Bonnie Annie (3): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Bonnie Annie (3) | |f_tune_title=Bonnie Annie (3) | ||
|f_aka=Bí Liom, Bonny Ann, Crooked Reel (The), Dinny Delaney's (2), Lethen's Reel, Flip McGilder's Reel, Follow Me Down to Carlow (1), Follow Me Down to Carlow (2), Ríl Cam (An), Miss Murphy (2), | |f_aka=Bí Liom, Bonny Ann, Bonny Mary (2), Crooked Reel (The), Dinny Delaney's (2), Lethen's Reel, Flip McGilder's Reel, Follow Me Down to Carlow (1), Follow Me Down to Carlow (2), Ríl Cam (An), Lord Kilbeck's Reel, Miss Murphy (2), Bonny Anna, | ||
|f_composer=Daniel Dow | |f_composer=Daniel Dow | ||
|f_country=Scotland | |f_country=Scotland | ||
Line 11: | Line 11: | ||
|f_mode=Aeolian (minor) | |f_mode=Aeolian (minor) | ||
|f_structure=AABB | |f_structure=AABB | ||
|f_book_title= | |f_book_title=A Choice Collection of Scots Reels or Country Dances & Strathspeys etc. | ||
|f_collector= | |f_collector=Robert Ross | ||
|f_year= | |f_year=1780 | ||
|f_page= | |f_page=p. 38 | ||
|f_theme_code_index=115L7b 113b5 | |f_theme_code_index=115L7b 113b5 | ||
|f_score=1 | |||
}} | }} | ||
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X:1 | X:1 | ||
T:Bonny Annie | T:Bonny Annie [3] | ||
M:C| | M:C| | ||
L:1/8 | L:1/8 | ||
Line 45: | Line 50: | ||
|:g|e/f/g cg ecgc|BGdG Bcdg|ecgc egca|gede cAAg| | |:g|e/f/g cg ecgc|BGdG Bcdg|ecgc egca|gede cAAg| | ||
agea gced|cAGc EcGc|AcGA cdea|gede cAA:|] | agea gced|cAGc EcGc|AcGA cdea|gede cAA:|] | ||
</ | <section end=abc /> | ||
<section begin=X1 /> | |||
< | X:1 | ||
T:Bonny Annie [3] | |||
M:C| | |||
L:1/8 | |||
R:Reel | |||
B:Robert Ross – Choice Collection of Scots Reels or Country Dances | |||
B:& Strathspeys (Edinburgh, 1780, p. 38) | |||
Z:AK/Fiddler’s Companion | |||
K:Amin | |||
c|A/A/A (AG) EGGc|A/A/A (AB) cded|(c/B/A/B/ c).G EGGc|A/A/A (eg) aAA:| | |||
g|(e/f/g) (cg) ecgc|BGdG Bcdg|ecgc egca|gede cAAg| | |||
agea gced|cAGc EcGc|AcGc cdea|gede cAA|| | |||
<section end=X1 /> | |||
<section begin=X2 /> | |||
X:1 | |||
T:Bonny Annie | |||
T:Bonnie Ann [3] | |||
M:C| | |||
L:1/8 | |||
R:Reel | |||
B:Archibald Duff – Collection of Strathspey Reels &c. (1794, p. 20) | |||
Z:AK/Fiddler’s Companion | |||
K:Amin | |||
c|A/A/A A>G EGGc|A/A/A AB cded|d/c/B/A/ cG EGGc|A/A/A eg aAA:| | |||
g|e/f/g cg ecgc|BGdG Bcdf|ecgc egcg|aede cAAg| | |||
agea gBed|{c}c/B/A cG EGGc|A/B/c GA cdea|gede cAA|| | |||
<section end=X2 /> | |||
<section begin=X3 /> | |||
X:1 | |||
T:Bonny Annie [3] | |||
M:C | |||
L:1/16 | |||
R:Strathspey | |||
B:Robert Mackintosh – “A Fourth Collection of New Strathspey Reels, | |||
B:also some Famous old Reels” (1804, p. 34) | |||
N:Dedicated to the Dutchess [sic] of Manchester | |||
N:Robert “Red Rob” Mackintosh (c. 1745-1808) was a Scottish violinist and | |||
N:composer active in Edinburgh at the end of the 18th century. Originally from | |||
