Belle Catharine (1) (La): Difference between revisions

Find traditional instrumental music
No edit summary
No edit summary
 
(19 intermediate revisions by 3 users not shown)
Line 1: Line 1:
{{Abctune
{{Abctune
|f_tune_title=Belle Catharine (La)
|f_tune_title=Belle Catharine (La)
|f_aka=Lady Belle Catherine, Belle Cathrine, Come Dance and Sing, Come Let Us Dance and Sing, Grandmother's Polka, Rising Sun (4) (The), Sons of William (The), Inkle and Yarico (1), Shrewsbury Quarry, 16th of October (The)
|f_aka=Lady Belle Catherine, Belle Cathrine, Come Dance and Sing, Come Let Us Dance and Sing, Grandmother's Polka, Rising Sun (4) (The), Sons of William (The), Inkle and Yarico (1), Muffin Man (The), Shrewsbury Quarry, 16th of October (The), Sixteenth of October, Wedding Day (9),
|f_country=England, Scotland, United States
|f_country=England, Scotland, United States
|f_genre=Contra, English, Scottish
|f_genre=Contra, English, Scottish
Line 9: Line 9:
|f_accidental=NONE
|f_accidental=NONE
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_structure=AAB
|f_structure=AABA
|f_book_title=Second Collection of Niel Gow's Reels
|f_book_title=Second Collection of Niel Gow's Reels
|f_collector=Niel Gow
|f_collector=Niel Gow
Line 15: Line 15:
|f_page=p. 36
|f_page=p. 36
|f_theme_code_index=1H3H3H1H 62H75
|f_theme_code_index=1H3H3H1H 62H75
|f_score=1
|f_player=Wild Asparagus
|f_player=Wild Asparagus
|f_album=Tone Roads
|f_album=Tone Roads
Line 20: Line 21:
|f_recording_date=1990
|f_recording_date=1990
}}
}}
<pre>
<!-- THIS IS FOR SEARCH ENGINE OPTIMIZATION -->
<!-- ************ DON'T TOUCH ************* -->
{{#seo:
|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
|image=TUC-160x120.png
|image_alt=Traditional universal music
}}
<!-- ************ PLEASE!!!!! ************* -->
 
 
<font face="sans-serif" size="4">
<div class="noprint">
<!-- SUBSTITUTE THE ABC NOTATION BELOW (BETWEEN THE <SECTION BEGIN /><SECTION END /> TAGS) WITH YOUR OWN NOTATION (IF ANY) -->
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
</div>
</font>
<font face="sans-serif" size="2">
----
<section begin=abc />
X:2
X:2
T:La Belle Cathrine [1]
T:La Belle Cathrine [1]
Line 29: Line 49:
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:C
K:C
G|c2 (e/d/)c/d/|ec~cB|A2 (d/e/)d/c/|BG !trill!G2|c2 (e/d/)c/d/|eccB|Ad (c/B/)A/G/|
G|c2 (e/d/)c/d/|ec~cB|A2 (d/e/)d/c/|BG TG2|
c2 C:||G/F/|EG!trill!G>F|EG Gc/B/|AA (d/e/)d/c/|BG !trill!G>F|EG GA/B/|
c2 (e/d/)c/d/|eccB|Ad (c/B/)A/G/|c2 C:||
ce/c/ Bd/B/|cc {f}ed/c/|[G,3D3B3g3] G|c2 (e/d/)c/d/|ec!trill!cB|A2 (d/e/)d/c/|
G/F/|EGTG>F|EG Gc/B/|AA (d/e/)d/c/|BG TG>F|
BG !trill!G2|c2 (e/d/)c/d/|ec~c>B|Ad {c}BA/G/|!trill!c2 C||
EG GA/B/|ce/c/ Bd/B/|cc {f}ed/c/|[G,3D3B3g3] G|
</pre>
c2 (e/d/)c/d/|ecTcB|A2 (d/e/)d/c/|BG TG2|
 
