 c4:||


Crystal Schottische: Annotations

Retrieved from "https://ttadev.org/w/index.php?title=Crystal_Schottische&oldid=422594"