N:Tullymet, near Pitlochry, Perthshire. He moved to London in the last decade | |||
N:of his life. | |||
Z:AK/Fiddler’s Companion | |||
K:Amin | |||
c2|AAA2 T(A3G) EG3G3c|AAA2 (A3B) c3dec3|(dcBA c3)G EG3Gc3|AAA2 A3^g a2A2A2:| | |||
g2|efge cg3 e2c2g2c2|B2G2d2G2 B3cdf3|e2c2g3c eg3ca3|ge3d3e (c2A2A2g2)| | |||
a3gea3 gc3ed3|c3AGc3 Ec3Gc3|ABcA GA3 c3dea3|{a}g2fe {g}f2ed c2A2A2|| | |||
<section end=X3 /> | |||
<section begin=X4 /> | |||
X:1 | |||
T:Bonnie Ann [3] | |||
M:C | |||
L:1/8 | |||
R:Reel | |||
B:Alexander – “Alexander’s Fifty New Scotch & Irish Reels & Hornpipes” (c. 1826, No. 33, p. 16) | |||
Z:AK/Fiddler’s Companion | |||
K:Amin | |||
A/A/A AG EG G2|A/A/A AB c>de>d|cBcA EG G2|Aaa^g aA A2:|| | |||
(3efg cg ecgc|BGdG Bddf|ecgc egga|gede cAAg| | |||
a>ge>a g>e d>e|cBcG EG G2|A>cG>A c>de>a|g>ed>e cA A2|| | |||
<section end=X4 /> | |||
<section begin=X5 /> | |||
X:1 | |||
T:Bonnie Anna | |||
T:Bonnie Annie [3] | |||
M:C | |||
L:1/8 | |||
R:Reel | |||
S:John Rook music manuscript collection (1840, Waverton, Cumbria) | |||
Z:AK/Fiddler’s Companion | |||
K:G | |||
B|G/G/G BF DFFB|G/G/G BG Bcdc|BFBF DFFB|G/G/G gf gG G:|| | |||
f|d/e/f Bf dBfB AFcF B/c/e|ce/f/ Bf dBdg|fdcd BGGf| | |||
gfdf fddB|BGFB DBFB|G/G/G BF Bcda|fccd BG G2|| | |||
<section end=X5 /> | |||
<section begin=X6 /> | |||
X:1 | |||
T:Bonnie Annie [3] | |||
M:2/4 | |||
L:1/8 | |||
R:Reel | |||
N:"A Scotch Air" | |||
B:Saunders – New and Complete Instructor for the Violin (Boston, 1847, No. 27, p. 57) | |||
Z:AK/Fiddler’s Companion | |||
K:Amin | |||
(3.A/.A/.A/ {B}(A/G/) E/G/G/c/|(3A/A/A/ {B}(A/G/) c/d/e/d/|c/A/A/G/ E/G/G/a/|g/e/d/e/ (c/A/).A:| | |||
|:(e/g/)(c/g/) e/c/g/c/|B/G/d/G/ B/d/d/g/|e/c/g/c/ e/g/c/a/|g/e/d/e/ cA/A/a/| | |||
a/g/e/a/ g/c/e/d/|c/A/G/c/ E/A/G/c/|(3A/A/A/ {B}(A/G/) c/d/e/a/|g/e/d/e/ (c/A/).A:|] | |||
<section end=X6 /> | |||
<section begin=X7 /> | |||
X:1 | |||
T:Bonnie Annie | |||
M:2/4 | |||
L:1/8 | |||
R:Reel | |||
S:M.E. Eames music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 11) | |||
S: http://archive.org/details/MEEamesBook | |||
N:Eames was perhaps from Philadelphia | |||
Z:AK/Fiddler’s Companion | |||
K:Amin | |||
(3.A/.A/.A/ {B}(A/G/) E/G/G/c/|(3.A/.A/.A/ {B}(A/G/) c/d/e/d/|c/A/A/G/ E/G/G/a/|g/e/d/e/ (c/A/)A:| | |||
(e/g/)(c/g/) e/c/g/c/|B/G/d/G/ B/d/d/g/|e/c/g/c/ e/g/c/a/|g/e/d/e/ c/A/A/a/| | |||
g/f/e/a/ g/c/e/c/|c/A/G/c/ E/A/G/c/|(3.A/.A/.A/ {B}(A/G/) c/d/e/a/|g/e/d/e/ c/A/A|| | |||
<section end=X7 /> | |||
<section begin=X8 /> | |||
X:1 | |||
T:Bonny Anne | |||
T:Bonnie Annie [3] | |||
M:C | |||
L:1/8 | |||
R:Reel | |||
S:Rev. James Goodman music manuscript collection (vol. 2, p. 156) | |||
N:Canon Goodman was a uilleann piper and cleric who collected primarily | |||
N:in County Cork in the mid-19th century | |||