c2 (e/d/)c/d/|ec~c>B|Ad {c}BA/G/|Tc2 C||
<pre>
<section end=abc />
<section begin=X2 />
X:1
X:1
T:La Belle Catherine [1]
T:La Belle Catherine [1]
Line 41: Line 62:
L:1/8
L:1/8
R:Country Dance
R:Country Dance
B:Samuel, Ann & Peter Thompson - Compleat Collection of 200 Favourite Country Dances, vol. 5 (London, 1788, p. 1)
B:Samuel, Ann & Peter Thompson - Compleat Collection of 200  
B:Favourite Country Dances, vol. 5 (London, 1788, p. 1)
Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:D
K:D
Line 48: Line 70:
|:(FA)(AG)|(FA)(AG)|(F/A/d/e/) [e}dc/B/|(cA)(AG)|
|:(FA)(AG)|(FA)(AG)|(F/A/d/e/) [e}dc/B/|(cA)(AG)|
(F/G/A/B/) AG|FA (AB/c/)|d>e [g}(fe/d/|{^g}a2A2:|]
(F/G/A/B/) AG|FA (AB/c/)|d>e [g}(fe/d/|{^g}a2A2:|]
</pre>
<section end=X2 />
 
<section begin=X3 />
<pre>
X:3
X:3
T:La Belle Catherine [1]
M:2/4
L:1/8
R:Country Dance
B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 4 (1796, No. 34, p. 13)
Z:AK/Fiddler’s Companion
K:G
A|d2 (f/e/d/e/)|fddc|B2 (e/f/e/d/)|cAAA|
d2 (f/e/d/e/)|fddc|Be (d/c/B/A/)|d2 D:|
|:A/G/|FAAG|FAAG|FA (d/e/d/e/)|cAAG|
(F/G/A/B/) AG|FA A(B/c/)|d>e {g}f(e/d/)|a3!D.C.!||
<section end=X3 />
<section begin=X4 />
X:1
T:Belle Catherine [1], La
M:2/4
L:1/8
R:Country Dance Tune
B:Dale’s Selection of the most favorite Country Dances, Reels &c. (London,
B:c. 1800, p. 21)
Z:AK/Fiddler’s Companion
K:D
A|d2 f/e/d/e/|fd dc|B2 e/f/e/d/|cAAA|
d2 f/e/d/e/|fddc|Be d/c/B/A/|d2 D!fermata!:|
|:A/G/|FAAG|FAAG|FA d/f/e/d/|cAAG|
F/G/A/B/ AG|FA AB/c/|d>e {g}fe/d/|!fermata!a2!D.C.!||
<section end=X4 />
<section begin=X7 />
X:4
T:La Belle Catharine [1]
T:La Belle Catharine [1]
M:2/4
M:2/4
L:1/8
L:1/8
S:Riley's Easy Flute Duets (c. early 19th century)
S:Riley's Easy Flute Duets (c. early 19th century)
N:Publisher Riley was originally a composer, music engraver and  
N:Publisher Edward Riley was originally a composer, music engraver and  
N:publisher who worked in London as late as 1805, but removed before  
N:publisher who worked in London as late as 1805, but removed before  
N:1814 to New York city.
N:1814 to New York city.
Line 70: Line 120:
F/A/d/e/ f/g/f/e/ | d/A/d/e/ f/g/f/e/ | f/g/a/f/ b/a/g/f/ | e/d/c/B/ A/g/f/e/ |  
F/A/d/e/ f/g/f/e/ | d/A/d/e/ f/g/f/e/ | f/g/a/f/ b/a/g/f/ | e/d/c/B/ A/g/f/e/ |  
f2 a/g/f/g/ | a/d'/a/g/ f/a/f/d/ | etc.  
f2 a/g/f/g/ | a/d'/a/g/ f/a/f/d/ | etc.  
</pre>
<section end=X7 />
----
<section begin=X10 />
</p>
X:13
<p><font face=&quot;garamond, serif&quot; size=&quot;4&quot;>
T:La Belle Catherine [1]. RHu.013
 
