Broom the Bonny Bonny Broom: Difference between revisions

Latest revision as of 01:28, 17 April 2024

Broom the Bonny Bonny Broom Click on the tune title to see or modify Broom the Bonny Bonny Broom's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Broom the Bonny Bonny Broom Query the Archive
Theme code Index	551H1H 1H544H
Also known as	Broom of the Cowdenknowes (1), Cowden Knows, Cowden Knowes, Cowdenknowes, Lovely Northerne Lass (The), O My King, O the broom
Composer/Core Source
Region	England, Scotland
Genre/Style	English, Northumbrian/Borders, Scottish
Meter/Rhythm	Air/Lament/Listening Piece, Country Dance
Key/Tonic of	D
Accidental	1 sharp
Mode	Mixolydian
Time signature	4/4, 2/4
History	SCOTLAND(Central Scotland), ENGLAND(North East)
Structure	One part
Editor/Compiler	John Playford
Book/Manuscript title	Book:The English Dancing Master
Tune and/or Page number
Year of publication/Date of MS	1651
Artist	Biography:Robin Williamson
Title of recording	Legacy of the Scottish Harpers vol. 1
Record label/Catalogue nr.	Flying Fish Records FF358
Year recorded
Media
Score (1)

Broom the Bonny Bonny Broom: Annotations

X:1 T:Broom, the Bonny, Bonny Broom M:2/2 L:1/8 S:Playford (1651) K:F c3dc3d|cBAG F4|f2fg agfe|d6e2| f3ga2ga|f2FG A2GF|G2G2d3B|G8||

X:2 T:Broom of the Cowdenknows, The M:C L:1/8 S:Allan Ramsay - Tea Table Misclellany (1734) K:C D3E G3A|GED>C C2 cG|A2 cd e2 d>c|A6 c2| (G>A) (c>d) e2 (d>c)|c2 CD E2 DC|(F3G) (AB)(cE)|D8||

X:1 T:Broom of the Cowdenknows M:Cd L:1/8 R:Air Q:"Slow" B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 13) F: https://vmirror.imslp.org/files/imglnks/usimg/b/b0/IMSLP94625-PMLP194938-Barsanti_A_Collection_of_Old_Scots_Tunes.pdf N:Francis Barsanti (1690-1775) was an Italian flautist, oboist and composer who spent N:most of his life in London and Edinburgh. Z:AK/Fiddler’s Companion K:Dmix V:1 A3B d3Je|d>BTA>G G2 g>d|e2 g>a {ga}b2 T(a>g)|Te6 g2| d>eg>a Jb2 T(a>g)|g2 G>A {c}B2 T(A>G)|c3d e>fg>B|A4:|] V:2 clef = bass D2C2 B,<A,B,C|D2D,2 G,A,B,G,|C,2 zD, G,2G,,2|C,2 CB, CDEC| B,3C D2 D,2|G,4 _F4|E,D,E,B,, C,2G,,2|D,4:|]

X:1 T:Broom of Cowdon Knows, The M:C L:1/8 R:Air B:Oswald – Caledonian Pocket Companion, Book 6 (1760, p. 21) Z:AK/Fiddler’s Companion K:Ador A3B d3e|(d<B) (c>B) B2 g<d|{d}e2 g>a {ga}b2 Ta>g|e4 z2g2| d>eg>a {ga}b2 Ta>g|(gf)(ed) B2 A>G|c3d (ed/e/) gB|{B}A4z2:| |:B2|(GA)(AB) dB (ge/g/)|{e}d(B/d/) {B}AG G2d2|(e/g/f/a/ g/b/a/c'/) (ba)(gf)| e4 z2d2|g3a (g/a/b) a>g|g2 G>A {c}TB2 TA>G|c3d (e<g)(d<B)|{B}A4a2:|]