F:http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=159&z=1464.1112%2C852.6783%2C7429.8284%2C2584.8765 | |||
F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie | |||
Z:AK/Fiddler’s Companion | |||
K:Amin | |||
ABAG EG G2|ABAG cded|BABG EG G2|eaag aA A2:| | |||
|:cdef gfed|BABG EG G2|edcd ea a2|gede cA A2| | |||
agea gede|BABG EG G2|ABAG cdea|gede cA A2:|] | |||
<section end=X8 /> | |||
<section begin=X9 /> | |||
X:1 | |||
T:Bonny Anne | |||
T:Bonnie Annie [3] | |||
M:C| | |||
L:1/8 | |||
R:Reel | |||
S:Philip Carolan music manuscript collection | |||
N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate | |||
N:farmer and fiddler who compiled his ms. probably during 1863-1873. | |||
S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of | |||
S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology, | |||
S:2007, p. 66. Carolan ms. 1, No. 194. | |||
K:Ador | |||
A2 AG EF TG2|(3ABA AB (cd)ed|(cBc)G (EF)TG2|(ge)dB cA A2:| | |||
|:(ed)(cd) (ef)gd|(BAG)A (Bc)d2|(ed)(cd) (eg)fa|(ge)dB cA A2| | |||
agea (ge)de|(cB)cG EF TG2|((3ABA) AB (cd)ef|(ge)dB cA A2:| | |||
<section end=X9 /> | |||
<section begin=X9a /> | |||
X:1 | |||
T:Bonny Ann | |||
M:C | |||
L:1/8 | |||
R:Reel | |||
S:Philip Carolan music manuscript collection | |||
N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate | |||
N:farmer and fiddler who compiled his ms. probably during 1863-1873. | |||
S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of | |||
S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology, | |||
S:2007, p. 75. Carolan ms. 1, No. 228. | |||
K:Ador | |||
A3 (G EF)GB|A3 (B cd)ed|(cAB)(G E)G(ef)|(ge)dB (cA) A2:| | |||
|:(edc)(d ef)(gd)|(BA)GA (Bc) d2|(edc)(d eg)(fa)|(ge)dB (cA) A2| | |||
(age)(a ge)de|(cBc)(G EF)GB|A3 (B cd)(ef)|(ge)dB (cA)A2:|] | |||
<section end=X9a /> | |||
<section begin=X10 /> | |||
X:1 | X:1 | ||
T:Bonnie Annie [3] | T:Bonnie Annie [3] | ||
Line 59: | Line 219: | ||
g|e/f/g ce ecge | BGdG Bcdf | ecgc egca | gede cAAg | | g|e/f/g ce ecge | BGdG Bcdf | ecgc egca | gede cAAg | | ||
agea gced | cAGc EcGc |AcGA cdea | gede cAA || | agea gced | cAGc EcGc |AcGA cdea | gede cAA || | ||
<section end=X10 /> | |||
</ | <section begin=X11 /> | ||
---- | X:1 | ||
< | T:Bonnie Anne’s Reel | ||
N:Bonnie Annie [3] | |||
< | M:C | ||
L:1/8 | |||
</ | R:Reel | ||
S:Rev. Luke Donnellan – “Oriel Songs and Dances", | |||
S:Journal of the County Louth Archaeological Society (vol. II, No. 2, 1909; No. 92) | |||
Z:AK/Fiddler’s Companion | |||
K:Amin | |||
A/A/A AG EFGB|A/A/A AB cded|cBcG EFGB|eaag aAAB:| | |||
(3efg cg ecgc|(3Bcd Gc BGdG|gcec gcea|gede cAAg| | |||
agea gede|dBcG EFGB|A/A/A AG ABcd|eaag aAAc|| | |||
<section end=X11 /> | |||
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | |||
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__NOTITLE__ |
Latest revision as of 22:25, 26 January 2024