B:R.Hughes MS,1823,Whitchurch,Shrops.
'''BELLE CATHARINE [1], LA'''. AKA &quot;[[Lady Belle Catherine]].&quot; AKA and see &quot;[[Come Dance and Sing]]," "[[Come Let Us Dance and Sing]],&quot; &quot;[[Grandmother's Polka]],&quot; &quot;[[Rising Sun (4) (The)]],&quot; &quot;[[Sons of William (The)]],&quot; &quot;[[Inkle and Yarico (1)]],&quot; &quot;[[Shrewsbury Quarry]],&quot; &quot;[[16th of October (The)]].&quot; British Isles, Reel. England; Shropshire, Dorset. D Major (most versions): C Major (Gow, Howe). Standard tuning (fiddle). AAB (Gow, Johnson): AABA (Ashman, Trim): AABB (Howe, Keller, Sweet). The tune (popular with fifers as well as fiddlers) dates from the 18th century (Moffatt-Kidson gives it from 1780, calling it an &quot;allemand&quot;). Johnson (1988) also dates the tune to 1780, and Kate Van Winkler Keller (1992) calls it &quot;one of the most popular tunes of the late 1780's&quot;. However, &quot;Belle Catharine&quot; appears in '''Bride's Favourite Collection of 200 Select Country Dances, Cotillons''', printed by Longman, Lukey & Broderip, London, a few years earlier, in 1776. The Gows printed it in their '''2nd Collection''' (1788) in a section of county dances fashionable in Edinburgh in the 1787-88 season. London publishers Samuel, Ann and Peter Thompson included it in their '''Thompson's Compleat Collection of 200 Favourite Country Dances''', vol. 5 (1788). Keller notes the similarity with &quot;The16th of October,&quot; a melody printed in J. Preston's '''Twenty Four Country-Dances''' (London, 1786), although it was Preston who earlier published it in his '''New Instruction for the German Flute''' (1780, London). Editor Gordon Ashman identifies &quot;La Belle Catharine&quot; as a melody used for the Shrewsbury Show, where it became the traditional tune for the Show under the title &quot;Shrewsbury Quarry.&quot; See note for &quot;Come (Let Us) Dance and Sing&quot; for more.
A:Whitchurch, Shropshire
<br>
Z:Neil Brookes 2006
<br>
M:2/4
&quot;La Belle Catharine&quot; appears in several British music manuscripts of the late 18th/early 19th century, including Shropshire musician John Moore (see source info. below), the Hardy family music manuscripts (Dorset), Joshua Jackson (near Harrogate, north Yorkshire), William Mittel (1799, New Romney, Kent), H.S.J. Jackson (1823, Wyresdale, Lancashire) and George Spencer (1831, Leeds, west Yorkshire). &quot;Belle Catharine&quot; was extremely popular in America as well, and appears in the period music manuscript copybooks of George Bush (see source info. below), Henry Beck's commonplace book (1786, pg. 138), &quot;William O. Adam's Music Book&quot; (1795, now in the Library of Congress), Connecticut musician James B. Hosmer's commonplace book (1798-1799), the Joseph Ackerman copybook (New Hampshire, 1795), George Otis's copybook (Worcester, Mass., 1793), J. Williams commonplace book (Salem, N.Y., 1799), and John Treat's commonplace book (Durham?, c. 1779-1802), among others. A Canadian manuscript, the Thomas Molyneaux copybook (&quot;Thomas Molyneaux, Ensign - 6th Regmt&quot;, 1788) also contains the tune.  
L:1/8
<br>
Q:1/2=70
<br>
R:Country Dance
The following passage is from '''A Contribution to the History of the Huguenots of South Carolina''' (1887) by Samuel Dubose and Frederick Porcher. It describes a country dance in Craven County, South Carolina in the early 1800's:
K:D
 