X:3 T:Broom of the Cowdon knows, The M:C L:1/8 R:Air Q:"Slow" S:McGibbon - Scots Airs, book III, p. 67 (1762) Z:AK/Fiddler's Compainon K:Dmix A3Bd3e | (dB) T(A>G) G2 (g>d) | e2(g>a) b2 T(a>g) | {g}e6g2 | (d>e)(g>a) b2 T(ag) | g2 (G>A) B2 T(A>G) | ~c3d (efg)B | {B}A8 :||

X:1 T:Broom on Cowdenknows, The M:C L:1/8 R:Air B:John Moore music manuscript (Shropshire c. 1837-40, Book 2, p. 66) B: https://www.vwml.org/topics/historic-dance-and-tune-books/Moore2 Z:AK/Fiddler’s Companion K:G (d<c)|(B<G)(A<c) {c}B2 A<G|(B<d)(c<e) {e}d2 (c<B)|e<gc<e A<c[EB]<A|G2F2 z2A2| (d<A)(B>c) (B<G)(B<d)|(g<d)(e<=f) {f}e3^f|(g<e)(f<d) (B<g)(e<c)|^c2d4 z2 d=c| Bd GB EG ce|dB GB c3B|(ce)(dB) (Ac)(BG)|{G}F4 z2d2| (gf)d'f (fe) c'e|(ed) b c (cB) g c|(3Bge (3dBG (E<c)(A<F)|g4 z4| (d<B)(B<G) e3g|(d<B)(B<G) g3d|e3d (cB)(AG)|{G}F4 z2d2| (gf) d'f2 fe c'e2|(ed) bc2 (cB)gc|(3Bge (3dBG (E<c)(A<F)|{F}G3 z2d2| (gf)(d'f) (fe)(c'e)|(ed)(bc) (cB)(gc)|(3Bge (3dBG (E<c)(A<F)|G4z2!D.C.!:|]