X:1 T:Bonny Annie [3] M:C| L:1/8 R:Reel B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 3 (Glasgow, 1788, No. 548, p. 209) N:”Humbly dedicated to the Volunteers and Defensive Bands of Great Britain and Ireland” Z:AK/Fiddler’s Companion K:Amin c|A/A/A A>G EGGc|A/A/A A>B c>ded|c/B/A/B/ cG E>GG>c|A/A/A eg a>AA:| |:g|e/f/g cg ecgc|BGdG Bcdg|ecgc egca|gede cAAg| agea gced|cAGc EcGc|AcGA cdea|gede cAA:|]
X:1
T:Bonny Annie [3]
M:C|
L:1/8
R:Reel
B:Robert Ross – Choice Collection of Scots Reels or Country Dances
B:& Strathspeys (Edinburgh, 1780, p. 38)
Z:AK/Fiddler’s Companion
K:Amin
c|A/A/A (AG) EGGc|A/A/A (AB) cded|(c/B/A/B/ c).G EGGc|A/A/A (eg) aAA:|
g|(e/f/g) (cg) ecgc|BGdG Bcdg|ecgc egca|gede cAAg|
agea gced|cAGc EcGc|AcGc cdea|gede cAA||
X:1
T:Bonny Annie
T:Bonnie Ann [3]
M:C|
L:1/8
R:Reel
B:Archibald Duff – Collection of Strathspey Reels &c. (1794, p. 20)
Z:AK/Fiddler’s Companion
K:Amin
c|A/A/A A>G EGGc|A/A/A AB cded|d/c/B/A/ cG EGGc|A/A/A eg aAA:|
g|e/f/g cg ecgc|BGdG Bcdf|ecgc egcg|aede cAAg|
agea gBed|{c}c/B/A cG EGGc|A/B/c GA cdea|gede cAA||
X:1
T:Bonny Annie [3]
M:C
L:1/16
R:Strathspey
B:Robert Mackintosh – “A Fourth Collection of New Strathspey Reels,
B:also some Famous old Reels” (1804, p. 34)
N:Dedicated to the Dutchess [sic] of Manchester
N:Robert “Red Rob” Mackintosh (c. 1745-1808) was a Scottish violinist and
N:composer active in Edinburgh at the end of the 18th century. Originally from
N:Tullymet, near Pitlochry, Perthshire. He moved to London in the last decade
N:of his life.
Z:AK/Fiddler’s Companion
K:Amin
c2|AAA2 T(A3G) EG3G3c|AAA2 (A3B) c3dec3|(dcBA c3)G EG3Gc3|AAA2 A3^g a2A2A2:|
g2|efge cg3 e2c2g2c2|B2G2d2G2 B3cdf3|e2c2g3c eg3ca3|ge3d3e (c2A2A2g2)|
a3gea3 gc3ed3|c3AGc3 Ec3Gc3|ABcA GA3 c3dea3|{a}g2fe {g}f2ed c2A2A2||
X:1
T:Bonnie Ann [3]
M:C
L:1/8
R:Reel
B:Alexander – “Alexander’s Fifty New Scotch & Irish Reels & Hornpipes” (c. 1826, No. 33, p. 16)
Z:AK/Fiddler’s Companion
K:Amin
A/A/A AG EG G2|A/A/A AB c>de>d|cBcA EG G2|Aaa^g aA A2:||
(3efg cg ecgc|BGdG Bddf|ecgc egga|gede cAAg|
a>ge>a g>e d>e|cBcG EG G2|A>cG>A c>de>a|g>ed>e cA A2||
X:1
T:Bonnie Anna
T:Bonnie Annie [3]
M:C
L:1/8
R:Reel
S:John Rook music manuscript collection (1840, Waverton, Cumbria)
Z:AK/Fiddler’s Companion
K:G
B|G/G/G BF DFFB|G/G/G BG Bcdc|BFBF DFFB|G/G/G gf gG G:||
f|d/e/f Bf dBfB AFcF B/c/e|ce/f/ Bf dBdg|fdcd BGGf|
gfdf fddB|BGFB DBFB|G/G/G BF Bcda|fccd BG G2||
X:1
T:Bonnie Annie [3]
M:2/4
L:1/8
R:Reel
N:"A Scotch Air"
B:Saunders – New and Complete Instructor for the Violin (Boston, 1847, No. 27, p. 57)
Z:AK/Fiddler’s Companion
K:Amin
(3.A/.A/.A/ {B}(A/G/) E/G/G/c/|(3A/A/A/ {B}(A/G/) c/d/e/d/|c/A/A/G/ E/G/G/a/|g/e/d/e/ (c/A/).A:|
|:(e/g/)(c/g/) e/c/g/c/|B/G/d/G/ B/d/d/g/|e/c/g/c/ e/g/c/a/|g/e/d/e/ cA/A/a/|
a/g/e/a/ g/c/e/d/|c/A/G/c/ E/A/G/c/|(3A/A/A/ {B}(A/G/) c/d/e/a/|g/e/d/e/ (c/A/).A:|]
X:1