A|d2f/e/d/e/|fd dc|B2e/f/e/d/|cAAA|d2f/e/d/e/|fddc|Be d/c/B/A/|d3:|
<blockquote>
|:A/G/|FAAG|FAAG|FA d/f/e/d/|cAAG|F/G/A/B/ AG|\
''Nothing can be imagined more simple or more fascinating that those Pineville balls. ''
FA AB/c/|d>e {g}fe/d/"D.C."|"cr in MS"Ha3|]
''Bear in mind, reader, that we are discussing old Pineville as it existed prior to 1836. ''
<section end=X10 />
''No love of display governed the preparations; no vain attempt to outshine a competitor''
<section begin=X13 />
''in the world of fashion. Refreshments were provided of the simplest character, ''
X:1
''such only as the unusual exercise, and sitting beyond the usual hours of repose, would ''
T:Belle Catherine [1], La
''fairly warrant. Nothing to tempt the pampered appetite. Cards were usually provided ''
M:2/4
''to keep the elderly gentlemen quite, and the music was only that which the gentlemen's ''
L:1/8
''servants could produce. The company assembled early. No one ever though of ''
R:Country Dance
''waiting until bedtime to dress for the ball; a country-dance always commenced the ''
N:”A favourite Country Dance.”
''entertainment. The lady who stood at the head of the dancers was entitled to call for ''
N:”Walker’s Hibernian Magazine, 1786.”
''the figure, and the old airs, Ca Ira, Moneymusk, Haste to the Wedding, and La Belle ''
S:Henry Hudson manuscript collection c. 1841 (Dublin, No. 296)
''Catharine were popular and familiar in Pineville long after they had been forgotten, as ''
N:Hudson was a Dublin dentist and an early collector. He was
''dances, everywhere else. Ah, well do we remember with what an exulting step would ''
N:music editor of The Citizen or Dublin Monthly Magazine from
''the young man, who had secured the girl of his choice, exhibit his powers of the poetry''
N:1841-1843.
''of motion, when his partner called for the sentimental air of La Belle Catharine....''
F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-2/#page/7/mode/1up
</blockquote>
Z:AK/Fiddler’s Companion
''Sources for notated versions:'' '''The Entire New and Compleat Tutor for the Violin''' by 18th century Italian violinist Geminiani (who lived in the British Isles), via the Hardy Collection (See note for &quot;Inkle and Yarico&quot; for more); a c. 1837-1840 MS by Shropshire musician John Moore [Ashman]; the music manuscript of Captain George Bush (1753?-1797), a fiddler and officer in the Continental Army during the American Revolution [Keller].
K:C
<br>
c2 dc/d/|ec Tc2|Addc|BG TG2|
<br>
c2 dc/d/|ec Tc2|AfdB|(c2 c2):|
''Printed sources:'' Aird ('''Selection of Scotch, English, Irish and Foreign Airs'''), vol. 4, 1796; p. 13. Ashman ('''The Ironbridge Hornpipe'''), 1991; No. 45a, p. 16. Gow ('''Second Collection of Niel Gow's Reels'''), 1788; p. 36 (3rd ed.). Howe ('''Complete Preceptor for the Accordeon'''), c. 1843; p. 5. Johnson ('''Twenty-Eight Country Dances as Done at the New Boston Fair'''), vol. 8, 1988; p. 2. Keller ('''Fiddle Tunes from the American Revolution'''), 1992; p. 23. Skillern, 1780; No. 29. Sweet ('''Fifer's Delight'''), 1964/1981; p. 65. Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 5'''), 1788; p. 1. Trim ('''Thomas Hardy'''), 1990; No. 86. Wilson ('''Companion to the Ballroom'''), 1816; p. 117.
|:G/A/G/F/ EF|G/A/G/F/ EF|G/A/G/F/ Ee|dcBA|
<br>
G/A/G/F/ EF|G/A/G/F/ EG|cd f/e/d/c/|(g2 g2)!D.C.!:|]
<br>
<section end=X13 />
''Recorded sources:'' North Star NS0038, &quot;The Village Green: Dance Music of Old Sturbridge Village.&quot; Wild Asparagus WA 003, Wild Asparagus - &quot;Tone Roads&quot; (1990).
<section begin=X16 />
<br>
X:1
<br>
T:Belle Catherine [1], La
 