Broom the Bonny Bonny Broom: Annotations

@@ Line 1: / Line 1: @@
 {{Abctune
 |f_tune_title=Broom the Bonny Bonny Broom
-|f_aka=Broom of the Cowdenknowes (1), Cowden Knows, Cowden Knowes, Cowdenknowes, Lovely Northerne Lass (The), O My King, O the Broom
+|f_aka=Broom of the Cowdenknowes (1), Cowden Knows, Cowden Knowes, Cowdenknowes, Lovely Northerne Lass (The), O My King, O the broom
 |f_country=England, Scotland
 |f_genre=English, Northumbrian/Borders, Scottish
@@ Line 9: / Line 9: @@
 |f_accidental=1 sharp
 |f_mode=Mixolydian
-|f_history=<b>England</b>/North East
+|f_history=SCOTLAND(Central Scotland), ENGLAND(North East)
 |f_structure=One part
-|f_book_title=Scots Tunes Book 3
+|f_book_title=The English Dancing Master
-|f_collector=William McGibbon,
+|f_collector=John Playford
-|f_year=1762
+|f_year=1651
-|f_page=p. 67
 |f_theme_code_index=551H1H 1H544H
-|f_player=Robin Williamson,
+|f_score=1
+|f_player=Robin Williamson
 |f_album=Legacy of the Scottish Harpers vol. 1
 |f_label=Flying Fish Records FF358
 }}
-<p><font face="garamond, serif" size="4">
+<!-- THIS IS FOR SEARCH ENGINE OPTIMIZATION -->
-'''BROOM, THE BONNY, BONNY BROOM'''. AKA -  "Broom of the Cowdenknowes," "Cowden Knowes," "Cowdenknowes," "The Lovely Northerne Lass," "O My King," "O, the Broom."  Scottish, English ; Air and Country Dance Air (2/2 time). England; Northumberland, Shropshire. F Major (Barnes, Karpeles, Raven, Sharp, Williamson): G Major (Ashman). Standard tuning (fiddle). One part (Ashman, Karpeles, Raven, Sharp, Williamson): AABB (Barnes). This very old Northumbrian air has been set to various words, but most famously appears as "The Broom of the Cowdenknows." Broom is a bush with brilliant yellow flowers that grows all over England and Southern Scotland on hillsides.  Stems of the plant were at one time bundled together and bound to sticks for use as sweepers, hence the name 'broom' for the common implement. Cowdenknowes itself, with its famous broom, is situated on the east bank of the River Leader, five miles northeast of Melrose.
+<!-- ************ DON'T TOUCH ************* -->
-<br>
+{{#seo:
-<br>
+|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
-The piece can be traced back to the mid-17th century, probably Scottish in origin, or at least so believed antiquarian researchers William Stenhouse, G.F. Graham, and John Muir Wood. Stenhouse believed it was probably one of those introduced into England after 1603 with the advent of the Stuart monarchy.  Graham says, "This is a very ancient and beautiful air of one strain," and adds, "That in all the versions given in the older Scottish collections, the air begins on the second note of the scale, while in Playford's '''Dancing Master''' 1651, it begins on the fifth, and in Watt's '''Musical Miscellany''', and some other works on the key-note itself" (quoted from Glen, '''Early Scottish Melodies''', 1900). The tune was popular, widely known in Britain, and frequently used as the vehicle for numerous lyrics; it appears, for example, set for four different songs in the '''Tea Table Miscellany''' (1724), though the earliest English appearance seems to have been in the first edition of John Playford's '''English Dancing Master''' (1651-John Glen thought the Playford version "very insipid"). Playford also included it in his '''Musick's Delight on the Cithern''' (1666). Scots versions predate English ones with the melody used for broadside