T:Bonnie Annie
M:2/4
L:1/8
R:Reel
S:M.E. Eames music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 11)
S: http://archive.org/details/MEEamesBook
N:Eames was perhaps from Philadelphia
Z:AK/Fiddler’s Companion
K:Amin
(3.A/.A/.A/ {B}(A/G/) E/G/G/c/|(3.A/.A/.A/ {B}(A/G/) c/d/e/d/|c/A/A/G/ E/G/G/a/|g/e/d/e/ (c/A/)A:|
(e/g/)(c/g/) e/c/g/c/|B/G/d/G/ B/d/d/g/|e/c/g/c/ e/g/c/a/|g/e/d/e/ c/A/A/a/|
g/f/e/a/ g/c/e/c/|c/A/G/c/ E/A/G/c/|(3.A/.A/.A/ {B}(A/G/) c/d/e/a/|g/e/d/e/ c/A/A||
X:1
T:Bonny Anne
T:Bonnie Annie [3]
M:C
L:1/8
R:Reel
S:Rev. James Goodman music manuscript collection (vol. 2, p. 156)
N:Canon Goodman was a uilleann piper and cleric who collected primarily
N:in County Cork in the mid-19th century
F:http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=159&z=1464.1112%2C852.6783%2C7429.8284%2C2584.8765
F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie
Z:AK/Fiddler’s Companion
K:Amin
ABAG EG G2|ABAG cded|BABG EG G2|eaag aA A2:|
|:cdef gfed|BABG EG G2|edcd ea a2|gede cA A2|
agea gede|BABG EG G2|ABAG cdea|gede cA A2:|]
X:1
T:Bonny Anne
T:Bonnie Annie [3]
M:C|
L:1/8
R:Reel
S:Philip Carolan music manuscript collection
N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate
N:farmer and fiddler who compiled his ms. probably during 1863-1873.
S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of
S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology,
S:2007, p. 66. Carolan ms. 1, No. 194.
K:Ador
A2 AG EF TG2|(3ABA AB (cd)ed|(cBc)G (EF)TG2|(ge)dB cA A2:|
|:(ed)(cd) (ef)gd|(BAG)A (Bc)d2|(ed)(cd) (eg)fa|(ge)dB cA A2|
agea (ge)de|(cB)cG EF TG2|((3ABA) AB (cd)ef|(ge)dB cA A2:|
X:1
T:Bonny Ann
M:C
L:1/8
R:Reel
S:Philip Carolan music manuscript collection
N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate
N:farmer and fiddler who compiled his ms. probably during 1863-1873.
S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of
S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology,
S:2007, p. 75. Carolan ms. 1, No. 228.
K:Ador
A3 (G EF)GB|A3 (B cd)ed|(cAB)(G E)G(ef)|(ge)dB (cA) A2:|
|:(edc)(d ef)(gd)|(BA)GA (Bc) d2|(edc)(d eg)(fa)|(ge)dB (cA) A2|
(age)(a ge)de|(cBc)(G EF)GB|A3 (B cd)(ef)|(ge)dB (cA)A2:|]
X:1
T:Bonnie Annie [3]
M:C|
L:1/8
R:Reel
B:Stewart-Robertson - The Athole Collection (1884)
Z:AK/Fiddler's Companion
K:Amin
B/c/ | A/A/A AG EGGc | A/A/A AB cded | cBcG EGGc | A/A/A e^g aAA :|
g|e/f/g ce ecge | BGdG Bcdf | ecgc egca | gede cAAg |
agea gced | cAGc EcGc |AcGA cdea | gede cAA ||
X:1
T:Bonnie Anne’s Reel
N:Bonnie Annie [3]
M:C
L:1/8
R:Reel
S:Rev. Luke Donnellan – “Oriel Songs and Dances",
S:Journal of the County Louth Archaeological Society (vol. II, No. 2, 1909; No. 92)
Z:AK/Fiddler’s Companion
K:Amin
A/A/A AG EFGB|A/A/A AB cded|cBcG EFGB|eaag aAAB:|
(3efg cg ecgc|(3Bcd Gc BGdG|gcec gcea|gede cAAg|
agea gede|dBcG EFGB|A/A/A AG ABcd|eaag aAAc||