M:2/4
 
L:1/8
 
R:Country Dance
</font></p>
B:Alexander’s New Scrap Book vol. 6 (c. 1845, No. 866, p. 19)
__NORICHEDITOR__
Z:AK/Fiddler’s Companion
K:D
A|!segno!d2 (f/e/d/e/)|(fd)(dc)|Be (e/f/e/d/)|cAA (B/c/)|
d2 (f/e/d/e/)|fddc|Bedc|d3!fermata!||
(A/G/)|(FA)AA|(FA)AA|FA df|(e/d/).c/.B/ AA|
FA (A/B/A/G/)|FA (A/B/A/G/)|FAdf|!fermata!a3 {ba} {gfge}!segno!!D.C.!||
<section end=X16 />
<section begin=X19 />
X:0632
T:Don't You Know the Muffin Man. Roose.0632
T:La Belle Catherine,aka. Roose.0632
T:Come Dance and Sing,aka. Roose.0632
T:Inkle and Yarico,aka. Roose.0632
M:2/4
L:1/8
Q:1/4=100
B:J.Roose MS, Manchester 1850
Z:Village Music Project, Peter Dunk 2019
K:D
d2ee|fd dc|Be ed|cA A2|d2ee|fd dc|Be dc|"^FINE"d4:|
FA A2|FA A2|FA df|ec A2|FA A2|FA A2|FA df|Ha2 f!D.C.!e|]
<section end=X19 />
<section begin=X22 />
X:1
T:La belle Catharine [1] or the Wedding day
O:No 43 Wm Clarke of Feltwell  MS 1858
N:Bottom of page
N:As written
I:abc2nwc
M:2/4
L:1/16
K:D
A2|d4fede|fddc|B4efed|cAAA|d4fede|fddc|B2e2 dcBA|d4D2:|
|:AG|F2A2A2G2|F2A2A2G2|F2A2 dfed|cAAG|
FGAB A2G2|F2A2 A2Bc|d3e2 {f}f2e2d2|a4A4|d4fede|
fddc|B4efed|c2A2A2A2|d4fede|fddc|B2e2 dcBA|d4D4|]
<section end=X22 />
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED -->
<section begin=X1 />
<section end=X1 />
</font>   
<font face="sans-serif" size="4">
<div class="noprint">
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
</div>
</font>
__NOTITLE__

Latest revision as of 22:05, 6 May 2024


Belle Catharine (1) (La)  Click on the tune title to see or modify Belle Catharine (1) (La)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Belle Catharine (1) (La)
Query the Archive
Query the Archive
 Theme code Index    1H3H3H1H 62H75
 Also known as    Lady Belle Catherine, Belle Cathrine, Come Dance and Sing, Come Let Us Dance and Sing, Grandmother's Polka, Rising Sun (4) (The), Sons of William (The), Inkle and Yarico (1), Muffin Man (The), Shrewsbury Quarry, 16th of October (The), Sixteenth of October, Wedding Day (9)
 Composer/Core Source    
 Region    England, Scotland, United States
 Genre/Style    Contra, English, Scottish
 Meter/Rhythm    Country Dance
 Key/Tonic of    C
 Accidental    NONE
 Mode    Ionian (Major)
 Time signature    2/4
 History    
 Structure    AABA
 Editor/Compiler    Biography:Niel Gow
 Book/Manuscript title    Book:Second Collection of Niel Gow's Reels
 Tune and/or Page number    p. 36
 Year of publication/Date of MS    1788
 Artist    Biography:Wild Asparagus
 Title of recording    Tone Roads
 Record label/Catalogue nr.    Wild Asparagus WA 003
 Year recorded    1990
 Media    
 Score   (1)   