ballads at least as early as 1632. Later Scots versions of the song are to be found in '''Orpheus Caledonius''' (1725) and '''The Scots Musical Museum''' (1787). The song was mentioned in the text of the very first ballad opera, '''The Gentle Shepherd''' (1725), written by Allan Ramsay (although his work was not performed before Gay's 1729 '''Beggar's Opera''' became a hit), and subsequently in the ballad operas '''Beggar's Opera''', '''The Highland Fair''' and '''The Decoy'''. Even the German composer J.C. Bach (son of the more famous Johan Sebastian) penned a setting of this melody.
+|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
-<br>
+|image=TUC-160x120.png
-<br>
+|image_alt=Traditional universal music
-The name of the tune appears in a 1721 poetic address by Allan Ramsay addressed to the Edinburgh Musical Society.
+}}
-<blockquote>
+<!-- ************ PLEASE!!!!! ************* -->
-''While vocal tubes and consort strings engage''<br>
-''To speak the dialect of the Golden Age,''<br>
-''Then you whose symphony of souls proclaim''<br>
+<font face="sans-serif" size="4">
-''Your kin to heaven, add to your country's fame,''<br>
+<div class="noprint">
-''And show that musick may have so good fate''<br>
+<!-- SUBSTITUTE THE ABC NOTATION BELOW (BETWEEN THE <SECTION BEGIN /><SECTION END /> TAGS) WITH YOUR OWN NOTATION (IF ANY) -->
-''In Albion's glens, as Umbria's green retreat:''<br>
+[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
-''And with Corelli's soft Italian song''<br>
+</div>
-''Mix Cowden Knows, and Winter Nights are long.''<br>
+</font>
-</blockquote>
+<font face="sans-serif" size="2">
-''Printed sources:'' Playford, '''The English Dancing Master''' (1651) {appears as "The Bonny Bonny Broome"}. Ashman ('''The Ironbridge Hornpipe'''), 1991; No. 66-67, p. 26. Barnes ('''English Country Dance Tunes'''), 1986. Karpeles & Schofield ('''A Selection of 100 English Folk Dance Airs'''), 1951; p. 16. John Gay, '''The Beggar's Opera''' (1729) {appears as "O, the Broom"}. McGibbon ('''Scots Tunes, book III'''), 1762; p. 67.  Raven ('''English Country Dance Tunes'''), 1984; p. 55. Raven ('''English Country Dance Tunes'''), 1984; pp. 45 & 76. Sharp ('''Country Dance Tunes'''), 1909/1994; p. 34. Williamson ('''English, Welsh, Scottish and Irish Fiddle Tunes'''), 1976; p. 28.
+----
-<br>
+<section begin=abc />
-<br>
-''Recorded sources:'' Dorian 90238, The Baltimore Consort - "A Trip to Killburn." Flying Fish Records FF358, Robin Williamson - "Legacy of the Scottish Harpers, vol. 1." Green Linnet SIF 3037, Silly Wizard - "Golden, Golden" (1985). Harmonia Mundi 907101, The King's Noyse - "The King's Delight: 17c. Ballads for Voice and Violin Band" (1992. Appears as the tune for the song "The Lovely Northerne Lass").
-<br>
-<br>
 X:1
 T:Broom, the Bonny, Bonny Broom
@@ Line 50: / Line 46: @@
 S:Playford (1651)
 K:F
-c3dc3d|cBAG F4|f2fg agfe|d6e2|f3ga2ga|f2FG A2GF|G2G2d3B|G8||
+c3dc3d|cBAG F4|f2fg agfe|d6e2|
-<br>
+f3ga2ga|f2FG A2GF|G2G2d3B|G8||
-<br>
+<section end=abc />
+<section begin=X1 />
+X:1
+T:Broom of Cowden knows
+M:C
+L:1/8
+B:Alexander Stuart – “Musick for Allan Ramsay’s Collection, part 2” (Edinburgh, c. 1724, pp. 26-27)
+F: https://digital.tcl.sc.edu/digital/collection/rbc/id/2966
+Z:AK/Fiddler’s Companion
+K:Emin
+V:1
+E3F A3B|AFE>D D2 dA|B2 de f2 e>d|B6 d2|
+A>Bd>e f2 e>d|d2 DE F2 ED|G3A BcdF |E6z2:|
+|:E3F A3B|(A/B/A/)F/ (G/F/)E/D/ D2 dA|B2 de (f>g) e>d|B6d2|
+ABde f2 e>d|(d^c) B(A/G/) F3F|G3A (B/c/B/c/) dF|E6z2:|
+V:2  clef=bass
+E,2B,,2E,,2G,,2|D,2A,2D,2F,2|G,2F,2D,2A,,2|B,,F,D,F, B,2B,,2|
+D,2 F,,2D,,2A,,2|F,,2A,,2D,2A,2|E,2F,2G,2B,2|E,B,,G,,B,, E,,2z2:|
+|:E,2E,,2F,2G,2|D,2A,,2D,,2F,,2|G,,2F,,2D,,2A,,2|B,,2 G,^A, B,2 F,E,|
+D,2 F,E, D,2A,2|B,A,G,E, D,E,F,D,|E,2F,2 G,A,B,B,,|E,4E,,4:|
+<section end=X1 />
+<section begin=X2 />
 X:2
 T:Broom of the Cowdenknows, The
@@ Line 61: / Line 78: @@
 D3E G3A|GED>C C2 cG|A2 cd e2 d>c|A6 c2|
 (G>A) (c>d) e2 (d>c)|c2 CD E2 DC|(F3G) (AB)(cE)|D8||
+<section end=X2 />
-</font></p>
+<section begin=X2a />
+X:1
-----
+T:Broom of the Cowdenknows
+M:Cd
-<pre>
+L:1/8
+R:Air
+Q:"Slow"
+B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 13)
+F: https://vmirror.imslp.org/files/imglnks/usimg/b/b0/IMSLP94625-PMLP194938-Barsanti_A_Collection_of_Old_Scots_Tunes.pdf
+N:Francis Barsanti  (1690-1775) was  an Italian flautist, oboist and composer who spent
+N:most of his life in London and Edinburgh.
+Z:AK/Fiddler’s Companion
+K:Dmix
+V:1
+A3B d3Je|d>BTA>G G2 g>d|e2 g>a {ga}b2 T(a>g)|Te6 g2|
+d>eg>a Jb2 T(a>g)|g2 G>A {c}B2 T(A>G)|c3d e>fg>B|A4:|]
+V:2 clef = bass
+D2C2 B,<A,B,C|D2D,2 G,A,B,G,|C,2 zD, G,2G,,2|C,2 CB, CDEC|
+B,3C D2 D,2|G,4 _F4|E,D,E,B,, C,2G,,2|D,4:|]
+<section end=X2a />
+<section begin=X3 />
+X:1
+T:Broom of Cowdon Knows, The
+M:C
+L:1/8
+R:Air
+B:Oswald – Caledonian Pocket Companion, Book 6 (1760, p. 21)
+Z:AK/Fiddler’s Companion
+K:Ador
+A3B d3e|(d<B) (c>B) B2 g<d|{d}e2 g>a {ga}b2 Ta>g|e4 z2g2|
+d>eg>a {ga}b2 Ta>g|(gf)(ed) B2 A>G|c3d (ed/e/) gB|{B}A4z2:|
+|:B2|(GA)(AB) dB (ge/g/)|{e}d(B/d/) {B}AG G2d2|(e/g/f/a/ g/b/a/c'/) (ba)(gf)|
+e4 z2d2|g3a (g/a/b) a>g|g2 G>A {c}TB2 TA>G|c3d (e<g)(d<B)|{B}A4a2:|]
+<section end=X3 />
+<section begin=X5 />
 X:3
 T:Broom of the Cowdon knows, The
@@ Line 72: / Line 119: @@
 L:1/8
 R:Air
-N:"Slow"
+Q:"Slow"
 S:McGibbon - Scots Airs, book III, p. 67  (1762)
 Z:AK/Fiddler's Compainon
 K:Dmix
-A3Bd3e | (dB) !trill!(A>G) G2 (g>d) | e2(g>a) b2 !trill!(a>g) | {g}e6g2 |
+A3Bd3e | (dB) T(A>G) G2 (g>d) | e2(g>a) b2 T(a>g) | {g}e6g2 |
-(d>e)(g>a) b2 !trill!(ag) | g2 (G>A) B2 !trill!(A>G) | ~c3d (efg)B | {B}A8 :||
+(d>e)(g>a) b2 T(ag) | g2 (G>A) B2 T(A>G) | ~c3d (efg)B | {B}A8 :||
+<section end=X5 />
-</pre>
+<section begin=X7 />
-----
+X:1
-<p><font face="garamond, serif" size="4">
+T:Broom on Cowdenknows, The
-'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
+M:C
-<br>
+L:1/8
-Engraver Valerio M. Pelliccioni
+R:Air
-</font></p>
+B:John Moore music manuscript (Shropshire c. 1837-40, Book 2, p. 66)
+B: https://www.vwml.org/topics/historic-dance-and-tune-books/Moore2
+Z:AK/Fiddler’s Companion
+K:G
+(d<c)|(B<G)(A<c) {c}B2 A<G|(B<d)(c<e) {e}d2 (c<B)|e<gc<e A<c[EB]<A|G2F2 z2A2|
+(d<A)(B>c) (B<G)(B<d)|(g<d)(e<=f) {f}e3^f|(g<e)(f<d) (B<g)(e<c)|^c2d4 z2 d=c|
+Bd GB EG ce|dB GB c3B|(ce)(dB) (Ac)(BG)|{G}F4 z2d2|
+(gf)d'f (fe) c'e|(ed) b c (cB) g c|(3Bge (3dBG (E<c)(A<F)|g4 z4|
+(d<B)(B<G) e3g|(d<B)(B<G) g3d|e3d (cB)(AG)|{G}F4 z2d2|
+(gf) d'f2 fe c'e2|(ed) bc2 (cB)gc|(3Bge (3dBG (E<c)(A<F)|{F}G3 z2d2|
+(gf)(d'f) (fe)(c'e)|(ed)(bc) (cB)(gc)|(3Bge (3dBG (E<c)(A<F)|G4z2!D.C.!:|]
+<section end=X7 />
+<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED -->
+<section begin=X1 />
+<section end=X1 />
+</font>
+<font face="sans-serif" size="4">
+<div class="noprint">
+[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]
+</div>
+</font>
+__NOTITLE__