Belle Catharine (1) (La): Annotations

X:2 T:La Belle Cathrine [1] M:2/4 L:1/8 R:Country Dance Tune B:Gow - 2nd Collection of Niel Gow's Reels, 3rd ed., p. 36 (orig. 1788) Z:AK/Fiddler's Companion K:C G|c2 (e/d/)c/d/|ec~cB|A2 (d/e/)d/c/|BG TG2| c2 (e/d/)c/d/|eccB|Ad (c/B/)A/G/|c2 C:|| G/F/|EGTG>F|EG Gc/B/|AA (d/e/)d/c/|BG TG>F| EG GA/B/|ce/c/ Bd/B/|cc {f}ed/c/|[G,3D3B3g3] G| c2 (e/d/)c/d/|ecTcB|A2 (d/e/)d/c/|BG TG2| c2 (e/d/)c/d/|ec~c>B|Ad {c}BA/G/|Tc2 C||


X:1 T:La Belle Catherine [1] M:2/4 L:1/8 R:Country Dance B:Samuel, Ann & Peter Thompson - Compleat Collection of 200 B:Favourite Country Dances, vol. 5 (London, 1788, p. 1) Z:AK/Fiddler's Companion K:D d2 (f/e/d/e/)|(fd)(dc)|B2 (e/f/e/d/)|cAAc| d2 (f/e/d/e/)|(fd)(dc)|Be (d/c/B/A/)|d2 D2:| |:(FA)(AG)|(FA)(AG)|(F/A/d/e/) [e}dc/B/|(cA)(AG)| (F/G/A/B/) AG|FA (AB/c/)|d>e [g}(fe/d/|{^g}a2A2:|]


X:3 T:La Belle Catherine [1] M:2/4 L:1/8 R:Country Dance B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 4 (1796, No. 34, p. 13) Z:AK/Fiddler’s Companion K:G A|d2 (f/e/d/e/)|fddc|B2 (e/f/e/d/)|cAAA| d2 (f/e/d/e/)|fddc|Be (d/c/B/A/)|d2 D:| |:A/G/|FAAG|FAAG|FA (d/e/d/e/)|cAAG| (F/G/A/B/) AG|FA A(B/c/)|d>e {g}f(e/d/)|a3!D.C.!||


X:1 T:Belle Catherine [1], La M:2/4 L:1/8 R:Country Dance Tune B:Dale’s Selection of the most favorite Country Dances, Reels &c. (London, B:c. 1800, p. 21) Z:AK/Fiddler’s Companion K:D A|d2 f/e/d/e/|fd dc|B2 e/f/e/d/|cAAA| d2 f/e/d/e/|fddc|Be d/c/B/A/|d2 D!fermata!:| |:A/G/|FAAG|FAAG|FA d/f/e/d/|cAAG| F/G/A/B/ AG|FA AB/c/|d>e {g}fe/d/|!fermata!a2!D.C.!||


X:4 T:La Belle Catharine [1] M:2/4 L:1/8 S:Riley's Easy Flute Duets (c. early 19th century) N:Publisher Edward Riley was originally a composer, music engraver and N:publisher who worked in London as late as 1805, but removed before N:1814 to New York city. Z:AK/Fiddler's Companion K:D d2 f/e/d/e/ | fddc | B2 e/f/e/d/ | cAAA | d2 f/e/d/e/ | fddc | Be {d}cB/c/ | d/A/f/A/ D2 | FA A/B/A/G/ | FA A/B/A/G/ | FA d/e/f/d/ | e/d/c/B/ A/G/F/E/ | Fa a/b/a/g/ | f/g/a/b/ a/b/a/g/ | f/g/a/f/ g/f/e/d/ | c/A/c/e/ a/g/f/e/ | d2 f/e/d/e/ | f/g/a/f/ d/e/f/d/ | B/^d/e/f/ g/a/b/=d/ | c/d/e/d/ c/A/B/c/ | d2 f/e/d/e/ | f/g/a/g/ f/e/d/c/ | B/(b/a/)g (f/e/)d/c/ | d/A/F/A/ D2 || f2 a/g/f/g/ a/d'/a/f/ d/a/f/d/ | B/^d/e/f/ g/a/g/f/ | e/a/e/c/ A/g/f/e/ | f2 a/g/f/g/ | a/d'/a/f/ d/a/f/d/ | g/b/a/g/ f/e/d/c/ | dd d2 | d/A/d/e/ f/a/f/e/ | d/A/d/e/ f/g/a/f/ | g/f/e/d/ c/B/A/G/ | F/A/d/e/ f/g/f/e/ | d/A/d/e/ f/g/f/e/ | f/g/a/f/ b/a/g/f/ | e/d/c/B/ A/g/f/e/ | f2 a/g/f/g/ | a/d'/a/g/ f/a/f/d/ | etc.


X:13 T:La Belle Catherine [1]. RHu.013 B:R.Hughes MS,1823,Whitchurch,Shrops. A:Whitchurch, Shropshire Z:Neil Brookes 2006 M:2/4 L:1/8 Q:1/2=70 R:Country Dance K:D A|d2f/e/d/e/|fd dc|B2e/f/e/d/|cAAA|d2f/e/d/e/|fddc|Be d/c/B/A/|d3:| |:A/G/|FAAG|FAAG|FA d/f/e/d/|cAAG|F/G/A/B/ AG|\ FA AB/c/|d>e {g}fe/d/"D.C."|"cr in MS"Ha3|]


X:1 T:Belle Catherine [1], La M:2/4 L:1/8 R:Country Dance N:”A favourite Country Dance.” N:”Walker’s Hibernian Magazine, 1786.” S:Henry Hudson manuscript collection c. 1841 (Dublin, No. 296) N:Hudson was a Dublin dentist and an early collector. He was N:music editor of The Citizen or Dublin Monthly Magazine from N:1841-1843. F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-2/#page/7/mode/1up Z:AK/Fiddler’s Companion K:C c2 dc/d/|ec Tc2|Addc|BG TG2| c2 dc/d/|ec Tc2|AfdB|(c2 c2):| |:G/A/G/F/ EF|G/A/G/F/ EF|G/A/G/F/ Ee|dcBA| G/A/G/F/ EF|G/A/G/F/ EG|cd f/e/d/c/|(g2 g2)!D.C.!:|]


X:1 T:Belle Catherine [1], La M:2/4 L:1/8 R:Country Dance B:Alexander’s New Scrap Book vol. 6 (c. 1845, No. 866, p. 19) Z:AK/Fiddler’s Companion K:D A|!segno!d2 (f/e/d/e/)|(fd)(dc)|Be (e/f/e/d/)|cAA (B/c/)| d2 (f/e/d/e/)|fddc|Bedc|d3!fermata!|| (A/G/)|(FA)AA|(FA)AA|FA df|(e/d/).c/.B/ AA| FA (A/B/A/G/)|FA (A/B/A/G/)|FAdf|!fermata!a3 {ba} {gfge}!segno!!D.C.!||


X:0632 T:Don't You Know the Muffin Man. Roose.0632 T:La Belle Catherine,aka. Roose.0632 T:Come Dance and Sing,aka. Roose.0632 T:Inkle and Yarico,aka. Roose.0632 M:2/4 L:1/8 Q:1/4=100 B:J.Roose MS, Manchester 1850 Z:Village Music Project, Peter Dunk 2019 K:D d2ee|fd dc|Be ed|cA A2|d2ee|fd dc|Be dc|"^FINE"d4:| FA A2|FA A2|FA df|ec A2|FA A2|FA A2|FA df|Ha2 f!D.C.!e|]


X:1 T:La belle Catharine [1] or the Wedding day O:No 43 Wm Clarke of Feltwell MS 1858 N:Bottom of page N:As written I:abc2nwc M:2/4 L:1/16 K:D A2|d4fede|fddc|B4efed|cAAA|d4fede|fddc|B2e2 dcBA|d4D2:| |:AG|F2A2A2G2|F2A2A2G2|F2A2 dfed|cAAG| FGAB A2G2|F2A2 A2Bc|d3e2 {f}f2e2d2|a4A4|d4fede| fddc|B4efed|c2A2A2A2|d4fede|fddc|B2e2 dcBA|d4D4|]


Belle Catharine (1) (La): Annotations

Retrieved from "https://ttadev.org/w/index.php?title=Belle_Catharine_(1)_(La)&oldid=524945"